Your wallet will be stolen, you'll get fat, slip on the bathroom tiles of a foreign hotel and crack your hip.
Staying in a hotel this time. They put me up in a little bit of a shithole. Yeah. Just this side of rinky dink. The first 7 floors are a homeless shelter, but I'm on 8.
On 'The Grand Budapest Hotel' I must insist that the sounds of the instrumentation are crucial to reflect what the movie should convey in terms of energy and emotion. It's not just the melody or the tune.
I can walk through a hotel lobby and watch people at the desk and see what they're doing. People don't look at me. They don't even know I'm there.
The most dangerous thing in the world is to make a friend of an Englishman, because he'll come sleep in your closet rather than spend 10 shillings on a hotel.
It's absolutely fine to think of new ways of doing things, and I'm not just asking for the traditional reporter to look into our living rooms night after night.
Whenever I'm on tour and I'm in my hotel room and I'm writing and playing my guitar, I go in the bathroom and I record whatever I'm writing in there. It's just what I love to do.
A hotel, he told me, was a big house where a lot of people lived and ate and slept, but no one knew each other. He said that described most families in the outside world.
We rehearsed for two weeks [in "Fences"], and we taped out the whole house in the front, and the rooms, and we stood it up like a play. We tried to get off book and gave people small props.
Jowett, in his day, did probably more than any other single man to let some fresh air into the exhausted atmosphere of the [Oxford] common rooms, and to widen the intellectual horizons of the place.
All the home I know is a hotel. Why, I don't even have a dog... I don't know the first thing about cooking or taking care of a house.
People are always asking me if I work out, but to be honest, I'm doing very little at the moment. The only time I really go to the gym is if I'm staying in a hotel.
The minute I enter my house or a hotel room on the road, wherever I am, the first thing I do is light a candle; that's my favourite thing.
I had always been kind of obsessed with making a home of my own and was always drawing rooms that I wanted to live in, down to pictures on the wall and the faces that would be in the photographs.
One percent of all comics ever reach the level of a Chris Rock or a Jerry Seinfeld. When audiences come to the underground rooms, they have a chance to watch the process that happens along the way - and see the comedians grow.
I didn't want 'Hotel Transylvania' to be the nail in the coffin for cartoony animation. Because if the movie failed, I could see people blaming that aspect of it. I was really nervous about that.
I'm such a big fan of Woody Allen. I once tried staying at the same hotel as him, hoping I would bump into him!
Emergency rooms are closed, many hospital wards are as well leaving people who are sick with heart disease, trauma, pregnancy complications, pneumonia, malaria and all the everyday health emergencies with nowhere to go.
I was the son of a publican and a master builder. He ran the Empire Hotel in North Hobart. His name was Max, too. Big Max.
I mean, Donald Trump hasn't even been sworn in yet. And so I do believe that he has set up a plan where the revenue or the profits that are coming to the hotel will be given directly to the Treasury.
As with any new and innovative industry, entrenched interests - particularly the hotel industry - have attempted to squash the home-sharing movement.
On my first trip to New York in the 1980s, the first place I wanted to visit was the Plaza Hotel, home to Kay Thompson's Eloise.
In late 2009, I returned to Baghdad after a lengthy absence. I was living alone, in the Hamra Hotel, the twice bombed-out de facto international news bureau.
'The Best Exotic Marigold Hotel' is a British comedy-drama directed by John Madden. The film is based on the 2004 novel, 'These Foolish Things', by Deborah Moggach.
The thing I have in common with Donald Trump is, about a dozen years ago, we got a 'Man of the Year' award in New York City, the Hotel Plaza, from the USO.
Of course, I love football, but I'm not one of those die-hard fans that never miss a game or with rooms devoted to team colors. At the end of the day, it's just a game.
As a sportsperson, the best thing is people recognising you and loving you for what you do. For me, glamour is 100 people in the hotel feeling happy to see you.
I traveled to many countries when I played. But wherever I went, it was a journey between an airport, a hotel, a stadium and a railway station or a bus terminal and I didn't have a chance to experience these places properly.
'Hotel For Dogs' was fun for my family, but it was kind of hard to get in the audition room for 'Jennifer's Body' after that, you know? But I think the roles find me, in a way.
I was in a hotel with my dad, and I was just joking around and said, 'Oh yeah, Daddy, I want to model.' I don't know - the camera is just fun.
