Top 204 Improvising Quotes & Sayings - Page 2

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Last updated on November 16, 2024.
Sometimes when you start improvising on stage, which I do a fair bit of, obviously you haven't planned it. But to be honest, it's not like I'm one of these blokes who is sitting at home pouring it all out and then does a different thing on stage.
I came up with a 'forecasting cell,' which is basically a mixed intention cell or chord that is a complete hybrid of a consonance and a dissonance, and what that does when you are improvising is lead you to where you are supposed to go.
Shamanic healing is a journey. It involves stepping out of our habitual roles, our conventional scripts, and improvising a dancing path. — © Gabrielle Roth
Shamanic healing is a journey. It involves stepping out of our habitual roles, our conventional scripts, and improvising a dancing path.
It was a shock to my system leaving 'The West Wing' and going to 'Psych.' I remember being like, 'What are you doing?' when James Roday first started improvising. Steve and the writing staff write it that way. They leave gaps.
While you're improvising, you may come up with something which will break him up. As soon as that smile comes out, you know that, hey, we're having fun.
I wouldn't want the pressure of a Six Feet Under or the pressure of improvising like Curb Your Enthusiasm.
I enjoy the challenge of taking something which was not meant for the piano, distilling its essence and writing or improvising it for/at the piano, but having the listener forget that he or she is listening to a piano.
Very early on, I started improvising. I was more interested in the music that came out of me than any music I heard.
Competence means keeping your head in a crisis, sticking with a task even when it seems hopeless, and improvising good solutions to tough problems when every second counts. It encompasses ingenuity, determination and being prepared for anything.
I found the recording sessions very freeing because you can really try things. When you're filming something, if you're improvising a film and you're wasting film and wasting a cameraman's time.
Jazz vision is the fusion of music and art a real paradox of same-yet different. Here we play in exchanges, like the hardness of the key of c# major and from the softness of Db major - capturing, reflecting and improvising.
I was improvising before I was reading music. I was just trying to play things on the clarinet by ear. I think my ear is one of my greatest assets.
Those are the rules. To improvise in a movie with other people, when they're following a script, everybody has to know what's going on. I think a line or two we might change. Certainly, I do. But I wouldn't call it improvising. I'd call it fudging the lines.
It's an example of when three people think something's brilliant and one thinks it's terrible. I suppose that's what improvising can be like because you just don't really know how anyone's feeling about it. You come off stage like, "Was that good?"
When Indian musicians play a raga it's very restrictive. But, in a way these restraints are essential to liberate yourself through them, if that makes sense. I'm very much of this school of rhythm, it's the direction I'm drawn in when I'm writing and improvising.
Although arguably, it's my job to dig deep whether I'm improvising or not. It's just their style. That's the way they feel like they get what they want. I mean, they're really good storytellers, so I love being in their hands.
I'm an improviser at heart, when I'm writing, I'm improvising in my head. When you're an improviser on stage, you can never be precious about anything, you can't control what anyone else is going to do. The best stuff comes out of moments of inspiration that spontaneously happen.
At Second City and improvising at iO, you're creating a character in an instant. All of a sudden, you're creating this history and this past for your character, and you're discovering it while you're doing it, and that's part of the fun of it.
In the U.S., it's like, you start with a great script, and then on set - not everybody, but definitely in the Apatow group - you go off, and you're improvising on camera. So while you're on camera, you're saying things that no one else has ever heard before during the actual take.
I stopped being interested in improvisation, and I continue to not be that interested in it. Comedians can do it on a different level because they have a goal, but if you're improvising something that's dramatic, there's not that much to be good at.
I can't imagine doing anything without being an improviser. I can't imagine trying to write or act or direct without what improvising offers you. — © Marc Evan Jackson
I can't imagine doing anything without being an improviser. I can't imagine trying to write or act or direct without what improvising offers you.
I don't even think you should tell the audience you're improvising. It's like an apology in case it's bad : 'we're just making it up' If the improv isn't better than the rehearsed stuff, then you should just rehearse it.
If the same phrase in the same place created the right effect, I was perfectly prepared to use it every time. I wasn't worried that I wasn't improvising.
I do a lot of improvising when I'm writing, and I work very hard on the scripts... they are written very much in an actor-friendly way.
You will find hardly any improvising on camera anywhere in my films. It's very structured, but it's all worked out from elaborate improvisations over a long period, as you know.
Improvising musicians are musical travelers, voyagers. There is a freedom to wander the musical landscape.
My younger brother and I have been writing together, mainly for fun, for years, but we've been improvising together since we were kids. Literally.
I love being onstage. I love the relationship with the audience. I love the letting go, the sense of discovery, the improvising.
I remember as a kid, I was improvising and making little trophies out of different materials and going in front of the mirror, lifting the trophies and saying 'Nole was the champion!'
I think initially it's terrifying because going into a show where, you know, "Oh, I'm going to be on stage for two hours, I have no lines to memorize, I have nothing really prepared," and actually I say that, the show is not all improvising.
