Top 807 Indecent Exposure Quotes & Sayings - Page 13

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Last updated on November 18, 2024.
I think basketball has changed tremendously and for the better. I think that obviously the game is better. I think the skill of the players are better, the strength, the overall athleticism, the teamwork involved. I think coaching is better. We have more exposure for our game than ever. You know, our sport has grown significantly in really the last five years. It's pretty amazing.
Those who deal in magic learn to see the world in a slightly differnt light than everybody else.you gain a perspective you had considered before. A way of thinking that would never have occurred to you with out exposure to the things a wizard sees and hears.When you look in to some ones eyes you see them in that other light and for just a second they see you in the same way.
Democracy is not about trust; it is about distrust. It is about accountability, exposure, open debate, critical challenge, and popular input and feedback from the citizenry. It is about responsible government. We have to get our fellow Americans to trust their leaders less and themselves more, trust their own questions and suspicions, and their own desire to know what is going on.
The genius of the Word of God is that it has staying power; it can stand up to repeated exposure. In fact, that's why it is unlike any other book. You may be an expert in a given field. If you read a book in that field two or three times you've got it. But that's never true of the Bible. Read it over and over again, and you'll see things that you've never seen before.
I invented a camera that has an exposure time of one hundred years and the camera works in the simplest possible terms, because anything more complicated is more likely to break down in one way or another. It's a pinhole camera that lets in very low light and instead of exposing film, which is going to spoil within a matter of days or weeks, I'm using ordinary black paper.
I can go into New York and sell out a theatre, but I didn't have to fight my way to get there: I was already a made man from television. I sold out a theatre in London without any TV exposure, just word of mouth and being a good comic, and that was a much bigger sense of accomplishment than just being a guy from telly.
What was once a cottage industry dedicated to the discovery and development of new voices and works has become instead the raison d'etre for many a playwright's existence . . .. And since readings have become playwrights' main source of exposure, the nature of playwriting has changed to fit readings' needs. Investigation into what is eminently theatrical has been substituted - more and more these days - by what can simply come across and read well.
As a kid, I was always into clothes, but I didn't have the money to buy them. When I'd get my brothers' hand-me-downs, there was an energy in me that made me say, "I want to get my own things, to make my own statement." Somewhere along the line, that energy - coupled with my exposure, through movies, to a world I hadn't known - turned into something.
I define vulnerability as uncertainty, risk and emotional exposure. With that definition in mind, let’s think about love. Waking up every day and loving someone who may or may not love us back, whose safety we can’t ensure, who may stay in our lives or may leave without a moment’s notice, who may be loyal to the day they die or betray us tomorrow—that’s vulnerability.
I've always thought that my exposure to competitive sports helped me a great deal in the operating room. It teaches you endurance, and it teaches you how to cope with defeat, and with complications of all sort. I think I'm a well-coordinated person, more than average, and I think that came through my interest in sports, and athletics... Playing basketball you have to make decisions promptly, and that's true in the operating room as well.
I just love any kind of language that can change the energy in a room. There are no limits for me, as long as it feels like it's being used in a particular way to garner or elicit a very particular reaction, so that you can then use that reaction later for something else. But when it's gratuitous language or physical exposure, then I get a bit like, "Oh! Put it away!"
Philosophers talk about truth and falsehood. People in life talk about payoff, exposure, and consequences (risks and rewards), hence fragility and antifragility. And sometimes philosophers and thinkers and those who study conflate Truth with risks and rewards.
I almost feel like its an obligation to not further the status quo if you become somebody with influence and exposure. I dont want to paint the same painting again. I dont want to make the same sculpture again. Why shouldnt a big movie studio be able to make those small independent kinds of pictures? Why not change it up?
If you are engaging rationality, you are already engaging a place that makes you unavailable. Only when I recognize that inspiration has announced itself to my availability will I then say I need to use my mind to calculate exposure, my emotions to position myself and arrange a configuration of shapes that need to come into being, my body to put it all in place because we have been given a message and it has come through inspiration through being available.'
It's a despicable world we're living in now. It's the most disgusting time for music in terms of big wigs, guys who like playing the game. It's hard to get your stuff heard. I find it really annoying actually. I think my music would appeal to a lot of people but being on Warp in the States it's really hard to get radio play and exposure. We need to push this internet revolution forward quickly.
Just as the commandment 'Thou shalt not kill' sets a clear limit in order to safeguard the value of human life, today we also have to say 'thou shalt not' to an economy of exclusion and inequality. Such an economy kills. How can it be that it is not a news item when an elderly homeless person dies of exposure, but it is news when the stock market loses two points?
