Top 502 Indie Quotes & Sayings - Page 5

Explore popular Indie quotes.
Last updated on December 22, 2024.
I've always found that whatever you say about indie rock, it is the most inclusive genre or title for anything. It doesn't pin you down too much, like other labels would. It's just newer, it has less baggage.
I don't think I'm kind of universally known. I think in the indie world I'm probably better known than in some mainstream Hollywood terms.
Humanizing good people is kind of boring and I don't really see the value in it... humanizing tricky characters is exhilarating, and making audience films out of indie subjects excites me.
I hope people describe my music as lyrically driven, cross genre. Kind of alternative, kind of indie, kind of rap, kind of everything. — © K. Flay
I hope people describe my music as lyrically driven, cross genre. Kind of alternative, kind of indie, kind of rap, kind of everything.
I go back and forth between indie and studio because I feel like it, not because I feel obligated to do one or the other.
In the wrestling world, you had WWE, WCW, and smaller promotions that were like the independents. I look at it as craft beer being the independent beer makers. It's the indie scene.
I had an indie pop phase, I had just about every phase you could think of.
Like most people, there are things I love about Amazon. It's cheap, it's fast, and it's at my doorstep. But Amazon will never replace the important role my local indie plays in my community.
There's an audience out there for all these different types of things. Whether it's comedy, motion-picture drama, family movie or a cool, cutting-edge indie, it's nice to know that I can span all those different genres.
I started with commercials - for shampoo, pancakes, insurance, Volvo. I did a Lux soap commercial with Sarah Jessica Parker. And I got a role in an indie film called Satellite that did well in festivals.
From dancing around to Michael Jackson and Madonna as a kid to having my mind blown by the first sounds of punk and indie rock, to getting to play my own songs and have people listen, music is what got me through.
The pirating thing is bad. The people it hurts the most are the ones you least think it hurts. It's not the big Britney Spears albums that are being pirated; it's the indie bands that don't have two cents to their name.
There's a lot of situations where I feel irony involved when R&B and hip-hop is expressed in the indie worlds. There's a lot of times when I feel like the juxtaposition becomes a thing.
I had a band called the Sound Of Love and that was R&B songs about girls in my high school. I played in some other indie bands who were trying to make it big; those sucked. Then I started Makeout Videotape and that was that.
When I first put out music, people didn't know what I looked like. They called it a new type of something; they couldn't put a genre on it - it was where indie and urban kind of meet in the middle. I thought that was quite exciting.
Just because something's kinda indie and whatever and only a few people know it, it doesn't give it more authenticity over Rihanna's 'Work' work work.
Ask anyone, and they'll tell you that most of the good horror films made in the U.S. are indie films. You might get 'The Ring' or 'The Others,' but most are independently produced.
A lot of the music I was inspired by growing up - college rock, DIY, what they used to call indie rock - has a value system where truth-telling and authenticity are oppositional with mass media, showbiz, and commerce.
We're quite different from each other. Camila is the pop girl, Lauren likes the indie sound, Normani and I love R&B, and Ally is the pop-country, kind of church girl.
I identify as being an independent artist. I think people often forget that Indie is actually short for independent. For me, the word has a meaning more than what it connotes from an industry standpoint.
In British music, you have indie, rock... Grime is now one of those pillars. It's a foundation of British music. — © Stormzy
In British music, you have indie, rock... Grime is now one of those pillars. It's a foundation of British music.
Sometimes I want to do something that's really funny and other times I read an indie script that is going to be made for nothing but I want to do it because I think that I can connect with something in the story.
My dad would play 'The Blue Album' a lot, the first Weezer album, and that influenced my alternative indie thing and that's kind of how I found tons and most of my favorite bands.
Bollywood is such a space where you get to work with so many genres. Genres being pushed isn't the way of looking at it. In fact, I think Indie needs to be given a lot more focus or recognition.
I had done a lot of indie movies before I realized that acting could be a way for me to get my family out of poverty. It was at that point that I decided to take acting seriously.
I was kind of going that route with my country music. Indie country. Which would work, if I was playing on Americana stages. Unless I had a television outlet like 'Glee'.
I don't understand indie films. So, I won't do such films.
The only reason an indie gets made is because someone has a burning passion to do it and won't take no for an answer, as opposed to a big film, which is like a train that starts rolling down the tracks and nothing can stop it.
If you are a superstar, or whatever you want to call yourself, a person who's had outrageous success, and you decide to go indie and tell the record companies to screw themselves? That takes a certain amount of courage. And bullheadedness, really.
During the '90s, a lot of us in the indie film world were not making our money off our movies. We were screenwriters doing scripts for hire for studios.
