Top 1200 Hotel Quotes & Sayings - Page 2

I go to a hotel and try to get there by 5:30 in the morning. I keep a dictionary, a thesaurus, a bible, a deck of playing cards, a bottle of sherry, and stacks of yellow sticky pads. I shut myself in for six, seven hours. I have an arrangement with the hotel that no one may go in my room. After three or four months, they might slip notes under my door like, "Dear Ms. Angelou, please let us change the linens. We think they might be molding." It's probably true. I let them in if they promise not to touch anything other then the bed.

When I was on the road full-time, there was about an eight, nine year stretch where I averaged, conservatively, 250 days a year out on the road. That's basically you fly into a town, you get a Rent-A-Car, find a hotel, go to the gym, you eat, you go to the arena, go back to the hotel, you wake up, go to the airport and go somewhere else.

Nobody leaves a hotel without getting a full measure of three months of rental assistance. So no one has been evicted - no one who's eligible has been evicted from a hotel without getting a significant amount of money to find - to pay for their rent.

On the information sheet in a New York hotel, I recently read: 'Dear guest! To guarantee that you will fully enjoy your stay with us, this hotel is totally smoke-free. For any infringement of this regulation, you will be charged $200.' The beauty of this formulation, taken literally, is that you are to be punished for refusing to fully enjoy your stay.

Whenever I travel to the South, the first thing I do is visit the best barbecue place between the airport and my hotel. An hour or two later I visit the best barbecue place between my hotel and dinner.

Touring is very routine. You get to the city, you go to the hotel, you got to be at the hotel by a certain time - it's very routine. I'm not a very structured person, so when I get some structure, it's cool; it's good for me.

One night I was sitting on the bed in my hotel room on Buker Hill, down in the middle of Los Angeles. It was an important night in my life, because I had to make a decision about the hotel. Either I paid up or I got out: that was what the note said, the note the landlady had put under my door. A great problem, deserving acute attention. I solved it by turning out the lights and going to bed.

Small hotels are going to be in vogue. In my view, small is going to be the new big, wherein people will rethink a lot about going back to that 1,000-room hotel versus going to a 40-room niche hotel.

I can't sleep the first night in a hotel room.

The Beverly Hills Hotel is so iconic.

Towards the end of Coexist, we had a couple of short tours where, although we were on the road together, we weren't speaking very much. We were there to do a job, and once the show was done we'd go our separate ways to our hotel rooms. Those were some of my unhappiest moments. Stepping offstage and, within an hour, being in a hotel room alone is the most crazy feeling. I don't know how to really explain it. I felt just lost and confused. It's anticlimactic and you just feel really lonely.

I only ever did one hotel room because at the end of the tour, I had a little less money than the rest of the guys, and the tour manager said, 'You remember that hotel room you destroyed in Iowa? Well, we had to pay for it.' And I was like, 'Ooooh. That's how it works.'

The hotel I'm in has a lovely closet. A nail.

I wanted to start a hotel company from scratch.

I am plenty lonely in hotel rooms.

It's kind of hard when you're on the road all the time, from one show to the next, from one hotel room to the next hotel room, it's kind of hard to think about everything.

I love the Bowery Hotel by night.

My home in Adelaide was the Adina Hotel.

If I'm staying in a hotel or I'm sleeping on my own I have the hairdryer on.

Whenever I am not traveling during the winter, I am pushing hard in the gym. Even when I am traveling, I try to fit a workout in at the hotel. And if the hotel doesn't have a gym? You can get a good workout in your room with an exercise band and some imagination.

I got to meet a lot of cool people [on the Voice], and my favorite part about the experience was getting to sit around and do little jam sessions in the hotel. We were pretty much in lockdown at the hotel in downtown Los Angeles, and there wasn't much to do. It was interesting to be in a room with someone that was a rapper next to me, a country artist, then you have someone playing a song on the keyboard, and it was just really cool as just a random ensemble.

