Top 1200 Images Of Love Quotes & Sayings - Page 3

Algorithms learn by being fed certain images, often chosen by engineers, and the system builds a model of the world based on those images. If a system is trained on photos of people who are overwhelmingly white, it will have a harder time recognizing nonwhite faces.

I've seen films that have made as much as $100, $200 million, but they're not films. They're images. They're flashes. They're many beautiful images, lots of things to look at. They capture you. But it's not a film. It's not something that involves you in a story. They go to cinema now to be blown away by the effects.

Perhaps the old literacy of words is dying and a new literacy of images is being born. Perhaps the printed page will disappear and even our records be kept in images and sounds.

Obviously, the intention was not to go back to images traditionally valued as worthy or holy images and shapes, but exactly the opposite; its main purpose had to be, to realise as sacred art anything which so far had been regarded as of little value and pitiful.

I like visual images and there are certainly other bands that have strong visual images going all the way back to Elvis Presley, but it's kind of like that's never really been my bag. Probably because I'm too shy.

I came to painting through sculpture, to images through objects. I think that images sit in the middle, somewhere between objects and words.

We have a telescope that takes images, and we use a very nice computer program to isolate the moving images. And then, every potentially new asteroid is vetted by eye, so we take a look at each one, and then we send our observations to the Minor Planet Center.

Most human behavior is controlled by images. Image is a factor in how people look at themselves and what they use to reflect themselves. The control of images is a major factor in world power.

This is what our love is––a sacred pattern of unbroken unity sewn flawlessly invisible inside all other images, thoughts, smells, and sounds.

I feel the calmest when I'm drawing or when I'm creating images. I love connecting the mind with the hand and producing something - that is very comforting and centering for me.

Masturbation is a meditation on self-love. So many of us are afflicted with self-loathing, bad body images, shame about our body functions, and confusion about sex and pleasure, I recommend an intense love affair with yourself

The reverse process is extremely important to me - that artistic images can inspire to words and different myths, and that in certain cultures this process has been the normal relation between images and words.

A novel is never anything but a philosophy expressed in images. And in a good novel the philosophy has disappeared into the images.

As sonic journalists, we were increasingly becoming bombarded with global images. It was the early idea of the cut-up, the idea of images being juxtapositioned, which we were doing with sound. That was the early days of samples.

In the past, Google has used teams of humans to 'read' its street address images - in essence, to render images into actionable data. But using neural network technology, the company has trained computers to extract that data automatically - and with a level of accuracy that meets or beats human operators.

When you stand between two mirrors you're spread out among the images, your whole soul is pulled out thin, and somewhere in the distant images a dark part of you might get out and come looking for you, if you aren't careful.

Because Bin Laden's culture doesn't permit the worship of images, they understand how powerful images are. We wouldn't have thought of creating a visual bomb. In a way, he's chopped down two iconic buildings, and used our very truth imagery, to express himself. It's fascinating... I mean, dreadful.

It's the same with visual arts, you have some really cool, wonderful striking images that make you think and then again you have wonderful striking images that just take you away from the existing world for a second. And I like the latter a bit more.

We rely on editors of blogs or websites and television stations to supply us these images, and the filter is becoming very thin and very porous. The ratings race for TV and websites is incredibly fierce, and one of the ways of getting people to watch is through graphic violent images.

I always write with images. I cannot write a book if I don't have images.

Full-color images lack the poignancy of monochrome... Black-and-white film inherently peels off interesting images from the world; it sees things we do not see, and thus insists on the existence of a phantom presence within reality, a world we cannot perceive.

I love the idea of using film language similarly to how musicians use music - combining images and sounds in a way that they create an emotional effect.

When I left Haiti, I was eight. I went to the Congo where my father was working. The only images that I had were the images of Tarzan. That's what I thought Africa was. Of course, the first day I arrived there, I thought I would see a lot of savages dancing on the tarmac.

The thing itself is one; the images are many. What leads to a perceptive understanding of the thing is not the focus on one image, but the viewing of many images together.

Soft things are terrifying. They're the real signals of death. Images of strength can never be that terrifying. It's the images of weakness that are a real apocalypse.

We are carrying these images out into the world, and we can't control how people contextualize those images no matter how virtuous our aspirations and our intentions are.

I went to art school, wanting to be a painter and then I got into photography. Then it was movies, and I liked the images. One of the things that interested me in film was that I was communicating in images. That was something I did intuitively and could not even talk about until I started having to do interviews.

Being young and female in America, you watch a lot of TV and you grow up on false images of what love truly is.

We cannot fling ourselves into the blank future; we can only call up images from the past. This being so, the important principle follows, that how many images we have largely depends on how much past we have.

I decided to make pictures of fragments, images that would spill off the canvas instead of recede into it like a medicine cabinet. I wanted to find images that were in a 'nether-nether-land': things that were a little out of style but hadn't reached the point of nostalgia.

It is important to understand, not intellectually but actually in your daily life, how you have built images about your wife, your husband, your neighbor, your child, your country, your leaders, your politicians, your gods-you have nothing but images. The images create the space between you and what you observe and in that space there is conflict, so what we are going to find out now together is whether it is possible to be free of the space we create, not only outside ourselves but in ourselves, the space which divides people in all their relationships.

