Top 1200 Hollywood Glamour Quotes & Sayings

There's nothing in Hollywood that's inherently detrimental to good art. I think that's a fallacy that we've created because we frame the work that way too overtly. 'This is Hollywood.' 'This isn't Hollywood.' It's like, 'No, this is actually all Hollywood.' People are just framing them differently.

I feel glamour has a legit place on the ramp and in the fashion world. In films, glamour has to service the story.

It meant that New York philanthropists, New York society, would now rediscover the library. ... that learning, books, education have glamour, that self-improvement has glamour, that hope has glamour.

I think magazines like Glamour have the ability to have a great impact. Glamour has the ability to expose them to things like feminism that they may not be well acquainted with. In fact, Glamour has done that in the past - when I was in eighth grade I read an article in Glamour magazine about female feticide and infanticide that actually sparked my entire interest in feminism. I hate it when some feminists say we should get rid of beauty and fashion magazines - I think there's room in feminism for fashion, for fun, for talking about sex and friendships and relationships, etc.

I think glamour all the time. I wake up in the morning and I’m already thinking glamour.

I think when people think about California, they think about straight Hollywood, that Hollywood glamour, whole bunch of flashes, so much paparazzi.

I look to the women who epitomize old Hollywood glamour, like Rita Hayworth. She had a way of making sophisticated clothes look sexy without ever seeming sleazy or cheap.

I think New York is the center of fashion, even though L.A. has a lot of heritage and the glamour of Hollywood.

Every designer needs a story. Mine is all about glamour because my family has been in the business of glamour for three generations. My grandfather Shamshuddin Khan started his embroidery and fabric-making business in the 1930s.

[On Hollywood:] I had gone there expecting to see parties that reflected the stock-in-trade of the movies - glamour. Instead, I found the same attitude toward parties that European peasants had for baths. It was something to be done methodically every Saturday night.

Beauty and femininity are ageless and can't be contrived, and glamour, although the manufacturers won't like this, cannot be manufactured. Not real glamour; it's based on femininity.

Even being close to L.A., I was always inspired by old movies and Marilyn Monroe and the glamour of Hollywood.

Both Kennedy and Obama exuded a dash of glamour in their roles as commander-in-chief and became the darlings of Hollywood. As president, each brought to the White House a fashionable and accomplished First Lady, two adorable young children and scene-stealing pets.

Maybe we should have known that night in Denver that things that begin with plywood Greek columns and artificial smoke typically don't end well. Maybe the Hollywood stars and the glamour blinded us a little: you thought it was the glare, some of us thought it was a halo.

I think that fashion, in general, is a world of super-heightened glamour, and when you talk about super-heightened glamour, the first thing that comes to mind is a drag queen.

This is true Hollywood glamour! I am taking personal jewels from a screen legend and creating a one-of-a-kind pair of shoes,which will be worn by a movie star of today.

I never wanted to work in fashion. At age 12 or 13, I wanted to design for showgirls - for the theater! And I was crazy for the Hollywood of the 1950s: Dietrich, Elizabeth Taylor, Jennifer Jones. They were my idea of glamour - and Sylvie Vartan, the French singer.

Generally, variations in earnings aren't nearly as impactful on glamour growth stocks as are changes in image and, well, sexiness. I often think of glamour stocks as though they are attractive women dressing to the nines.

Barack Obama has brought glamour back to American politics - not the faux glamour-by-association of campaigning with movie stars or sailing with the Kennedys, but the real thing. The candidate himself is glamorous. Audiences project onto him the personal qualities and political positions they want in a president.

I'm a big fan of glamour. It's something I don't think there's enough of in Hollywood anymore. I enjoy putting on a sexy dress and heels. I want to work it.

I just love glamour so any time period that had a lot of excess and glamour, I draw inspiration from. All the stuff from the 60s and 70s, very specific times in the 80s.

Although, of course, my definition of evil is not everybody else's. Evil is being involved in the glamour and charm of material existence, glamour in its old Gaelic sense meaning enchantment with the look of things, rather than the soul of things.

Hollywood style means classic glamour. My reference is the 1940s through the 1960s.

I've always loved the pomp and circumstance of dressing up; the pagenatry and all of the glamour of Hollywood.

The Wonderstar collection is a fantastic fusion of Hollywood glamour and Wonderbra's technical genius.

Glamour's my thing. The glamour is what got me into this business in the first place. I lived in a fantasy world in order to survive. Now that I'm here, I plan to work it. That means playing the part--long, tight dresses, slick! Unless you rise to the occasion, Hollywood doesn't really exist.

Film buffs who don't live in Hollywood have a fantasy about what it's like to be a director. Movies and the people who make movies have such glamour associated with them. But the truth is, it's not like that. It's very different. It's hard work.

A lot of people assume that once you're working in Hollywood you become some sort of glamour-diva, which could not be further from the truth about me.

Old Hollywood glamour just seems, well, old.