I dealt with men who had tempers, and who could get violent-Lord knows how I had to defend myself against Howard Hughes and Frank Sinatra, and from Artie Shaw's verbal abuse. But George [C. Scott] was a different category of animal when he got drunk. He'd break into my hotel room, which he did in Italy, London and at the Beverly Hills Hotel, attack me to where I was frightened for my life, and scream, 'Why won't you marry me?' Well, I would never marry a man who couldn't control his liquor. Me, I'm a happy drunk. I laugh, I dance. I certainly don't break bottles and threaten to kill.

When I visited Moscow for the first time in 1998, I wandered into the historic Metropol Hotel as a curious tourist simply to ogle the giant painted glass ceiling that hangs over the grand restaurant off the lobby. It was the memory of that short visit that prompted me, some years later, to set 'A Gentleman in Moscow' in the hotel.

What makes us unique is that we actually build things. Unlike most hotel companies who just manage and have no experience building, designing, and developing a hotel, we started off on the opposite track. We started off building. We're construction guys first and foremost.

I lived at the Gramercy Park Hotel for about 10 years. It was terrific. It was a pleasantly run-down hotel of the '70s and '80s with a mix of older, rent-controlled apartment dwellers, Europeans and new wave and punk bands. The room service was great, the hamburger was terrific, and they had a doctor who made house calls.

One of my fondest memories was when I was in London as a young, independent businesswoman and stayed at Claridge's. I knew I had made it. To me, Claridge's is the most glamourous hotel in the world; I regard it as my home away from home. I am honoured to become part of the hotel's legacy and rich design history.

I built a leprechaun trap that was made to look like a tiny hotel. There was a ramp where the leprechaun could walk into the hotel, see a Lego pot of gold on the other side, try to reach it, fall through a trap door, go through a tube, wind up in a biscuit tin, and be trapped. My mom, encouraging my madness, told me that the leprechaun might escape and that I needed a shot glass of whiskey down there to keep him occupied while he was in there.

Places do not lose their identity, however far one travels. It is the heart that begins to erode over time. The face in the hotel mirror seems blurred some mornings, as if by too many casual looks. By ten the sheets will be laundered, the carpet swept. The names on the hotel registers change as we pass. We leave no trace as we pass on. Ghostlike, we cast no shadow.

I collect hotel keys. I hope to make something out of them someday. It would be cool to make a bar at my house and, like, the bar is all the hotel keys: lay them down and put glass over them. Or maybe even a coffee table.

No matter how nice a hotel is, it's not home.

I was staying in a hotel in San Francisco for a couple of nights, before flying back to the UK. My hotel was a desperate grey block made from paper and people’s screams. At night the sound of strangers having icy sex echoed off the building and poured through the broken air conditioning, like tiny daggers I couldn't see, reminding me of just the tip of what I was missing.

[Eva Braun] went to the Nurnberg party rallies starting in 1935. She was there twice and stayed at the Hotel Deutscher Hof, the hotel [Adolf] Hitler had always stayed at while there. It was endless subterfuge in order to see him and then only for a few hours, then she had to sneak back to the banishment of her own room.

Don't drink in the hotel bar, that's where I do my drinking.

For 'The Hotel' I spent one year to find the hotel, I spent three months going through the text and writing it, I spent three months going through the photographs and I spent one day deciding it would be this size and this frame...it's the last thought in the process.

I always wish the hotels were like they are in movies and TV shows, where if you're in Paris, right outside your window is the Eiffel Tower. In Egypt, the pyramids are right there. In the movies, every hotel has a monument right outside your window. My hotel rooms overlook the garbage dumpster in the back alley.

I like the Four Seasons. It's a nice hotel.

