Top 1200 I Hope You Dance Quotes & Sayings - Page 12

Once a song and dance man, always a song and dance man. Those few words tell as much about me professionally as there is to tell.

Britannia High' is not set in a high school where people burst into song and dance for no reason. It's a performing arts school, so there is a legitimate reason for them to sing and dance.

I'm definitely a fan of dance music. I guess we really call it 'dance' music because music seems to have become very functional. For years, people were trying to be everything. Now, musicians are becoming very specific.

All things are aggregations of atoms that dance & by their movement produce sound. When the rhythm of the dance changes, the sound it produces also changes... Each atom perpetually sings its song, and the sound at every moment creates dense subtle forms.

If you and I had a relationship, and I like to dance and you don't, will that affect our relationship? If I push you and push you, maybe you'll learn to dance, but more likely, that will move you away from me.

A good dancer is one who listens to the musicWe dance the music not the steps. Anyone who aspires to dance never thinks about what he is going to do. What he cares about is that he follows the music. You see, we are painters. We paint the music with our feet.

In fact, I wasn't going to dance in Xanadu, but several journalists told me that Olivia Newton-John kept saying how sad she was that she wouldn't get the chance to dance with me. So I finally said, "All right, throw in a number." But I'm through with dancing.

Sing your song. Dance your dance. Tell your tale.

Dancing is really a way of working out and it can actually be fun. In dancing there might be a certain dance move that requires you to do a squat. Certain dance moves will require you to move your core. That's what people don't understand.

Let me see you do the 'rag time dance'... Turn left and do the 'Cake walk prance'... Turn the other way and do the 'Slow drag'... Now take your lady to the world's fair (...) And do the 'rag time dance.'

Your body is the ground metaphor of your life, the expression of your existence... So many of us are not in our bodies, really at home and vibrantly present there. Nor are we in touch with the basic rhythms that constitute our bodily life. We live outside ourselves - in our heads, our memories, our longings - absentee landlords of our own estate. My way back into life was ecstatic dance. I reentered my body by learning to move my self, to dance my own dance from the inside out, not the outside in.

Don't be daunted. Just do your job. Continue to show up for your piece of it, whatever that might be. If your job is to dance, do your dance. If the divine, cockeyed genius assigned to your case decides to let some sort of wonderment be glimpsed, for just one moment through your efforts, then 'Ole!' And if not, do your dance anyhow. And 'Ole!' to you, nonetheless. I believe this and I feel that we must teach it. 'Ole!' to you, nonetheless, just for having the sheer human love and stubbornness to keep showing up.

I'll never forget the dance number that I shot with Anushka. The choreography involved a lot of intricate dance moves. I'm at least 7 inches shorter than Anushka, so I had to wear the highest heels I've ever worn in my life; throughout the song, I even injured my knee a couple of times.

"Hope to the last!" said Newman, clapping him on the back. "Always hope; that's dear boy. Never leave off hoping; it don't answer. Do you mind me, Nick? it don't answer. Don't leave a stone unturned. It's always something, to know you've done the most you could. But, don't leave off hoping, or it's of no use doing anything. Hope, hope, to the last!"

To me, music's something I can dance to or listen to. To write about it is always more of what the music represents, or what it reflects. Like an ideal song, to me, is a song that you can dance to, that summons up some darker and greater mystery.

I was asked to act when I couldn't act. I was asked to sing "Funny Face" when I couldn't sing and dance with Fred Astaire when I couldn't dance and do all kinds of things I wasn't prepared for. Then I tried like mad to cope with it.

I did dance music for a short period of time but I felt like the fruit for me was in the outer dance world so I stopped doing overt techno and I think, in terms of rhythm, I enjoy things that feel like they're falling off, like they're just barely holding on.

I would like to ask you all to see a ray of hope as well in the eyes and hearts of refugees and of those who have been forcibly displaced. A hope that is expressed in expectations for the future, in the desire for friendship, in the wish to participate in the host society also through learning the language, access to employment and the education of children. I admire the courage of those who hope to be able gradually to resume a normal life, waiting for joy and love to return to brighten their existence. We can and must all nourish this hope!

Hope and optimism are different. Optimism tends to be based on the notion that there's enough evidence out there to believe things are gonna be better, much more rational, deeply secular, whereas hope looks at the evidence and says, "It doesn't look good at all. Doesn't look good at all. Gonna go beyond the evidence to create new possibilities based on visions that become contagious to allow people to engage in heroic actions always against the odds, no guarantee whatsoever." That's hope. I'm a prisoner of hope, though. Gonna die a prisoner of hope.