The enormous social change involved in a sexual revolution is basically a matter of altered consciousness, the exposure and elimination of social and psychological realities underlying political and cultural structures. We are speaking, then, of a cultural revolution, which, while it must necessarily involve the political and economic reorganization traditionally implied by the term revolution, must go far beyond this as well.
The Republican party is the party of nostalgia. It seeks to return America to a simpler, more innocent and moral past that never actually existed. The Democrats are utopians. They seek to create an America so fair and non-judgmental that life becomes an unbearable series of apologies. Together, the two parties function like giant down comforters, allowing a candidate to disappear into the enveloping softness, protecting them from exposure to the harsh weather of independent thought.
Gold is unique because it has the age-old aspect of being viewed as a store of value. Nevertheless, it’s still a commodity and has no tangible value, and so I would say that gold is a speculation. But because of my fear about the potential debasing of paper money and about paper money not being a store of value, I want some exposure to gold.
If the investor doesn't have enough time and skill to investigate individual stocks or enough money to diversify a portfolio, the right thing to do is to invest in exchange-traded funds that give you exposure to asset classes. It does make sense for the individual investor to think in terms of holding individual asset classes.
I've gotten a lot of exposure for my writing. My writing blog has gotten over 1000 unique hits since the Observer piece (quite a lot as before it was something like 20 people a day if I was lucky.) But more importantly the coverage exposed me to and so has allowed me to connect with a lot of new people I really enjoy interacting with.
Still, there is a basic reticence about his approach that feels refreshing in today's culture of maximum exposure. Brandt did not go to great lengths to turn people into icons, nor did he presume to show their “true nature” in something so transient as a photograph. Instead, he used photography's special qualities to suggest intimate things about his subjects, things that cannot be put into words, and may not even be possible to put into pictures.
I don't want to exaggerate; having as many African American men as we've had in the criminal-justice system, and the amount of time it takes for the damage done by that to wash through our society and our communities, the disadvantages born out of kids being undiagnosed with mental-health problems early, or not getting the kind of exposure to reading and math when they're 4 or 5 or 6 years old, that carries a cost.
I fundamentally believe that no one can teach you how to write - finding out how to write a story is part of the process of creating a story - but you can really learn through exposure to different writing, to different art forms, to different modes of storytelling, and with mentors who are able to get you to step outside your comfort zone.
When it comes to the street-art world, there are a lot of people who realize if they go out and put up a few pieces of street art and photograph them really well, even if their locations weren't actually that high-profile or dangerous, with the level of exposure they get from the Internet, with a large audience, they can maintain that rebel cache by having it be theoretically documented street art.
A little exposure to a city like Sulaimani will help Trump understand that the Middle East is a much more complex place than he seems to believe. Perhaps Trump could even give a speech at the American University in Sulaimani, just as President Obama did at Cairo University early in his first term.
"Black culture" is ready for whatever. I sense some momentum and excitement around black artists (especially in comedy, which is where most of my own art resides), really pushing the bounds of what has generally been expected as black. I don't think it's a revolution so much as an exposure of what has always been there, and now that the production and distribution means are more accessible, people can more easily find each other.
Some people work their entire lives to become a professional fighter and see certain guys with exposure or just a name, hop into the professional ranks. It can rub people the wrong way and have them very doubtful of your skills because they see first-hand the hard work and how many years it takes to master this.
Museums are important. Design and art schools are important because they show how it should be done at the highest level of quality. Once people are exposed to quality, they recognize it right away and they appreciate it. People's tastes are changed by exposure to quality. Unless they can see it they can't want it. That's the brilliance of Apple - they provide quality in design.
Photography is inherently an analytic discipline. Where a painter starts with a blank canvas and builds a picture, a photographer starts with the messiness of the world and selects a picture. A photographer standing before houses and streets and people and trees and artifacts of a culture imposes an order on the scene - simplifies the jumble by giving it structure. He or she imposes this order by choosing a vantage point, choosing a frame, choosing a moment of exposure, and by selecting a plane of focus.
I had experiences or exposure to music in church. I went to a church, it was very unique. It was a predominantly African American Catholic church. So they would have - one mass would be traditional church music, and then the other mass would be gospel music.
In her presence, I was reminded again of why I was an anoretic: fear. Of my needs, for food, for sleep, for touch, for simple conversation, for human contact, for love. I was an anoretic because I was afraid of being human. Implicit in human contact is the exposure of the self, the interaction of the selves. The self I'd had, once upon a time, was too much. Now there was no self at all. I was a blank.
