Top 1200 I Want You Quotes & Sayings - Page 13

I don't want to do something for the sake of doing it. I want it to be a great role and I want it to be really funny - or dramatic - but I mean I want it to be something really, really special.

So if anybody wants to get me something, get me 60 crabs - one for each year. I don't want no diamonds, I don't want no shoes, I don't want no party. I want some crabs.

Some artists don't want to be involved in anything outside the performing. They'll say, 'You make the decisions and tell me what to do.' I want to be in on all of it. If there's a meeting where commitments are made that I have to carry out, I want to be there.

My aspirations and dreams keep evolving. I think dreams evolve and I want to become a better songwriter. I want to do more collaboration within my genre and I want to continue to make records. I want to just keep getting stronger as a musician and make movies.

I will cover you with love when next I see you, with caresses, with ecstasy. I want to gorge you with all the joys of the flesh, so that you faint and die. I want you to be amazed by me, and to confess to yourself that you had never even dreamed of such transports.... When you are old, I want you to recall those few hours, I want your dry bones to quiver with joy when you think of them.

I don't want to be Sheryl Sandberg and 'Lean In', I don't want to lean in like a guy. I want to be more. I want to be a woman and proudly a woman.

It [moviemaking] is about entertaining audiences with great characters and great stories, you want to make people laugh, you want to make people cry, you want to have great music that is memorable. You want a movie that, as soon as it's over, you want to watch it again, just like that. That's what it is, whether it's live-action, animation, hand drawn, computer, special effects, puppet animation, it doesn't matter. That's the goal of a filmmaker.

If you have some natural talent and really want to write, you should read the books of someone who's very successful in your genre. You don't want to plagiarize, but you want to learn from that author.

I'm like the queen of planning and scheduling and I'm trying very hard to stop it. I just want to finish what I'm doing and go home. I want to have a weekend. I want to have breakfast, a stack of pancakes.

When it's mutual, a man and a woman know, instinctively, wordlessly. They may do nothing about it, but the knowledge of that shared desire is out there in the world - as obvious as neon, saying: I want you, I want you, I want you.

We want freedom. We want freedom from the constraints of the cycles of the sun and the moon. We want freedom from drought and weather, freedom from the movement of game, the growth of plants, freedom from control from mendacious popes and kings, freedom from ideology, freedom from want. This idea of freeing ourselves has become the compass of the human journey.

I really want to drive a Porsche GT1 car - also a McLaren, if I could fit. I want to do LeMans badly. I want to do Spa, a European series with World SportsCars.

I've driven people mad on films that I've made - I want more takes; I want to try new lines. Then I want to interfere in the editing process, and I want to interfere in the advertising process - everything, everything. Pretty much Barbra Streisand in trousers, I am!

Donald Trump is a guy who has called for privatization of the V.A. That is something that is overwhelmingly rejected by America's veterans. They do not want to go down that path. Do they want improvement? Sure they do. But they don't want risky or radical.

I said to my mum when I turned 18 and moved into my first flat in Enfield, 'I don't want to come back to my country with nothing. I want to make a career here.' I did not want to let them down.

You can get any film now basically for free, and that's where I think the model we're talking about is - if you give people what they want, how they want it and when they want it, they're more likely to pay for it.

I don't want my kids to be on the streets period. I want my kids to be nerds. I want them to be book smart or playing sports - I don't want them to know nothing about the streets.

New Yorkers want to be compassionate, and they want to live in a city where homeless people aren't stuffed into shelters, spilling out onto the streets. They also want a support system that works.

Nice is good, but it's not enough. I want you back for real. I want to talk to you at lunch, instead of staring at you while you eat. I want to see the smile on your face and know I put it there. I want to hear your dad's voice get all low and pissed off, like it only does when I've stayed over too late.

I want our legal system to work better. I want it to be streamlined, I want it to be clearer. I don’t think you have to — shouldn’t have to hire a lawyer to figure out how to get into this country legally.

