Top 1200 History And Culture Quotes & Sayings

Explore popular History And Culture quotes.
Last updated on November 21, 2024.
...culture is useless unless it is constantly challenged by counter culture. People create culture; culture creates people. It is a two-way street. When people hide behind a culture, you know that's a dead culture.
France and the whole of Europe have a great culture and an amazing history. Most important thing, though, is that people there know how to live! In America they've forgotten all about it. I'm afraid that the American culture is a disaster.
To believe that I could, at twenty-three, sacrifice history and culture for the Absolute was further proof that I had not understood India. My vocation was culture, not sainthood.
Over the course of my 20-year history as an executive in the music business and as the owner of a firm that specializes in in-culture advertising, I have come to the conclusion that the Grammy Awards have clearly lost touch with contemporary popular culture.
In a modern world, increasingly filled with pop culture fads and gimmicks, Lisa Morton reveals much of the underbelly history and unknown facts regarding the biggest pop culture event in history-Halloween. Her sheer delight and well-researched enthusiasm in tackling many of the unrecognized aspects of this monstrous topic makes one wonder what we don't know about everything else that should be as commonplace to our psyche as a bag of candy.
No culture in history has ever embraced moral relativism and survived. Our own culture, therefore, will either (1) be the first, and disprove history's clearest lesson, or (2) persist in its relativism and die, or (3) repent of its relativism and live. There is no other option.
I write characters focusing on them as human beings, and then you wrap them within a culture. So I think I can connect with him as a person with brown skin who's viewed differently by the world. In terms of his culture, we're thinking about where we are locating Wakanda within the continent, and what the people and history of that region are like. It's a process of investigation to help inform the story at this point. But we are going to be engaged with consultants who are experts on the continent and on African history and politics.
Culture is simultaneously the fruit of a people's history and a determinant of history. — © Amilcar Cabral
Culture is simultaneously the fruit of a people's history and a determinant of history.
Long a student and admirer of the American West, its history, its art, its culture, its cast of personalities, I'm aware that in the West a great confluence of events and people combined to create something unique in the annals of human history.
The word of God is definitely above culture, in terms of what or who should have authority in our lives. However, we must remember that we are within culture, and our calling in Christ is to play our part in the redemption and transformation of individuals and cultures. I believe the recent history of the religious subculture teaches all too clearly that unless we are moving forward in seeking the genuine transformation of culture, then we are standing still and it is transforming us.
Eight Hours For What We Will is a major contribution to modern American working-class history and to the history of a changing American popular and mass culture.
Truth can never be confined to time and culture; in history it is known, but it also reaches beyond history.
The things that inform student culture are created and controlled by the unseen culture, the sociological aspects of our climbing culture, our 'me' generation, our yuppie culture, our SUVs, or, you know, shopping culture, our war culture.
What gay culture is before it is anything else, before it is a culture of desire or a culture of subversion or a culture of pain, is a culture of friendship.
I had mentors, growing up in gay life - older gay men who told me about our history and the history of art and culture - but somehow, the younger generation missed out on that synergy.
The first step in liquidating a people is to erase its memory. Destroy its books, its culture, its history. Then have somebody write new books, manufacture a new culture, invent a new history. Before long that nation will begin to forget what it is and what it was... The struggle of man against power is the struggle of memory against forgetting.
You can take things from the past, from the culture, from the immediate past and things that have not yet entered the culture, so they have no history yet. You can create your own context.
I think one of the reasons anti-immigration state laws start to happen is they happen in states where there is an enormous influx. In these places, the dominant culture, the Anglo culture has held sway for such a very, very long time. Now, they are living in another culture, another language. They fear losing dominance and control. It is sadly human nature to find a group to scapegoat. This happens throughout man's history.
It is neither a culture of confrontation nor a culture of conflict which builds harmony within and between peoples, but rather a culture of encounter and a culture of dialogue; this is the only way to peace.
Probably the greatest tragedy of the church throughout its long and checkered history has been its constant tendency to conform to the prevailing culture instead of developing a Christian counter-culture .
The history of the Church has been a history of divisiveness, repression and reaction. For almost 2000 years, Christianity has held mankind back in politics, in economics, in industry, in science, in philosophy, in culture.
In world history, those who have helped to build the same culture are not necessarily of one race, and those of the same race have not all participated in one culture.
The history of modern culture is a history of popular entertainments evolving into art.
I lived in Italy for quite a while and married an Italian woman. While there, I immersed myself in the complete culture: the music, art, literature, film, food, and history. It's easy to fall in love with. As a country, Italy does a good job of holding onto its rich traditions and culture. There's a real lack of embracing history in America.
Consider the bloody history of Europe: there was a great aspiration for high culture, yet this very same culture was shaped by brutality and barbarism.
China's culture and history are closely related to my living environment. This country is my birthplace. It is also where I grew up. Its culture and history shape my relations with family, friends, society, and daily life.
In high school, I loved history. I also loved cosmography, algebra. Mexico is so rich in culture and history, and I have always enjoyed that.
I love California. It has such a strong contribution to the history of culture, and popular culture. For better and worse, of course. Even the worst can be interesting to some degree sometimes for somebody creative.
Culture is a window reflecting the history, culture and spiritual world of a nation, .. Cultural exchange is a bridge to enhance the mutual understanding and friendship between the people of different nations.
We should never denigrate any other culture but rather help people to understand the relationship between their own culture and the dominant culture. When you understand another culture or language, it does not mean that you have to lose your own culture.
Especially when we're dealing with issues of race, culture, identity, and history, the time has passed for the 'white savior' holding the black person's hand through their own history.
