Top 321 Hyper Quotes & Sayings - Page 4

Explore popular Hyper quotes.
Last updated on December 19, 2024.
When we worked together for 'Band Baaja Baaraat,' Ranveer used to be very anxious and hyper on set. He used to do weird things, but now he is calmer, less anxious. He's a better actor now.
What strikes me when I leave Washington is the extent to which there's a huge disconnect between Washington and the rest of the country. The rest of the country is not hyper partisan.
My idea about collections is that you write as hard as you can for some period and what you're really doing during that time is hyper-focusing on the individual pieces - trying to make each one sit up and really do some surprising work.
I feel like I get really energetic and hyper. If I do well in a show, I can't sleep afterwards. If I don't do well, I get kinda drained. I think because it's like a battle on stage.
I think this is a trait that runs throughout the queer community, the obsession with the hyper-feminine female villains. And we see it in Disney movies and in movies like 'Death Becomes Her,' and in characters like Poison Ivy and Catwoman.
Rarely is it correct to play a hyper-aggressive style of poker. But there are certain situations where a seemingly reckless approach will actually be the most profitable strategy to employ, like at the Main Event at the World Series of Poker.
The way that Trump spoke about the outside world was the most aggressive, most hyper-nationalist, and in some ways most hostile of any inaugural address I think since the Second World War.
I find significance in all kinds of small details when I run; I'm hyper aware of my surroundings, the sensations in my body, and the thoughts running through my mind. Everything is clearer, heightened. I might be more addicted to this clarity than I am to running itself.
If you think about it, it requires a lot of effort and time and energy to make money in the real world, and if they made games equally as difficult to make money in, people wouldn't play them. So they are generally designed to be hyper-inflationary because that's more fun.
I was a stage actor for 20 years or so; I was leading men in classical things. 'Shakespeare,' you know. And now, I never play leading men. I'm that kamikaze comic that comes from the left, turns the table over, and leaves, or the hyper-intelligent yuppie scumbag if it's a drama.
Cocaine for me was a place to hide. Most people get hyper on coke. It slowed me down. Sometimes it made me paranoid and impotent, but mostly it just made me withdrawn. — © Robin Williams
Cocaine for me was a place to hide. Most people get hyper on coke. It slowed me down. Sometimes it made me paranoid and impotent, but mostly it just made me withdrawn.
Basic Instinct 2' is an uneasy experience because, although it is hyper-reflexive to the point where it is hard to think of one character, one scene, one plot twist that isn't a reference or an echo, there is nothing knowing about it. No matter how absurd the film gets, it refuses to raise its eyebrows.
We're with each other 24/7 and that's not an exaggeration. But I think after 25 years it's like you are with your family basically. You're gonna have your dust-ups and fights and stuff, but we're all really hyper-aware of the good fortune we're having and how long it took us to get here.
My point is not that everything is bad, but that everything is dangerous, which is not exactly the same as bad. If everything is dangerous, then we always have something to do. So my position leads not to apathy but to hyper - and pessimistic - activism.
I always loved watching old movies and I loved Marilyn Monroe and all those blondes; that hyper feminine 1950s glamour and the exaggeration of it. Then Jessica Rabbit came along and it was an exaggeration of that look and so I wanted to be even more exaggerated than that.
I'm a beauty person on YouTube, and I'm very, very, very hyper-aware of things, and I like to dive into products and just really go in and hone in on products - whether I think they're worth the money or not.
For shows that are hyper-serialized, it just seems to make more sense to follow a feature film model than follow a television model, which was set up more for a procedural type of show.
When you're writing for the screen, you have to be hyper-conscious every moment of how the audience is going to react. If you write just one scene where the audience is confused or it breaks their concentration in some way, then you've lost them, and you might never get them back.
It's time for political leaders across the ideological spectrum to realize that, while partisanship is understandable, hyper-partisanship is destructive to our country. We need more visionary leaders who will earnestly strive for bipartisanship and finding policy solutions that can move America forward.
I think all the roles I've played really center around either the great conflict or how the great conflict affects the people that I love. I've been cast often as a hard-nosed, hyper-confident guy.
