Top 821 Idealism And Realism Quotes & Sayings - Page 11

A great writer named Neal Stephenson said that America does four things better than any other country in the world: rock music, movies, software and high-speed pizza delivery. All of these are sacred American art forms. Let's return to our purity and our idealism while we have this shot.

Faith does not, in the realist, spring from the miracle but the miracle from faith. If the realist once believes, then he is bound by his very realism to admit the miraculous also.

So far Unitarian realism claiming to possess positive knowledge about Ultimate Reality has succeeded only by excluding large areas of phenomena or by declaring, without proof, that they could be reduced to basic theory, which, in this connection, means elementary particle physics.

What has our culture lost in 1980 that the avant-garde had in 1890? Ebullience, idealism, confidence, the belief that there was plenty of territory to explore, and above all the sense that art, in the most disinterested and noble way, could find the necessary metaphors by which a radically changing culture could be explained to its inhabitants.

Abraham Lincoln had a deep realism; he did not deceive or mislead himself, but faced the world he had to deal with as it really is. At the same time, he had a striking moral intelligence, and a confidence in the working of his own mind and conscience.

That has been my entire life story. Running against the current and running with the current. Sometimes running with the current is underestimated. The acceptance of certain realities doesn’t preclude idealism. It can lead to certain breakthroughs.

'Up the Junction' went on to inform my love of British social realism. It was the first film I saw of this ilk, a very stark, visceral reflection of England, an England I didn't necessarily feel a part of but that I knew was out there. You could almost smell the bread and butter and cabbage.

I'm a huge fan of French comedy. The French play comedy in a slightly different way than we do: they play it with a sort of realism that we don't necessarily often do ourselves.

We are hopeful that the North Koreans can show a little bit more realism, a little bit more flexibility.

If you have not even a little imagination, you are simply a brute. So you must not lower your ideal, neither are you to lose sight of practicality. We must avoid the two extremes.... You must try to combine in your life immense idealism with immense practicality.

Artists used to argue about art for art's sake versus social realism etc, and now it's like the most dominate argument is related to "art for the market's sake." It's a necessity, somewhat, for some people.

Come to me and show me a small cancer and I'll tell you you've got a small cancer that should be cut out. That's realism but in America it's called cynicism.

Mort drove one of those little hybrid cars that, when not running on gasoline, was fueled by idealism. It was made out of crepe paper and duct tape and boasted a computer system that looked like it could have run the NYSE and NORAD, with enough attention left over to play tic-tac-toe. Or possibly Global Thermonuclear War.

What is noble, lyrical, tender in the upper level shown is also with the servants, scoundrels, and scamps, as in a distorting mirror. This contrast seems to me a most appealing musical theme--to show love in its noble and crude forms, romanticism and crass realism mixed as in everyday life.

If Realism called it like it saw it, Metafiction simply called it as it saw itself seeing itself see it.

The activities of these parasites and degenerates gave rise to Cubism, Fauvism, Futurism, Pointillism, Constructivism, Orphism, Surrealism, Dada, and also Impossibleism, Supersurrealism, Dynamic Double-Dog Realism, Ishkabibbleism, and Mama, which is like Dada only nicer.

Realism falls short of reality. It shrinks it, attenuates it, falsifies it; it does not take into account our basic truths and our fundamental obsessions: love, death, astonishment. It presents man in a reduced and estranged perspective. Truth is in our dreams, in the imagination.

Realism should only be the means of expression of religious genius... or, at the other extreme, the artistic expressions of monkeys which are quite satisfied with mere imitation. In fact, art is never realistic though sometimes it is tempted to be. To be really realistic a description would have to be endless.

Each time I'm starting to work on a film, even if I love to settle the plot in the real world, I start to think about the plot as a fairy tale, or a dream, or a nightmare... As if it was the best way to tell the truth about characters or narration, instead of realism.

Realism sets itself at work to consider characters and events which are apparently the most ordinary and uninteresting, in order to extract from these their full value and true meaning. It would apprehend in all particulars the connection between the familiar and the extraordinary, and the seen and unseen of human nature.

For me, making a lot of dramas on one side it's a different sort of challenge, and on the other, it's not a challenge at all, meaning that my goal is to try and bring the realism and acting you might find in a straight drama with the intentions and conflict, where it doesn't feel tongue-in-cheek, but rather committed and real.

