Top 1200 Horror Films Quotes & Sayings - Page 18

It is always good to be cast in films with good stories and content, made by such amazing banners and directors. For an actor it's a task to work in films like these.

The cool thing about making a Western is that people want to be in them. You rarely get the opportunity. With horror movies you are always trying to convince them. People in horror are always worried it's going to be this schlocky thing, and you're always trying to convince them that it's not. With Westerns, people immediately react with, "Oh, I've always wanted to do one."

I refuse to make films where the audience comes for consumption. I make films where you know you are also part of the process.

In a perfect world, I could be doing some bigger films and balance that with some independent films because they seem to be the most challenging and unique

I don't love big films for the sake of big films. It's not been a career drive to get to that point.

I will only do family-friendly films or television. They don't have to necessarily be Christian films, but I want to be in things that I'm comfortable having my children and husband watch. They come first in my life, not the film industry.

We didn’t want to disrupt the creative process. We have the chance to make the films we want because the films are not expensive. It’s very rare to be able to do that. It’s completely pure.

The truth is most of the films that make a lot of money no one remembers, and I'm not interested in making films that no one remembers.

With films like 'NH-10' and 'Phillauri,' what Anushka Sharma is doing, or what Shraddha Kapoor and Vidya Balan are doing with their films, the industry is changing for women.

I do feel bad when my films don't do well, but I respect audiences' verdict because they know well which films to support. If they don't like a film, we should accept it.

Films were always a passion for me but it was when I saw 'Salaam Bombay' that I decided that it was film direction that I was interested in. That is when I decided I wanted to direct films.

I wish that there were more female driven films, female-centric films being made.

I love the fact that a lot of my audience is people from the inner city. African-Americans love my films. Whenever I go to have a meeting at Universal, the security guard just leaps to his feet and comes over, bumps my hand, and says, "Thank you! Thank you, I love your films!" And it's people who are kind of at the cutting edge of life and survival, and being near the nitty-gritty, who like my films, and I like that.

I just didn't see films when I was young. I was stupid and naïve. Maybe I wouldn't have made films if I had seen lots of others; maybe it would have stopped me.

I turn up in Los Angeles every now and then, so I can get some big money films in order to finance my smaller money films.

I'm more alarmed by people reacting violently to the violence in my films than I am by the violence in films.

Horror is like comedy. Woody Allen's comedy is going to be very different from Ben Stiller's comedy which is going to be different from Adam Sandler's comedy which is going to be different from Judd Apatow's comedy. They're all comedy, but they're all very different types and you can enjoy all of them. Horror is the same way.

My influences are all over the place. Different films have spoken to me at different times in my life, and they've helped create my idea of the kind of films I want to make.

Certainly my films are cinematically unusual, and quite contemplative in their pacing compared to conventional films, but I think overall they are quite engaging, accessible, and even funny.

I have fun making films. I love making films. It's the only thing I know how to do. And I do it well.

I am choosing films only to entertain people, but at the same time, if someone is putting their money into my films, I want that person to make money.

Films will break barriers - and good films will travel all over India.

I am known by my performance, so neither do big films need me nor do I big films.

It's a terrible thing to make films that are never seen or experienced by audiences. Often times nobody knows about them, even though they are great films. They are not promoted and that's really sad.

For seven years, I made films in the cinema verite tradition - photographing what was happening without manipulating it. Then I realised I wanted to make things happen for myself, through feature films.

I was offered my first film right after my 10th board exams. Back then, I didn't even know they made films in the South. Films, I thought, were either in Hindi or English.

I was too shy to be in films. But, my father thought it would work for me. It took a lot of time for me to think about getting into films.

Whenever I used to watch Hollywood films, I used to feel, when would Tollywood make such films?

My films have elements of genre in them, which prevents them from being purely art films.

I do not teach history in my films. I don't have a linear point of view or argument. What I do in my films is to live the human experience; human, whether in Nazareth or anywhere else in the world.

There was also the myth of the western films. But my films are borrowed not from the story of the West in America but from the story of cinema.

In a perfect world, I could be doing some bigger films and balance that with some independent films because they seem to be the most challenging and unique.

My films ought to be judged on whether they're entertaining or good as films, but not on the political view necessarily. I'm trying to be morally responsible and no more. I don't have an agenda I'm trying to push.

There's a long history of all kinds of cop films... But all these films are really about the same thing: the good guys triumphing over the bad guys.

You can tell so much about somebody by the films they make, and it's only while I approach this do I now realize how much of the filmmaker you can see in their films.

This is a wrong notion that I work in big budget films. Infact, usually low budget films are offered to me, they come and say it's a good story but they don't have the money.

The R K banner has had this tradition to make good films, and good films always take a lot of time to complete because of the hassles involved.

I feel lucky that films like 'Singh is King,' 'Ek Tha Tiger' came my way. They were mainstream films that were different.

I'm very passionate about making good films. I want to make good films for the whole world because I think it is one of the biggest inspirations for society.

Director Omprakash Rao, who is known for making action films, has proved that he is equally good and adept at making comedy films as he is himself a comedian.

Films like 'Jungle' are rare. It was a powerful role and in the future I would like to be associated with such films rather than being part of nonsense stuff.

I take very seriously that challenge of trying to do genre films - but elevated genre films.

There's many more films being made in America than there are in Australia. You make four hundred and fifty films a year, we make twenty-five.

All the films are hits before you turn the camera on. It's only in the execution that they fail. I've been less than happy with the way a couple of films were edited, but it's a director's prerogative and you gotta go with it.

Education lays a strong foundation. I was keen on films, but my mother insisted on me finding all about the line I was planning to take. I am into films but I know my Plan B is ready, just in case.

I grew up on a staple of films where I saw actors like Waheeda Rehman, Smita Patil, Shabana Azmi, Madhuri Dixit, Sridevi playing very powerful parts in films.

People like my films. They understand me through my films; it's like a connection that has been established between all my work and myself and the audience and the viewer.

I know the volume of my work is less and I would have wanted to do more films. But I can't do just any role. That's the reason why I have done less crappy films.

I promise that I will continue to do different films and if I feel that the film has not come out well, I will even stop the release. That's the reason I produce all my films.

I've done 21 films in eight years, and I've said 'No' more times than I've done films.

I made shorts films, learning the dos and don'ts. Most importantly, I've been editing all these short films. Nothing can teach you filmmaking like editing can.

There are films that I've made that I like a little bit more than the others. But the films that I mostly watch, and see over and over again, are not my own.

I have done several films and it is only if the character appeals to me, whether as a hero or as a second hero, that I go for it. That's been my attitude toward films.

Over the years I have always said what I wanted to say through my films. I have ensured that I will not allow anyone to question what I tell through my films.

When I'm making documentaries, I think a lot about how fiction films play. I want them to have the pacing, the twists and the character development of fiction films.

Obviously, I try to make the films work for an audience. That's the main point of making a film, and in retrospect, one can see that certain films, let's say Leaving Las Vegas, demonstrated its own success.

I have always made films simultaneously, so they go hand in hand. I think that my books are like films.

There's some good films, there's some films that could be improved. So we keep trying until we get it right. That's the nature of storytelling, whether it's on paper or on film.

I don't understand indie films. So, I won't do such films.

I'm proud of all my films. I've enjoyed great success in many different genres. I have been very blessed to have so many ideas and to continuously produce successful films.