Top 470 Hollow Quotes & Sayings - Page 8

Listen to th' wind wutherin' round the house," she said. "You could bare stand up on the moor if you was out on it tonight." Mary did not know what "wutherin'" meant until she listened, and then she understood. It must mean that hollow shuddering sort of roar which rushed round and round the house, as if the giant no one could see were buffeting it and beating at the walls and windows to try to break in. But one knew he could not get in, and somehow it made one feel very safe and warm inside a room with a red coal fire.

Passion. It lies in all of us. Sleeping... waiting... and though unwanted, unbidden, it will stir... open its jaws and howl. It speaks to us... guides us. Passion rules us all. And we obey. What other choice do we have? Passion is the source of our finest moments. The joy of love... the clarity of hatred... the ecstasy of grief. It hurts sometimes more than we can bear. If we could live without passion, maybe we'd know some kind of peace. But we would be hollow. Empty rooms, shuttered and dank. Without passion, we'd be truly dead.

To see and feel one's beloved naked for the first time is one of life's pure, irreducible epiphanies. If there is a true religion in the universe, it must include that truth of contact or be forever hollow. To make love to the one true person who deserves that love is one of the few absolute rewards of being a human being, balancing all of the pain, loss, awkwardness, loneliness, idiocy, compromise, and clumsiness that go with the human condition. To make love to the right person makes up for a lot of mistakes.

In youth we may have an absolutely new experience, subjective or objective, every hour of the day. Apprehension is vivid, retentiveness strong, and our recollections of that time, like those in a time spent in rapid and interesting travel, are of something intricate, multitudinous, and long-drawn-out. But as each passing year converts some of this experience into automatic routine which we hardly note at all, the days and the weeks smooth themselves out in recollection to a contentless unit, and the years grow hollow and collapse.

If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an iceberg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing.

So you got rid of your astonishment that someone could write so much more dynamically than you. You stopped cherishing your aloneness and poetic differentness to your delicately flat little bosom. You said: she's to good to forget. How about making her a friend and competitor — you could learn alot from her. So you'll try. So maybe she'll laugh in your face. So maybe she'll beat you hollow in the end. So anyhow, you'll try, and maybe, possibly, she can stand you. Here's hoping!

... The Book is more important than your plans for it. You have to go with what works for The Book - if your ideas appear hollow or forced when they are put on paper, chop them, erase them, pulverise them and start again. Don't whine when things are not going your way, because they are going the right way for The Book, which is more important. The show must go on, and so must The Book.

And God grant that His fire be not quenched! God save us from any smoothing over of these questions in the interests of a hollow pleasantness; God grant that great questions of principle may never rest until they are stettled right! It is out of such times of questioning that great revivals come. God grant that it may be so today! Controversy of the right sort is good; for out of such controversy, as Church history and Scripture alike teach, there comes the salvation of souls.

Eating alone is a disappointment. But not eating matter more, is hollow and green, has thorns like a chain of fish hooks, trailing from the heart, clawing at your insides. Hunger feels like pincers, like the bite of crabs; it burns, burns, and has no fur. Let us sit down soon to eat with all those who haven't eaten; let us spread great tablecloths, put salt in lakes of the world, set up planetary bakeries, tables with strawberries in snow, and a plate like the moon itself from which we can all eat. For now I ask no more than the justice of eating.

Come to us and quackle and quank. Relieve us of our stirrings With your fangs so sharp and bright Take this blood that's always purring. Through our hollow bones it flows To each feather and downy fluff. Quell the terrible, horrid urge that so often prinkles us, Still our dreams, make slow our thoughts Let tranquillity flood our veins. Come to us and drink your fill So we might end our pains. - The Owls at St. Aegolius calling to the bats

The mold in which a key is made would be a strange thing, if you had never seen a key: and the key itself a strange thing if you had never seen a lock. Your soul has a curious shape because it is a hollow made to fit a particular swelling in the infinite contours of the divine substance, or a key to unlock one of the doors in the house with many mansions. Your place in heaven will seem to be made for you and you alone, because you were made for it -- made for it stitch by stitch as a glove is made for a hand.

