Top 1200 Hoarse Voice Quotes & Sayings - Page 10

I really enjoy picking up the physical rhythm of somebody else, speaking with their voice. I've never done in anything in my own voice, and I can't imagine what that would be like. It would be weird, I guess.

There are, for example, so many kinds of tongues in this world; and none is without voice. If then I know not the power of the voice, I shall be to him to whom I speak a barbarian; and he that speaketh, a barbarian to me.

I own no TV stations, or Radio Stations or Newspapers. But I feel that people need to be educated as to what is going on, and to understand the connection between the news media and the instruments of repression in Amerika. All I have is my voice, my spirit and the will to tell the truth. But I sincerely ask, those of you in the Black media, those of you in the progressive media, those of you who believe in true freedom, to publish this statement and to let people know what is happening. We have no voice, so you must be the voice of the voiceless.

I was thinking about the difference in voice between the different characters. Each voice has to be unique. Hypothetically you should be able to read each chapter without the heading that tells you who is telling the story.

Along the way, I've had different advice from different music producers. I've been told to tone it down, that the quiet parts of my voice are appealing and there's harshness to the loud part of my voice.

It may well be that by trickery of priests men have sometimes taken a mortal's voice for a god's. But it will not work the other way. No one who hears a god's voice takes it for a man's.

I try to look after my voice. I am very aware that if I am going to be doing a voice over the next day or on the radio, not to go out to a really noisy place or shout.

As mayor I don't intend to be just a voice for Portland. I intend to be a voice for urban America.

We learn a language through its song, and even if you don't have music you have the song of people you love's voice, and you'll notice that song in their voice.

I have an opportunity to give a voice to those who have no voice. Even though film production wasn't a bucket list item for my life, what I have been passionate about is creating change and impacting society - especially bringing conversations forward on formerly taboo subjects.

Criticism is, for me, like essay writing, a wonderful way of relaxation; it doesn't require a heightened and mediated voice, like prose fiction, but rather a calm, rational, even conversational voice.

I will go down as the voice of this generation, of this decade, I will be the loudest voice.

After [Bill Shawn] was fired, I was going to the YMHA [Young Men's Hebrew Association] on the Upper East Side to do a talk on free speech.I went into a coffee shop to get a piece of pie and a coffee, and I was reading a paper and I hear a voice. And it was -it was not a voice I was familiar with, but I looked across the table and I saw Lilian Ross.And sitting next to her was William Shawn - no tie, needed a shave. His voice was kind of coarse and rather loud. He wasn't drunk, but I was just stunned.

Trying to give an individual a voice has always kind of been my mission in my life. As an actor, I've always seen that was something that needed to be done. You need to find that voice inside of you so that you can stand up and be who you really are.

It is my birthright, it is my political right, it is my democratic right, it is my constitutional right... that I must open my mouth... my voice... I can raise my voice.

As a matter of fact, when compression technology came along, we thought the future in 1996 was about voice. We got it wrong. It is about voice, video, and data, and that is what we have today on these cell phones.

I put my energy, voice, and spirit into fighting for anybody who wants to speak their voice. I don't care what the right wing, the left wing, or the chicken wing has to say.

They will say I smoked cigarettes and marijuana, cursed hoarse as a crow in all my languages, and loved morphine and Demerol and tequila and pulque, women and men. I will shrug my illusion of shoulders and answer that I am a water woman, not a vessel, not something you can sail or charter. I am instead the tributary, the river, the fluid source, and the sea itself. I am all her rainy implications. And what do you, with your rusted compass, know of love?

But no one except Lucy knew that as it circled the mast it had whispered to her, "Courage, dear heart," and the voice, she felt sure, was Aslan's, and with the voice a delicious smell breathed in her face.

He’s speaking in the tone of voice that everyone uses when they’re about to break you apart. Gentle—kind, even—like they can make the news sound better just by speaking in a lullaby voice.

How am I doing so far?" she asked, forcing a cheerful lightness into her voice. "You're doing very well," Nick's lazy voice mocked. "I'm half convinced that I'm invisible.

For singers, our singing voice is our natural voice, not the speaking.

Our priorities should be: recognizing the voice of God and responding to the voice of God.

To be honest, there is a special gift for doing voice-overs, and the people who did the voices in the 'SpongeBob' cast are excellent at cartoon voice-overs, and they bring something extra to the reads.

People have to talk about something just to keep their voice boxes in working order so they'll have good voice boxes in case there's ever anything really meaningful to say.

Children have very little voice, and the coroner's inquest is about Luke's voice, and making sure Luke is heard and respected and honoured. I don't want him to have died in vain.

I have agreed to lend my voice to Nature's Guard, an animated series which hopefully will go into production in the near future. The characters are all animals. My voice will be for a character named Longtail.

Most of the books that I've written have been focused on, sort of, the individual, and sort of, either a voice, a personal voice, or a kind of transforming event where they step forward to fight for something they value.

Choosing the narrator for a first-person story like 'Downriver' is a crucial decision because the voice has to be one the reader wants to listen to, and the voice has to be a match for the emotion you want the story to carry.

I don't think that I'm a lone voice. I'm not even interested in being a lone voice.

I come from probably many generations of singers because my grandmother had a really incredible voice and sang in church. And my mother had a gorgeous voice and was always singing around the house.

