Top 1200 I Hope You Dance Quotes & Sayings - Page 11

Explore popular I Hope You Dance quotes.
Last updated on November 19, 2024.
I just would like to keep singing. As soon as I'm not singing well, I hope that I know it, so that I can get off the stage and leave what I have done. I hope I'll know, and if I don't, I hope somebody tells me.
I remember when I first rocked in it was a great big dance hall and Tommy Young was blowing trombone and Louis [Armstrong] was singing a tune and it was just Satchmo and you could hear it resounding through the dance hall and people were dancing. It was a highlight.
What I mean by being real is just when you are doing dance celebrations, sports celebrations, like the cooking dance or anything like that. When you're an artist, you want to always try your best to do the homework and see where it originated from.
Books that teach us to dance: There are writers who, by portraying the impossible as possible, and by speaking of morality and genius as if both were high-spirited freedom, as if man were rising up on tiptoe and simply had to dance out of inner pleasure.
I can't make up my mind whether I want to dance like Josef Brown or dance with Josef Brown. — © Ian Mckellen
I can't make up my mind whether I want to dance like Josef Brown or dance with Josef Brown.
You can dance anywhere and you can dance in your mind, in your heart.
Hope is not defined by the absence of hardship. Rather, hope is found in God’s grace in the midst of hardship. Hope is found in his promise to give us a future.
Holland was one of the first countries to adopt dance music into their culture, and we were the first ones to have really big raves. I grew up in that atmosphere in the early 1990s, and I was very interested in how dance music was made.
When we were at school we were taught to sing the songs of the Europeans. How many of us were taught the songs of the Wanyamwezi or of the Wahehe? Many of us have learnt to dance the rumba, or the cha cha, to rock and roll and to twist and even to dance the waltz and foxtrot. But how many of us can dance, or have even heard of the gombe sugu, the mangala, nyang umumi, kiduo, or lele mama?
We dance with women in groups, but it is very rare that you have a partner that is a woman. The dance world is very macho - woman, boy, always couples, and it's very standardized.
I was very happy with the success of 'Noise/Funk,' but of course, there is a lot more that I have to say about the dance, about the history, about the people involved with the dance and their history.
Until we establish a felt sense of kinship between our own species and those fellow mortals who share with us the sun and shadow of life on this agonized planet, there is no hope for other species, there is no hope for the environment, and there is no hope for ourselves.
One of my lungs is half gone, and the other half, because I smoked for years, has a lesion. So I can't swim anymore and had the swimming pool covered over. Now it's what I call the dance pavilion, and so I and my friends sit out and put music on and watch people dance.
I've trained in dance for most of my life, but ballet was the thing I left behind the earliest because they felt like I didn't have the right body for it, and I didn't like that and never felt like I could be a part of that dance structure.
Dancing is a part of my life where when I don't dance I feel like there's something missing because I'm such a physical person who loves to express myself through dance, but I love to act. I love to sing. I love to entertain so if I'm passionate about a certain project, I wanna do it.
The very purpose of our life is happiness, which is sustained by hope. We have no guarantee about the future, but we exist in the hope of something better. Hope means keeping going, thinking, ‘I can do this.’ It brings inner strength, self-confidence , the ability to do what you do honestly, truthfully and transparently.
I was always the kid down the street who got the other kids to put on a show. But it was only when I was 19, and discovered ballet and contemporary dance, that I got interested in the fact that you could have a whole evening of dance - rather than just waiting for the dancers in a musical.
I hope you all find yourselves sleeping with someone you love, maybe not all of the time, but a lot of the time. The touch of a foot in the night is sincere. I hope you like your work, I hope there’s mystery and poetry in your life — not even poems, but patterns. I hope you can see them. Often these patterns will wake you up, and you will know that you are alive, again and again.
The way Electronic Dance Music [EDM] is manipulated and exported to the world is a very strong, and "total" concept. But it's not that interesting artistically. EDM is seen by some media as a kickstarter for kids who have no idea how deep dance music can go.
