Top 1200 House Music Quotes & Sayings

There was always music in my house when I was a kid. On Saturday mornings, my mother would clean house to 45s blaring out the songs of Neil Diamond, The Doors, Pink Floyd, Cat Stevens, Harry Chapin.

The way that house music has become so white and so sanitized over the decades and the fact it's still going on, well I think it's sad really, but at the time I really loved it. I loved all the black house music that was coming out of Chicago and New Jersey, which I just thought was really soulful.

In my house every Sunday, everybody was cleaning the house. There was always music, and everybody was dancing, sometimes naked around the house. Not hippie, but very free.

I just love music generally. If you come to my house I always have music playing.

I was DJ'ing house music way back when - I'm not like a new house guy.

For me, I actually come from an electronic dance music background: house music, electro house, trance music, even. When I was coming out of school, basically, I discovered Brain Fever, Flying Lotus, J Dilla and all that. That was when I got excited about hip-hop and when the Flume project started.

I'm literally am home making my own music unless I'm asked to be in somebody's house writing music for them.

In my house every Sunday, everybody was cleaning the house. There was always music, and everybody was dancing, sometimes naked, around the house. Not hippie, but very free.

I'm hands-on with everything. From music to a car to remodeling a house - anything. People don't know that stuff, though, 'cause I put all my focus into music and being mysterious a little bit.

I adored my grandparents and spent every weekend with Mama and Papa Wicks. They had seven children, so they needed a big house - and it seemed only logical to them to build into their house a pipe organ in a music room with a sixteen-foot ceiling.

In all the music that deals with experimental repetition, drum and bass, dub, various kinds of house music, there's always been a quality of atmosphere and ambience.

I was listening to a lot of really early house music tracks. Like Chicago house and Detroit. And Marshall Jefferson has a track probably from 1980 - somewhere around there - that doesn't actually have any electronic instruments, no drum machines, nothing. Just a drummer and a piano player and they're playing this house music, but they're actually playing it. I really love that aesthetic and wanted to bring that into the album.

I'm not going to say I'm not a fan, but I'm a fan of house music, essentially, and kind of indie, and I was always into the kind of sub-pop Seattle Mud Honey and Pearl Jam kind of sound. But my kind of big love was house music ever since I was 15/16, going to raves when I was 15 or 16 years old and not going to school, like a naughty boy.

I love music. I've just been putting studios together, here and at my house in New Jersey and so I can always make music and express my ideas and work with people to fine tune them to where they need to be.

I didn't play music, nobody in my family had an instrument or played music, we didn't even have any books at my house. I think about it and I'm like, I don't know how I climbed out of there.

Enough of clouds, waves, aquariums, water-sprites and nocturnal scents; what we need is music of the earth, everyday music..music one can live in like a house.

The Bible does say, "My house shall be called a house of prayer for all nations." Preaching, music, the reading of the Word-these things are fine-but they must never override prayer as the defining mark of God's dwelling.

I listen to music every day and that is a fact. My son pointed out the other day that there's not a day that goes by without him listening to music in our house. I'm still an avid punter when it comes to either checking out bands or buying new music.

In some ways it's hard to see electronic music as a genre because the word "electronic" just refers to how it's made. Hip-hop is electronic music. Most reggae is electronic. Pop is electronic. House music, techno, all these sorts of ostensibly disparate genres are sort of being created with the same equipment.

Growing up, my grandmother did not want worldly music in the house. Then when I went out to California, I started listening to Spanish music, mostly Mexican music. But were I in Egypt, I would listen to the music of the people, or if I was in Italy, I'd listen to Italian music.

House music is the root of all electronic dance music.

My dad went to medical school, and when he studied he listened to music so he has a ridiculous CD collection. That was always something we had growing up from him; there was always good music playing at the house.

When you're looking for a house, you're not looking for a house that's perfect. You're looking for that house to have character. And I think it's those little bits of humanity they come from the music. That's what the music brings out when you have that, it brings out the character of a song. You go back and listen to 30, 40 years of music, and all the great, great songs that we've had in our lives, they all have that character. They have that human nudge, they all have that human relation. You can relate to it.

TREE HOUSE A tree house, a free house, A secret you and me house, A high up in the leafy branches Cozy as can be house. A street house, a neat house, Be sure to wipe your feet house Is not my kind of house at all- Let's go live in a tree house.

I started spinning house and R&B. I was taught how to DJ from house producers, so it was mostly house music in the beginning. But then sometimes people can get a little tired of hearing the same four-four beats all the time, so if you throw a little R&B in there as well, it gives people a little breather. That's the way I was DJing then when I learned how to spin. That was my introduction to house music in general, which was eye opening for sure.

Obviously, it's had a huge effect on repetitive music or dance music or house music. Ambient in the last ten years has infiltrated into all those repetitive musics. I don't know what part it plays in pop necessarily but I'm sure there's some connection. But in all the music that deals with experimental repetition, drum and bass, dub, various kinds of house music, there's always been a quality of atmosphere and ambience. I think it's infiltrated that pretty heavily.

My dad is a huge folk music fan, so growing up, there were always records playing in my house. Carole King, James Taylor, Simon and Garfunkel, the Beatles - I grew up with this music, and I was aware of how special this music was to a lot of people.

You put music in categories because you need to define a sound, but when you don't play it on your so-called radio stations that claim to be R&B or jazz or whatever... All music is dance music. But when people think of dance music, they think of techno or just house. Anything you can dance to is dance music. I don't care if it's classical, funk, salsa, reggae, calypso; it's all dance music.