I have always believed that indie music is the space where the real music actually happens, which actually sets the trend.
When you're indie and you have your hands on yourself and you're not working for someone, you're working with someone and you're dealing with them, it's a totally different feeling involved.
I think there's a lot more to pop than just sugarcoated indie pop. Maybe to me it's something that's accessible, catchy, something people can remember.
I've always seen myself as the person listening to alternative music and all that - generic indie person. I always tried to be the least pretty I could be.
To me, being a classical snob in the highest possible way and being an indie snob is just as bad!
I've done a lot of very low-budget indie films, so it was just really exciting and fun to be doing a film where there's a lot more time and these huge, vast sets. I was like a kid in a playground. It was amazing!
I had received some minor indie label interest when I was 14 after I was in a schools music competition thing in NZ called 'Rockquest', but I knew it wasn't the right time and that I wasn't good enough and needed to concentrate on school.
With Jubilee I had a natural interest to write about something on the opposite end of human experience - a real celebration of release and joy, which is in some ways an unexpected theme for the indie rock genre in general.
When I first put out music, people didn't know what I looked like. They called it a new type of something, they couldn't put a genre on it - it was where indie and urban kind of meet in the middle. I thought that was quite exciting.
There's a lot going on in country music, with indie-label hipsters and underground bloggers arguing their interpretations of what country is, and pop-country stars defending themselves. That deserves to be poked fun at.
I had a band called the Sound Of Love, and that was R&B songs about girls in my high school. I played in some other indie bands who were trying to make it big; those sucked. Then I started Makeout Videotape, and that was that.
In Providence, we didn't have a first-run movie theater. But we did have an indie movie theatre on the Brown campus. That was the theater we'd go to. I think, as highbrow as it sounds, that I grew up on the films.
I handed out flyers in malls, candies in gasoline stations; helped set up tarpaulins in bars. I played bit roles in several indie movies. Looking back, I can say it has definitely been a long journey.
I don't know if i have a 'take' on L.A. The music community is enormous, from the studio musicians to the bands trying to 'make it' to the indie bands... so many bands... it can be overwhelming. But it seems healthy.
I'm letting inspiration move me, in whatever direction it may, without concern if this sounds too rap or too indie, or there's too many words in it. — © K. Flay
I'm letting inspiration move me, in whatever direction it may, without concern if this sounds too rap or too indie, or there's too many words in it.
When I was a kid, you listened to a certain genre. Now it's like, "I love indie rock, I love hip-hop, jazz, funk." Also, we knew it couldn't be the same thing each year.
I've always done indie films, but things started picking up more for, for a lack of a better word, more professional things.
You're taught - consciously or sub-consciously - to make an indie so you can get through that terrible process and get to Hollywood. I realized when I got there, 'Oh, no; I think I'm better over here.'
I started with commercials - for shampoo, pancakes, insurance, Volvo. I did a Lux soap commercial with Sarah Jessica Parker. And I got a role in an indie film called 'Satellite' that did well in festivals.
There's an indie movie I did called 'Fat Kid Rules the World,' which was based on a teen book, and it's a fabulous story, and hopefully it'll go to theaters because it is an amazing story.
I actually didn't think I was going to do TV because I don't really watch TV. I'm a little bit pretentious, and I do these little indie movies, so I envisioned that more as the path for myself.
I think indie films are really important, because they show the studios and the audiences when they see them, great stories. Really interesting, small stories.
Indie rock is very healthy, there's a lot of diversity and a lot of creativity, but it does not have the revolutionary spirit of the late-70s punk scene in regards to design and politics and fashion and stuff like that.
Indie world won't have me, and mainstream world treats me like an alien, but here I am still floating between these two worlds.
I used to think of 'alternative rock' as a radio format, kind of the way 'indie rock' used to have more meaning. But it means different things depending on where you are or what country you're in.
I think as long as there are folks on the fringe who want to make movies, the indie scene will still be around. I do think it's getting harder to get them seen though. — © Joshua Leonard
I think as long as there are folks on the fringe who want to make movies, the indie scene will still be around. I do think it's getting harder to get them seen though.
The pirating thing is bad. The people it hurts the most are the ones you least think it hurts. It's not the big Britney Spears albums that are being pirated; it's the indie bands that don't have two cents to their name
The movie I worked on that had the most problems and interference came from the smallest indie movie I've ever done. I couldn't believe what the director had to go through; he was destroyed.
When I listen to a Coldplay record, you're gonna hear an indie band, and you know that's what you're gonna get from Coldplay. With myself, I'm not sure it's the same.
I took an acting class with Louise Lasser, Woody Allen's first wife and co-star in many movies. I've done some other indie films, if you look on the YouTube. I love acting - it's great.
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