If you think Barr's Justice Department will take a single step to confront Trump or his cronies with any kind of challenge, think again. His hyper-maximalist vision of executive power borders on the fetishistic.
We want to feel hyper-alive, and it's like, the more cartoonish and grotesque the level we can operate at, the better. It's like the world we live in has become quite safe in a lot of ways, and it has become harder to genuinely transgress. But the desire to transgress is a real feeling.
About half an hour before air time - that's when I become hyper. I put everything else out of my mind and just let that nervous energy surge through my body. I start talking faster and louder. My confidence comes up. It's actually a great feeling.
By pumping up hyper-partisanship, our country (America) is playing with forces that can easily get out of control. We are giving purpose and cover - and sometimes a sense of purpose - to the crazy among us. We are encouraging a culture of extremism
The social media not only become new platforms for the invasion of privacy, but further legitimate a culture in which monitoring functions are viewed as benign while the state-sponsored society of hyper-fear increasingly defines everyone as either a snitch or a terrorist.
When I wrote 'The West Wing,' the juice behind it was that in popular culture, our leaders in government are generally portrayed as Machiavellian, or as idiots. I thought, well, how about writing about a group of hyper-competent people?
In the real world, I kind of, like, thrived a little bit. The things that were awkward about me at school, like being hyper passionate... I realized, 'Oh I'm my own person, and I have my own idiosyncrasies and nuances that I don't mind.'
I am someone that is very hard to handle. I'm very picante, intense... Sometimes I'm very outgoing and spontaneous and super hyper. Latinas, we love to touch each other - like, cuddle. That's why a lot of people are intimidated.
My movie [The Neon Demon] is a hyper-version of the obsession with beauty. As this crazy obsession grows, longevity does not. Everything seems to become younger and younger. The girls and people around them cannibalize themselves.
Society has a hyper emphasis on thin, and that trend comes from the consumers - it does not come from the fashion industry. The fashion industry needs to make money; that's what we do. If people said, 'We want a 300 pound purple person,' the first industry to do it would be fashion.
I try to have a balance of things you like and things you don't like about a character. But once you start that, all these scripts are like, "You play the douchebag friend of Ashton Kutcher." It's all these characters that are overconfident or hyper-masculine.
That's one thing about Hollywood. People don't always want what's real. People always want a little more. So for me, it's a compromise. Here you go, that hyper-reality.
A rap dude has his rap persona, his hyper version of himself. Do you know Method Man's real name? Or Elton John, Marylin Monroe? You make up this character. That's kind of what we have done with Die Antwoord, playing with characters.
I have engaged in hyper-male culture, and I'm learning about it, and I'm learning how I can change and help young boys and young men change.
The obsessive documentation is itself adjacent to hyper-consumption in our society. The desire to just have everything all the time and adjacent to that is - it might be a little hokey but - a certain loss of identity that then only gets sort of found or ascribed to these moments that are documented.
I think people who are artists, actors, singers, great songwriters, they tend to have a hyper state of emotion where they feel things very, very deeply, probably more deeply than the average person walking down the street where it may affect them, but not to the same extent.
Does this planet have enough resources so seven or eight billion can have the same level of consumption and waste that today is seen in rich societies? It is this level of hyper-consumption that is harming our planet.
One thing you can say about Trump is that he is not a traditional patriarch. He has a wife who's not even in the White House. And you could say the same of Duterte in the Philippines and of Putin. They're parodies of masculinity. They're hyper-masculine, but they're also totally unsure of their masculinity, and they parade it around.
I think that it's important to try to keep reality. I think that Gabriel Garcia Marquez speaks a lot about reality in his magical realism. So I don't think we have to be hyper-realistic. But we have to understand the pressures that undergird the lives of the characters within that novel.
And one thing the void certainly can teach us is how to wait, how to become truly patient, and how to let go of superfluous intellectual baggage - all of which is a good lesson for hyper-agitated multi-tasking goal-focussed contemporary human beings.
The very definition of the real becomes: that of which it is possible to give an equivalent reproduction. The real is not only what can be reproduced, but that which is always already reproduced. The hyper real.
