Top 1200 Indiana Jones Movie Quotes & Sayings - Page 3

Pay-Per-View is run by drama. It is. It's true. I've done the research for myself. You look at Jon Jones. When Jon Jones fought Machida, probably did about $200,000, $300,000. When he fought Cormier, they made, like, $875,000.

Jones is the greatest golfer who ever lived and probably ever will live. That's my goal. Bobby Jones. It's the only goal.

What I enjoyed about being in the world of Jessica Jones, as Luke Cage, is that I wasn't front and center because it was Jessica Jones' story, but it allowed me to find the character from a different perspective.

The only thing worse than watching an Alex Jones video is the government trying to tell Google not to do it - to prevent people form watching the Alex Jones video. We can't even do it if we tried.

My favorite Knicks moment was when we beat Indiana in Game 7 to reach the NBA Finals. We worked so hard as a team to reach that moment that it was very satisfying to beat Indiana and reach the Finals.

I'd been working on the [Bridget Jones's Baby: The Diaries material] for years, first, in the Independent newspaper columns and then in the various versions of the movie scripts.

I really love "Bridget Jones's Diary" - and I love the book, too. You wonder how it ever got made into a movie. She's supposed to be chubby, and two of the hottest guys ever are straight-up fighting over her?

I lost my fight to Jon Jones because Jon Jones is a better fighter.

I love Florida Georgia Line. I love 'Round Here.' So if a fan wants to listen to that, and if a fan that wasn't listening to country music before is listening to 'Cruise' on Pandora, and after that a song by George Jones comes on, they may have never heard George Jones before. I think it's a good thing for the genre.

George Jones is country soul. Once this kind of music sits in you and you take it all, it reaches down into your soul. George Jones to me was one of the most soulful singers of any genre. That drew me to his music. He knew how to present a song without really thinking about it.

I think Roy Jones is a great fighter, a great puncher. But you know, he doesn't use the jab. But he's got everything else going for him. The problem that hurts Roy Jones in the boxing business, in the celebrity business, is his attitude. Attitude hurts, because you say a lot of things that you probably don't really mean and you say them because you don't want to be put down. But you've got a lot of people who don't like what you say, and that hurts. And that's what Roy Jones has been hurt by. That's what I have been hurt by.

I grew up believing that one person could make a difference. In Indiana, you saw that with basketball. The small town could beat the big town, like in the movie Hoosiers. That is one of the things that attracts me to entrepreneurs.

In Indiana we had a queen we named Alice which lived to the ripe old age of eight years and two months and did excellent work in her seventh year. There can be no doubt about the authenticity of this statement. We sold her to John Chapel of Oakland City, Indiana, and she was the only queen in his yard with wings clipped. This, however is a rare exception. At the time I was experimenting with artificial combs with wooden cells in which the queen laid.

You could say that Iron Man was a second-tier character, and it turned out very successfully. I simply think it's down to the movie itself, and whether people enjoy the movie, are involved in the movie, and that it entertains them. From that point of view, the movie has to stand alone.

I would have been content with still playing Inmate #1. I worked on every prison movie made, from 1985 to 1991. I would go from movie to movie to movie.

When you have a show that's called Jessica Jones, if Jessica Jones isn't in a scene the rest of it become almost irrelevant until you earn other character storylines. You've got to flesh out those characters enough that you can travel.

Keith's [Briffa] series...differs in large part in exactly the opposite direction that Phil's [Jones] does from ours. This is the problem we all picked up on (everyone in the room at IPCC was in agreement that this was a problem and a potential distraction/detraction from the reasonably consensus viewpoint we'd like to show w/ the Jones et al and Mann et al series).

In editing, you really face what the movie is. When you shoot it, you have this illusion that you're making the masterpieces that you're inspired by. But when you finally edit the movie, the movie is just a movie, so there is always a hint of disappointment, particularly when you see your first cut.

I love Indiana.

Jon Jones' skill set is unique. Jon Jones goes out there and does video game moves that the announcers can't even call because they've never seen them before.

I always approach every play based on the cast. When Denzel and I did 'Fences,' I didn't go to rehearsals and say, 'OK, James Earl Jones did a wonderful job in '87. Let me see if you can come close to James Earl Jones.'

'Inside Out' - that was a really good movie. That's the first animated movie I saw since 'The Lego Movie.'