I woke up as the sun was reddening; and that was the one distinct time in my life, the strangest moment of all, when I didn't know who I was - I was far away from home, haunted and tired with travel, in a cheap hotel room I'd never seen, hearing the hiss of steam outside, and the creak of the old wood of the hotel, and footsteps upstairs, and all the sad sounds, and I looked at the cracked high ceiling and really didn't know who I was for about fifteen strange seconds. I wasn't scared; I was just somebody else, some stranger, and my whole life was a haunted life, the life of a ghost.

People go to Vegas, and they don't know what to do; here's what you do. You go to the casino in your hotel. On your arrival, you get $100 in quarters. Take that $100 back to your hotel room and stare at it for a long, long time. Why? Because you're never going to see them again. Then you take those quarters to the bathroom and you flush them, one by one by one. And the nice thing about that is that every so often the toilet will back up, and you'll feel like a WINNER!

Boy what a hotel that was, why they stole my towel.

Imagine a set of people all living in the same building. Half of them think it is a hotel, the other half think it is a prison. Those who think it a hotel might regard it as quite intolerable, and those who thought it was a prison might decide that it was really surprisingly comfortable. So that what seems the ugly doctrine is one that comforts and strengthens you in the end. The people who try to hold an optimistic view of this world would become pessimists: the people who hold a pretty stern view of it become optimistic.

My definition of a good hotel is a place I'd stay at.

I often dream about the Dolphin Hotel.

Gilbert Hotel' is my first all-acoustic record.

I just work a lot. I just remember recording in a hotel room in Malaysia. I work on planes, I work on buses. A lot of times when I'm backstage in the hotel or on the bus, I would have new ideas.

I can write anywhere. I write in airports. I write on airplanes. I've written in the back seats of taxis. I write in hotel rooms. I love hotel rooms. I just write wherever I am whenever I need to write.

I always look at the bathroom. If you have a nice bathroom in the hotel, then it's a nice hotel. It's all about the shower and the bathroom.

I personally always took the view that, if you look at the case of should a Christian hotel owner have the right to exclude a gay couple from a hotel, I took the view that if it's a question of somebody who's doing a B&B in their own home, that individual should have the right to decide who does and who doesn't come into their own home.

Fortunately, I like hotel rooms.

More pianos in hotel rooms please.

I will keep a Bible or Koran on me at all times - the Bible I can actually carry on my phone, and any hotel you go to has a Bible, but the Koran is harder. I keep a physical Koran in my guitar case and put it on the table in hotel rooms so after a day's work, I can read a few verses.

It is obviously difficult in Manchester living in a hotel.

A country house is not the same as a house in a country and a hotel in the country is not the same as a hotel in a town but is it in a small town.

When Gaddafi came to Paris in 2007, he was supposed to stay at the Hôtel de Marigny, which is the best hotel. But Gaddafi came with a tent. It was this huge flagged tent - just him and his army guards, who were all girls. They were in these crazy leopard outfits. I mean, Gaddafi is way better dressed than any pop star in the world.

I used to work in a hotel kitchen at night and do theatre in the morning. After finishing my night shift - I did it for two years - I used to come back and sleep for five hours and then do theatre from 2-7 P.M. and then again hotel work from 11-7 in the morning.

I don't do much else but stay in my hotel room.

I once left my wife and child in a hotel in Mexico to fly to Guatemala in this tiny plane for two days to see the rainforests. Guatemala had just finished a civil war and my hotel door had five or six bolts on it; I was locking myself into a safe vault.

My work has been about making a record of my life that no one can revise. I photograph myself in times of trouble or change in order to find the ground to stand on in the change. I was coming out of a melancholic phase. This was taken when I was traveling extensively, on the road from hotel to hotel. You get displaced, and then taking self-portraits becomes a way of hanging on to yourself.

I don't know anything about the hotel business.

I was a bellman - a great hotel, five-star hotel in Boston. I made great money. I made cash every day. I had good benefits. We had 401k. All the things you could ask for in a great job, I had. You know what I didn't have? I hated my job.

I've had fans break into my hotel rooms.