There is a hollow, holey cylinder running from hilt to point in my machete. When I blow across the mouthpiece in the handle, I make music with my blade. When all the holes are covered, the sound is sad, as rough as rough can be and be called smooth. When all the holes are open, the sound pipes about, bringing to the eye flakes of sun on water, crushed metal. There are twenty holes. And since I've been playing music, I've been called all different kinds of fool - more times than Lobey, which is my name.

Images flicker, each one bringing its own sorrow or its own smile. Sometimes both. At the very worst, an impenetrable and sightless black and at best, a happiness so bright that it hurts the eyes to see, coming and going on some unseen projector perpetually turned by an invisible hand. One, then another. The hollow click of the shutter. Now stop. Freeze this frame. Pluck it down and hold it close and be damned by what you see. Henri always said: the price of a memory is the memory if the sorrow it brings.

Sadly, many individuals don't know where to find God, and exclude him from their lives. When spiritual needs arise, they may look to the left, the right, or round about. But looking to other people on the same level cannot satisfy spiritual shortages. When the immortal spirit is starved, hunger persists for something more filling. Even when material success comes, there is a hollow ache - if living well falls short of living worthily. Inner peace cannot be found in affluence accompanied by spiritual privation.

Physically it's kind of lassitude, the apathy and tiredness that precedes the flu or some other illness, or death. My legs ache and feel heavy, my skin has become more sensitive to cold and to heat, to the hardness or rigidity of things. Nothing interests me, I feel uncomfortable being still but would feel even more uncomfortable if I moved. I don't know whether speaking is painful or just boring. I sit here, staring straight ahead, with no desires, no needs, hollow. I'm not even sad. I feel only passivity and indifference.

I haven’t had the chance to look at too many men’s faces up close. And I noticed how his skin was thicker than mine, and a gorgeous shade of toast. The stiff blond hairs on his cheeks and chin seemed to be growing before my eyes. He smelled like starch. Like pine. His nose wasn’t so pointy afterall. …And out of the blue, he kissed me. Right in the middle of the Robert E. Lee Hotel Restaurant, he kissed me so slowly with an open mouth and every single thing in my body-my skin, my collarbone, the hollow backs of my knees, everything inside of me filled up with light.

The leaves did not stir on the trees, grasshoppers chirruped, and the monotonous hollow sound of the sea rising up from below, spoke of the peace, of the eternal sleep awaiting us. So it must have sounded when there was no Yalta, no Oreanda here; so it sounds now, and it will sound as indifferently and monotonously when we are all no more. And in this constancy, in this complete indifference to the life and death of each of us, there lies hid, perhaps, a pledge of our eternal salvation, of the unceasing movement of life upon earth, of unceasing progress towards perfection.

I could show fight on natural selection having done and doing more for the progress of civilization than you seem inclined to admit. Remember what risk the nations of Europe ran, not so many centuries ago of being overwhelmed by the Turks, and how ridiculous such an idea now is! The more civilised so-called Caucasian races have beaten the Turkish hollow in the struggle for existence. Looking to the world at no very distant date, what an endless number of the lower races will have been eliminated by the higher civilized races throughout the world.

We know that uncertainty creates anxiety and sometimes desperate attempts to find something to believe in. Uncertainty engenders real opportunity as well as misleading choices, great leaders as well as false messiahs, and new ways of understanding the world alongside hollow maxims and deceptive promises. Understandably, we seek guides and guideposts to ease the anxiety of the journey. But we also need to depend on our own insights and imagination to cultivate, from our own experience, a way to move forward.

I should’ve been furious, but for some reason I wasn’t. Maybe because I knew he was telling the truth. Maybe because Voron left me just like that, without the much-needed explanations. Maybe because things I had learned about him since his death had made me doubt everything he’d ever said to me. Whatever the case, I felt only a hollow, crushing sadness. How touching. I understood my adoptive father’s killer. Maybe after this was over, Hugh’s head and I could sing “Kumbaya” together by the fire.