When I visited KU, I thought, 'I wish I'd gone to Kansas.' They would take me around to their spots, and my spots at Indiana just felt like old hangouts. It was one of those times where you always wished you were somewhere else. But I was happy I ended up at Indiana coming from small little St. Louis.

I didn't realize how much of a Hoosier or a Midwesterner I was until I moved to New York. It's weird - growing up in Indiana, I wanted to get out, and now I completely romanticize Indiana. It just seems like there's a greater focus on family back there, which I suppose is something that kind of stayed with me.

Journalism largely consists of saying 'Lord Jones is Dead' to people who never knew that Lord Jones was alive.

[After playing Indiana Jones and Han Solo] hero image concerns me a little, though not for my sake. All it means to me is that I have a responsibility not to get caught doing anything terrible and thereby jeopardise my credentials. Not that I do terrible things, like running over dogs or anything like that. It just makes you think twice before you say or do things in public.

Booker T. Jones sounds more pithy and forceful than ever on “Potato Hole”…Mr. Jones still jabs terse, unhurried melodies that sound as if he knows the lyrics but would never tell. Where the M.G.’s suavely underplayed their aggression, the rockers’ multiple-guitar attack, with distortion and feedback, gives the music teeth.

I spent a chunk of time in New Orleans doing the movie 'Free State Of Jones,' getting to work with Matthew McConaughey, and also did 'Concussion,' where I got to work with Will Smith.

Nothing can kill the future dreams and goals of a new graduate than 50k of debt like an anvil over your head. I got to Indiana University not because I visited the campus and loved everything about it. I picked Indiana University because I saw a list of the top 10 business schools and it was the cheapest.

I remember a lot of conversations where I was constantly hearing, 'You've gotta do this movie so you can do that movie. You've gotta make a big movie so you can make a small movie.' But I can't act like that.

But in Indiana it's not like New York where everyone's like, 'We're from New York and we're the best' or 'We're from Texas and we like things big' it's more like 'We're from Indiana and we're gonna move.

Some guy decided that it would be funny to put that in my Wikipedia entry. He was adamant that 'Mickey' was about Micky Dolenz. I choreographed the 'Head' movie but I didn't really know Micky at all. I knew Davy Jones much better.

A good movie is a movie that you could see over and over again, not a movie that wins a Oscar, or a movie that makes a lot of money. It's a movie that you personally can watch over and over again. That, to me, is a measure of a good movie.

I picked 'It's Not Unusual,' and then I did the little hop that Tom Jones does and moved my hips. Tim loved it. He came up to me and said, 'Did you know that I used Tom Jones in 'Edward Scissorhands'?'

As kids, my brother David and I longed for acceptance. We were desperate to belong. We would have been thrilled to see the pews of Jones's church in San Francisco, with blacks and whites sitting side by side. And Jim Jones's sermons on social justice and equality would have had much greater appeal to us than the soporific morality tales we were accustomed to hearing. Jones promised real racial equality. He promised to create a truly equal community in the jungle in Guyana.

I was there when Sam Raimi showed Stan Lee the first cut of the first Spider-Man movie. I was on a couch next to Stan, watching how special effects had finally caught up to his imagination. It was insane. And I'm thinking, "He had to wait until he was 80 years old for that to happen." When they announced 'Powers' and 'Jessica Jones,' I thought, "Oh, that's nice!"

Jon has always been able to start off at a certain pace but then pick it up throughout the fight and then, at the end of the fight, his opponents are like, 'Damn, this guy is at another level.' I think that's what makes Jon Jones, Jon Jones.

I wrote 'She's a Lady' on the back of a TWA menu, flying back from London after doing Tom Jones's TV show. Jones's manager wanted me to write him a song. If I have an idea and I don't have a pad of paper, I'll write on whatever is available. What's the difference? Paper is paper.

'Scary Movie' has lost its way as a franchise. It has turned into 'Disaster Film' and 'Epic Movie' and 'Date Movie' and that isn't what I wanted. I wanted to do a movie that was just grounded in a reality that went to crazy places.

The first album I bought, I didn't even buy it. My grandma got Mike Jones and Bow Wow's 'Wanted' a little later. Matter of fact Ying Yang Twins' 'U.S.A. Still United' was the first album, but Mike Jones was the first album I really love.

Basically, we [me and Evan Goldberg] started thinking about making a movie that was kind of a weed movie and action movie and had a real kind of friendship story to it, then that would be our favorite movie [Pineapple Express] ever.

