Top 1200 Hollywood Studios Quotes & Sayings - Page 5

As the entertainment industry became more corporate and MBA-driven, Harvey Weinstein remained an unreconstructed specimen of the worst and most compelling character traits of a truer Hollywood. Harvey, and in a sense only Harvey, continued to embody the Hollywood self.

Many music directors have studios at home.

Hollywood doesn't even have respect for itself. Hollywood lies to itself.

Nowadays, I really like playing in studios.

Somebody once told me I shouldn't try to change Hollywood. That isn't my point at all. I don't want Hollywood to change me.

You graduate from film school and move to Hollywood. Hollywood tells you, 'We're not the place for you to make films,' so you decide you have to make a film yourself.

One of the things you have to understand with The Room, I never approached a studio to produce, because I know no one in Hollywood will produce this. I came to Hollywood and I said "I will produce this movie the way I want it."

'Fast & Furious' is Hollywood's 'Dabangg.' It is that big there, so it obviously feels amazing to have played a part in it. The role is small but very interesting. People will see me in full Hollywood accent, and the character is not like typical Indian character.

Sun Studios was where so much of American music exploded from.

The studios don't finance anymore, they get outside funds.

What you have now is a Hollywood that is pure poison. Hollywood was a central place in the history of art in the 20th century: it was human idealism preserved. And then, like any great place, it collapsed, and it collapsed into the most awful machinery in the world.

I was blackballed by the studios when I sued by stepfather.

To many Congressmen and Senators right now, there's a ceaseless antagonism toward Hollywood because politically, it is high-reward and low-risk. So when you can't do anything about poverty or the budget deficit, and you can't deal with Bosnia or the possibility of nuclear explosions in Russia, what do you do? You bash Hollywood and get on the front pages.

These issues of gender equity and diversity have been ongoing conversations throughout the decades. I remember even when I was just starting in the business in the 1980s. It's not just Hollywood's problem. This is systemic. It's in our country, so what happens in Hollywood is that everything's just magnified because it's out there in the public.

The problem with movies now is that studios don't take a chance.

Is Hollywood the cruelest city in the world? Well, it can be. New York can be that, too. You can be a Broadway star here one night, and something happens, and out--nobody knows you on the street. They forget you ever lived. It happens in Hollywood, too.

One can't imagine a Hollywood film whose entire purpose was to ridicule, say, homosexual activists, feminists, animal rights crusaders, or environmentalists. That would be blasphemy. Hollywood understands that religious people, particularly Christians, are the last group in America besides businessmen who may be defamed with impunity.

You knew everybody at all the studios and you saw them often.

They say that in Hollywood one can't be honest, but I think honesty counts in Hollywood just as much as it does anywhere else. I think it's just too much trouble to be dishonest and keep up with yourself.

When I made Spartacus during the McCarthy Era, we were losing our freedom. It was an awful, awful way. McCarthy saw Communists everywhere, in every level of government and they concentrated on Hollywood and especially on Hollywood writers.

The most remarkable thing about Hollywood is that it does not exist. ... Hollywood, in a word, has no center, never had one, no city hall, court house, church, square, or rather it probably has some of those but they're so aimlessly thrown in with the general jumble ... that I, for one, never found them.

We don't curse at Shots Studios, and we send a very positive message.

I don't think a lot of people - when they associate you with Hollywood, they don't want to think of you as normal. They want to hear, you know, all the stuff in Hollywood.

I live in the area where the Hollywood sign is. Every afternoon, I'll take a daily walk, and there are loads of tourists always on the street taking photos of the Hollywood sign. Occasionally, I'll still get recognized as 'Gunther,' which is okay with me.

You know what? I never really factor Hollywood into anything. I'm a black actor, so I can't really control what Hollywood thinks. I gotta go do my thing, and my jokes have got to be funny. Whatever I do has got to be great.

In Hollywood, they put the knife in your front; in D.C., they put it in your back. I found far fewer duplicitous people in Hollywood.

For us, as actors, and even for the director, it gave us a sense of authenticity to what we were doing because we were talking about Hollywood and we were in Hollywood.

I do as much outdoor stuff as I can. What I've done is I bought a house in the middle of Hollywood, but I live in the forest. I literally live in an area that looks kind of like where I camped as a kid, but in the middle of Hollywood. It's called Laurel Canyon.

Over the last 10 years, there have been so many incredible albums created in bedrooms by people who never would've gotten an album deal. People keep thinking of professional music studios like they've always been this way for hundreds of years, but they're very much a child of the 70s. Even the interior is very 70s. Everything's brown and it's wood - somebody told me the wood panels are all by the same company. We're always mourning things that have died. It's a bit much sometimes. These studios have no fresh air, and there's this unwritten rule that they don't have windows, either.

I naturally have some curves, like most women, just unfortunately not like most women in Hollywood. I'm only considered curvy in Hollywood. It's a weird town.