Starting out, I bet I didn't get a lot of parts because of my strange voice. I'm not consciously thinking, 'Hey, sound like a squeaky dog toy mixed with a bagful of rusty nails.' It's just what my voice has done.

I'm not going to do anything that will damage my voice because my voice is my career and singing is my passion. I was singing in the cot and I'll still be singing when they're nailing down my coffin.

I'm not kidding myself. My voice alone is just an ordinary voice. What people come to see is how I use it. If I stand still while I'm singing, I'm dead, man. I might as well go back to driving a truck.

I sing the best when I'm really in my voice. It's kind of like I'm meditating but I sort of imagine my voice as a physical thing. I see colours, I feel it moving out of me and I try to tap into images that I was tapping into when I was writing the song.

I listened to that voice inside me-... Everyone has an inner voice; you just have to listen to it and trust it in order to be led by it. I did that, and it gave me the ability to live a life that's true to who I am and what I really wanted.

Some of the worst writing around suffers from inert verbs and the unintended use of the passive voice. Yet the passive voice remains an important arrow in the rhetorical quiver. After all, it exists for a reason.

There is a certain highlighting of issues, be it emotional, be it social, or simply an entertainment one: they can be written or directed by a woman differently, with a different voice. I feel that their voice needs to be given more stage and more space.

In Paris, I was really singing for the sake of living. But eventually people said, 'Keep going; you've got a great voice,' and I started having confidence in my voice all of a sudden. That's when I started creating my own music.

I write five, six days a week. The thing is capturing the voice. I feel like I've been perfecting one voice - in different iterations, sure, but the Russian-ness has always been the undercurrent.

I love singing. I've never felt I've had a great voice but I feel I've gotten better. It's funny. I can hear my voice aging and getting stronger. I've relaxed about my singing so I'm hearing it the way I like it.

When they speak about 'We the people...,' we the people have to have a voice. It can't just be the establishment voice.

It's fun to use all of my range; there are so many different colors and textures that come out, revealing different parts of my voice. I know what my voice is capable of, and I try to fit it to each song, evoke a mood.

A voice and an accent are two very different things. The voice of a man is how he speaks from his heart, right in the middle of him... And then you stick an accent on top of that.

When I have to take phone calls, I start to sweat and panic. Being on the phone is so weird - hearing a voice without seeing the face so you can't really know the intention behind the voice.

I would like to sound like James Mason. I reckon if I'd had a better voice I could have been prime minister. It is the most irritating voice in public life.

An excess of development can undermine the most ephemeral but distinctive tool a writer possesses: authorial voice. A writer's voice is as individual and marked as a thumbprint, and is a playwright's truest imprimatur. It is as innate as breathing, and can be as unique as any genetic code. By its very singular nature, it is seldom born in the act of collaboration. True authorial voice always pre-dates the first rehearsal of a text. And it is - and will always be - an author's most distinguishing and valuable feature.

Every book I write, the first thing I have to do is get into the voice, and the voice varies from book to book - that's part of what's interesting to me.

Many hated 'Selma.' Just because my voice and the voice of the people I come from is antithetical to so much of what Hollywood produces. I don't think what I'm saying is in particular radical or anything; it's just different from what they want to sell.

The thing that most critics miss about Faulkner is that his famous storytelling voice is, in fact, a standard Southern storytelling voice that is typical of the Gulf Coast - Mississippi, Alabama and so on.

So all you want is a kiss?" I asked. A little voice in my head said I was heading for one of those slippery slopes. I told the little voice to shut up. "Well, maybe more than one. But basically, yeah.

His forward voice now is to speak well of his friend. His backward voice is to utter foul speeches and to detract.

I love doing the voice of Batman because of the quality of the animation. The music is particularly incredible. Another bonus is getting the opportunity to work with some very respected actors who do not usually do voice work.

Mel Blanc is a hero because of what he could do with his voice for all the Looney Tunes, the Warner Brothers cartoons, to be the voice of Bugs Bunny, Daffy Duck, Elmer Fudd, Porky Pig. To me, he's a great actor.

Henceforth I would have to cosent to combine two voices: the voice of banality (to say what everyone sees and knows) and the voice of singularity (to replenish such banality with all the élan of an emotion which belonged only to myself).

A clear conscience is absolutely essential for distinguishing between the voice of God and the voice of the enemy. Unconfessed sin is a prime reason why many do not know God's will.

Soft is the strain when zephyr gently blows, And the smooth stream in smoother numbers flows; But when loud surges lash the sounding shore, The hoarse rough verse should like the torrent roar. When Ajax strives some rock's vast weight to throw, The line too labours, and the words move slow: Not so when swift Camilla scours the plain, Flies o'er th' unbending corn, and skims along the main.

I'm a fan boy when it comes to Michael Buble. He's just so good at 'it'. He's got a voice of this generation, but he's like a time capsule; he's got a voice that could have fit in anywhere over the last hundred years. It's stellar.

In voiceover, all you have to worry about is your voice and practicing with your voice and then being able to understand what the situation and whatnot is happening. And you have endless amounts of film to perfect the character.

I had known that people would probably have strange reactions to my voice, because I have kind of an unwieldy, difficult voice, but I never thought that anybody would have a problem with the harp. I just assumed... C'mon, it's a beautiful instrument.