I think dance is amazing because what people don't realize is like when you dance your spirit and your soul get ignited. You're not only releasing endorphins, but also your spirit is awakening. It makes you feel good and happy.

When you have achieved a state of calmness and readiness, then you are ready to know, ready to understand in a deep way the dance between emptiness and appearance. Once you catch a glimpse of that dance, don't hang on to it. Just let it go, like your first glimpse of essence love.

I went mainstream in a major way with the song "Let's Dance." And what I found I had done was put a box around myself. It was very hard for people to see me as anything other than the person in the suit who did "Let's Dance," and it was driving me mad - because it took all my passion for experimenting away.

In my childhood there was every year at my old home, Roxborough, or, as it is called in Irish, Cregroostha, a great sheep-shearing that lasted many days. On the last evening there was always a dance for the shearers and their helpers, and two pipers used to sit on chairs placed on a corn-bin to make music for the dance.

Hope is at once both simple and profound. It is hope that binds Heaven and earth. Hope is the bridge between Heaven and earth.

The way Alvin Ailey has transformed modern dance and dance in general is the fact of variety. It's a cornucopia of ways to move. There are choreographers in the company as - as diverse, as different from each other as Donald McKayle and Bill T. Jones, or Jawole Zollar and John Butler, Lar Lubovitch, you know, and Judith Jamison.

Love is a glimpse of hope. To love is to hope. When we abandon hope, we cease to exist.

When you dance with a partner you are close and the dance is very suggestive, but it is not personal … “Close is what the music inspire you to become. The embrace looks personal, but what we are actually embracing is the music.

My dance is a sacred poem in which each movement is a word and whose every word is underlined by music. The temple in which I dance can be vague or faithfully reproduced, for I am the temple.

Everybody laughed at me when I said I wanted to make a dance video, but when I said, 'What would it look like if Joe Strummer made a dance video?' everybody shut up.

Consciousness expresses itself through creation. This world we live in is the dance of the creator. Dancers come and go in the twinkling of an eye but the dance lives on. On many an occasion when I am dancing, I have felt touched by something sacred.In those moments, I felt my spirit soar and become one with everything that exists.

Every dance is a kind of fever chart, a graph of the heart. The instrument through which the dance speaks is also the instrument through which life is lived ... the human body.

I feel like I've always been in love with dance. When I was little kid I would always be the one who would be like, okay let's make up some dance routines.

I think a lot of times when people hear the word dance, they think 'oh, that's something that I can't do.' But dance really lives in our bodies and the thing that I've come to learn, embrace and lift up is that we have history in our bodies that's living and breathing. We have our own individual history but we also have our heritage. Each one of us has our movement language and it's about tapping into that and pulling that out. That's the thing that I try to encourage everybody because it's not about dance, it's about the movement and the gesture and how we honor it.

I was trying to do my own version of 'Cha-Cha Slide.' I was hoping someone, just someone, please dance to this song. It started to happen at my shows; the front row fans started doing the dance.

At the still point of the turning world. Neither flesh nor fleshless; Neither from nor towards; at the still point, there the dance is, But neither arrest nor movement. And do not all it fixity, Where past and future are gathered. Neither movement from nor towards, Neither ascent nor decline. Except for the point, the still point, There would be no dance, and there is only the dance.

I was born in Japan, and I grew up in England, and I wanted to be an actor when I was a child because I had an uncle who was an actor. I wanted to do everything he did, and he told me to learn how to dance first. So then I learned how to dance.

I enjoyed Ready For This, which was created by the people behind Dance Academy and Redfern Now, and really it's what you'd get if you crossed Redfern Now with Dance Academy

That's the essence of our faith. It's living with hope in the face of mystery. We live a life of faith completely full of hope, staring mystery right in the face. You can't have one without the other. Your faith won't survive without hope, and hope won't survive without the realization that there are mysteries that will not be answered. If you can embrace both, you can have a vibrant faith.

When movement becomes ecstatic, then this is dance. When the movement is so total there is no ego, then it is dance.

We dance, we dance. You hold the thread of my soul. You spin, you spin. And you unravel the part from the whole. We laugh, we laugh. I'm so far from where I began. I fall, I fall. And I forget that I am.-from Golden Tongue:The Poems of Steven Slaughter

A fitness instructor in Maine has been charged with running a prostitution business out of her Zumba dance studio. Authorities first got suspicious when they saw guys going to work out at a Zumba dance studio.

