Top 1200 History Of Love Quotes & Sayings - Page 2

Explore popular History Of Love quotes.
Last updated on November 15, 2024.
Universal history, the history of what man has accomplished in this world, is at bottom the History of the Great Men who have worked here.
Music expresses feeling, that is to say, gives shape and habitation to feeling, not in space but in time. To the extent that music has a history that is more than a history of its formal evolution, our feelings must have a history too. Perhaps certain qualities of feeling that found expression in music can be recorded by being notated on paper, have become so remote that we can no longer inhabit them as feelings, can get a grasp of them only after long training in the history and philosophy of music, the philosophical history of music, the history of music as a history of the feeling soul.
I would love to be an historian. I'm a bit of a history geek and love books and programmes on the subject. — © Greg Rutherford
I would love to be an historian. I'm a bit of a history geek and love books and programmes on the subject.
Power properly understood is nothing but the ability to achieve purpose... one of the great problems of history is that the concepts of love and power have usually been contrasted as opposites --- polar opposites --- so that love is identified with a resignation of power, and power with a denial of love... What is needed is a realization that power without love is reckless and abusive, and love without power is sentimental and anemic. Power at its best is love implementing the demands of justice, and justice at its best is power correcting everything that stands against love.
the beginning of my history is - love. It is the beginning of every man and every woman's history, if they are only frank enough to admit it.
I am opposing it with an idea of the history of philosophy as a history of philosophers, that is, a history of mortal, fragile and limited creatures like you and I. I am against the idea of clean, clearly distinct epochs in the history of philosophy or indeed in anything else. I think that history is always messy, contingent, plural and material. I am against the constant revenge of idealism in how we think about history.
History is a commentary on the various and continuing incapabilities of men. What is history? History is women following behind with the bucket.
I love the history of popular music. I love to know what people are listening to, even if I don't like it.
Most of us, I think, are conscious of history swirling around outside the door, but when we're in the house, we're usually not dealing with history. We're not thinking about history.
History has never seen Emmitt Smith. I don't care what has come before me. That's why they call it history you create new history.
In order to live in a different country, you have to love something there. You have to love something there. You have to love either the spirit of the laws or the economic opportunities, or the - well, history of the country, the language perhaps, literature.
I love the Shakespeare history plays; I love the struggle for the crown as a plot.
All of history misses out on the history of the soul. Human passions are so often not included in history.
If you really want to be part of something and you have that much passion towards it, you'll know enough to research it and find the history of it; and history is so important, history is everything.
There is no history of mankind, there are only many histories of all kinds of aspects of human life. And one of these is the history of political power. This is elevated into the history of the world.
I'm a big tradition guy. If you love this country and study history, then you will love Boston. — © Marcus Luttrell
I'm a big tradition guy. If you love this country and study history, then you will love Boston.
History, when they do it, is ancient history, and they sensationalize even that. Contemporary history is virtually ignored on television.
We know enough of our own history by now to be aware that people exploit what they have merely concluded to be of value, but they defend what they love. To defend what we love we need a particularizing language, for we love what we particularly know.
I would love to play Nefertiti or Cleopatra or the Queen of Sheba. We preserve more male history than we do female. We have to preserve [female history]. No more complaining. We have to do it.
There has always been interest in certain phases and aspects of history - military history is a perennial bestseller, the Civil War, that sort of thing. But I think that there is a lot of interest in historical biography and what's generally called narrative history: history as story-telling.
One of the things I know from the study of history is that history surprises you. History is not written. It's not inevitable.The victory of evil is not certain.
I want to make it clear that the black race did not come to the United States culturally empty-handed. The role and importance of ethnic history is in how well it teaches a people to use their own talents, take pride in their own history and love their own memories.
I love the Shakespeare history plays, I love the struggle for the crown as a plot.
A promise, a bond, a joy, a love for the ages, for the history books.…But what was love but pain?
Despite my critical take on the city, I love Delhi, on the whole - love its monuments, love how easily graspable the city's turbulent history is. The negative things I write about are considered normal here.
Koreans love to dance; they love to sing. If you actually know Koreans, you see how absurd the stereotype of the 'Asian robot' is. They love to laugh - they're very affectionate. Maybe because of their history of oppression, when they feel you are part of their tribe, they are intensely loyal. I love that about Koreans!
I was always pretty interested in my history. Not just the history of the Caribbean, the history of my people, but all walks of life.
So don't get me wrong, I love my songs, and I still love hearing them. That's history, baby.
I love history. I love art. I like to mix it all together, but in the end it somehow has to all make sense.
Michelle Obama is Superwoman. What can't she do? That's why people love her. She can be on the Supreme Court and anywhere else she wants. She can be the president. She's history and she'll stay history because she is so amazingly smart and together.
There's a lot we should be able to learn from history. And yet history proves that we never do. In fact, the main lesson of history is that we never learn the lessons of history. This makes us look so stupid that few people care to read it. They'd rather not be reminded. Any good history book is mainly just a long list of mistakes, complete with names and dates. It's very embarrassing.