My musical roots and inspiration lie not in rock n' roll or metal music, but first and foremost in classical music, balalaika, and in underground house music.

Besides my son, music is the most important thing to me. I always have music on in my car and playing at house, and I'm in the studio or performing every night. I like Beats by Dre for headphones, and Bang & Olufsen soundsystems.

I write most of my music in my house, which is like a tree house.

All music is dance music. But when people think of dance music, they think of techno or just house. Anything you can dance to is dance music. I don't care if it's classical, funk, salsa, reggae, calypso; it's all dance music.

I was going to do a big radio show, and I said to my driver, 'Radio can wait, take me to the Full House house.' It literally was a drive-by. I photobombed the Full House house yesterday. I took like 20 pictures because I thought I didn't look good in any of these - you can't see the house! You gotta really show that that's the house!

My mother got me into music when I was a little kid. She used to play music, blast it, when she was cleaning the house, while I was crawling around. I just love loud music.

When I was in London I found house music and techno, and I love that s - t. It's my go-to music. It's the closest for me to the old funk of James Brown and the repetitive dance music that I like from the soul music. I'd love to do a live album, like a little bit old school but still progressive, influenced maybe by more electronic music. I like everything, but I don't know anything about music. So it comes in to a lot of different ingredients.

My father was very interested in music, and when he and his brothers were young, they had a singing group that used to open for Sam Cooke. There was always music in our house, but there wasn't much art around.

I grew up with the British-Chicago crossover of house music with a lot of pianos and very heavy bass lines, but what I love about house is you can mix it up a bit.

House music for me was incredible. It was a huge part of my growing up and developing into a young adult because I found a community within music.

I realized a lot of my friends were going to nightclubs and listening to house music. I was hanging out with them and going to clubs as well but I didn't really understand that kind of music. I was listening to country music and was heavily into Hank Williams, bluegrass, and Bob Dylan. So I just decided I really needed to understand what this music I was hearing in the clubs was all about.

As a child I always wanted to be a singer. The music my mother played in the house moved me - Aretha Franklin, Chaka Khan, Mahalia Jackson. It was truly spiritual. It made you understand what God was. We are all spirits. We get depressed. But music makes you want to live. I know my music has saved my life.

My policy has always been to play new music. New beat, industrial, techno, disco, funk, rare groove and house music.

I know too many musicians that have to tour on the same 10 songs, and they burn out. They get back to their house, and they have no reason to write new music. They are music'd out.

I've always been into music. My mom and dad used to always play music in the house.

My first memories of music are of my mother playing Dominican music in the house because my parents love to dance. They love to throw parties and dance, so there was a lot Latin music in the house.

I actually only started listening to house music around the time I started making it. I got hooked both to making music and to house music.

I don't have any connection to Portuguese, but I listened to a lot of music in other languages because I was really into house music; there are all sorts of languages that are featured in house.

I remember singing around the house to records that were playing. All kinds of music. And the great James Cleveland was often in our house, and I grew up with his sound as well.

If I were asked to name the chief benefit of the house, I should say: the house shelters day-dreaming, the house protects the dreamer, the house allows one to dream in peace.

Prince turned experimental music into pop music. 'When Doves Cry,' the whole 'Purple Rain' soundtrack - he was inspired by the Cocteau Twins and new wave pop and brought it into R&B when he first started, and then it became this cool, next-level, kind of hard-to-digest music. Which is what I felt 'House of Balloons' was.

Music was all over my house, and all over literally my genetic house, and my house in the literal sense. So I kind of couldn't avoid it.

My mum is from Ghana, and she used to play highlife music in the house, and my dad used to listen to music.

Well, I was a real late-comer to listen to music, actually, because my parents - first of all, my parents weren't big music fans. They didn't listen to music. We didn't really listen to stuff in the house.

The spirit of house music, electronic music, in the beginning was to break the rules, to do things in many different ways.

I connect with techno way more than house. I find it frustrating people call me a house artist because I think my music in general is more in the tradition of techno. House is celebratory and extroverted. I don't connect with that sentiment.

Floating Points plays a lot of music that I don't know, and I like geeking out and trying to find out what the tracks are. His knowledge of house music is pretty deep, and his selection is just amazing. And I think it's a pleasure to listen to his music because it's so perfectly produced.

The lack of quality dance music and the fact that here in the United States, house music is not seen as anything viable by the music industry. I figured that this might be another shot at the industry looking at the possibilities of house music and giving it a little bit more legitimacy than what they give it. It's a host of different things, but it's something that I needed to say musically.

Does the Bible ever say anywhere from Genesis to Revelation, 'My house shall be called a house of preaching'? Does it ever say, 'My house shall be called a house of music'? Of course not. The Bible does say, 'My house shall be called a house of prayer for all nations'. Preaching, music, the reading of the Word - these things are fine; I believe in and practice all of them. But they must never override prayer as the defining mark of God's dwelling. the honest truth is that I have seen God do more in people's lives during ten minutes of real prayer than in ten of my sermons.

That's the whole part about being a deejay: You've got to make sure you are prepared. At the end of the day, you do have your genre - house music, dance music - but there are many different ways of playing that.

Our house is a constant mayhem of music, noise, socializing and business. It vibrates life, as a house should.

My parents being Bengali, we always had music in our house. My nani was a trained classical singer, who taught my mum, who, in turn, was my first teacher. Later I would travel almost 70 kms to the nearest town, Kota, to learn music from my guru Mahesh Sharmaji, who was also the principal of the music college there.