Home is where the heart is, I thought now, gathering myself together in Betty's Luncheonette. I had no heart any more, it had been broken; or not broken, it simply wasn't there any more. It had been scooped neatly out of me like the yolk from a hard-boiled egg, leaving the rest of me bloodless and congealed and hollow. I'm heartless, I thought. Therefore I'm homeless.

The heart is a hollow muscle, and it will beat billions of times during our lives. About the size of a fist, it has four chambers: two Atria and two ventricles. How this muscle can house something as encompassing as love is beyond me. Is this heart the one that loves? or do you love with your soul, which is infinite?I don't know. All I know is that I feel this love in every molecule in my body, every breath I take, all the infinity in my soul.

Exultation that does not flow from education, affections that do not flow from knowing, savoring that does not flow from seeing, feeling that does not flow from thinking - are hollow and rootless - noisy gongs and clanging cymbals. And God is not glorified by artificial and empty passions. True delight is rooted in true doctrine. God-centered exultation is rooted in God-centered education.

America is said to have the highest per capita boredom of any spot on earth! We know that because we have the greatest number of artificial amusements of any country. People have become so empty that they can't even entertain themselves. They have to pay other people to amuse them, to make then laugh, to try to make them feel warm and happy and comfortable for a few minutes, to try to lose that awful, frightening, hollow feeling-that terrible, dreaded feeling of being lost and alone.

Only people who have been discriminated against can really know how much it hurts. Each person feels the pain in his own way, each has his own scars. So I think I'm as concerned about fairness and justice as anybody. But what disgusts me even more are people who have no imagination. The kind T. S. Elliot calls 'hollow men'. People who fill up that lack of imagination with heartless bits of straw, not even aware of what they're doing. Callous people who throw a lot of empty words at you, trying to force you to do what you don't want to.

I knelt and opened up my lute case. Moving the lute aside, I pressed the lid of the secret compartment and twisted it open. I slid Threpe's sealed letter inside, where it joined the hollow horn with Nina's drawing and a small sack of dried apple I had stowed there. There was nothing special about the dried apple, but in my opinion if you have a secret compartment in your lute case and don't use it to hide things, there is something terribly, terribly wrong with you.

Literature, real literature, must not be gulped down like some potion which may be good for the heart or good for the brain—the brain, that stomach of the soul. Literature must be taken and broken to bits, pulled apart, squashed—then its lovely reek will be smelt in the hollow of the palm, it will be munched and rolled upon the tongue with relish; then, and only then, its rare flavor will be appreciated at its true worth and the broken and crushed parts will again come together in your mind and disclose the beauty of a unity to which you have contributed something of your own blood.

He was about to go home, about to return to the place where he had had a family. It was in Godric’s Hollow that, but for Voldemort, he would have grown up and spent every school holiday. He could have invited friends to his house. . . . He might even have had brothers and sisters. . . . It would have been his mother who had made his seventeenth birthday cake. The life he had lost had hardly ever seemed so real to him as at this moment, when he knew he was about to see the place where it had been taken from him.

Belonging is the innate human desire to be part of something larger than us. Because this yearning is so primal, we often try to acquire it by fitting in and by seeking approval, which are not only hollow substitutes for belonging, but often barriers to it. Because true belonging only happens when we present our authentic, imperfect selves to the world, our sense of belonging can never be greater than our level of self-acceptance.

They took 3-D digital photographs of my entire body. I had to pose stark naked, assuming a kind of Spider-Man position. After a minute, one of the technicians pointed to my genitals and said, Um, we're not getting enough data there ... It wasn't what you think. It turns out that the fancy digital camera doesn't pick up dark areas too well, and they were having trouble because of the hair down there. I actually had to spray on this highlighter stuff. (On having digital photos taken for the invisible man role in the film Hollow Man)

A thunder-storm!—the eloquence of heaven, When every cloud is from its slumber riven, Who hath not paused beneath its hollow groan, And felt Omnipotence around him thrown? With what a gloom the ush’ring scene appears! The leaves all shiv’ring with instinctive fears, The waters curling with a fellow dread, A veiling fervour round creation spread, And, last, the heavy rain’s reluctant shower, With big drops patt’ring on the tree and bower, While wizard shapes the bowing sky deform,— All mark the coming of the thunder-storm!