One consequence of racism and segregation is that many American whites know little or nothing about the daily lives of African Americans. Black America's least-understood communities are those poor, hyper-segregated places we once called ghettos. These neighborhoods are not far away, but they might as well be on the moon.
Hollywood is like high school, there are always going to be people who hate you and people who like you. When you're a teen, [that's tough] because you're hyper-aware of what other people are gonna say and think. But neither defines who you are as a person or how successful you are unless you let them.
This is true across every single society; we project grossness onto a racial or gender subgroup or caste. A big part of social subordination and discrimination is to ascribe hyper-animality to other groups and use that as an excuse for subordinating them further.
I was thinking about sort of the similarities between "art movies" and lowbrow movies like kitschy sexploitation films. I think they share certain qualities, whether they're hyper-stylized or overly emotive or just very visual.
Once the government runs out of foreign and private sector bidders for new Treasurys, the Federal Reserve will be the only buyer, and the hyper-inflation cat will be completely out of the bag.
Any documentary; any capturing of a non-fiction event, is a hyper-realistic condensation of reality that hopefully reveals an emotional truth. It's never the actual literal truth of an event.
A record is something that isn't real or true. It's like cinema. It's a construction of something hyper-real and surreal and unreal all at the same time. You make a space that doesn't really exist. One of the big joys of being in this line of work is building the recorded versions of the songs.
Alexander McQueen was one of the greatest fashion designers of his generation. His genius, sometimes provocative, admired and saluted by all, constantly opened new perspectives. Visionary and avant-garde, his creations took their inspiration from both tradition and timeless hyper-modernity.
People want everything quick and now. We live in the age of social media and hyper digital. Tweets are published in less than a second, Safari pages load in less than three seconds.
Most of us who have healthy eyesight are extremely attached to our vision, often without being conscious that we are. We depend heavily on our eyes, and yet we rarely give them a second thought. I, at least, am this way. The physical world is almost hyper-vivid to me.
I'm totally active. I am just this side of hyper. I jog and go to the gym every day. When I'm on the computer, I'm reading, I'm writing, I'm never quiet. My brain is very rarely not engaged. Every now and again I will fall asleep under the parasol in the sun, but that's a rarity.
I hate alarms. If they go off I get really tetchy. I hate them. They just get me going, I'm hyper at the best of times, but they drive me mad. — © Kirsty Gallacher
I hate alarms. If they go off I get really tetchy. I hate them. They just get me going, I'm hyper at the best of times, but they drive me mad.
But we are living in a sceptical and, if I may use the phrase, a thought-tormented age: and sometimes I fear that this new generation, educated or hyper-educated as it is, will lack those qualities of humanity, of hospitality, of kindly humour which belonged to an older day.
People can see that we are part of a tradition of absurd comedy, stretching from Spike Milligan and Peter Cook through to Monty Python and Vic Reeves. We're not like Ricky Gervais's hyper-real cringe comedy. We're at the other end of the scale, but there's room for the sillier stuff, too.
People failed to realize that when you're living such a hyper, super reality of a life, where you're just doing shows and you're on TV and you're talking to this magazine, that doesn't bode well for trying to talk about everyday stuff that hopefully you'll connect with people on.
Steve Fisher did not like me at all. I was hyper-critical of him. I didn't think he was much of a coach. He just kind of rolled the ball out there and I was pretty outspoken about that. Steve Fisher and I didn't get along at all.
People say, 'Are you insane?' But the most successful climbers are the most calculating, with the most refined sense of risk. They're hyper-conscious of safety. They're the least insane people I know.
I have a very hyper-sensitive sister, and when she saw in the papers the next day that I had proclaimed myself the daughter of an immigrant, she didn't like it at all, and was with difficulty deterred from writing to the press that my father might be an immigrant, but not hers.
Everybody is continuously connected to everybody else on Twitter, on Facebook, on Instagram, on Reddit, e-mailing, texting, faster and faster, with the flood of information jeopardizing meaning. Everybody's talking at once in a hypnotic, hyper din: the cocktail party from hell.
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