Top 1200 Horror Of War Quotes & Sayings

I'm the god of war, the resurrector of the horror-core. The carnivore, destroying you wasn't hard at all

War is the ultimate reality-based horror show.

I grew up on all sorts of horror - Hammer Horror and Vincent Price's 'Theatre Of Blood.' I loved the hidden, scary layers, but there wasn't that much around for youngsters in terms of horror books. I can remember reading Stephen King's 'Salem's Lot' and 'Cujo,' but I thought there should be more for teenaged horror fans.

I spent years only ever reading horror and then trying to write horror - and deep down, a horror writer is still what I'd love to be. But it wasn't until I started writing crime that things began to work for me.

I do like sci-fi, and I do like horror - those are my favorite genres. Good horror, though, not like slasher horror... psychological horror like 'The Shining' - really good stuff!

As a kid I was into horror. I loved horror. Horror was huge. I was always into horror. Goosebumps for me was massive growing up. Horror for me was always a big thing.

Then my first film was something called Cannibal Girls, which sounds like a horror movie but was actually kind of a goofy comedy with horror elements. Like a horror spoof.

... the next war will be a war in which people not armies will suffer, and our boasted, hard-earned civilization will do us no good. Cannot the women rise to this great opportunity and work now, and not have the double horror, if another war comes, of losing their loved ones, and knowing that they lifted no finger when they might have worked hard?

The First World War was a horror of gas, industrialised slaughter, fear, and appalling human suffering.

I think I've covered every other genre. The truth is, I'm a horror fan myself. When I started in this business, horror wasn't cool. But it's cool now. Horror attracts A-list talent. That wasn't the case when I started.

O horror! Horror! Horror! Tongue nor heart Cannot conceive nor name thee!

There are a lot of war memorials around the UK. It's usually a part of the war memorials. I loved the way The Glorious Dead sounded. It's kind of a strange thing to say. There's nothing particularly glorious about being dead. It sounded like a strange, horror film. It just grew from there, really. It seemed quite apt for the record. We're kind of obsessed with zombie movies and horror films. It seemed like it just fit, at the time.

Horror movies scare me. I don't really watch them. I'm not a big horror genre fan. I like certain classic horror - like 'Alien', 'Jaws', 'The Exorcist', stuff like that.

I think that, back in the day, there used to be a lot of horror films that kind of had a checklist of what went into making the 'perfect horror film', and I think now people are raising the bar in the industry, as far as the types of horror films that are being made.

War has crossed out the day and replaced it with horror, and now horrors are unfolding instead of days.

Horror isn't only about ghosts or monsters. For example, paranormal romance seems the antithesis of horror. Once you have a sexy, fun vampire who is sweet, and you have a happy ending, it's not horror.

Horror used to be one thing, and I think that's starting to broaden - there can have subgenres, and other things can be going on in a horror story. In comics, you'll never get the 'Boo' effect in a comic; you can go for mood, atmosphere and personal tragedy to build the horror elements and sense of dread.

I've been fortunate in that the films I've worked on in the horror genre are themselves not pure horror, and have allowed me to write in a wide variety of styles. Those scores contain elements of fantasy, drama, action, comedy... really all types of scoring, and that gives the horror moments more impact. As for scoring the horror moments, I do like approaching the music from the psychological aspect, scoring to the characters' thoughts, emotions, motivations and such.

The thing is, horror is a big part of 'Sherlock Holmes.' Doyle also wrote a lot of great horror stories, so there's a lot more horror in 'Holmes' that people possibly think of. There's a lot of curses and mysticism and real scares.

People would always say horror movies always thrive during times of war; that's just what people would say. And I don't know if they thrived during World War II or Vietnam, but I thought that's kind of strange, why would that happen. I don't know if people rearrange their priorities; in good times, they freak out and start pointing the fingers at video games and TV, but when horrible things are happening in the world, a horror movie just seems a little ridiculous.

War is hell, but that's not the half of it, because war is also mystery and terror and adventure and courage and discovery and holiness and pity and despair and longing and love. War is nasty; war is fun. War is thrilling; war is drudgery. War makes you a man; war makes you dead.

When you're talking horror or sci-fi, you're working in a genre that has loosely certain thematic elements, or, you could even call them rules. But rules are there to be broken. I think that young filmmakers should go all the way back to the history of horror, from silent films like "Nosferatu", and through to today's horror films, so they understand the history of horror films and what has been done. Understand that, and then add something new or original.

When there's a great horror movie, people are like, 'Horror's back!' And when there's a series of not so good ones, 'Horror's dead.' I think it's all about the quality. When there are one or two good horror movies in a row, people come out interested again.

The definition of horror is pretty broad. What causes us "horror" is actually a many splendored thing (laughs). It can be hard to make horror accessible, and that's what I think Silence of the Lambs did so brilliantly - it was an accessible horror story, the villain was a monster, and the protagonist was pure of heart and upstanding so it had all of these great iconographic elements of classic storytelling. It was perceived less as a horror movie than an effective thriller, but make no mistake, it was a horror movie and was sort of sneaky that way.

When the Second World War finished, I was 23 and already I had seen enough horror to last me a lifetime. I'd seen dreadful, dreadful things, without saying a word. Seeing horror depicted on film doesn't affect me much.

One day, if I had to do a horror movie, it will be a very realistic war movie. For me, war is horror.

... though not invariably the worst choice, war is always an obscene horror.

