Top 1200 Inner Voice Quotes & Sayings - Page 19

The disassociation between inner belief and outer behaviour allowed many people to enjoy a sense of retaining their inner decency while at the same time not risking any loss of livelihood, any compromise over career ambitions, let alone any potentially more sanctions; hence never revealing any signs of disagreement or openly showing anything less than apparently full commitment to the regime and its policies

So many people are campaigning, fighting, and even dying to make a statement in the name of humanity. These people have no voice that can be heard by many. I wish more celebrities would take the initiative to be that voice.

Better to be miserable with her than happy without her. Let our hearts break provided they break together. If the voice within us does not say this it is not the voice of Eros.

I try not to talk during the day when I have a show that night. My voice is my instrument, just like a saxophonist's instrument is his saxophone, plus also his voice, if he's the one between tunes that makes announcements.

I loved the opportunity to just transform my voice. I loved the idea of doing impressions and mimicking and playing around with the spectrum of your own voice. That's what I enjoy most about doing voiceovers.

I've never had a voice coach, but I am about to name drop horrendously here: I did once get some advice on how to project my voice from Sean Connery, which was lovely. It's all about where you breathe. That's my claim to fame.

As you get older, your voice changes, as well. Your voice should be able to last as long as you last.

Words are really beautiful, but they're limited. Words are very male, very structured. But the voice is the netherworld, the darkness, where there's nothing to hang onto. The voice comes from a part of you that just knows and expresses and is.

The voice of women, the voice of those most closely involved in bringing forth new life, has not always been listened to when it pleaded and implored against the waste of life in war after war.

There is a still small voice telling us what is right, and if we listen to that still small voice we shall grow and increase in strength and power, in testimony and in ability not only to live the gospel but to inspire others to do so.

Every modulated sound is not a song, and every voice that executes a beautiful air does not sing. Singing should enchant. But to produce this effect there must be a quality of soul and voice which is by no means common even with great singers.

When I started covering The Beatles and The Rolling Stones in a rock 'n' roll band, it helped me realize that my natural voice is actually really high. It helped me find my voice.

Until you have the inner discipline that brings calmness of mind, external facilities and conditions will never bring the joy and happiness you seek. On the other hand, if you possess this inner quality, calmness of mind, a degree of stability within, even if you lack the various external factors that you would normally require to be happy, it will still be possible to live a happy and joyful life.

I wish I could adjust my voice, but it's just what's happened to me. It's because I've lived abroad for a long time, and my wife is English and my kids all have English accents, and every voice I hear is English. I've never intentionally changed my accent at all.

I'm just concerned that if I get older, people aren't going to enjoy me as much as when I was younger, because I had a great voice for a little girl, but I mean, my voice can't get any bigger when I'm older.

Art and activism seem to go together naturally, the idea being that if you're an entertainer, you can have a voice, and if you have a voice, you can make a difference. But if I were not an actress, I would still try to extend myself beyond my little micro-universe of my job, family and personal joy.

By respect for life we become religious in a way that is elementary, profound and alive. Impart as much as you can of your spiritual being to those who are on the road with you, and accept as something precious what comes back to you from them. In everyone's life, at some time, our inner fire goes out. It is then burst into flame by an encounter with another human being. We should all be thankful for those people who rekindle the inner spirit. - Albert Schweitzer

You listen to Charlie Parker or John Coltrane before they found their voice, they sounded different. And when you listen to them after they found their voice on their instruments, they sound more confident and in control. Artists have that, too.

I really needed to dramatize and clarify that Rachel was taking strides towards her own healing and her own sobriety - and that she was actually thoroughly frightened about what she may have done.This was something that was so beautifully done in the book [The Girl on the Train] through inner monologue, but I couldn't just have a whole film filled with inner monologues. So going to Alcoholics Anonymous was a very simple solution to that problem.

Geoffrey's personal style was very different from mine. He has a lovely speaking voice, a quiet speaking voice. But at Cabinet we always reported on foreign affairs - we always had this quiet voice. It was so quiet sometimes I had to say 'speak up'. And he gave it in a way which wasn't exactly scintillating. And you know, foreign affairs are interesting. They affect everything that happened to our own way of life, and they are exciting. And so we just diverged.