Donald Trump creates word salads. And that is awful to language, because we try to parse out what he's saying and try to find meaning in it. Journalists don't have a choice about reporting what the president says. I find the idea - "Let's not write about his tweets" - to be absolutely ridiculous. I mean, he's the president! Of course, we have to write about his tweets and look at what they mean. The problem is, they're hollow. But we don't have the option of ignoring what he's saying because he's president. That's damaging to language, and to journalism.

The king lifted a hand to her cheek and kissed her. It was not a kiss between strangers, not even a kiss between a bride and groom. It was a kiss between a man and his wife, and when it was over, the king closed his eyes and rested his forehead in the hollow of the queen's shoulder, like a man seeking respite, like a man reaching home at the end of the day.

If they survive, today's children will inherit a world that our fathers and grandfathers have ravaged, where the seas are acidic cesspools that the whales have fled, where rain forests are Indian memories never to return, and where human greed has plundered Mother Earth's innards and turned human genes into factories for profit. They will inherit a diminished planet where fresh water is increasingly rare, and where fresh air is a commodity... We live in a world that fears and hates its young. How else can one explain the bequest of such a foul, polluted, and hollow inheritance?

Far over the Misty Mountains cold, To dungeons deep and caverns old, We must away, ere break of day, To seek our pale enchanted gold. The dwarves of yore made mighty spells, While hammers fell like ringing bells, In places deep, where dark things sleep, In hollow halls beneath the fells. The pines were roaring on the heights, The wind was moaning in the night, The fire was red, it flaming spread, The trees like torches blazed with light.

Sometimes you meet a really nice guy, but no matter how you try, you can't seem to make yourself want him. But that's not nearly as bad as when you meet the wrong guy, and you can't make yourself not want him. You feel hollow inside, just waiting and wishing and dreaming. You feel like every moment is leading to something so amazing that there's no name for it, and if you could just get there with him, it would be such a...relief. It would be all you'd ever need.

When business is not all that it should be there is a temptation to sit back and say, Well, what's the use! We've done everything possible to stir up a little business and there is nothing doing so what's the use of trying! There is always a way. There was a way in and there is a way out. And success comes to the man who grits his teeth, squares his jaw, and says, There is a way for me and, by jingo, I'll find it. The stagnator gathers green scum, finally dries up and leaves an unsightly hollow.

I mostly used the studio devices, because I knew what they had. Generally I find I'm happy to use whatever's around. If there's nothing there I'll make something. For example, one of the things I tried doing was getting a tiny loudspeaker and feeding the instruments off the tape through this tiny speaker and then through this huge long plastic tube - about 50 feet long - that they used to clean out the swimming pool in the place where I was staying. You get this really hollow, cavernous, weird sound, a very nice sound. We didn't use it finally, but nonetheless we well could have.

What had survived - maybe all that had survived of Trism - was Liir's sense of him. A catalog of impressions that arose from time to time, unbidden and often upsetting. From the sandy smell of his sandy hair to the locked grip of his muscles as they had wrestled in sensuous aggression - unwelcome nostalgia. Trism lived in Liir's heart like a full suit of clothes in a wardrobe, dress habillards maybe, hollow and real at once. The involuntary memory of the best of Trism's glinting virtues sometimes kicked up unquietable spasms of longing.

Galway Kinnell came out with that wonderful big, breathy, hollow voice of his and read, for the first time in public, "The Bear." That poem impressed me so much that I memorized it. I used it for years when I taught in prisons. It's a powerful extended metaphor for what the writing life is really all about. It's a uniquely powerful poem about self-transformation, and that's what we're asking, really, beyond even our objection to the war. We're asking people to look at themselves and think about what might be possible with a little self-transformation.

In acute diseases the physician must conduct his inquiries in the following way. First he must examine the face of the patient, and see whether it is like the faces of healthy people, and especially whether it is like its usual self. Such likeness will be the best sign, and the greatest unlikeness will be the most dangerous sign. The latter will be as follows. Nose sharp, eyes hollow, temples sunken, ears cold and contracted with their lobes turned outwards, the skin about the face hard and tense and parched, the colour of the face as a whole being yellow or black.