In the Gospels, for instance, we sometimes find the kingdom of heaven illustrated by principles drawn from observation of this world rather than from an ideal conception of justice; ... They remind us that the God we are seeking is present and active, that he is the living God; they are doubtless necessary if we are to keep religion from passing into a mere idealism and God into the vanishing point of our thought and endeavour.

I use people's real voices because I want realism. So often I mention the actors' physicality because I want it to be like a real documentary.

Those who profess the faith of Life regard the ideals of mankind as an expression of man's higher needs. Ideals which were once incentives to development thus become a drag upon it whenever life's needs demand new forms that are not recognised by the prevailing idealism.

To all of the young people out there who are creating social change or even fomenting social movements: hold on to your idealism and your belief in your ability to change the world. Your lofty goals demand attention and deserve support.

The idealist's program of political or economic reform may be impracticable, absurd, demonstrably ridiculous; but it can never be successfully opposed merely by pointing out that this is the case. A negative opposition cannot be wholly effectual: there must be a competing idealism; something must be offered that is not only less objectionable but more desirable.

I ran on the platform of moderation and won the election by a large margin. By virtue of the strong mandate that I received from the electorate, I am committed to operating in the framework of moderation, which calls inter alia for a balance between realism and the pursuit of the ideals of the Islamic Republic of Iran.

I think you can be much truer to real emotions and reality by creating something that on the surface seems artificial but, by then putting everything together in the end, is much more impactful than trying to use realism in every individual element of the film.

'War and Peace' holds a strange place in literary history, participating in the crowning of realism as a substantial and serious literary mode in America, even as the novel also contributed to the argument that historical fiction could be by nature dangerous, illegitimate, and inaccurate.

Unfulfilled dreams, ongoing relational tension, the loss of friendships, a hard marriage, rebellious teenagers, the death of loved ones, remaining sinful patterns - whatever it is for you - live long enough, lose enough, suffer enough, and the idealism of youth fades, leaving behind the reality of life in a broken world as a broken person.

The three main medieval points of view regarding universals are designated by historians as realism, conceptualism, and nominalism. Essentially these same three doctrines reappear in twentieth-century surveys of the philosophy of mathematics under the new names logicism, intuitionism, and formalism.

Good teachers have joined Presidency from different parts of the country and even abroad. We have got idealistic teachers, and we are relying on their idealism. But state universities pay their teachers less than the central ones. If salary is not on a par with central institutes, teachers would tend to leave for those places.

[The American public demands] a sense of legitimacy from and in the presidency. There is more to this than dignity, more than propriety. The president is expected to personify our betterness in an inspiring way, to express in what he does and is, not just what he says, a moral idealism which, in much of the public mind, is the very opposite of politics.

There's always been this strand of filmmaking in Britain which is like socialist neo-realism. That's always been there. I've never been part of that, really; I've been much closer to fantasy.

People think that I've committed myself to idealism, to solipsism, or to doctrines of the cabala, because I've used them in my tales. But really I was only trying to see what could be done with them. On the other hand, it might be argued that if I use them it's because I was feeling an affinity to them. Of course, that's true.

Magical realism is a blending of the unusual or supernatural into an otherwise ordinary setting. And, to me, this perfectly describes the South. 'The Sugar Queen' involves a lot of magical happenings, but in a very down-home Southern setting. It's full of things that could almost be true.

I can never fathom it when people say things like "I can't understand abstract art!" Or: "Abstract art is junk!" Or: "Abstract art isn't as valid as realism!"

Experimental work provides the strongest evidence for scientific realism. This is not because we test hypotheses about entities. It is because entities that in principle cannot be 'observed' are manipulated to produce a new phenomena [sic] and to investigate other aspects of nature.

Realism's anxieties are not my anxieties, but I think I've had its tools close at hand all along. It may be that I'm reaching for them more often than I used to. On the other hand, I'm making no promises for the future. The material itself always gets the last word.

There's a time and a place for a bit of realism, and it's bands like Arctic Monkeys that do it amazingly well. But why do bands have to recycle something that's already been done very well? We wanted to make interesting pop music, and to drop in literary references.

If literary terms were about artistic merit and not the rules of convenience, about achievement and not safety, the term 'realism' would be an honorary one, conferred only on work that actually builds unsentimental reality on the page, that matches the complexity of life with an equally rich arrangement in language.