The song and the drumming were like this: Behold, a sacred voice is calling you; All over the sky a sacred voice is calling.

I honestly don't know where the high voice thing came from in the first place. Why do people have high voices? Emotional problems? What is that? It could easily be that. And now I'm getting more normal, and my voice is getting deeper.

All of us have a 'voice' inside where all inspired thoughts come from. When I talk to children and aspiring writers, I always ask them to turn off the TV and listen to that voice inside them.

If I give a little hint or clue as to where my voice could be going, that would [be] read. Because people can listen closely, you know, you can sit with headphones or you just concentrate on music, you can just hear, sometimes, the desires of the voice itself.

I've been singing since I was a kid, but I take my voice a lot more personally than my acting. I feel a lot more personal criticism when somebody tells you that you don't have a good voice.

It's important to raise your voice in things you feel passionate about and things that you know about. Don't raise your voice just to raise your voice if you have nothing behind it and don't know what you're talking about.

Books are really fun because your 'voice' is pretty undiluted. There is a very direct connection between yourself and your audience. You will have an editor, but their job is to help you clarify or improve your voice, not change it.

I must have read every issue of 'Punch' published in the 20th century, and I think in the process I picked up the true voice of English humour - that amiable, fairly liberal, laconic voice which you find in something like 'Three Men in a Boat.'

Our voice is an independent voice to represent the dignity and the search for peace and the reformulation of the international system; to denounce persecution and aggression of hegemonistic forces on the planet. This is how Venezuela has presented itself. Bolivar's home has sought a nonpermanent seat on the Security Council.

Inside us all are pieces of that which makes the neagitve. Demons are neither good nor bad. Like you, they have many facets. It is that inner essence, or drive, if you will, that we all have that guides us through our lives. Sometimes those voices that drive us are whispered memories that live deep inside and cause us such pain that we have no choice except to let it out and to hurt those around us. But at other times, the voice is love and compassion, and it guides us to a gentler place. In the end, we, alone, must choose what path to walk. No one can help us with it. (Menyara)

The Voice did not consider itself a conventional magazine. It took me awhile to realize that it was named The Voice for a reason. They wanted voices. At the time, good magazine stories were still believed to be written in the third person based on the false belief they were more objective. Of course some conventional stories require third person, but in the really interesting stories - the ones I got do to at The Voice and Esquire - were about subjectivity, subjectivities.

I think the best thing is having a voice and being able to give people a different perspective and a different opinion and voice my emotions and how I feel. To be heard by people, it feels good.

The voice gets to the soul of a person more than any other instrument. Because it's the voice. It sings talks, it cries, it laughs, it squeals, it barks, it shouts it whispers, There is no other instrument that can do that. We're born with it.

I know that composers know my voice type and what songs will suit me. I have been able to mould my voice according to the nature of the song given to me, be it rock, pop or jazz.

The voice of the people has been said to be the voice of God; and, however generally this maxim has been quoted and believed, it is not true to fact. The people are turbulent and changing, they seldom judge or determine right.

It's easy for us to feel separate from other people and from other forms of life, especially if we don't have a reliable connection to our own inner world. Without insight into our internal cycles of pleasure and pain, desires and fears, there is a strong sense of being removed, apart or disconnected. When we do have an understanding of our inner lives, it provides an intuitive opening, even without words, to the ties that exist between ourselves and others.

We've made a huge effort globally and in the US, in getting kids jobs. This is one piece. The South Bronx and inner-city schools need it more than most. It's our hometown; JPMorgan Chase banks a lot of people here. If you see the school, it works. Kids all getting jobs, they're smiling, they're proud of themselves. That's what we need to do in inner-city schools.

I love fashion. What I love is the ability to express yourself, to be able to make a product and shoot an ad campaign that tosses you out into the world and lets you have a voice in contemporary culture, iconography. I felt a little bit neutered not having that voice.

Ella knows her way around her voice as very few people today. But there are times when she seems to be unaware there are things the human voice just doesn't do. She does them.

[Miles Davis] learned from everyone. He was incredible. He took the best from everyone and threw away the rest. He was brilliant. One of the things he told me he loved about my voice was how I used space-both in music and between my voice and the mike.