What I love about the stories of the Great Migration is that this is not ancient history; this is living history. Most people of color can find someone in their own family who had experienced a migration of some kind, knowing the sense of dislocation, longing and fortitude.
Not unlike our country's history, my personal history was founded upon an unfortunate history of racial conflict between black and white.
The history of the world suggests that without love of God there is little likelihood of a love for man that does not become corrupt.
The colonists usually say that it was they who brought us into history: today we show that this is not so. They made us leave history, our history, to follow them, right at the back, to follow the progress of their history.
I am interested in constitutional history, political history, the history of foreign affairs, but I think you can get at those subjects through the details of daily life.
The history of science, like the history of all human ideas, is a history of irresponsible dreams, of obstinacy, and of error.
I'd done a lot of research in Hollywood and in academia. I love research and so I wanted to kind of ground the book in history, in things that I read that were universal and timeless and then kind of let my own experiences sort of filter through all of this history.
The marriage tie becomes possessed of a history and takes to itself traditions. This history and these traditions form a great fund, to which changing conditions and growing imagination constantly add. And the traditions, more especially, bear heavily upon the individual, overmastering his natural expression of the love instinct and forcing him to an artificial expression of that love instinct. He loves, not as his savage forbears loved, but as his group loves.
With period dramas, it's very easy to get excited because I love to do them. I'm a history nut and I love to immerse myself in the research. — © Clive Standen
With period dramas, it's very easy to get excited because I love to do them. I'm a history nut and I love to immerse myself in the research.
Black History is enjoying the life of our ancestors who paved the way for every African-American. No matter what color you are, the history of Blacks affected everyone; that's why we should cherish and respect Black history. Black history changed America and is continuing to change and shape our country. Black history is about everyone coming together to better themselves and America. Black history is being comfortable in your own skin no matter what color you are. Black history makes me proud of where I came from and where I am going in life.
I love Boston. I love Fenway Park. I love Red Sox history. But in no way am I a Red Sox fan.
As people of color, we're left out of history. History is sort of told around us. We're bystanders, we're passive, we're observers. We're never the center of our history.
We know only a single science, the science of history. History can be contemplated from two sides, it can be divided into the history of nature and the history of mankind. However, the two sides are not to be divided off; as long as men exist the history of nature and the history of men are mutually conditioned.
women have no existence except in love; the history of their life begins and ends with love!
I love Montreal. I love the people, I love the history.
I do love violets; they tell the history of woman's love.
When we approach history, we are dealing with a conglomeration of irrational continua. Those who deal with history by nonrational processes are the ones who make history, the actors in it.
I feel history is more of a story than a lesson. I know this idea of presentism: this idea of constantly evoking the past to justify the present moment. A lot of people will tell you, "history is how we got here." And learning from the lessons of history. But that's imperfect. If you learn from history you can do things for all the wrong reasons.
I like historical pieces. History was my favorite subject in school, it was the only subject I excelled in. I love the idea of history and the idea that we may have the opportunity to learn from our past mistakes.
'London' is a gallery of sensation of impressions. It is a history of London in a thematic rather than a chronological sense with chapters of the history of smells, the history of silence, and the history of light. I have described the book as a labyrinth, and in that sense in complements my description of London itself.
There is only one history of any importance, and it is the history of what you once believed in, and the history of what you came to believe in. — © Kay Boyle
There is only one history of any importance, and it is the history of what you once believed in, and the history of what you came to believe in.
I love histories. I love learning. I love books that talk about people who made a real impact on history, because it always has to do with who they were at that time and what their personalities were like and what their strengths and weaknesses were.
The moment I realised that my history was an excuse for nothing, was the moment I was freed from my history. The great danger of history is that we use it as an excuse and remain trapped in it. I cannot blame my history for anything, and therefore I have to have high standards for myself.
London' is a gallery of sensation of impressions. It is a history of London in a thematic rather than a chronological sense with chapters of the history of smells, the history of silence, and the history of light. I have described the book as a labyrinth, and in that sense in complements my description of London itself.
I love myself, I love my skin, and I love my history. I'm grateful for who I am, grateful for the people who made me, my ancestors, and I wouldn't change a thing.
I love the quality, feel and history of film. I love the pictures of the giant cameras and the way it was.
Environmental history fit[s] into the framework of New Left history. [It is] history "from the bottom up," except that here the exploited element [is] the biota and the land itself.
Love one another. My final lesson of history is the same as that of Jesus. You may think that's a lot of lollipop but just try it. Love is the most practical thing in the world. If you take an attitude of love toward everybody you meet, you'll eventually get along.
I think the history of the world suggests if one studies the Romans, and one studies the early Greeks, and one studies the history of the world, they all eventually falter if they don't come back to the basic aspect of integrity and honor and feelings of love one for another.
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