Life clearly does more than adapt to the Earth. It changes the Earth to its own purposes. Evolution is a tightly coupled dance, with life and the material environment as partners. From the dance emerges the entity Gaia.
If you take all the marketing books in the world and distill them, the key to marketing is hope. People buy hope, the hope that you will help them solve a problem or achieve a goal.
I don't hate on the whole EDM thing happening in America because, although the music is not of my taste - a little bit brash for me - I think it's also introducing a lot of young people to dance music, and then they're discovering better dance music through it.
If you're feeling blue, lock yourself in a room, stand in front of a mirror, and dance - and laugh at yourself and be sexy. Dance the silliest and ugliest you've ever danced. Make fun of yourself and try to recover your sense of humor.
Of course, my interests and my focus change and become more diverse, more worldly. At the same time, I am interested in the simple basics, which is I love to dance and I love to make people dance.
A lot of people have great hope, and a lot of people who have great hope live. And, some of them who have great hope die. So it's not that hope is going to save you.
Let those who want to dance, dance. Let those who can awaken, awake.
I hope that people take away hope, maybe not in an obvious sense, but in the form of hearing somebody who's genuinely fighting to stay above water. And in that fight, there's hope. In that fight, maybe there's positivity.
I grew up dancing, I grew up competing in dance, being on television, and I pursued dance for my own self-reflection and fulfillment, and now as I'm getting older, I see that everybody seeks a greater purpose.
I'm so thankful for dance because if I had grown up with just the bitterness of the very hard childhood we had, and I'd never 'experienced the love of the dance world, then I probably would have been a very sad person.
Hopes were wallflowers. Hopes hugged the perimeter of a dance floor in your brain, tugging at their party lace, all perfume and hems and doomed expectation. They fanned their dance cards, these guests that pressed against the walls of your heart.
I never liked dance photography; it's very flat, and dance photography in the studio looks very contrived.
I saw David Bowie in 'Labyrinth' when I was seven or eight. I told my mom I wanted a Bowie record, so we traveled to the mainland, which was, like, a three-hour trip, and I bought 'Let's Dance' and 'Tonight.' 'Let's Dance' blew my little mind. I became obsessed with it.
I got the part [in Into the Forest], I started taking ballet again to try to regain my strength back. I actually love that it was changed to Crystal Pite's modern dance. And I wouldn't even really call it modern dance because it feels like it's in its own genre.
I'm going to do 'The Social Network Two: The Electric Boogaloo.' And I have a part in 'Beige Swan.' I'm going to be the lead, but I don't dance. I just do a lot of sitting down. It's too tiring to get up and dance around. That should be coming out in 20-never.
New York has a deep culture of house and dance music, and to be able to tap into that is my way of shutting off. I go to friends' parties and local spots around the area: places I can go to, have a dance, and forget about being an actor and the attention.
We tried to act trendy. We took one of our songs and tried to make a dance mix. They put it on the turntables, unannounced, in Los Angeles and New York the same weekend, where they had a big dance crowd going wild. It cleared the floor on both coasts.
Twerking takes its place in a long line of dance moves deemed immoral, even apocalyptic. The waltz was called sinful because it demanded dangerously close contact between dance partners. In 1914, the tango earned a papal denunciation for being 'damaging to the soul.'
It's time to get real, folks. Hope and change ain't working. Hope and change is not a solution. Hope and change is not a job.
I think every time I said, "I'm working with Nile [Rodgers]," the reaction was, "Oh, great. I love 'Let's Dance.' " I think that's pretty expected. I'm not sure Nile and I went in consciously not to make "Let's Dance." We just wanted to work together again.
I think it's useful to experience other types of dance and other cultures, and the life of a classical dancer these days is certainly not all tutus! So experience of other dance forms is a good idea.
Contrary to conventional wisdom, dance is not a universal 'language' but many languages and dialects. There are close to 6000 verbal languages, and probably that many dance languages.
