Top 452 Houston Quotes & Sayings - Page 8

When I taught at the University of Houston in the Creative Writing program we required the poets to take workshops in fiction writing and we required the fiction writers to take workshops in poetry. And the reason for that is because the fiction writers seemed to need to learn how to pay greater attention to language itself, to the way that language works.

Know your load. That's rule numero uno in this business, which is why I make them count the penguins out in front of me one at a time. I'm not going to be the schmuck who shows up in Orlando twobirds short of a dinner party....I know I'm pulling out of Houston with exactly forty-two Gentoo penguins, seventeen Jamaican land iguanas, four tuataras from New Zealand, and a pair of rare, civet-like mammals called linsangs. No more, no less.

I think a great idea would be involving our various military services along the border all the way from San Diego to Houston. We've got military bases all over the country. We can just move some people down there and let those cartels who are doing a lot of hurt to the youth of America, let those cartels fight against the Marine Corps.

Whitney Houston came in. Someone dared me to do "the Gap act" on her. You know, the Gap act. So I went up to her like I didn't know who she was, and I said, 'Hi, I just wanted to let you know about our sale items and make sure to check out our new colors'. She looked at me like I was crazy.

We are extremely proud to represent all of Radio One's stations within the Katz Radio Group. For the past five years we have worked diligently alongside Radio One to build their business in the markets we have historically represented including Houston, Los Angeles, Philadelphia , Raleigh and Columbus. At a time of significant growth in the African American consumer market the addition of the remaining Radio One stations expands our ability to deliver strategic marketing solutions to our agency and advertiser customers.

I left school my senior year to do a play at the Alley Theatre in Houston, Texas. Then while I was doing a play, I auditioned for Juilliard. I got in over the summer, and they told me, 'You have to graduate high school to come here. You don't need the SATs, but you do need to graduate high school.' I finished over the summer through correspondence.

I went down for a week with the Houston Marshals. I didn't know that they hated paperwork as much as I hated it. They loathe it, man. They want to be in their cars catching the bad guys. They don't want to be filling out paperwork about the bad guys, you know, and the ones they've caught.

I'm more of an oldies guy. I'll say this - Michael Jackson, best entertainer of all time. Luther Vandross, best male singer of all time. Whitney Houston, best female singer of all time...and when Teddy Pendergrass says turn off the lights, turn 'em off. That's what I got for you.

When I first saw Destiny's Child, I was in the fifth grade, and it made me want to sing and make music and there would be these freestyles on the radio for what seemed like hours, it was just so cool to me. So all of these influences and these styles started to blend together. Eventually, that evolved into me finding the indie scene in Houston. When I was 19, I joined a rock band, and that's when I began to say, "Okay, this is something that I could take seriously."

The Houston team I was on - we were just rolling. We just hit the right stride at the right moment. And the Lakers team, we were rolling again.

I have to always, always pay homage to a woman I never met but she touched me like she touched so many others with that amazing voice, Whitney Houston. The very first time I heard her voice, I knew I wanted to make people feel that way. Even if I couldn't do all of that that she did, the way she was able to tell my story without even knowing me, the way she could feel what I didn't know how to express, it was spiritual almost.

In 2010, Strikeforce came to Houston, and DC was something like 5-0 or 6-0, and I'd seen him at the expo. I seen him walking around and I seen he had a pink cast on his hand, and I was like, this guy is way too fat... because he looked shorter and fatter. Because back then I was slim, I was like 235. So, I was like, man, I could take this guy.

Fifty-thousand were gathered (March,27th,1933) in and around Madison Square Garden, supportive rallies were at that moment waiting in Chicago, Washington, San Francisco, Houston, and about seven other American cities. At each supportive rally, thousands huddled around loudspeakers waiting for the Garden event, which would be broadcast live via radio to 200 additional cities across the country. At least 1 million Jews were participating nationwide. Perhaps another million Americans of non-Jewish descent heritage stood with them.

Well, my dad was into music, but he wasn't into me being into music. In my house when I was a kid, when I was real young, my dad wanted us all to play sports, and we were jock-like. We had a lot of money. And my brother was sort of the light of our family, and he was a good athlete. And I wasn't a very good athlete, but I tried to be. And then when I was 15 my dad went bankrupt, and we moved to Houston. And I went with him, but then I went back to Portland.

Barbara Bush has her finger on the pulse of America. Im so glad shes back and more compassionate than ever, ... Thats right, of course people just sat around New Orleans, boring, uninspired, soulless New Orleans, and dreamed of someday relocating to the Astrodome. Oh, dear Lord, if only I could leave my unhappy existence and head on up to wonderful Houston and live with my friends side by side in a spacious football stadium, my life would be so much richer and complete.