All my early memories are of forms and shapes and textures. Moving through and over the West Riding landscape with my father in his car, the hills were sculptures; the roads defined the form. Above all, there was the sensation of moving physically over the contours of fullnessess and concavities, through hollows and over peaks - feeling, touching, seeing, through mind and hand and eye. This sensation has never left me. I, the sculptor, am the landscape. I am the form and the hollow, the thrust and the contour.

People are more used to seeing men who are masters at an instrument than women. When people say, 'Oh, she plays like a dude,' it's usually dudes who are the ones saying it. They're saying, 'Oh, she's as good as us.' Of course, that's a stupid statement. It's totally stereotypical to say, 'We have an advantage on this, and if anyone else can do it well, it's only because they're like us.' I think more men are starting to learn that this attitude is totally hollow and based in imagination. As more women are involved in music, this kind of thing gets said less and less.

That was the real secret of the Tarahumara: they'd never forgotten what it felt like to love running. They remembered that running was mankind's first fine art, our original act of inspired creation. Way before we were scratching pictures on caves or beating rhythms on hollow trees, we were perfecting the art of combining our breath and mind and muscles into fluid self-propulsion over wild terrain. And when our ancestors finally did make their first cave paintings, what were the first designs? A downward slash, lightning bolts through the bottom and middle-behold, the Running Man.

I, Tivadar Kosztka, who gave up his prime of youth for the rebirth of the world, accepting the call of the invisible Spirit, had a regular civil job, comfort, wealth then... Going to Paris in 1907 I oppositely standed alone in front of millions with only the result of the divine providence, and I beat the vanity of the world hollow, but I haven't killed 10 million people, only sobered them. I haven't made commercials from things, because I didn't care for the pedlar's press; I retired from the world instead, going to the top of the Lebanons, and I painted cedars.

What we're seeing now is not just a backlash against feminism. When you look at guys like [Jesse] Helms in the '80s or even Reagan and Bush, there was a real political backlash against feminism. This is different. This is a parodic recreation of the destruction of traditional masculinity. Look at these hollow men. Look at Steve Bannon who wears sweat pants, who doesn't shave. Or Yiannopoulos who is just a clown. This is toxic masculinity. It's new. To see it as a return to the past is a mistake. It's the breakdown of traditional masculinity, rather than its retrenchment.

Consent in virtue knit your hearts so fast, That still the knot, in spite of death, does last; For as your tears, and sorrow-wounded soul, Prove well that on your part this bond is whole, So all we know of what they do above, Is that they happy are, and that they love. Let dark oblivion, and the hollow grave, Content themselves our frailer thoughts to have; Well-chosen love is never taught to die, But with our nobler part invades the sky.

If there is a true measure of a person's soul, if there is a single gauge of real divinity, of how beautifully a fellow human honors this life, has genuine spiritual fire and is full of honest love and compassion, it has to be right there, in the eyes. The Dalai Lama's eyes sparkle and dance with laughter and unbridled love. The Pope's eyes are dark and glazed, bleak as obsidian marbles. Pat Robertson's eyes are rheumy and hollow, like tiny potholes of old wax. Goldman Sachs cretins, well, they don't use their own eyes at all; they just steal someone else's.

Schools, the institutions traditionally called upon to correct social inequality, are unsuited to the task; without economic opportunity to follow educational opportunity, the myth of equality can never become real. Far more than a hollow promise of future opportunity for their children, parents need jobs, income, and services. And children whose backgrounds have stunted their sense of the future need to be taught by example that they are good for more than they dared dream.

Under the Mountain dark and tall The King has come unto his hall! His foe is dead, the Worm of Dread, And ever so his foes shall fall. The sword is sharp, the spear is long, The arrow swift, the Gate is strong; The heart is bold that looks on gold; The dwarves no more shall suffer wrong. The dwarves of yore made mighty spells, While hammers fells like ringing bells In places deep, where dark things sleep, In hollow halls beneath the fells. -from The Hobbit (Dwarves Battle Song)