France, and the whole of Europe have a great culture and an amazing history. Most important thing though is that people there know how to live! In America they've forgotten all about it. I'm afraid that the American culture is a disaster.
All other forms of history - economic history, social history, psychological history, above all sociology - seem to me history with the history left out.
Anybody who comes to the cinema is bringing they're whole sexual history, their literary history, their movie literacy, their culture, their language, their religion, whatever they've got. I can't possibly manipulate all of that, nor do I want to.
You often hear attacks on international adoption as robbing a child of his or her culture, and that's both true and false. It's true that an internationally adopted child loses the rich background of history and religion and culture and language that the child was born into, but the cruel fact is that most children don't have access to the local, beautiful culture within an orphanage.
I've always tried to write California history as American history. The paradox is that New England history is by definition national history, Mid-Atlantic history is national history. We're still suffering from that.
I think fashion is probably one of the most accessible and immediate forms of visual culture. In 1978, when I realized that I wanted to work on fashion, I had gone to Yale to get my Ph.D. in European cultural history. I suddenly realized fashion's part of culture, and I can do fashion history. All my professors thought this was a really bad idea, that fashion was frivolous and unimportant. And, increasingly over time, people have recognized that it provides such a mirror to the way we think, our values and attitudes.
One of the things I recognized early on, doing whatever studies of black history I have, is that even though black folks were transported as slaves, into servitude, when they were carried out of Africa they left empty-handed, but they didn't leave empty-headed. They carried with them the culture they knew, the culture they had, and that culture reconstituted itself in all the places they went.
Black culture is pop culture, Black History Month is every month, and that's something they want us to forget. What better way to remember than to highlight all of our differences as a singular people across the globe?
The South is about the abundance, beauty, and richness of Southern culture, but also its dark underside. The history of Southern food reflects the history of slavery, of poverty, of the negotiation of power.
I'm the black dude that loves old black culture. I also love old white culture. I just love history, but I'm the guy that wants to bring things back and push them forward.
Of course, nobody would deny the importance of human beings for theological thinking, but the time span of history that theologians think about is a few thousand years of human culture rather than the fifteen billion years of the history of the universe.
I am imprinted with the whole sense of European history, especially German history, going back to World War I, which really destroyed all the old values and culture. My grandparents had been reasonably well-off but they became quite poor, living in an attic apartment.
To control a people you must first control what they think about themselves and how they regard their history and culture. And when your conqueror makes you ashamed of your culture and your history, he needs no prison walls and no chains to hold you.
If people are eating mostly pickles after many generations, where did that come from? It's reflective of history, often a painful history. It's central to a culture, to a history, to a personal story. It's communication at its most fundamental.
History has shown that one cannot legislate a culture of integrity. And yet, one of the paramount responsibilities and challenges of corporate leadership is to ensure such a culture.
At the beginning of my career as a writer, I felt I knew nothing of Chinese culture. I was writing about emotional confusion with my mother related to our different beliefs. Hers was based in family history, which I didn't know anything about. I always felt hesitant in talking about Chinese culture and American culture.
Many teachers of the Sixties generation said "We will steal your children", and they did. A significant part of America has converted to the ideas of the 1960s - hedonism, self-indulgence and consumerism. For half of all Americans today, the Woodstock culture of the Sixties is the culture they grew up with - their traditional culture. For them, Judeo-Christian culture is outside the mainstream now. The counter-culture has become the dominant culture, and the former culture a dissident culture - something that is far out, and 'extreme'.
It is simply that we treat Japanese history, the history of the Japanese people and its unique culture with greater respect and interest. This generates enormous interest in Russia!
History and geology show what an eyeblink it's been since our current, comfortable culture came about. And yet that culture is using up absolutely everything at a ferocious rate.
I soon began to sense a fundamental perceptual difficulty among male scholars (and some female ones) for which 'sexism' is too facile a term. It is really an intellectual defect, which might be termed 'patrivincialism' or patrochialism': the assumption that women are a subgroup, that men's culture is the 'real' world, that patriarchy is equivalent to culture and culture to patriarchy, that the 'great' or 'liberalizing' periods of history have been the same for women as for men.
Since the 1960s, mainstream media has searched out and co-opted the most authentic things it could find in youth culture, whether that was psychedelic culture, anti-war culture, blue jeans culture. Eventually heavy metal culture, rap culture, electronica - they'll look for it and then market it back to kids at the mall.
Clearly, in every civilized culture since recorded history, marriage is always between a man and a woman. And the fact that we're trying to change it is very serious, because the family is the foundational institution in our culture.
Culture survives in smaller spaces - not in the history books that erect monuments to the nation's grand history but in cafes and cinema houses, village squares, and half-forgotten libraries.
There's a rich history at Westboro of parodying pop culture. The thing about pop culture is that it gives us a shared language. We were constantly trying to co-opt things that were popular to deliver our own message.
Culture is the most potent method of adaptation that has emerged in the evolutionary history of the living world. - Theodosius Dobzhanksky...the 'facts' of culture history are interpretations based upon assumed culture process.
I was a history major in school. I review the past a lot and think about music history and how culture unfolds. — © Bruce Pavitt
I was a history major in school. I review the past a lot and think about music history and how culture unfolds.
Better than anything else in our culture, it enables fathers and sons to speak on a level playing field while building up from within a personal history of shared experience - a group history - that may be tapped into at will in years to come.
Larry Summers, I think, he had a long history of arrogance and relative ignorance about poor people's culture and working people's culture and so forth.
In the Afghan people, I found the most resilient, welcoming people who, for the first time in my career, never judged me over my right to tell this story - as a woman or a foreigner. A people who cherish their culture and history and the films that have captured that culture.
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