But one of the things I learned from improvising is that all of life is an improvisation, whether you like it or not. Some of the greatest scientific discoveries of the 20th century came out of people dropping things.
When we were making Speaking in Tongues and Remain in Light, we were jamming. From that we were taking the best bits and then recording and improvising on top of those.
We do not need to understand other people and their customs fully to interact with them and learn in the process; it is making the effort to interact without knowing all the rules, improvising certain situations, which allows us to grow.
In 'There's Something About Mary' and 'Dumb & Dumber,' I ended up improvising quite a bit of my scenes, and later I didn't even remember what I'd said because I just winged it. When I went and saw the movie, I was as stunned as everyone else was.
You're just sort of searching for this 'thing' and sometimes you get it and sometimes you don't. All music is imperfect, but in jazz since you're improvising, at least the way I play, I'm trying to follow my train of thought in a solo.
The main thing about improvising is listening so if something happens that wasn't expected and you know your character, you know what has to happen in this scene, you can react to that in a way that's honest and it might take you in a different direction to go to the same place.
When I do the roles, when I'm in the room and auditioning, I'll ask the director if they're cool with me adding stuff, or just improvising while we're doing it. And I would say, like, 90 percent of the time, they say, 'Absolutely.'
I am my own parent when it comes to rapping and do impromptu stuff. Being a rapper, you have to be good at improvising, like you give me a word and I have to rhyme it quickly and then make sense out of the rhyme.
We have home movies of Chris playing the piano with Will on his lap. One of the things that made my life so full was putting Will to bed and hearing Chris downstairs improvising.
While you are improvising, you need to be prepared, and I like to have a sense of who the character is, what she likes to read, where she grew up, where we went to school, and what she has for breakfast, so that when I go to set, I'm free to explore.
Any changes that I made to my line, I asked if I could make them, which I do in every movie. So far everybody's been gracious enough to say yes. The only improvising I do is in the movies I do with Chris Guest, which is what we do.
When I'm on stage, it's a little world I've created where I'm sort of the thing, so I have total control over everything that happens. When we're improvising, I'm with someone I totally trust. I know things are going to work out. I don't have those guarantees in life. There are no consequences on stage.
Certainly one of the more common experiences in the jazz field is discovering someone new. Improvising musicians are capable of being musical travelers, voyagers. We want to join in on whatever we hear. There is a freedom to wander the musical landscape.
If you're onstage and you're improvising and nothing's happening, people are racing for the door. But the director can go shopping later and pick up pieces and moments and insert them.
Improvisation is about finding the best joke or the silliest way to get something across. Improvising conflict is always fun because you can just go for it. — © Ed Helms
Improvisation is about finding the best joke or the silliest way to get something across. Improvising conflict is always fun because you can just go for it.
Even when I was in school shows, in elementary school doing plays, I'd always go off book and start improvising.
I think I compose as a listener: improvising and listening back excites me because I get to ideas that never would have occurred. Then I bring in the computers and samplers... and I begin to loop and process and change them.
For the most part, improvising while cameras are rolling is very difficult. 99% of people you should never ask to do that, because they're under pressure, the clock is running, 80 people are staring at you...it's always unnatural.
The challenge is, well, there's a huge challenge, which is when you're improvising, you're meant to sort of clear your mind completely, just be open and funny, and paying, you know, paying attention.
I think I'm much more of a guitar-songwriter than a singer. I start with chords and then test out melodies rather than improvising over it.
I think it's very important to live in the present. One of the great things that improvising teaches you is the magic of the moment that you're in because, when you improvise, you're in right now. You're not in yesterday or tomorrow - you're right in the moment.
I was 7 years old when I began composing. I began composing, improvising at the piano, the usual story.
...I think of improvising as composing - fo me it's all about playing melodies. When I improvise, there's not a lot of real thinking going on, per se - it's more like riding a wave. and I know how to stand on the board
The planet isn't improvising, it's creating dynamic tensions between complex living systems in a planetary choreography, a balancing act between physical, chemical, biological, environmental, and human components.
I'm used to doing independent film where the style is a lot more casual. With improvising, you obviously find so much out on the day - and in a way, I feel more comfortable doing that.
I don't mind doing scripted material. It's actually kind of a relief, because improvising is a little bit like screenwriting on your feet. — © John C. Reilly
I don't mind doing scripted material. It's actually kind of a relief, because improvising is a little bit like screenwriting on your feet.
I don't like improvising on camera, particularly, but very often, a scene will not be working, and you rehearse it once or twice, and you realize something's missing. So I'll play with it until it makes sense.
When I worked with Robin Williams, now there is improv! He is just as funny as you think he is. We did at least five or six takes of every scene, improvising every scene differently. He was a riot.
If I'm improvising and I'm not doing well it's because I'm not listening very well. Either I'm overly concerned with something or I'm drifting or maybe I'm too stoned but I'm not getting a clear signal.
I find myself improvising a lot. But, sometimes I'll come us with a chorus or just one line and it will sort of hang out for a long time before it get's flushed out into a real living song.
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