When you come from an immigrant home, you're in a whole different world until you leave your house. In my teenage years, I had to learn to switch cultures the second I left my house and, when I came back, to go back to my fundamentals.
I grew up with my little brother, and we were raised by my grandmother. I was an insider for real. I stayed in the house a lot, writing songs or playing video games, watching TV, or chilling with my girlfriend. It wasn't until 9th grade that I got into music. This guy in school heard me singing around the hallway to girls and stuff.
Music was our food... When we can play, it can't be so terrible. The music, the music!
Here's something else to think about: calling when you say you're going to is the very first brick in the house you are building of love and trust. If he can't lay this one stupid brick down, you ain't never gonna have a house baby, and it's cold outside.
I think rap music has made more money on dance music than dance music has made on dance music. Just a thought.
It's funny how the music industry is enraged about the Internet and the way things are copied without being paid for. But you know why people steal the music? Because they can't afford the music.
We just kept moving back and forth because my mother never had a job. We kept getting kicked out of every house we were in. I believe six months was the longest we ever lived in a house.
When someone is themselves through their music, it's soul music. James Taylor is soul music to me 'cause it's just him talking about him. It doesn't have anything to do with black or growing up in the church; it's where it comes from. It's just soul music.
Always design a thing by considering it in its next larger context - a chair in a room, a room in a house, a house in an environment, an environment in a city plan.
We wish nothing more, but we will accept nothing less. Masters in our own house we must be, but our house is the whole of Canada.
I want to make sure I'm climbing because there's no back-up. No one in my family has a house, and, regardless of your background, if someone has a house, that means you can always come back home. When you don't have that, it's like there isn't anywhere to stand, so you have to keep jumping.
I'd rather call it "instrumental creative music," especially the music that I've been doing. If a person would hear that music, they would undoubtedly call it "jazz." There is this whole generation of musicians that are playing and thinking critically for themselves and making music that's relevant to today. I hope that's the objective of a lot of musicians.
I'm usually busy - if you call me at the house, I get about four phone calls there a year - I'm usually running around the house with a pen in my mouth holding onto something, folding it, or doing something to it, and it's always a bad time.
[Locating, from scratch, the gene related to a disease is like] trying to find a burned-out light bulb in a house located somewhere between the East and West coasts without knowing the state, much less the town or street the house is on.
I always love the soapy conflicts between somebody's family of origin and their new family - 'Do I have Thanksgiving at my husband's parents' house, or at my parents' house?'
I think music is just a wonderful ingredient that helps us understand a scene better. And certainly you can overuse music, and you can use the wrong music. I probably have been guilty of these things over time. But if you use music correctly as a friend of the theme, a friend of the narrative, ou can lend some terrific connective tissue to a film.
So what's happening with the audio/visuality, for the first time we are doing the music - the people who would come to the concert love the music - they loved him and loved his music - for the first time in concert it's not only the music. Now it's time to know the man. We know the music, but what was the man like?
What is the goal? A house that is like the life that goes with it, a house that gives us beauty as we understand it- and beauty of a nobler kind that we may grow to understand.
The show is coming from the music. I get on the stage with the band, and I communicate with my musicians, and the music that we create and all that is coming out of us. The music is making the show and the music is creating the atmosphere, so if you close your eyes and listen and feel what it is that's coming out of the speakers, that's the whole point.
There are two genres of music: there's good music and there's bad music.
I consider a good dinner party at our house to be where people drink and eat more than they're meant to. My husband is a really fantastic cook. His mother is Italian and if you walk into our house, we assume you're starving.
I hope my daughter knows that in our house we can make messes and have fun and we'll laugh through it. Granted I don't want her to trash the house, but we do make a lot of messes.
I have to listen to music while I'm working. Music is essential. It's at the top of the pyramid for me. I've always felt disappointed in what I've made when I held it up to the music I love. I try not to compare them now.
When I travel too much, it affects the music, and that is the most important thing. As long as I make good music, I can play shows, but if the music starts getting bad, the show offers won't come.
'Wii Music' elevates the scope of music video games by moving beyond commentary on what music is - as 'Rock Band' and 'Guitar Hero' do - to suggesting what it could be. Yet I'm still left wondering: Couldn't it be more?
You don't make this kind of music expecting to have to do TV press and stuff like that. I don't mind doing it, but it's a fairly underground type of music. You do it for the love of the music more than being a star or anything.
I remember being in my house from when I was, like, five to when I was, like, 12. When hurricanes would happen, you just hold hands, and you say, 'You know what, we have each other. We're praying,' and this roof can literally peel off of your house.
Without music you are all dead; with music you are alive. There
is nothing music can't do.
There are two kinds of music; German music and bad music.
Music is really everything I know. To be honest every experience I've ever had has been brought up from music and everything I do is because of music. I don't know anything else, I think about music before I go to sleep and it just really is everything that I am.
Music, when combined with a pleasurable idea, is poetry; music, without the idea, is simply music; the idea, without the music, is prose, from its very definitiveness.