I had always loved horror films, so I wanted to do something in the horror genre but wanted it to be sweet and charming at the same time. Because there's a difference between watching horror, where you can leave it behind, and writing horror, where you have to live in it for months and months at a time.

Because I know war... because I know the horror, I don't want to add to it. .........After the war, we felt the need to celebrate life, and for me photography was the means to achieve this.

I was born on Halloween night, 2:00 am on November 1st, but still Halloween night in the USA. I think it was a destiny for me to work quite a bit in the horror genre. I love the horror genre. Since I was a teenager, my friends and I used to go to a video store and rent many horror movies that we would watch over the weekend and then scare each other at school. I've been fascinated with the horror genre all my life.

Perhaps my dynamite plants will put an end to war sooner than your [pacifist] congresses. On the day two army corps can annihilate each other in one second all civilized nations will recoil from war in horror.

I wouldn't exactly describe 'Detention' as a horror movie. I mean, it does have horror elements in it, but it's got a lot more to it, and it's not a typical horror movie.

I look upon the whole world as my fatherland, and every war has to me the horror of a family feud.

I always laugh because people assume I love horror because I do a horror movie, but I'm not a huge horror fan.

Horror fans need horror, okay? They don't need little worms squirming around going down your throat. To them, that's not horror.

When horror turns into gore, when you show the monster, the killings, and the blood, it loses its suggestive powers. It loses part of what makes a horror film a horror film, which is that the images you see develop in your brain and you become the one imagining what you are not seeing on screen.

Growing up devouring horror comics and novels, and being inspired to become a writer because of horror novels, movies, and comic books, I always knew I was going to write a horror novel.

War is a lie. War is a racket. War is hell. War is waste. War is a crime. War is terrorism. War is not the answer.

Horror movies, man, the blood entails so much time. And horror movies are not fun; definitely not starting there as a director. Definitely not horror.

At every step the vast majority have expressed horror at the idea of an aggressive war.

The world was all mud and wire. The war in the heavens was only a faint imitation of the horror men had learned to make.

I ask why your Omnipotent God does not hold a man back when he is about to commit a sin or offence. It is child’s play for God. Why did He not kill war lords? Why did He not remove the fury of war from their minds? In this way God could have saved humanity from great calamity and horror.

I think the mistake people make with horror movies and what makes them successful is a lot of horror movies get made by people who don't really like them, so they don't respect them. And when you like horror and have admiration for it, that community knows that what's important for a horror movie is important for every other kind of movie.

There is many a boy here today who looks on war as all glory, but, boys, it is all hell. You can bear this warning voice to generations yet to come. I look upon war with horror.

The war now is away back in the past, and you can tell what books cannot. When you talk, you come down to the practical realities just as they happened. You all know this is not soldiering here. There is many a boy here today who looks on war as all glory, but, boys, it is all hell. You can bear this warning voice to generations yet to come. I look upon war with horror, but if it has to come, I am there.

When the Second World War finished, I was 23, and already I had seen enough horror to last me a lifetime. I'd seen dreadful, dreadful things, without saying a word. So seeing horror depicted on film doesn't affect me much.

It takes a disciplined imagination to acknowledge that the less personal savageries of bombs, missiles, artillery and heavy weapons are, to those blown to smithereens, also barbaric. The main horror of what the coalition is doing is not a matter of the occasional soldier who, in the heat of battle, commits a war crime, but the steady destruction rained on cities, villages, the Iraqi people. This violence is wreaked calmly, from a distance, within the rules of engagement. The war itself is the American war crime.

It is women who bear the race in bloody agony. Suffering is a kind of horror. Blood is a kind of horror. Women are born with horror in their very bloodstream. It is a biological thing.

Horror films are the ones that pay the bills, and historically, they have shown that they are good investments. They helped Universal survive with that initial splash of horror films in the 1930s and '40s. And horror films kept New Line alive with the 'A Nightmare on Elm Street' series.

We must begin to inculcate our children against militarism by educating them in the spirit of pacifism. Our schoolbooks glorify war and conceal it's horror. I would teach peace rather than war.

The spectacle of a field of battle after the combat, is sufficient to inspire Princes with the love of peace, and the horror of war.

I didn't realise the depth of horror that happened in the Second World War every day.

With The Exorcist we said what we wanted to say. Neither one of us view it as a horror film. We view it as a film about the mysteries of faith. It's easier for people to call it a horror film. Or a great horror film. Or the greatest horror film ever made. Whenever I see that, I feel a great distance from it.

If you have a year where a few good horror films come out, all of the sudden, horror is back and everyone's talking about how it's a vintage year for horror.

There's something about being amid the chaos and the horror of a war that makes you appreciate all you don't have - and all you may lose forever.

Horror movies started to wane around the onset of World War II, and after World War II, when all the troops came home, people weren't really interested in seeing horror movies, because they had the real horror right on their front doorsteps.

I do like horror films, but I wouldn't ever be interested in putting a horror on stage - blood doesn't equal horror.

When I was a kid, I loved action, war, horror, monster movies... Anything with special effects. I was fascinated with how'd they do that.

It's intriguing to me, when I see a horror script, or something like that, that's actually original. I think that's why I love 'Stranger Things,' because it's not just horror, it's everything, and when they use horror it's right.

Horror can be contained within a book, given form and meaning. But in life, horror has no more form than it does meaning. Horror just is.