I've never really seen myself as one of the premier guys. I work hard and strive to be one of the best at my position, but never do I tell myself, "I'm one of the best guys." I'm just excited that Vita Coco invited me to be a part of their team with guys like Lynch and Jones. Any time you can be mentioned with guys like Jones and Lynch it's an honor.

Gracie: "Don't give up, Blanche. Women don't do that. Look at Betsy Ross, Martha Washington-they didn't give up. Look at Nina Jones." Blanche Morton: "Nina Jones?" Gracie: "I've never heard of her either, because she gave up."

The Wikks are regular kids given a Galactic size challenge. Readers will follow Oliver, Tiffany, and twins, Mason and Austin as they trek through eerie catacombs, mysterious ruins, and creepy castles that defy imagination. One part Indiana Jones, a handful of Swiss Family Robinson, and some Intergalactic excitement, the Quest for Truth is a riveting tale of just how far mankind will go for the ultimate prize.

Everyone must turn to Infowars as a standard to be saved. Tell folks, 'Hey, it's the most censored thing in the world for a reason. Jones is dialed in. Jones knows what's going on.'

Regarding 'Ferris Bueller,' I was in the Czech Republic once, in Prague, making a movie at the same time as Jeffrey Jones, who played the principal, who was making a different movie. The Super Bowl was going to be playing at this bar at midnight, so we decided we would go watch the Super Bowl at this bar at midnight in Prague together.

Norah Jones is a breath of fresh air. Norah Jones can sing and play. She's got some talent. I was totally ecstatic that that girl got noticed, because she's wonderful.

I think one of the major differences between Wonder Woman and Jessica Jones is that Wonder Woman is iconic and much better known, so you get into a lot of ridiculous expectations, like what's her costume going to look like? Well, nobody knows who Jessica Jones is, except for fangirls and boys.

A movie is a movie is a movie. But it has to have an adjective in front of it if it's not a white guy's movie.

I've been interested in LeRoi Jones/Amiri Baraka's work for quite a while. My first introduction to LeRoi Jones was when my mother used to read me the 'Dead Lecturer' poems when I was a kid.

I did some background work for a movie called 'Bobby Jones: Stroke of Genius' in Atlanta and got bit by the bug. That was it. I saved a few thousand dollars and packed up my car. I had hoped that I would start working just doing some modeling stuff or something while I studied acting. I thought I could support myself that way.

'Lonesome Dove' was the movie. I watched that over and over and over again, and I know every line. It was one that I loved as a kid for all the horses and characters that went over my head, but then the older I got, I realized how amazing it was on so many other different levels - Robert Duvall and Tommy Lee Jones' relationship.

I really love 'Bridget Jones's Diary' - and I love the book, too. You wonder how it ever got made into a movie. She's supposed to be chubby, and two of the hottest guys ever are straight-up fighting over her?

'Boomerang!' I love that movie just because of Halle Berry, Robin Givens, Eddie Murphy, Grace Jones and Eartha Kitt. There were so many characters. As an actress, to see African-American actors be so diverse was different from what I was used to seeing.

Average Jones had come by his nickname inevitably. His parents had foredoomed him to it when they furnished him with the initials A. V. R. E. as preface to his birthright of J for Jones. His character apparently justified the chance concomitance. He was, so to speak, a composite photograph of any thousand well-conditioned, clean-living Americans between the ages of twenty-five and thirty.

I love 'Chicago,' I love the musical and the movie and I thought Catherine Zeta-Jones was amazing.

Roy Jones still number one and it's gon' be that way baby! For all these doubters, him [points to Larry Merchant] and the rest of them that said Roy Jones is a fluke, now they know.

Mike Jones, Ying Yang Twins, then a little later, Wiz Khalifa and Meek Mill, too. It was the repetitive stuff with Mike Jones when he would give out his number, and I also like his style. Back then, actually, I still think du-rags, grillz, and stuff like that are cool.

For me, growing up in Indiana with cornfields and churches, I was always very intrigued by the Academy Awards - they were a big event. That was the one night of the year when all of the glittering movie stars got together, and I used to love that night because, as a child, it was a way to dream for me.

More than two years after Mad About the Boy was published, the [Bridget Jones's Baby: The Diaries ] movie started coming together. I felt better about the material, and found myself writing a letter from Bridget to her son: explaining the original story of how he came to be, from his own Mum.