I've been collecting photographs since I don't know when, for a long time, for different reasons. You can find them on eBay and when we were browsing through the shops there were images that attracted me. These are all historical images because these days they're all digital. They don't exist anymore.

New images surround us everywhere. They are invisible only because of sterile routine convention and fear. To find these images is to dare to see, to be aware of what there is and how it is. The photographer not only gets information, he gives information about life.

External images act on me, transmit movement to me, and I return movement: how could images be in my consciousness since I am myself image, that is, movement?

His contagious conviction that our love was unique and desperate infected me with an anxious sickness; soon we would learn to treat one another with the circumspect tenderness of comrades who are amputees, for we were surrounded by the most moving images of evanesecence, fireworks, morning glories, the old, children. But the most moving of these images were the intagible relfections of ourselves we saw in one another's eyes, reflections of nothing but appearances, in a city dedicated to seeming, and, try as we might to possess the essence of each other's otherness, we would inevitably fail.

Positive images of the future are a powerful and magnetic force... They draw us on and energize us, give us courage and will to take on important initiatives. Negative images of the future also have a magnetism. They pull the spirit downward in the path of despair.

To some extent we are all the prisoners of stereotypes; we see each other in terms of distorted and oversimplified images. Better communication in the realm of ideas, of the arts, and of science can help refashion these false images. And by seeing more clearly we may act more wisely.

The images for my works are somewhat insignificant to me. It became an exercise of variation. I only see the surface images as doodles in a sketchbook, but it's hard to not see an image and bring some kind of personal association, though there's not a prescribed idea of what you're supposed to see.

In a media culture, we not only judge strangers by how they look but by the images of how they look. So we want attractive pictures of our heroes and repulsive images of our enemies.

... art is images you carry. You cannot carry nature with you, but you carry images of nature. When you go out to make a picture you find you are moved by something which is in agreement with an image you already held within yourself.

There's a quote that I learned in college a million years ago. "Happy, thought I, is the man who can, in one and the same embrace, hold both his love and the object of his love." Holding the feeling that you have and all the images that you've got and all the fantasies and romantic associations while also holding the actual core person that's been saddled with all of this.

Atheism and agnosticism signify the rejection of certain images and concepts of God or of truth, which are historically conditioned and therefore inadequate. Atheism is a challenge to religion to purifiy its images and concepts and come nearer to the truth of divine mystery.

What have we done to our images? What have we done to our embarrassed landscapes? I have said this before and will repeat it again as long as I am able to talk: if we do not develop adequate images we will die out like dinosaurs.

In images,... beauty was the agency that caused visual pleasure in the beholder; and any theory of images that was not grounded in the pleasure of the beholder begged the question of their efficacy and doomed itself to inconsequence.

I have a deep respect and love for these tiny humans, and I hope to convey in my images a measure of the beauty that exists in all children.

Where the real world changes into simple images, the simple images become real beings and effective motivations of hypnotic behavior.

Back then people closed their eyes and listened to music. Today there's a lot of images that go with the music. A lot of music is crap and it's all commercial and the images are all trying to sell the record.

It's the same with visual arts, you have some really cool, wonderful striking images that make you think and then again you have wonderful striking images that just take you away from the existing world for a second. And I like the latter a bit more

The very beautiful rarely love at all; those precious images are placed above the reach of the passions: Time alone is permitted to efface them.

Facts are the images of history, just as images are the facts of fiction.

I'm impressed by the way some illustrators develop their images on computers, but it's too late for me to start, and I'm still in love with paper and paint and pencils.

You do remember things that people say in movies. You remember particular lines and things that are funny. But, you also remember really strong images. Images have a way of bypassing your brain and hitting you emotionally.

Of course, it gave the studio an enormous power, because I don't know any other place who had that skill with images to communicate with. And the need of these kinds of images are even greater now than they ever were because we are losing our life symbols.

I love the idea of making images of the parts of the body that we all have but that no one pays attention to, like the soft area underneath your nose.

I did not think I should be ever loved: do you indeed Love me so much as now you say you do? Ask of the sea-bird if it loves the sea, Ask of the roses if they love the rain, Ask of the little lark, that will not sing Till day break, if it loves to see the day: And yet, these are but empty images, Mere shadows of my love, which is a fire So great that all the waters of the main Can not avail to quench it.

The history of cinema appears to be easy to do, since it is, after all, made up of images; cinema appears to be the only medium where all one has to do is re-project these images so that one can see what has happened.

Cutting out images you like from art books and framing them is a great way of getting beautiful works on your wall. You can also frame magazine images or pick up inexpensive art at museum gift shops.

Should one be for or against pornography? I prefer to propose images of sexuality rather than to analyze the pros and the cons of pornography. Women are interested in erotics and sexuality, so I want to use my energy to propose images about that.

Where do these images comes from and where do they return? What is it that projects these images? How is it that we are the screen? How is it that we have forgotten that we are the Self and that nothing but the Self exists?

I was always obsessed with finding truly researched images to add authenticity, out of that came something totally contemporary and modern. Research is very key to my process because over and over again, reality provides more interesting images than you could have invented.