So many technologies start out with a burst of idealism, democratization, and opportunity, and over time, they close down and become less friendly to entrepreneurship, to innovation, to new ideas. Over time, the companies that become dominant take more out of the ecosystem than they put back in.

Fiction doesn't appeal to me because it can describe physical appearances exhaustively or because it can offer access to the inner depths of an array of human characters - neither that kind of "realism" of bodily surfaces nor of individual psychologies seems particularly realistic to me.

All things in my novels are real for me. Some western critics said that Garcia Marquez's novels are magic realism. However, I believe that Marquez must have experienced everything in his novels.

Bush is almost always clear when he's speaking cruelly. For example, when the subject is the punitive infliction of great pain, there is no problem with his syntax, grammar, or vocabulary, even if he happens to be lying. ... On the other hand, our president is extraordinarily tongue-tied when he's trying, off the cuff, to sound a note of idealism, magnanimity or -- especially -- compassion.

What I dislike is conventional realism - a system of gestures, descriptions, psychological revelations that was once a vital way of representing the world but has become hackneyed through endless repetition. I'd argue that a conventional realist isn't a realist at all, but a falsifier of the real.

Suddenly absurdism wasn’t an intellectual abstraction, it was actually realism. You could see the way that wealth was begetting wealth, wealth was begetting comfort — and that the cumulative effect of an absence of wealth was the erosion of grace.

Subplots bring realism to your main plot simply by existing – by interrupting the flow. Why is this? Because life doesn’t move forward all at once. Interruptions happen, change rushes in, we juggle three or ten balls at once. Readers don’t expect continuous narratives.

This state of mind, which subordinates the interests of the ego to the conservation of the community, is really the first premise for every truly human culture... The basic attitude from which such activity arises, we call-to distinguish it from egoism and selfishness-idealism. By this we understand only the individual's capacity to make sacrifices for the community, for his fellow men.

Artists forget than the first purpose of a comic character is to convey emotion. Everything else, like realism, or other kinds of virtuosity, is an optional extra. If you sacrifice expression for the sake of other concerns, you're putting the cart before the horse.

My mother learned that she was carrying me at about the same time the Second World War was declared; with the family talent for magic realism, she once told me she had been to the doctor's on the very day.

One of the fundamental reasons why so many doctors become cynical and disillusioned is precisely because, when the abstract idealism has worn thin, they are uncertain about the value of the actual lives of the patients they are treating. This is not because they are callous or personally inhuman: it is because they live in and accept a society which is incapable of knowing what a human life is worth.

Formerly, leaders of states practiced realism, but did not honor it. With them morality was violated, but moral notions remained intact. The modern governor, owing to the fact that he addresses crowds, is compelled to be a moralist, and to present his acts as bound up with a system of morality.

Was I ignorant, then, when I was seventeen? I think not. I knew everything. A quarter-century's experience of life since then has added nothing to what I knew. The one difference is that at seventeen I had no 'realism'.

I think that it's important to try to keep reality. I think that Gabriel Garcia Marquez speaks a lot about reality in his magical realism. So I don't think we have to be hyper-realistic. But we have to understand the pressures that undergird the lives of the characters within that novel.

I would never write realistic prose. I don't like people who try to write in a poetic style, but in the course of their book abandon it for realism, and weave back and forth like drunkards between the surreal and the real.

Back in George W. Bush's second term, when diplomatic realism began to overtake foolish bellicosity, the president developed one of his patented nicknames for the two most powerful neoconservative journalists, William Kristol and Charles Krauthammer: he called them 'the Bomber Boys.'

There are two strains, I think, in American playwriting, of importance. One is traditional narrative realism, which is definitely my strain, and then the other great contribution is American musical theater, which is a whole other kettle of fish.

The great decisions of government cannot be dictated by the concerns of religious factions. We have succeeded for 205 years in keeping the affairs of state separate from the uncompromising idealism of religious groups and we mustn't stop now. To retreat from that separation would violate the principles of conservatism and the values upon which the framers built this democratic republic.

I definitely don't think of myself as someone identified by region. It's too far-flung a region, for starters, and southern New Mexico is very isolated. I wouldn't think of my identity as generational, either, but maybe as more stylistic, in the school of realism and domestic issues.