The problem in Hollywood is that they try to become the only kind of cinema in the world, okay? The imposition everywhere of a unique culture, which is Hollywood culture, and a unique way of life, which is the American way of life. But Hollywood has forgotten that, in the past, what made Hollywood great and what made it go ahead was the fact that Hollywood was fed with, for example, Jewish directors coming from Germany or Austria and enriching Hollywood. In 15, 20 years, Hollywood became imperialistic. Cinema goes ahead when it is marriaged by other culture. Otherwise, it turns on itself.

I think glamour all the time. I wake up in the morning and I'm already thinking glamour.

Our love of Hollywood-style glamour helped elect two presidents: JFK and Reagan, who fulfilled the prophecy that a country so enamored of actors would eventually make one their president.

I think Hollywood has always, you know, there's always been glamour associated to it. And especially in the last ten years there has been a growing sort of obsession with celebrity life and celebrity culture.

I am strong-willed, which can be annoying sometimes. And from that I think people assume I have confidence and Hollywood glamour and all that stuff, when actually, in my personal life, sometimes I'm just a goofball.

Glamour, that trans-human aura or power to attract imitation, is a kind of vessel into which dreams are poured, and some vessels are simply worthier than others... A beautiful woman can turn heads but real glamour has a deeper pull... Glamour is the power to rearrange people's emotions, which, in effect, is the power to control one's environment.

I think it's even harder because I think as always, Hollywood is sort of glamour central for the world, and the entire world looks to it for not only entertainment, but the whole idea of the youth factor and youth being sold to our culture via young actors and actresses.

It's a corset design making me look very, very slim and trim. I call it a corset dress. Very Hollywood glamour with the silk.

There's no glamour in Nirvana, no glamour at all, in fact.

There's no doubt I was a bit of a misfit in the Hollywood of the forties. The race for glamour left me far behind. I didn't really want to keep up. I wanted my stardom without the usual trimmings. Because of this, I was branded a rebel at the very least. But I don't regret that for a minute. My appetite was my own and I simply wouldn't have it any other way.

I think glamour has a genuine appeal, has a genuine value. I'm not against glamour. But there's a kind of wonder in the stuff that gets edited away in the cords of life.

When I think about old Hollywood and the glamour of those days, women like Grace Kelly, Marilyn Monroe, and Audrey Hepburn were not dressing the way some girls dress today. There was a certain mystery about them, and I feel like that's gone in our industry.

Recently, my dad has been teaching me a lot - like how to read a script. It used to just be about hockey or baseball or sports of whatever. We don't have glitzy or glamour-y Hollywood-type talk, like, 'Isn't that person great?' It's more about the process of how it works.

Glamour is a beautiful illusion - the word 'glamour' originally meant a literal magic spell - that promises to transcend ordinary life and make the ideal real. It depends on a special combination of mystery and grace. Too much information breaks the spell.

Everybody wants the Hollywood glamour of the Premier League.

I love the full-on Hollywood glamour of the 1930s and '40s.

I look to women who epitomize old Hollywood glamour, like Rita Hayworth.

My muses were all the incredible, iconic women of glamour in Hollywood that I have worked with over 15 years. Anjelica Huston, Michelle Pfeiffer, Gwyneth Paltrow, Lena Dunham, Viola Davis, Rihanna, Demi Moore.

I'm just not the glamour type. Glamour girls are born, not made. And the real ones can be glamorous even if they don't wear magnificent clothes. I'll bet Lana Turner would look glamorous in anything.

Eventually, if your career goes higher and higher, that's just how it is, but it's a little frightening. When I was younger and I thought about being an actor, I thought of the old Hollywood style of glamour, and that was so beautiful and appealing to me. Now, if you want to be an actor, it's not the same.

My mother and my sisters - five girls - were crazy about glamour and Hollywood movies. I styled myself on Veronica Lake and Marlene Dietrich.

Glamour can be something very simple. Glamour can be how you wash your face, how you make your breakfast.

I think that glamour is about confidence. I think however somebody feels beautiful, that's glamour.

Well, there are always those who cannot distinguish between glitter and glamour . . . the glamour of Isadora Duncan came from her great, torn, bewildered, foolhardy soul.

Old Hollywood icons such as Marilyn Monroe, Vivien Leigh, and Bette Davis are so inspiring; their style is romantic and feminine and their glamour mesmerizing. I love the idea of channeling that spirit on your wedding day.

I love regal looks on the Oscars red carpet. I just love old-Hollywood glamour. I love hair pulled back off the face, beautiful makeup...long sleeves are really elegant. The Oscars are not a place to be too flirty or fun or sexy.

I think Hollywood is more of a state of mind then a place. There are certainly iconic locations in L.A. but as far as the glitz and glamour of old Hollywood and the studio system, that's all but faded away.

I'm more girly but I also wanted to pull off the vintage, Hollywood glamour slightly circus style.

He convinced me - Fred Freeman - to go to Hollywood and we went to Hollywood to write sitcoms. Joey Bishop actually paid my way to Hollywood.

Unfortunately, I was branded as a glamour actress and was forced to do only glamour roles.

I think Bollywood and cricket go hand in hand. Glamour attracts glamour. Cricket has become a very glamorous game now.