Top 711 Howlin Wolf Quotes & Sayings

A young wolfhound must meet his first wolf someday, but if the wolf sees him as a puppy, if he acts the puppy, the wolf will surely kill him. The wolfhound must be a wolfhound in the wolf's eyes even more than in his own, if he is to survive.

Isn't my music the last of the real rhythm and blues? Isn't it great? It's because of my musicians, we were weaned on Muddy Waters, Howlin' Wolf, Bo Diddley, Chuck Berry, Little Richard, Jerry Lee Lewis, all the founding fathers, the gods of thunder, who invented the foundation and the pulse of the greatest music in the world!

For groups like the Rolling Stones names like Muddy Waters and Howlin' Wolf were exotic inspirations. For Siegel-Schwall they were the guys that played with them on 43rd Street.

I went to a Catholic all-girls school, and we would play cassettes of music we liked, and when it was my turn, they would laugh at my choices. I would play Billie Holliday, Elmore James and Howlin' Wolf, but it was fine; if I had to listen to their choices, they had to listen to mine.

Literature was not born the day when a boy crying "wolf, wolf" came running out of the Neanderthal valley with a big gray wolf at his heels; literature was born on the day when a boy came crying "wolf, wolf" and there was no wolf behind him.

No one could match Howlin' Wolf for the singular ability to rock the house down to the foundation while simultaneously scaring its patrons out of its wits.

Now this is the Law of the Jungle -- as old and as true as the sky; And the Wolf that shall keep it may prosper, but the Wolf that shall break it must die. As the creeper that girdles the tree-trunk the Law runneth forward and back -- For the strength of the Pack is the Wolf, and the strength of the Wolf is the Pack.

A lot of my friends, they think I grew up to rock and roll, but I didn't. I grew up to Hank Williams, Jimmy Reid, Howlin' Wolf, listening to a race record, blues.

The wolf's clear, intelligent eyes brushed mine. The wolf is gentle-hearted. Not noble, not cowardly, just nonfighting.

A Native American grandfather was talking to his grandson about how he felt. He said, 'I feel as if I have two wolves fighting in my heart. One wolf is the vengeful, violent one, the other wolf is the loving compassionate one.' The grandson asked him, 'Which wolf will win the fight in your heart?' The grandfather answered, 'The one I feed.'

I said if you want to be Keith Richards, you've got to listen to Bo Diddley and Chuck Berry. Then I thought, "What did Bo Diddley and Chuck Berry listen to?" I said, "They listened to Howlin' Wolf and Muddy Waters." Well who'd they listen to? They listened to Robert Johnson. I said, "Ok, we'll start with that."

It made me sick - my name's Keith Richards. It hardly makes it against Howlin' Wolf or Muddy Waters, does it? On my first guitar I had Boy Blue written - just pathetic. But that was as good as I got at the time.

The shepherd drives the wolf from the sheep's throat, for which the sheep thanks the shepherd as his liberator, while the wolf denounces him for the same act as the destroyer of liberty. Plainly, the sheep and the wolf are not agreed upon a definition of liberty.

look, getting bitten doesn't make you into a monster. It just makes you a wolf. You are what you are. When you're a wolf, or when you're shifting, you don't have human inhibitions, so if you're naturally angry or violent, you get worse.

You've heard of the Wolf of Wall Street? I was like the Wolf of L.A.

I found my God in music and the arts, with writers like Hermann Hesse, and musicians like Muddy Waters, Howlin' Wolf, and Little Walter. In some way, in some form, my God was always there, but now I have learned to talk to him.

Which is worse? the wolf who cries before eating the lamb or the wolf who does not.

Those original, black, spirited, defiant, rebellious musical masters. Chuck Berry was one of the first masters of Les Paul's new electric guitar; he pretty much laid down the gauntlet, and I don't think anybody's ever beat him since. Way before the British Invasion, I was tuned into the black guys that created the British Invasion. Without Howlin' Wolf, Muddy Waters, Robert Johnson, Lightnin' Hopkins, Bo Diddley, Chuck Berry and the Motown hits, there would be no Beatles.

Once a wolf, always a wolf.

