Top 1200 I Love You Too Much Quotes & Sayings - Page 20

The pure love of Christ can remove the scales of resentment and wrath from our eyes, allowing us to see others the way our Heavenly Father sees us: as flawed and imperfect mortals who have potential and worth far beyond our capacity to imagine. Because God loves us so much, we too must love and forgive each other.

I don't think you can ever do too much. Life would be so boring if you didn't have these, like, holes to fall into and climb out of. I want to do everything. I just want everything. I don't think you can ever have too much.

I wouldn't want to write a biography of anyone. I'd feel too inhibited by the facts and too much pressure to do the subject's life justice.

There's a jean for everyone. And I'm a fan of that. I love a jean, and I love all these spins on them. I love a printed Balmain jean, or a Givenchy, and I love the prints, I love that you can have so much fun with it all, you know, dressing up.

I like you, but not too much. I don’t want to like anybody too much.

When you start putting too much thought into it, the music starts getting too revealing. You don't need to know all my inner thoughts.

Focus too much on the near-term and you won't get tomorrow's customers, focus too much on the long-term and you won't get today's.

One of the big mistakes Republicans made with the Contract with America is that they tried to do too much too fast, and people revolted against it.

Perhaps we have been misguided into taking too much responsibility from our children, leaving them too little room for discovery

You can't come back to TV for two months. It's too short. You can't start anything. It's too much of a tease and there's really nowhere you can go.

I'm a person of the arts. I love the arts very, very, very much. And ah, I'm a musician, I'm a director, I'm a writer, I'm a composer, I'm a producer, and I love the medium. I love film very, very much. I think it's the most expressive of all of the art mediums.

The surest way to become Tense, Awkward, and Confused is to develop a mind that tries too hard - one that thinks too much.

And at some point, the struggle becomes too much-too tiring-and you consider letting go. Allowing tragedy... or whatever... to happen.

The phrase 'fake news' sounds too playful, too much like a schoolchild faking illness to get out of a test.

So too Plato was, in my view, a very unreliable Platonist. He was too much of a philosopher to think that anything he had said was the last word.

There is so much in the world for us all if we only have the eyes to see it, and the heart to love it, and the hand to gather it to ourselves--so much in men and women, so much in art and literature, so much everywhere in which to delight, and for which to be thankful.

Any man who reads too much and uses his own brain too little falls into lazy habits of thinking.

I wonder if one can view risk like a drug, beneficial to the organism in the proper dose. Too much or too little may be harmful.

Everything was too sharp and clear, so that I could never tell where to start- the way a map that shows too much can sometimes be useless.

The age seems sore from excess of stimulation, just as a day or two after a thorough Debauch and long sustained Drinking-match a man feels all over like a Bruise. Even to admire otherwise than on the whole and where "I admire" is but a synonyme for "I remember, I liked it very much when I was reading it ," is too much an effort, would be too disquieting an emotion!

Nothing brings more pain than too much pleasure; nothing more bondage than too much liberty.

Future shock is the shattering stress and disorientation that we induce in individuals by subjecting them to too much change in too short a time.

One day the worlds male population will spontaneously combust because they've kept too much stuff in for too long.

A slice of hot, buttered toast is the perfect meal. It's not too much and not too little, and it gives you just the right buzz.

Have compassion for all beings, rich and poor alike; each has their suffering. Some suffer too much, others too little.

A body may well lay too little as too much stress upon a dream; but the less he heed them the better.

It's not the side-effects of the cocaine - I'm thinking that it must be love. It's too late to be grateful, It's too late to be hateful, It's too late to be late again, The European cannon is here.

So much of our conversation about love is possessive. "You are mine. And if you stop being mine, I will hate you." And so exploring non-possessive ideas of love and friendship is important. Which is not to say we should just break down monogamy, I'm not taking a simplistic point of view. But, in addition to these examples of possessive love that we already have so much of, let us also explore what examples of non-possessive love and affection mean.

Brutus, I do observe you now of late: I have not from your eyes that gentleness And show of love as I was wont to have: You bear too stubborn and too strange a hand Over your friend that loves you. Poor Brutus, with himself at war, Forgets the shows of love to other men.

One of the problems I have with a lot of movies these days is that everything is too well lit. In the world of digital creations there is a tendency to show too much

Too much screaming in Congress. Too much screaming everywhere.

I wonder if ever again Americans can have that experience of returning to a home place so intimately known, profoundly felt, deeply loved, and absolutely submitted to? It is not quite true that you can't go home again. I have done it, coming back here. But it gets less likely. We have had too many divorces, we have consumed too much transportation, we have lived too shallowly in too many places.