I'm very proud of my love for Whitney Houston. She really changed my life. She made my life a better life. She was so beautiful in her love for God, her love for her family and her love for music. She truly loved her music. She could do everything! She had flawless rhythm, flawless pitch, flawless feeling, and flawless beauty.

When I was 12 years old, I met Bushwick Bill at the Houston Airport. He was by himself and with a whole, big ole thing of luggage - about 10 people worth of luggage. He was just sitting there by himself, asleep, knocked out at about noon or one in the afternoon. Me not knowing no better, I walk up to him, wake him up like, 'Man, you Bushwick Bill?'

Mission Control in Houston receives our e-mails through a satellite and then sends them out to our family and friends. Likewise, any e-mails written to us go through the Mission Control, and then they send them up to us via a satellite.

I've seen the end of the universe, and it happens to be in the United States and, oddly enough, it's in Houston, Texas. I know - I was shocked, too. Imagine my surprise when I left a comedy club one day and walked to the end of the block, and there on one corner was a Starbucks, and across the street from that Starbucks, in the exact same building as that Starbucks, there was - a Starbucks. I looked back and forth, thinking the sun was playing tricks with my eyes. That there was a Starbucks across from a Starbucks - and that, my friends, is the end of the universe.

Yes, creative people are more prone to addiction or addictive behavior. But, equally as prone is your mailman, your mother, your brother, your friend, the guy who does your banking. It's everywhere. The thing that happens in the press sometimes is Whitney Houston. She was just an addict. Just like your uncle Steve.

We opened the first Men's Wearhouse in Houston in August 1973, then a store a year for 10 years in Texas. In the early 1980s I opened a store in the San Francisco Bay Area. Within the year, the Texas economy was in total disarray. We were facing Chapter 11, and if not for the California store, we might not have survived.

Rap got me out of the hood. Rap got me out of Houston and helped me to see the world.

Some years ago, I was invited to speak in Houston, Texas. They said I was a founder of 'postmodern theatre'. So I said to my office, 'This is ridiculous for me to go and speak about postmodern theatre when I don't know what it means, but... they're paying me a lot of money, so I'll go.'

When Whitney Houston died, I felt great sadness. My sadness, of course, was about our collective loss - when you listened to this nightingale sing, your body would drop into a chair, your head would tilt up, a small smile would creep across your face, and inside you knew that there was a higher power somewhere: gifted, beautiful, spiritual.

This was the first time we had two ex-Soviet Cosmonauts in Houston. A lot of us, including me, viewed it with some skepticism, because I grew up during the Cold War, so I had been hit with all this propaganda all along that their stuff wasn't that good, it wasn't that safe and we were so much better. What I found out later was that their space stuff was very good and good enough that I was certainly comfortable flying on their equipment. So, it was kind of a revelation of sorts as the years went by and I think it underscores the importance right now of international cooperation.

The first space walk, it's really got your attention. You know you're travelling eight times faster than a rifle bullet, and you're outside. Second space walk, you're a lot more relaxed, you're looking over your shoulder, admiring the view of Earth. What was funny about the third space walk was that mission control in Houston called and said, "Take a moment and enjoy the view".

The baby woke up before you did. I took him to the other room to let you get a little more sleep. We've been watching a game." "Did he cry?" "Only when he realized the Astros were having another first-round play-off flame out. But I told him there's no shame in crying over the Astros. It's how we Houston guys bond.

I was a teenager in the '80s, and I was always a bit dismissive of Houston, as I think a lot of people who considered themselves 'cool music fans' were. She was poppy, bubble gum, making music not considered very cool. But you can't help but dance to some of those songs or feel emotionally affected by 'I Will Always Love You.'

Dallas is more in line with mainstream America. But Houston's farther down on the map where it's a little different. I think it's the slowness of our culture, how we move slow. It's hot in here, you know. We got our own culture, our own slang, a little bit our own way of doing things.

Why did I want to be an astronaut? That's not an easy question to answer because I know a lot of kids want to be astronauts when they grow up but it stuck with me and I think just maybe growing up in Houston and always having the astronauts and the Johnson Space Center in my backyard, I was always aware of the space program.

As an actor, you're just taking temperature. I am anyway, all the time, and responding appropriately. I was again cast very last-minute for Rushmore and met Wes Anderson, this quite physically and socially awkward man who didn't really talk to me much, a precocious and intelligent young boy. And Bill Murray. And we were sort of left in this bizarre hotel together and taken to strange locations around Houston. That was quite an isolating experience.

We will do whatever it takes to keep Tom Herman at the University of Houston. We're not going to lose Tom Herman because of money. If Tom Herman wants to go to LSU or Texas or Oregon or Baylor or wherever else, we cannot stop him from doing that. But it's not going to be because of money.