All the really great records or people who made them somehow came from Memphis or Louisiana or somewhere along the Mississippi River...And singers like Howlin' Wolf and Muddy Waters gave me the feeling that they were right there, standing by the river.

To protect the sheep, you gotta catch the wolf. And it takes a wolf to catch a wolf, you understand?

All stories are about wolves. All worth repeating, that is. Anything else is sentimental drivel. ...Think about it. There's escaping from the wolves, fighting the wolves, capturing the wolves, taming the wolves. Being thrown to the wolves, or throwing others to the wolves so the wolves will eat them instead of you. Running with the wolf pack. Turning into a wolf. Best of all, turning into the head wolf. No other decent stories exist.

It was a free-for-all; the BBC wouldn't play anything so we had pirate radio playing the African-American music and the Beatles and greats like Howlin' Wolf and Robert Johnson and Motown's Martha Reeves and the Vandellas and Otis Redding.

When you're a kid and you're trying to find your own voice, it's rather daunting to hear somebody like Howlin' Wolf, because you know that you'll never achieve that.

Boogie! I hate boogie, God, I mean, not the Chicago boogie like Willie Dixon or Howlin' Wolf, but all those awful white bands.

When I see Facebook, I feel like Howlin' Wolf must have felt when he first heard Elvis. 'They finally taught a white boy to do this.'

Nobody told me how to sing, so I just thought I'd try and sing like Howlin' Wolf. It was like a bark; there was melody to it - but I would go off a bit and I wouldn't stick AutoTune on it or anything to make it in key. Even now, I couldn't tell you about harmonies. I couldn't tell about what notes I'm singing because nobody taught me to sing.

If you think of the way Howlin' Wolf made records, you get the feeling there wasn't a production manager onsite, or a publicist having his say on how he should sing the songs. When you listen to his records, you feel like you're tapping into his voice.

I dabbled in things like Howlin' Wolf, Cream and Led Zeppelin, but when I heard Son House and Robert Johnson, it blew my mind. It was something I'd been missing my whole life. That music made me discard everything else and just get down to the soul and honesty of the blues.

So when the wolf pounces on your lamb, just ignore the pitiful bleating and remind yourself that this is a democracy, where every sheep can freely express its preference for which kind of wolf it wants to be eaten by. Many sheep, perhaps understandably, prefer a wolf in sheep's clothing, which is after all the basic idea of democracy. So far it has worked pretty well. The wolves all agree on that, and they want to spread democracy everywhere.

When I was a kid, we didn't have any blues stations. I never heard Howlin' Wolf or Muddy Waters or any of those people until the Stones had come along, and I took it upon myself to find out who these people were that they were covering.

People like Howlin' Wolf, Bob Dylan, The Rolling Stones, John Lee Hooker, Nina Simone, Captain Beefheart - all of these artists were what I grew up listening to every day of my life. And there's a very healthy music scene in the west country of England, where I grew up.

When I was 4 years old ... I dreamt that I'd been eaten by a wolf, and to my great surprise I was in the wolf's stomach and not in heaven.

Listen, the story of the United States is this: One kid, without anything, walks out of his house, down the road, with nothing but a guitar and conquers the world. And we've done that again, and again, and again – Johnny Cash, Hank Williams, Bob Dylan, Bruce Springsteen, Jimmy Rogers, Howlin' Wolf, Muddy Waters.

When I saw Jimi Hendrix I knew immediately that this guy was the real thing ... and when he played it was like a rough sketch of what he was going to become ... this guy was our generation, and he wasn't in a suit .. he played a Howlin' Wolf song 'Killing Floor', and then we (The Cream) had to carry on the set. It was pretty hard to follow.

The Latin proverb, homo homini lupus — man is a wolf to man—... is a libel on the wolf, which is a gentle animal with other wolves.

I'd go over to friends' houses and ask them to put on some Howlin' Wolf, and they wouldn't know what I was talking about. Then, when they would come over to my house, I'd play them some blues. Their parents wouldn't let them come back. The blues were still called 'race records' back then.

And this is what happened, ands this is why the caribou and the wolf are one; for the caribou feeds the wolf, but it is the wolf that keeps the caribou strong.