As a kid, my parents had the typical stuff going on in the home, like Bee Gees, The Carpenters. Then I got exposed to what my brothers were listening to: a lot of classic rock, Led Zeppelin. It was around the mid-'80s when the whole Electro-Techno-Pop-House music thing started happening in Chicago.
I think there's a difference between the type of folk music that people put into the box of "folk music" and then there's the kind of folk music that I aspire to and am in awe of, and that is the kind of folk music where it's very limited tools - in most cases a guitar, in a self-taught style that is idiosyncratic and particular to that musician.
In Hamburg, there are three major orchestras, an opera house, and one of the great concert-hall acoustics in Europe at the Laeiszhalle, in a town a fifth the size of London. And that's not unusual. In Germany, there are dozens of towns with two or three orchestras. The connection with music goes very, very deep.
I think that cheap music often does make you dream more than more serious music, whether that's serious music by Beethoven or Miles Davis or Pink Floyd... if the Floyd ever did serious music, which I seriously doubt.
Really, this horrid House of Commons quite ruins our husbands for us. I think the Lower House by far the greatest blow to a happy married life that there has been since that terrible thing called the Higher Education of Women was invented.
Everything's going to be fine. She'll be back at work soon. Let's just keep the house clean." Oh yeah, I want to say, because a clean house will result in peace in the Middle East as well.
I actually never auditioned for 'Full House.' I had done a guest appearance on 'Valerie' as the next door neighbor's niece, and from that I got into 'Full House.' I was only five years old, and I was on the show until I was 13.
The first novel I wrote, 'The White House Mess,' was a comic novel. It came out in 1986. It was a parody in the form of a White House memoir.
I am a very shy and closed person. I stay in my house. The only time I go out is for award functions and maybe interviews. Because, this is part of my profession and I have to do it. Otherwise, I stay in my house or attend some classes.
I had a year off, so my wife and I were heading to Italy to study Italian. We found a little house in a village called Atrani. I discovered that Gore Vidal lived right above us in a big house, so I sent him a note.
Today was the annual Easter egg roll on the White House lawn. Usually when you see something rolling on the White House lawn it's a drunk Secret Service agent.
I was born on a plantation, and things weren't so good. We didn't have any money. I never thought of the word 'poor' till I got to be a man, but when you live in a house that you can always peek out of and see what kind of day it is, you're not doing so well. And your restroom is not inside the house.
The Band is probably the ultimate example of people taking all kinds of music, from gospel to blues to mountain music to folk music to on and on and on and on and putting them all in this big pot and mixing up a new gumbo.
I'm glad people think I'm a badass. I'm a rock and roller, and I'm an R&B and a blueswoman. I don't do fairy music, although I love Celtic music and sensitive music. There's a balance between ballads and kick-ass songs.
I've never personally criticized anyone else's music, but I know that the public's real problem is not the music I make but the perception that I play simple music for money only and for the notoriety and to increase my popularity.
I grew up with singers. My father's mother sang opera. My dad was a big band singer. I can't remember a time there wasn't music in the house, so I grew up listening to great songwriters - George Gershwin, Cole Porter - and my grandma was playing opera for me before I was 3.
In the theater, while you recognized that you were looking at a house, it was a house in quotation marks. On screen, the quotation marks tend to be blotted out by the camera.
Our aim is to gain control of the two great treasure houses on which the West depends: The energy treasure house of the Persian Gulf and the minerals treasure house of Central and Southern Africa.
Everyone in my family, they do music, and they love music; it's all about the music.
What's burning down is a re-creation of a period revival house patterned after a copy of a copy of a copy of a mock Tudor big manor house. It's a hundred generations removed from anything original, but the truth is aren't we all?
One of man's basic concerns is a house - a place to find protection from the rain and elements. But a house can be much more than a building. It is the social context of his family life -\-\ the place where he loves and shares with this closest to him.
We came to the house, and it is an old house, full of great chimneys where wood is burnt on ancient dogs upon the hearth, and grim portraits (some of them with grim legends, too) lower distrustfully from the oaken panels of the walls.
I play music - I write my own music, but I play music, just background music really, and just let it happen.
My only concern is playing. Everything else, my family looks after. In our house, everyone has a job, and my job in our house is to play football.
Composers don't just sit in a room and write things that are in their heads, they actually listen to a lot of music, pop music, jazz, rock and roll, any combination of music that catches their ear.
My influences are with Irish music, church music and classical music.
If people suspect their Cattle Bewitched, if they be great Cattle, make the twelfth house their ascendant, and the eleventh their twelfth house, and vary your Rules with Judgment.
I grew up in St. Louis in a tiny house full of large music - Mahalia Jackson and Marian Anderson singing majestically on the stereo, my German-American mother fingering 'The Lost Chord' on the piano as golden light sank through trees, my Palestinian father trilling in Arabic in the shower each dawn.
I am a member of that small, little group that covers - I`m a member of the White House correspondents association. I go to the White House every day.
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