I have not walked away from Hollywood. I'm walking away from the way I personally did business in Hollywood. The budget of whatever movie I do needs to be efficient; it needs to consider what kind of resources we're using and how to be as responsible as possible.

In L.A., I live right across from Universal Studios.

To pursue a career in Hollywood you have to have a personality bypass. Look at the top 20 stars in the world - there's probably only two actors among them. Hollywood's not about you as an actor. It's about your currency, what you 'bring to the table'. And I've never been one to jump through hoops for anyone.

We don't over-manage projects like the studios do.

Always carry a handkerchief. Especially in television studios.

If you're in the music to move to Hollywood and be in 'People' magazine dating an actress or dating some Hollywood celebrity, are you into it for that side of it? Are you in it to be a millionaire? Or are you in it because you love it and you like playing music and you like going on tour?

You don't see Indians in Hollywood films around which a story can revolve. As soon as we have a social presence in your society, I am sure there will be many actors from our part of the world that will be acting in Hollywood films.

The corporate system dictates what gets made, and the movies are so bad because of the economic structure of Hollywood. The big business takeover of Hollywood is at fault rather than American storytellers - it's what keeps textured movies from getting made.

We appreciate quiet living. It's not exactly a Hollywood way of life - I couldn't stand living out in Hollywood because you can never escape from the business. All people ever do is talk about movies. At least in New York you can have some other life.

I think when people think about California, they think about straight Hollywood, that Hollywood glamour, whole bunch of flashes, so much paparazzi.

The 1930s Hollywood was capable of hurting me so much. The things about Hollywood that could hurt me (when I first came) can't touch me now. I suddenly decided that they shouldn't hurt me - that was all.

There isn't any question that Hollywood is profit driven. Anybody that thinks it isn't is a fool. It's a business. Hollywood was never philanthropy. The only purpose it had was making money; the only purpose it still has is to make money.

Johnny Nitro was like Johnny Hollywood, Johnny Danger, Johnny Blaze... it's just an obvious stage, Hollywood name. But John Morrison is more like a real person.

The primary job for women in Hollywood is still super-attractive actress. That is the most high-profile women's job in Hollywood.

I can't imagine that anyone in Hollywood is sitting around trying to decide what actor is good or right or qualified for a role and is being denied a role because of their political views. I don't think that's the way Hollywood works. We're not living in an era of blacklisting.

I leave Hollywood, I go somewhere else and make some music, and then, when I have to go back to work, I try and take as much that I get from outside Hollywood back with me.

From that time on, I always had the studios on my neck.

Michael Moore didn't have to worry that anyone would misinterpret the title of his film, 'Capitalism: A Love Story,' because in Hollywood, no one loves capitalism. That's too bad, because Hollywood is one of capitalism's greatest successes.

I just try to, in my own way, contribute to making a better Hollywood, to move Hollywood to be a leader in social justice, as it always has been, and not to have any holes in their own backyard while they continue to push for equality and all the things that they always stand up for.

I'm not successful in Hollywood, and I probably would never be. I think Hollywood has such an interesting model for success, and it creates those successful people. I'm not in that chosen category, but what is successful for me is that, in spite of that, I've been able to work and do the things that I wrote down that I wanted to do and be.

The Hollywood actor business can be a little shallow and can be a little more of a facade, and Nashville and the South, people are genuine and real, so if I can be based out there and go off to Hollywood to do a film or do another TV show and then fly back to Nashville, I'd be set.

Most people grow up dreaming of going to Hollywood and some of them work and work and work and finally end up in Hollywood.

I do think Hollywood is recognizing that there's a craving for it, that there's a huge audience in our country. They want movies that they can bring their families to. They want movies that are going to speak to their heart, in a way that's refreshing to their hearts. And Hollywood is learning that there's money to be made there.

If you look at successful studios, they're the ones with stabilized management.

Beautiful women get in Hollywood's door quickest and then are shut out when their beauty no longer measures up to whatever it is that Hollywood or audiences decide is beautiful enough; once they're inside, their choices are limited by the same beauty that won them their entree.

Anything that is good influences the next thing. It's inevitable. I believe that Hollywood influences the comics, and the comics influence Hollywood - it's a cycle.

Washington is a Hollywood for ugly people. Hollywood is a Washington for the simpleminded.

In my opinion, Hollywood doesn't know the context. Hollywood sees a David and Goliath story with Israel being cast in the role of Goliath, as the evil aggressor. The Palestinians are simply innocent reactors to whatever Israelis are throwing at them. And everything - like their economic situation - excuses the savagery.

I came out to Hollywood when I was just 18, and my dad, he was really into Hollywood and theater and art, and I guess growing up, he exposed me to a lot of culture, and I just started making Super-8 films in high school and decided I wanted to be a filmmaker.

I realized that the studios didn't really understand their own system.