I've never read a review from anybody that said, "I don't want to watch this anymore because it's just too funny. I laughed too much."

I don't remember my dreams too much. I hardly have ever gotten ideas from nighttime dreams. But I love daydreaming and dream logic and the way dreams go.

In the last quarter of the 20th century, Britons have been understandably obsessed with the problem of having too little power in the world. In the third quarter of the 18th century, by contrast, their forebears were perplexed by the problem of having acquired too much power too quickly over too many people.

That's the danger of having too much success. You lose that magic, that feeling of not being in control, which I feel now, it's too controlled.

You know, I think everybody I've seen has come from some other therapy, and almost invariably it's very much the same thing: the therapist is too disinterested, a little too aloof, a little too inactive. They're not really interested in the person, he doesn't relate to the person. All these things I've written so much about. That's why I've made such a practice really, over and over to hammer home the point of self-revelation and being more of yourself and showing yourself. Every book I write I want to get that in there.

One of the great triumphs of the nineteenth century was to limit the connotation of the word "immoral" in such a way that, for practical purposes, only those were immoral who drank too much or made too copious love. Those who indulged in any or all of the other deadly sins could look down in righteous indignation on the lascivious and the gluttonous.... In the name of all lechers and boozers I most solemnly protest against the invidious distinction made to our prejudice.

As for the American child's classic problem - too much mother, too little father - that would be cured by an equalization of parental responsibility.

Bamboos can go from shining health to shabbiness in weeks. The problem is too much wind, too little water and tired compost.

One of the problems I have with a lot of movies these days is that everything is too well lit. In the world of digital creations there is a tendency to show too much.

But Peter had seen too much, knew too well that men-kind didn't need an excuse to be cruel and murder one another.

I am woman, hear me roar, in numbers too big to ignore, and I know too much to go back and pretend.

One key factor in the downward spiral in our educational system is that there is too much stroking and too little real feedback.

Sometime, when you start thinking too much what an audience is going to think, when you're too self-conscious about it, you make mistakes.

Ferrari or Lamborghini. Never fancied one of those - too flash for me. I don't really like seeking too much attention.

This is how it works. I love the people in my life, and I do for my friends whatever they need me to do for them, again and again, as many times as is necessary. For example, in your case you always forgot who you are and how much you're loved. So what I do for you as your friend is remind you who you are and tell you how much I love you. And this isn't any kind of burden for me, because I love who you are very much. Every time I remind you, I get to remember with you, which is my pleasure.

Most movies are too brightly lit. I think that may come from a lot of directors having watched too much TV.

Oh, no no no, it was too cold always (Still the dead one lay moaning) I was much too far out all my life And not waving but drowning.

If a guy were dating my daughter but didn't want to spend the gas money to come pick her up or refused to buy her dinner because it cost too much, I would question whether he were really in love with her In the same way, I question whether many American churchgoers are really in love with God because they are so hesitant to do anything for Him." Crazy Love: Overwhelmed by a Relentless God

I wrote 'Hereafter' quickly and without mapping it out too much or being too schematic. As an exercise, I think that was incredibly important.

With the horse I always consider that if I do too much in too little time and I'm not patient, he's gonna shut down and I won't get anything done.

The way I look at love is you have to follow it, and fall hard, if you fall hard. You have to forget about what everyone else thinks. It has to be an us-against-the-world mentality. You have to make it work by prioritizing it, and by falling in love really fast, without thinking too hard. If I think too hard about a relationship I'll talk myself out of it. I have rules for a lot of areas of my life. Love is not going to be one of them.

Philip Galanes has fashioned a novel both bleak and funny about a young man's struggle to sort out his troubled love: the too-strong love for his mother, the too-weak love for his suicidal father, and the all-consuming love of anonymous sexual encounters. Pointed and acute, this story tells of the narrator's many betrayals of others and their many betrayals of him. It exists in an uncomfortable moral space where the humor of terrible things sometimes outweighs, but never obscures, their poignancy.

Nothing destroys authority more than the unequal and untimely interchange of power stretched too far and relaxed too much.

People make mistakes in life through believing too much, but they have a damned dull time if they believe too little.

I've worked on other shows where the sense is like, "Well, don't change it too much," you know? But on this one [ Too Much Tuna], Nick [Kroll] and John [Mulaney] - beyond being amazing performers - are also writers, and wanted to keep improving upon the show, particularly the play within a play. I think the writing just got funnier and funnier.

As for the clarity of the 48 frames, I've heard people say that it looks odd, it's too demanding, there's too much information, you don't know where to look.

There's no such thing as too much. If there's too much, then that's a great thing.

I remember, the first few years here, I didn't like London much: too big, too crowded, the physical difficulty of getting around.