Why should there be only one sort of photography? I want to create images with elements of my choosing, narrative or evocative... I give myself a literary frame, I tell a story.
The only antidote to the magic of images is the magic of words.
The Getty family is thrilled to resume control of Getty Images, a business that bears our name and one we strongly believe in.
Beautiful woman wrapped in chadors, with huge machine guns in their hands. Brilliant, shocking, amazingly contradictory images. They compelled me to deeply investigate these ideas.
I know many filmmakers, and shooting in IMAX is challenging. Filmmakers love the vividness and power of those big images.
And nobility will not be able to help you with your love; Love does not know how to cede to ancestral images.
As I get older, my childhood self becomes more accessible to me, but selectively, in images as stylized and suspect as moments remembered from a novel read years ago.
An artist cannot be responsible for what people make of their art. An audience loathe giving up preconceived images of an artist.
Imagination is a screen onto which the evil spirits can 'project' images, temptations presented as stimulating entertainments, offering us pleasurable rewards if we give in to the temptation.
Before he has seen the whole, how unusually perceptive and imaginative the person must be to evolve the entire sequence by meditating on its single, pair or triplet of essential images.
The images you see in media are vital to impacting not just what the world sees in terms of who can be a computer scientist, who can be techie, who can be a geek or who can be a creator; it also impacts the girls and what they internalize.
Photographs are still always depictions, it's just that for my generation the model for the photograph is probably not reality any more, but images we have of that reality.
And when the sun goes down and the mood comes upon me, I'll watch the play of the colors on the water, yield to the fleetly dissolving images, and turn into pure feeling, all soft and nice.
Peak performers develop powerful mental images of the behavior that will lead to the desired results. They see in their mind's eye the result they want, and the actions leading to it.
Many Africans succumb to the idea that they can't do things because of what society says. Images of Africa are negative - war, corruption, poverty. We need to be proud of our culture.
An artist cannot be responsible for what people make of their art. An audience loathe giving up preconceived images of an artist
I've been a fascinated observer of grand public funerals since I was a kid, starting with the life-altering black-and-white images of President John F. Kennedy's funeral.
You always want to come back with an image that's interesting visually, and you hope to get something from the person you photograph that's different than other images you know of these people.
I started Shutterstock out of my own need. I'd previously created a few software companies, and each time, I struggled to find affordable images to use on my websites.
Different people get different things out of the images. It doesn't matter what it's about, all that matters is how it makes you feel.
For years, my master had done his utmost to pollute my mind with foul images, and to destroy the pure principles inculcated by my grandmother, and the good mistress of my childhood.
Something different happened to me when I started to write music to images. It was a feeling of excitement and connection and a sense of being in the right place that I never had before.
My books come to me in images, and sometimes the image is at the beginning of the book, and sometimes it's simply a flash somewhere in the middle.
And then theres always the crying and the weeping that we hear-children, women, even men. And these images and these sounds are always with me.
Part of the reason images of women in positions of authority are marked by their gender is that the very notion of authority is associated with maleness.
Drake went through my exhibition. I did meet him in Los Angeles, and he was in the spaces that I did do there, and has some images from that.
Using one style would be very boring to me. I love to play with all kind of images and combinations because it makes the results a lot more interesting and entertaining.
Your circumstances do not determine what your life will be; they reveal what kinds of images you have chosen up until now.
Read a lot, live your life, and listen and watch, so that your mind fills up with millions of images.
Imagine the power of surfacing what's happening in the world through images, and potentially other types of media in the future, to each and every person who holds a mobile phone.
the process of reading is reciprocal; the book is no more than a formula, to be furnished out with images out of the reader's mind.
If we are to change our world view, images have to change.
The mathematical difficulties of the theory of rotation arise chiefly from the want of geometrical illustrations and sensible images, by which we might fix the results of analysis in our minds.
Numerals are images of amounts. But the amounts they represent are real.
Whoever controls the media, the images, controls the culture.
Choose paintings, sculptures, realistic or abstract or animal images woven into fabrics, rather than a faux zebra rug or a sullied Lion's head on the wall.
A word says more than a thousand images. Exercises for the visually inclined: illustrate "appreciation", "humor", "software", "education", "inalienable rights", "elegance", "fact".
A lot of the lyrics I write involve images that just swing the song in a way that feels really good to me and there isn't a literal explanation. They're not riddles for the listener to solve.
Once the object has been constructed, I have a tendency to rediscover in it, transformed and displaced, images, impressions, facts which have deeply moved me (often without my knowing it).
[In the late 80's] that's the first time I heard about that astonishing idea [that most photographs would be taken on telephones]. And now I've been watching the tsunami of images.
It's to a younger people's advantage to work with evolving computer technologies that provide so many ways to explore the use and distribution of text, including sound, images and motion.
If there is a viral video on the Internet, you know it's on YouTube. You can search for it, find it, see the view count, and then take that link and share it with whomever you want. That's what we are doing for images.
Power doesn't just exist. It is threaded through different mechanisms of control. I'm interested in those complexities. But I want to address that in very forthright language and sometimes with images.
Ads sell a great deal more than products. They sell values, images, and concepts of success and worth.
When we give up our images of self-importance and our ideas of what should be, we can help things become what they need to be.
My art originates from hallucinations only I can see. I translate the hallucinations and obsessional images that plague me into sculptures and paintings.
We recognized early on that media consumption was evolving and customers were looking for moving images to include as part of their advertising campaigns, website designs and corporate presentations.
Information and images bump against each other every day in massive quantities, and the resonance of this interfacing is like the babble of a village or tavern gossip session.
One trick, known as the journey method or 'memory palace,' is to conjure up a familiar space in the mind's eye, and then populate it with images of whatever it is you want to remember.
There's almost no content in terms of language at all. I don't like using language to convey meaning. I'd rather use images and music.
I give the spectator the possibility of participating. The audience completes the film by thinking about it; those who watch must not be just consumers ingesting spoon-fed images.
For years, my master had done his utmost to pollute my mind with foul images, and to destroy the pure principles inculcated by my grandmother, and the good mistress of my childhood
I am a pationate lover of the snapshot, because of all photographic images, it comes closest to the truth ... the snapshooter['s] pictures have an apparent disorder and imperfection which is exactly their appeal and their style.
I think all my pictures are ideas, and they're ideas made into images.
Photography is my method for defining the confusing world that rushes constantly toward me. It is my defensive attempt to reduce our daily chaos to a set of understandable images.
I operate the camera, I always do it when I'm the director, and I like to approach it as a documentary, finding the images based on what happens, as it happens.
If you're a white male growing up in this society, you're constantly receiving encouragement to go on in science in the form of all the images that you're receiving.
I watched a lot of silent movies. It's a very specific way of writing, which is more of a challenge than the directing. You have to describe images. It's easier to shoot them.
I think of images as an immune system and a transit system.
Even the uncaptioned art photograph is invaded by language in the very moment it is looked at: in memory, in association, snatches of words and images continually intermingle and exchange one for the other.
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