I want to listen to my Apple Music on my iPhone. I also want to listen to it on my iPad. I want to play it on my Apple TV; I want to be connected everywhere I go. It fits into the puzzle of everything that is Apple, and, therefore, it should not be seen as some sort of separate entity that is trying to find its way.

Even though we all might have differences, there's commonality in the sense [that] people are hard-working, people want to raise a family, people want to put a roof over their head, people want to put food on their table, people want good things for their children.

I don't want to get confined to only regional cinema as I want to exploit my potential. I want to perform challenging roles in a much more complex sphere like Bollywood.

I've never seen magazine covers and seen music videos and been like I need to look like that if I want to be a success. Never. I don't want to be some skinny mini with my tits out. I really don't want to do it. And I don't want people confusing what it is that I'm about.

Being overly identified with [a certain period of time] becomes a noose around your neck, and people don't want you to grow up, they don't want you to change, they don't want you to evolve.

God, I want to see You. God, I want to hear You. God, I want to know You. God, I want to follow hard after You. And even before I know what I will face today, I say yes to You.

I want to be an actress when I grow up. Actually, I don't want to wait until I'm grown up. I want to be a child actress. I want to be an actress before I'm 13.

Suddenly, I don't want to be this person anymore. I don't want to pretend I'm fooling the world when I'm not. I want someone else to have a plan for me, because I'm not doing a very good job myself.

If I want to go out and eat at a restaurant with amazing food, I'll do that, like, once a week where I'm not thinking about it. I want to indulge! I want to do things that are not necessarily healthy sometimes.

. . I have written a couple of screenplays for studios, and each time has been less gratifying than the last. In my experience, they want no real representations of homosexuality, they want no complexity, they are terrified of ambiguity and unanswered questions - they don't know what they want, except that they want to make lots of money. The only freedom I've ever had as an artist has been in the theatre.

I always try to hit a few areas when I'm making a record; I want the sounds to be experimental and exploratory, I want the drumming to be distinctive, and I want my voice to be able to shine through.

We don't just want what we want because we want it; we want what we want because that's what we've learned to want.

[Kirk] Johnson throws some heavy punches and is a knockout fighter. This is what people want to see. They want to see a fight, they want to see punches and they want to see action.

I don't give you editorial control. I want to meet you. I want to interview everybody who's ever known you. I want to see your correspondence. I want to see your bank statements. But you will have no control over what I write. That's why I really believe in the unauthorized biography.

What people "want" is a function of what they learn is available. If you wish to sell something, you'd better understand that you can't give people what they want in the market today, because what they want today is what they can already get. You have to discover what they really want, and find some way to give that physical shape.

I want to make a drug. I want the science to be more than imaginary, where I think, 'We're learning these fundamental principles, blah, blah, blah, blah, blah.' I think we are doing that, but I want to do something really practical. I want to actually, in my lifetime, help people.

I want to be a great player. I don't want to play for the money. I don't want to play for fame. I'd just as soon no one knew who I was. I want to play football because it's football.

Seasteads cost money, and if you want to succeed as a Seastead you have to find ways to attract people to move there. If I was a billionaire I wouldn't want to move to a seastead, but if I was a member of the bottom billion, most of whom want to leave their dysfunctional governments, I might want to move to a seastead.

It's very unlikely you're a genius, but, if you're ready to work at it hard and you want to listen to music all the time and you want to learn about it and you want to be around the people who do it, you'll find your own way.

If it's just a pastime, keep doing it because it's relaxing and to blow off some steam. But if you're not sure if you want to do it, or you're thinking you can be famous, you shouldn't do it because you want to be famous. You have to do it because you love it and you want to play for people. And if that's what you want to do, then do it, but you can't go into it with that mindset of "we'll be in a band and we'll be famous."

I hope we win a lot of games, that's part of the job at Ohio State. But you want to have a bigger impact than that when you're done. You want to leave a legacy behind, you want to make change.