Dance today is clearly in an unsettled state. Old forms and traditions are being given up. New ones are arising to take their place. A time of change presents a confused picture. That there is change is proof that dance is organically vital--and much more so than it has ever before been in this country.

That was my challenge then, how to make scratching still fun for someone who didn't necessarily come to hear that. It was fun to develop that technique. And now in dance music - I'm still a hip-hop guy at heart, but I love dance music.

I like watching American TV shows like 'The Sopranos,' 'Game of Thrones,' etc. I also like to watch dance reality shows since I love to dance, even though I haven't been trained in dancing.

Yes, victors are our strongest. They're the ones who survived the arena and slipped the noose of poverty that strangles the rest of us. They, or should I say we, are the very embodiment of hope where there is no hope. And now twenty-three of us will be killed to show how even that hope was an illusion.

Modern physics had shown that the rhythm of creation and destruction is not only manifest in the turn of the seasons and in the birth and death of living creatures, but is also the very essence of inorganic matter. For modern physicists...Shiva's dance is the dance of subatomic matter.

Dance music is about having a good time, and a lot of dance music is very serious now. When progressive house and progressive tech came along, it was kind of serious, but it's all context as well.

All hope is prayer; who calls it hope no more, Sends prayer footsore forth over weary wastes, While he who calls it prayer, gives wings to hope.

As long as you say there is no hope, then there will be no hope, but if you go down and take a stance, then there will be hope.

I was asked to act when I couldn't act. I was asked to sing 'Funny Face' when I couldn't sing, and dance with Fred Astaire when I couldn't dance - and do all kinds of things I wasn't prepared for. Then I tried like mad to cope with it.

I don't know video games.The last video game I played, apart from Dance Dance Revolution at Jeremy's house, which I was very good at - Scarlett [Johansson] and I will always have "Billie Jean" - was Super Mario Kart on the Super Nintendo. I'm from the Dark Ages.

Maybe we’ll live to see sharks recover. Right now, that seems as improbable as seeing all these falcons. Hope is the ability to see how things could be better. The world of human affairs has long been a shadowy place, but always backlit by the light of hope. Each person can add hope to the world. A resigned person subtracts hope. The more people strive, the more change becomes likely.

But isn't this a dance? Isn't all of this a dance? Isn't that what we do with words? Isn't that what we do when we talk, when we spar, when we make plans or leave it to chance? Some of it's choreographed. Some of the steps have been done for ages. And the rest -- the rest is spontaneous. The rest has to be decided on the floor, in the moment, before the music ends.

The hope for an American is different from the hope of a Syrian. For me, I should be the hope of the Syrian, not any other one, not American, neither French, nor anyone in the world. I'm President to help the Syrian people.

...existence has become an unreasoning, wild dance around the golden calf, a mad worship of God Mammon. In that dance and in that worship man has sacrificed all his finer qualities of the heart and soul — kindness and justice, honor and manhood, compassion and sympathy with his fellowman.

That is what they call being reconciled to die. They call it reconciled when pain has strummed a symphony of suffering back and forth across you, up and down, round and round you until each little fibre is worn tissue-thin with aching. And when you are lying beaten, and buffeted, battered and broken - pain goes out, joins hands with Death and comes back to dance, dance, dance, stamp, stamp, stamp down on you until you give up.

When I say dance music, it's anything that makes me want to dance. It could be Timbaland and Missy Elliott, but it could also be disco music and samba music: It's not relying on melody in the same way; it's more about rhythm.

"Dance," said the Sheep Man. "Yougottadance. Aslongasthemusicplays. Yougotta dance. Don'teventhinkwhy. Starttothink, yourfeetstop. Yourfeetstop, wegetstuck. Wegetstuck, you'restuck. Sodon'tpayanymind, nomatterhowdumb. Yougottakeepthestep. Yougottalimberup. Yougottaloosenwhatyoubolteddown. Yougottauseallyougot. Weknowyou're tired, tiredandscared. Happenstoeveryone, okay? Justdon'tletyourfeetstop."

I think people are so nervous to try an actual dance class because maybe they don't have the right technique or they're at a certain level, but I think anyone should dance and should try it.

My dance move has seemingly turned into push-ups. Sometimes, especially if I've indulged a little bit in an evening, it's not out of the ordinary to find me, for some reason, doing push-ups. That seems to be my go-to dance move.