I remember when MTV first put 'Linger' in heavy rotation, every time I walked into a diner or a hotel lobby, it was like, 'Jesus, man, here I am again.'
Having worked with Sarah Paulson on 'American Horror Story: Hotel' and seeing the lengths she goes to when shooting a scene, you go, 'Oh, so that's what this is going to be like.'
I'm not getting into rooms for cis roles. I started my career auditioning for those roles, and then I went to play trans roles. And now, I feel boxed in.
So, I sit at the hotel at night and I think of something that's funny. Or, If the pen is too far away, I have to convince myself that what I thought of wasn't funny.
On the road, I might go to the hotel gym. When I know I won't be dancing or working out, I spend time stretching. You have to stretch every day as a dancer. I do it whenever I can when it's not weird.
Sometimes it does me good to look back at the days when the living wasn't so good. I remember in 1945 the dressing-rooms were gone, the park was in ruins, no stand, nothing.
I've always been a cabaret-vaudeville artist - an hourlong cabaret and a floor show in a hotel - somebody like that. That's my main forte.
They can't hang outside my hotel or come to the gym and stare at me for a half hour and expect me to be like, 'Cool. Awesome.'
Sneaking was a kind of deceit. So was disguise. Just past midnight, wearing dark trousers and Fox's hood, the queen snuck out of her own rooms and stepped into a world of stories and lies.
My commitment is that Crown Sydney won't be just another hotel: it will be a landmark building for Sydney with a design and quality that the city deserves.
The office building is a building for work, organization, lucidity and economy. Light, spacious working rooms, clearly arranged, undivided, only organized according to the pattern of the firm.
So many people treat you like you're a kid so you might as well act like one and throw your television out of the hotel window.
We are the outcasts, we are the ones that are different, we are the ones that never got along with anyone else, we are the ones that went back to our rooms and put on our headphones and listened to those records that made us happy
But dreams come through stone walls, light up dark rooms, or darken light ones, and their persons make their exits and their entrances as they please, and laugh at locksmiths.
The Russians will try all the rooms in a house, enter those that are not locked, and when they come to one that cannot be broken into, they will withdraw and invite you to dine genially that same evening.
I have walked into the palaces of kings and queens and into the houses of presidents. And much more. But I could not walk into a hotel in America and get a cup of coffee, and that made me mad.
And if California slides into the ocean, as the mystics and statistics say it will, I predict this hotel will be standing until I've paid my bill.
I never knew before getting involved with these investigations that so much of this activity was going on. I mean, obviously there are chat rooms, social networking sites, and it occurs. I just didn't ever think it occurred at this level.
The rooms were very still while the pages were softly turned and the winter sunshine crept in to touch the bright heads and serious faces with a Christmas greeting.
In the winters, I enrolled in the hotel management program at Cornell University. I naively thought that I knew something about sleight-of-hand, entertainment and food, and that would be all I needed.
I take the role of leadership as the most important job I have. Yes, it's the passes and all the different things you have to do, but it's leading and it's in the huddle and it's in the weight room and the meeting rooms. It's that role I think comes first.
When I am at home, I never watch TV, but when I am abroad in a hotel I take a look at the BBC to find out what's going on.
When I was a comic in the 1980s, I was on the road somewhere every day, and I'd get back to the hotel, and it was Carson and Letterman, and I looked forward to that all day.
Theater dressing rooms are my home away from home - my second home, really.
I think it turned the whole sport around. It got everybody's attention. People who were watching TV live were jumping up and down in their living rooms.
Medieval people didn't have special rooms for sleeping, just a single living space for everything. They put up with this lack of privacy partly for the lack of other options.
When my wife left me, in real life, T. J. Miller was like, 'I'm shooting a movie in Pittsburgh. I'll fly you out and get you a hotel room,' and I spent a week with him.
I mean when you come into the set at 7:30 in the morning and you come out of make-up and the first thing you know, the ladies start coming into our dressing rooms at 7:45.
If you start watching the oldies, you're in trouble. I feel ancient if "Grand Hotel" or "The Bride Wore Red" comes on. I have a sneaking regard for "Mildred Pierce", but the others do nothing for me.
Thinking of Internet chat rooms or AIM as a kind - there's such an intimacy and honesty to tapping on your phone, despite how quick people are to damn digital means of communication as emotionless or too abstract.
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