Rogues are always found out in some way. Whoever is a wolf will act like a wolf, that is most certain.

Wolf," said Ran, enunciating it very carefully. "What an unusual name. Did your parents give it to you?" "Does it matter?" said Wolf, tossing away his bone. "I'm only making conversation." "I'd prefer silence," Wolf said, a growl in his tone.

At university - when I was supposed to be studying biochemistry - I had tried to write a children's book about a boy and a wolf cub, and there was a paragraph in that which was from the wolf's point of view.

Name Yellow Wolf comes from life experiences. Yellow is the color of the sun - its power, fire, and hunger. Wolf represents my fierceness and ability to survive.

Blaming the wolf would not help the sheep much. The sheep must learn not to fall in the clutches of the wolf.

My influences were the riff-based blues coming from Chicago in the Fifties - Muddy Waters, Howlin' Wolf and Billy Boy Arnold records.

It was just like Howlin' Wolf. Once you arrive at the point that you understand it, the emotional factor is darker than some of the saddest blues stuff.

I love early blues like Bessie Smith, Muddy Waters, and Howlin' Wolf. I listened to the way these people sang, and it was just beautiful - straight from the soul. That, for me, was an inspiration.

I have no problem with religion, and I grew up with a strong curiosity about spiritual matters, but my searching took me away from church and community worship to the internal journey. Before my recovery began, I found my God in music and the arts, with writers like Hermann Hesse, and musicians like Muddy Waters, Howlin' Wolf, and Little Walter.

The whelp of a wolf must prove a wolf at last, notwithstanding he may be brought up by a man.

The best thing I can say about 'Teen Wolf Too' is that it's the only time anyone ever referred to me as Preston Sturges. Leonard Maltin wrote that 'Teen Wolf Too' made 'Teen Wolf' look like Preston Sturges. I've always prided myself on that.

Growing up in Middlesbrough [in England], I listened to artists like Chuck Berry, Little Richard, and Howlin' Wolf. It was like another world. Something happened to me when I heard that music. It leapt out of the speakers and went straight into my heart. And I thought, "Right, that's what I'm doing."

Pope Francis seems to be a much nicer man than Pope Benedict, but I'm not sure that his views on things that really matter are all that different. Whereas Benedict was perhaps a wolf in wolf's clothing, Francis is perhaps a wolf in sheep's clothing.

The shepherd drives the wolf from the sheep's for which the sheep thanks the shepherd as his liberator, while the wolf denounces him for the same act as the destroyer of liberty. Plainly, the sheep and the wolf are not agreed upon a definition of liberty.

Ahmadinijad was stupid enbough to be a wolf in wolf's clothing, to expose his teeth and nails and alert the west. I can be a wolf in sheep's clothing. I have all the diplomatic and rhetoric skills to do so.

What's that supposed to mean? A wolf's head on a stick. Big wolf barbecue tonight? Bring your own wolf?

I am not a wolf in sheep's clothing, I'm a wolf in wolf's clothing.

I grew up listening to Muddy Waters and Howlin' Wolf and lots of blues, R&B and Motown.

When I go back to seek inspiration - whether it be from Chuck Berry, Howlin' Wolf, the Beatles, Hank Williams, Ray Charles or Bob Dylan - it's from the performance. Those artists are in the studio playing their instrument and singing. There's no going back and redoing the vocals.

I call my golden retriever Cara my 'white wolf.' She's changed my attitude and made me write this book where the wolf is the hero, not the villain.

The best musicians in the world were raised on the same kind of music I was raised on and that is black, soulful, authoritative, ultra-tight, ferocious, uppity, defiant music that from the Howlin' Wolf, the Muddy Waters, the Lightnin' Hopkins, the Chuck Berry, Bo Diddley, and Little Richard.

We breed dogs to be more social than the wolf. There is very interesting research that has been done with a wolf and a domestic dog. If you have a tamed wolf and you have him sit in front of the experimenter or stand in front of his master and his two dishes, one to the right, one to the left – so that the dog or wolf see the food put in the left hand dish but the owner points to the right – the domesticated will go where owner points, whereas the the wolf goes right where he saw the meat thing put. In other words, in a dog social cue from a master can override where he saw the being placed.