[Writing] books is really fun because your "voice" is pretty undiluted. There is a very direct connection between yourself and your audience. You will have an editor, but their job is to help you clarify or improve your voice, not change it.

Independence was a big, big thing for me. I saw my voice as a way out - when my parents fought, I'd run up to my room, put on The Sound of Music, open the window and sing out. My voice was my escape.

In your system of reality you are learning what mental energy is, and how to use it. You do this by constantly transforming your thought and emotions into physical form. You are supposed to get a clear picture of your inner development by perceiving the exterior environment. What seems to be a perception, an objective concrete event independent from you, is instead the materialization of your own inner emotions, energy, and mental environment.

Will you stay with me ” she asked. Her voice was the thinnest whisper almost canceled out by a low groan of thunder.... Forever ” he whispered back. The sweet sound of his voice filled her up.

There are a couple of things that are, in the present, floating in front of my face, and once one of them gets enough energy to become a voice that I cannot not hear, then I will become a steamroller. When you've made your film, you stop hearing the voice.

A defective voice will always preclude an artist from achieving the complete development of his art, however intelligent he may be.... The voice is an instrument which the artist must learn to use with suppleness and sureness, as if it were a limb.

TV is all about learning to write in someone else's voice, so if you do it long enough without selling your own project, they assume you don't have your own voice; you're just a good mimic.

When you're doing voice work, you're in a bubble where you just think about the story and the words. They record you on video while you're doing the voice work, so they capture how your face is moving and the gestures you make.

The text for me is the musical score. I'm the instrument. My voice is the instrument. My voice is articulating the sounds which are coming through the imaginings and visitations in my head, and I'm making these sounds but I've selected them from an ocean of sound.

There is a beautiful expression of this in the Chandogya Upanishad: 'There is this City of Brahman, (that is the body), and in this city there is a shrine, and in that shrine there is a small lotus, and in that lotus there is a small space, (akasa). Now what exists within that small space, that is to be sought, that is to be understood.' This is the great discovery of the Upanishads, this inner shrine, this guha, or cave of the heart, where the inner meaning of life, of all human existence, is to be found.

I think, when I started writing songs, my voice just became another tool. It wasn't something that I was going to try desperately to woo a listener. As long as I'm using my voice in a way that helps people understand what I'm trying to say, then I feel like I'm doing all right.

What intrigues me most about the human voice, is its ability to make all things transparent through its power of transformation. The voice is not just a conduit for words. For me it is like an abstract dream in which everything makes perfect sense.

What I like about modelling is that it has given me that opportunity to travel and experience different cultures, work with creative people, and now it's given me a voice, and with that voice hopefully I can do good things with it.

I had a real stage school voice and I could do loud things, but it's not about being loud, it's about sensitivity and subtlety in music. You can do so much more with a quiet voice than with a belter.

My last album as J. Tillman, 'Singing Ax,' that was really a premeditated death rattle of the aesthetic precedent I had set. I realized I wasn't creating spontaneously; I was enforcing all these parameters. I was too self-loathing or something, and there was this obvious dissonance between my conversational voice and creative voice.

Objectivity is the subject subjugating the object. That is how you assert yourself. You make yourself the active voice and the object is the passive no-voice.

My mother was an actress and my voice teacher, an incredible voice teacher. My biological father is an actor, and my stepfather, who raised me along with my mother, is a psychotherapist. I was always supported in creative ventures.

But the appeal to antiquity is both a treason and a heresy. It is a treason because it rejects the Divine voice of the Church at this hour, and a heresy because it denies that voice to be Divine. How can we know what antiquity was except through the Church? ... I may say in strict truth that the Church has no antiquity. It rests upon its own supernatural and perpetual consciousness. ... The only Divine evidence to us of what was primitive is the witness and voice of the Church at this hour.

When you write, it's just a much more crystalline, compressed version of the voice you think with - though not the one you speak with. I think your writing voice is your laser-guided missile. It's the poetry part of you.

Music enabled me as a fragile young person to give voice to emotions I could barely name, and how it enables me to give my voice the unique and mysterious power to speak to others.