I think people want immigration reform. I think people want to see a path for citizenship. I don't think we as a country want to discuss this in the way we do. I don't think we want to separate families. I don't think that's part of our values.

If we want the world to be a better place to live, we have to treat it as one unit. If we want economic growth to be pervasive, we have to make people its partners. If we want the process of development to be sustainable, we have to work with the environment.

I don't want to know movie directors. I don't want to be close to them. I don't want to interfere with their work. I don't want them to interfere with mine.

I want to feel both the beauty and the pain of the age we are living in. I want to survive my life without becoming numb. I want to speak and comprehend words of wounding without having these words become the landscape where I dwell. I want to possess a light touch that can elevate darkness to the realm of stars.

I've realized that a lot of people come to me because of what's called identity. In the sense of "he's like me" - more like identification. Identity is one of those nonsense words: it's been used so much it doesn't mean anything. As individuals, we don't want to stay the same; identity means sameness, and we don't want to be the same, we want to keep changing, we want to grow, we want to become something else. We want to evolve. So when people come to me, it's about resonance - it goes back to that word.

We want to see ourselves - but differently. We want to see these dream versions of ourselves. We want to be surprised; we want to be entertained. I think primarily, especially in this country, we ask that movies entertain us, which seems to be something they're less and less likely to do on a continual basis.

Once something gets noticed and people love you, most of the makers want to put you in the same bracket, feeling this is what the audience would want from an actor. But as an artist, I don't want to be in that space.

I believe that if you go and ask a chief executive of a Goldman Sachs or a BP, and they answer you honestly they want monopolies, they want government subsidies, they want preferences - they're not interested in free markets.

We have learned the lesson that the music industry didn't learn. Give people what they want, when they want it, in the form they want it in, at a reasonable price - and they'll more likely pay for it rather than steal it.

I want to do something challenging and I want to take risks, but above all, I want people to be entertained...Because the only way of talking about some issues sometimes is through humor.

I want you to just let a wave of intolerance wash over you. I want you to let a wave of hatred wash over you. Yes, hate is good - Our goal is a Christian nation. We have a Biblical duty. We are called by God to conquer this country. We don't want equal time. We don't want pluralism.

Mindfulness is the primary tool in that we get a little space between ourselves and the thoughts and then we actually can be more responsive, as in: Do I want to listen to that? Do I want to ignore it? Do I want to say "no thank you". Do I want to inquire if that's really true or helpful? So we start with mindfulness and we're not engaging, because as soon as we do that, we've given the critic authority. Instead, we want to notice the critic but not give it any attention, not really give it much value.

When an artist wants to paint a painting, they have all those things in their head that they want to portray on a canvas. It's the same thing when I'm pitching. I have all these thoughts going through my head about how I want to pitch: which pitch I want to throw here, and why do I want to throw it?

You want to earn respect in your old age. You want to walk into a restaurant and have people say: 'There's Mickey Rourke. He was great in 'The Wrestler.' You don't want them jumping out of windows.

Whatever you want, be it. If you want connection, it's because you are connection. Be what you want, and then it happens all around you. If you want love, be it. You'll have more love than you know what to do with. Whatever you are inside, you receive a thousandfold on the outside.

We do not want nowadays temples of worship and outward rites and ceremonies. What we really want is an Asram. We want a place where the beauty of nature and the noblest pursuits of man are in a sweet harmony.

Lots of people want to have written; they don't want to write. In other words, they want to see their name on the front cover of a book and their grinning picture on the back. But this is what comes at the end of a job, not at the beginning.

I really want to do film, but I want to do the right film. The truth for me is that I'm really driven by stories. So there are stories I want to tell, and if it's a good story then I want to do it, whatever genre it is.

Pinocchio's really naughty. He's all impulse: 'I want to sleep now. I want to eat that. I want to run off to Pleasure Island.' It's commedia dell'arte meets Grimm's tales.