I honestly thought we wouldn't hold the U.S. Senate. I thought we'd come up short and I didn't think President Donald Trump had a chance of winning. Given my expectations, doubly exciting because I thought we'd come up short on the Senate. We had a lot of exposure. That was really something. But it never occurred to me that he might be able to win as well.
In my art and life, I really strive to reverse the old adage that what you see is what you get. If I can be Coyote and practice my sneak-up, I can engage the viewers from a distance with one image and lure them in for exposure to another layer, which changes the initial view into quite a different reality. After all, that is what ethnic culture is all about - or even an ongoing relationship. What you see on the surface is never the same again one you begin to plumb the depths.
Insularity is the foundation of ethnocentrism and intolerance; when you only know of those like yourself, it is easy to imagine that you are alone in the world or alone in being good and right in the world. Exposure to diversity, on the contrary, is the basis for relativism and tolerance; when you are forced to face and accept the Other as real, unavoidable, and ultimately valuable, you cannot help but see yourself and your 'truths' in a new - and trouble - way.
He had tenderness in his heart — ‘a soft place,’ as Nicholas Higgins called it; but he had some pride in concealing it; he kept it very sacred and safe, and was jealous of every circumstance that tried to gain admission. But if he dreaded exposure of his tenderness, he was equally desirous that all men should recognize his justice; and he felt that he had been unjust, in giving so scornful a hearing to anyone who had waited, with humble patience, for five hours, to speak to him.
I have a low opinion of books; they are but piles of stones set up to show coming travelers where other minds have been, or at best signal smokes to call attention. No amount of word-making will ever make a single soul to know these mountains. As well seek to warm the naked and frostbitten by lectures on caloric and pictures of flame. One day's exposure to mountains is better than cartloads of books.
The American accent is a little bit tricky. We grew up with American TV shows, so we've had a lot of exposure to it and that helps, but there's little nuances and little details. Sometimes there'll be just a phrase or couple words that are really difficult to get your mouth around. At the end of every season we go over and revoice anything that has sound issues, including my kiwi accent coming out.
I have heard Shree Rajneesh and have been inspired by his talks. His works are sublimne and seek to liberate the soul of humans. Indeed his presentation is unique, his goal is great and his success in liberating each person from the mafia surrounding the soul is rewarding reading. The message that he had to deliver must reach everywhere. Ultimately salvation comes when one attains freedom from oneself. That, I believe, is the consummation which exposure to Osho may help.
The willingness to reach inside every part of yourself opens the door to total understanding. You place your entire identity on the line, not just an isolated part. This may sound daunting, but actually it’s the most natural way to approach any situation. When you hold some part of yourself in reserve you deny it exposure to life; you repress its energy and keep it form understanding what it needs to know.
The American journalist Barbara Ehrenreich has written about this in her book Smile or Die: How Positive Thinking Fooled America and the World (2009) . She talks about the happiness industry, the rise of medication to make us happy and of self-help books, and the influence of all this on religion. In many ways religion has become another form of self-help. We all suffer from over-exposure to positive thinking.
Actually, we who engage in nonviolent direct action are not the creators of tension. We merely bring to the surface the hidden tension that is already alive. We bring it out in the open, where it can be seen and dealt with. Like a boil that can never be cured so long as it is covered up but must be opened with an its ugliness to the natural medicines of air and light, injustice must be exposed, with all the tension its exposure creates, to the light of human conscience and the air of national opinion before it can be cured.
Over the last thirty years or so, I have definitely become more enlightened about corners of the social spectrum that I had less exposure to as a young man. I've interacted with more poor people, more minorities and more sexual minorities. As you get more people from different backgrounds involved in your life, you get a broader perspective and you're less cavalier about your opinions.
After I had my daughter, I kind of got comfortable with motherhood and had time to focus on something else then I started "Sailing Souls" with Fisticuffs, who produced the majority of the mixtape. I just wanted to put out something, like it wasnt really for, you know exposure or to get a deal or really anything like that.
Obviously, we were disappointed that neither 'The Last Witch Hunter' nor 'American Ultra' found bigger theatrical audiences. It's important to note that our focus on risk mitigations limited our exposure on both films, and I'm pleased to report that 'The Last Witch Hunter' is doing well in a number of international territories.
Hillary doesn't play. She has more experience and exposure to the presidency than any candidate in our lifetime - yes, more than Barack, more than Bill. So she is absolutely ready to be Commander-in-Chief on day one. And, yes, she happens to be a woman.