For all those who are interested in the spiritual, emotional, intellectual, esthetic, historical or any other aspects of our dance art... It is high time that our universities had faculties for dance, giving the art its due place in the academic world.
The one reason people don't take dance seriously is because a lot of choreographers don't take dance seriously. — © Mark Morris
The one reason people don't take dance seriously is because a lot of choreographers don't take dance seriously.
Indian classical dance is sustained by a profound philosophy. Form seeks to merge with the formless, motions seek to become a part of the motionless, and the dancing individual seeks to become one with the eternal dance of the cosmos.
I always promised myself if I ever got the chance to do a 'Flashdance'-type of movie, I would do my own dancing. I can say with pride that every single dance move in 'Go For It!' is my own dance move.
Hope and faith are two intimate brothers; they always go together. Hope nourishes faith and faith treasures hope.
I wouldn't say I'm the "nice" judge, but I was certainly reminded a couple of times that this is for a million dollars. There's one thing to just do a good dance, but I had to ask myself, "Is that the million-dollar dance?" There are certain dances that people prefer, and I preferred the intelligent and smart choreography.
We live in this irreparably broken world, and I don't wish to deny reality, but the amazing thing to me is not that we refuse to relinquish hope as a species. The amazing thing is that we're right to hold on to hope. The world may be broken, but hope is not crazy. ... Obviously not all stories end happily. We don't always have good fortune, but hope gives us, as a species and as individuals, what we otherwise wouldn't have: A chance.
We must not lose hope. Hope is an anchor to the souls of men. Satan would have us cast away that anchor. In this way he can bring discouragement and surrender. But we must not lose hope. The Lord is pleased with every effort, even the tiny, daily ones in which we strive to be more like Him. Though we may see that we have far to go on the road to perfection, we must not give up hope.
The aboriginal women leaders of Papunya - the Papunya Artists - performed a dance for me: the Honey Ant dance. They'd never done it for anyone else. They honoured me with a ceremonial stick that signifies the story of the land.
Hope is a horrible thing, you know. I don't know who decided to package hope as a virtue because it's not. It's a plague. Hope is like walking around with a fishhook in your mouth and somebody just keeps pulling it and pulling it.
Work like you don't need money, Love like you've never been hurt, And dance like no one's watching. Dance is the only art of which we ourselves are the stuff of which it is made
"Hope, you see, Wal'r," said the Captain, sagely, "Hope. It's that as animates you. Hope is a buoy, for which you overhaul your Little Warbler, sentimental diwision, but Lord, my lad, like any other buoy, it only floats; it can't be steered nowhere. Along with the figure-head of Hope,' said the Captain, 'there's a anchor; but what's the good of my having a anchor, if I can't find no bottom to let it go in?"
Because dancing is way more fun than the treadmill, I downloaded the video of Beyonces Single Ladies and started to learn her dance. Let me tell you, if I ever did that dance in a club, I would still be a single lady! But what a workout!
I mean, I think there's a lot of hope in my work. I don't think I'm a total pessimist, so I think you can find hope in all my films. Some more than others, but there's definitely... I think we want to convey the feeling of hope with the montage at the end.
The women all want to dance. I dance all night every night.
My mom was working through my childhood, so I would be running around Mumbai from one dance class to another with my mom carrying the tape recorder with me. I would sit on the sidelines and watch her teach dance.
Let the Lord your God be your hope – seek for nothing else from him, but let him himself be your hope. There are people who hope from him riches or perishable and transitory honours, in short they hope to get from God things which are not God himself.
Because dancing is way more fun than the treadmill, I downloaded the video of Beyonce's 'Single Ladies' and started to learn her dance. Let me tell you, if I ever did that dance in a club, I would still be a single lady! But what a workout!
Dance music has evolved very much. From DJs playing at the Olympics, to playing at the Super Bowl, working with Cirque Du Soleil and even getting recognized at the Grammys with awards, dance music is growing in a big way.
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