In all honesty, because my name is Cinco and I grew up in Phoenix, I had a lot of exposure to Latin culture and those sorts of things, and that inspired the idea of this villain, El Macho. The name came first and everything else came after that. We loved the idea of this villain. Ken actually has a lot of Latino roots in his family, too.
I've always been business-minded. I worked in corporate America before becoming an actress and knew that acting wasn't the end but a means to an end. It gave me the platform and the exposure I needed to do my philanthropic work. It also gave me the financial security to focus on my other businesses, start new businesses, and even help other people start businesses.
It is not my behavior to either wear minimum clothes, to band or to even be comfortable with a sex-symbol label. I just want to do fine work instead of sporting such meaningless tags. Sex sells, but to a small extent, not always. And this is what filmmakers have to accept. The exposure has to be significant to the film and its characters and not forced for the sake of titillation. On the contrary, some of the greatest Indian films have been devoid of all these sexual trappings. I know my comfort zone in today's Indian culture and society.
Cartier-Bresson has said that photography seizes a 'decisive moment', that's true except that it shouldn't be taken too narrowly...does my picture of a cobweb in the rain represent a decisive moment? The exposure time was probably three or four minutes. That's a pretty long moment. I would say the decisive moment in that case was the moment in which I saw this thing and decided I wanted to photograph it.
There is nothing in the world more difficult than candor, and nothing easier than flattery. If there is a hundredth of a fraction of a false note to candor, it immediately produces dissonance, and as a result, exposure. But in flattery, even if everything is false down to the last note, it is still pleasant, and people will listen not without pleasure; with coarse pleasure, perhaps, but pleasure nevertheless.
I start with no preconceived idea - discovery excites me to focus - then rediscovery through the lens - final form of presentation seen on ground glass, the finished print previsioned completely in every detail of texture, movement, proportion, before exposure - the shutter's release automatically and finally fixes my conception, allowing no after manipulation - the ultimate end, the print, is but a duplication of all that I saw and felt through my camera.
People are put down in television now, not because they're not qualitative, not because they're not talented - but because there's no room for them, and worse than that, there's nowhere they can find exposure. Their own good talent may die of mourning, just for want of having somebody read what they've written. I don't presume to say how we can best provide platforms for new writers to get read. I don't know. But therein lies the major problem.
When I was a kid, and God was talking to me about music, I was like, 'Okay, I'll sing mainstream music,' because I was afraid to sing Christian music to alienate my friends. Honestly, it was going on 'Idol,' having that kind of exposure, that I realized there's something different about me. I just crave God being a part of every moment.
I think that can also be the downfall at the same time in what's really difficult about being kind of in the public eye, you have so much exposure through the Internet, and you can receive a lot of comments, and you get kind of immediate gratification, but also immediate response from people that can either be negative or positive. But I'm really thankful for the internet because it's allowed me to connect with people so much more easily.
Nuclear industry proponents often assert that low doses of radiation (eg below 100mSV) produce no ill effects and are therefore safe. But , as the US National Academy of Sciences BEIR VII report has concluded, no dose of radiation is safe, however small, including background radiation; exposure is cumulative and adds to an individual's risk of developing cancer.
I think my first hit was probably '24 is a Rubberband Man,' which was my second album. My first project, it was very well received in the Southeast region, all throughout the South and parts of the Midwest. It was very well received, but I didn't get national exposure on my second album.
If I love the other person, I feel one with him or her, but with him as he is, not as I need him to be as an object for my use. Respect thus implies the absence of exploitation: it allows the other to be, to change and to develop 'in his own ways.' This requires a commitment to know the other as a separate being, and not merely as a reflection of my own ego. According to Velleman this loving willingness and ability to see the other as they really are is foregrounded in our willingness to risk self-exposure.
I believe that being on that show [the Voice] and getting the exposure opened the door for me to get my name and music outside of Texas and the markets I was used to playing in. One of the bigger things that came about from being on the show was that I got on with Paradigm Booking Agency; one of my earlier problems was how hard it is to get booked if you don't have a good booking agency.
Taking a look back, one big reqret is, I left Harvard with no real awareness of the awful inequities in the world. The appalling disparities of health and wealth and opportunity that condemned millions of people to the lives of despair. I learned a lot here at Harvard about new ideas and economics, and politics. I got great exposure to the advances being made in the sciences. But humanities greatest advances are not in its discoveries, but in how those discoveries are applied to reduce inequity.
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