Top 1200 Inspiration To Write Quotes & Sayings - Page 6

There is a difference between motivation and inspiration. Motivation is when you get hold of an idea and don't let go of it until you make it a reality. Inspiration is the reverse-when an idea gets hold of you and you feel compelled to let that impulse or energy carry you along. You get to a point where you realize that you're no longer in charge, that there's a driving force inside you that can't be stopped.

I don't have as tight a time limit anymore but I still write in long marathon sessions and then I won't write for a while, I'm not a write-every-day writer.

I like to write. I love to write. But I write just for myself and my own pleasure.

Everyone judges plays as if they were very easy to write. They don't know that it is hard to write a good play, and twice as hardand tortuous to write a bad one.

I am a writer, which means I write stories, I write novels, and I would write poetry if I knew how to. I don't want to limit myself.

It has no meaning, what do you use to write, the only thing that is important is: what do you write. A machine to write a book instead of a writer is not invented yet, and probably will never be.

I never set out to write prayers at all. But there was a span of time when I didn't find it easy to pray, but, when I went to write one of the things I had to write, a prayer would come.

Just as anyone who listens to the muse will hear, you can write out of your own intention or out of inspiration. There is such a thing. It comes up and talks. And those who have heard deeply the rhythms and hymns of the gods, can recite those hymns in such a way that the gods will be attracted.

I love to write. I used to be a math teacher. And I like the idea that other people could write about the same subjects, but no one would write it just the way I do. It's very individual: a child could write the same story as somebody else, but it wouldn't come out the same.

People write about getting sick, they write about tummy trouble, they write about having to wait for a bus. They write about waiting. They write three pages about how long it took them to get a visa. I'm not interested in the boring parts. Everyone has tummy trouble. Everyone waits in line. I don't want to hear about it.

It's hard enough for me to write what I want to write without me trying to write what you say they want me to write which I don't want to write.

The professional dedicates himself to mastering technique not because he believes technique is a substitute for inspiration but because he wants to be in possession of the full arsenal of skills when inspiration does come. The professional is sly. He knows that by toiling beside the front door of technique, he leaves room for genius to enter by the back.

Real writers are those who want to write, need to write, have to write.

Action breeds inspiration more than inspiration breeds action.

The main characters for 'The Seer and the Sword' made an appearance one night and then haunted me for over five years before I began to write them down. Does that count as inspiration? For me, characters tend to show up, stay on to help with the work of writing their stories, and then occasionally deign to visit after a book is finished.

It's so much easier to write for a person in your life than to write for some imagined readership, so you write something that's more intimate and true.

It is truly excellent to have someone believe in you and your ability to write. But I think it is just as helpful to have people who don't believe in you, people who mock you, people who doubt you, people who enrage you. Fortunately, there is never a shortage of this type of person in the world ... write for yourself. Write for the story. And write, also, for all of the people who doubt you. Write for all those people who are not brave enough to do this grand and wondrous thing themselves. Let them motivate you.

To read and to write. Some writers have to be told to write. They think their job is to meet agents and have experiences and they can just be rich and famous. Their job is to write. Some really don't realize that. And you can't write unless you read.

I don't project no image. I just act like myself. I write about how I feel, the emotional stage I'm in at the time. So I write from the heart. I never write from my mind. My brain, I mean.

When I write, I write the drum beat. Though sometimes I write on piano or guitar.

After the first shock of recognition - a sudden sense of "this is what I'm going to write" - the novel starts to breed by itself; the process goes on solely in the mind, not on paper. I feel a kind of gentle development, an uncurling inside, and I know that the details are there already, that in fact I would see them plainly if I looked closer, but I prefer to wait until what is loosely called inspiration has completed the task for me.

Who is my biggest inspiration? Wow... I really, without wanting to sound 'aw gee shucks,' I'd have to say my wife who taught a rather uptight Englishman what there is to be got out of life. Susan is my greatest inspiration. She has more integrity than anyone I know, and integrity is more important than anything for a happy and successful life.

I live in L.A., and whenever I get together with anybody to write, everybody is obsessed and fearful and wants to write a hit for everyone else. They wanna write a hit for Rihanna; they wanna write a hit for Katy Perry.

I usually don't write songs by people calling me and saying, 'Write a song about this.' Usually I'm just going with what I want to write, so you never know.

(W)hat I write when I force myself is generally just as good as what I write when I'm feeling inspired. It's mainly a matter of forcing yourself to write.

I try to write for highest common denominator. I don't write for dumb people. I figure if everybody doesn't get it, that's OK. Someone bright enough will get it, and that's who I write for. It's probably not the way to make million-sellers. What can I say? I won't apologize for trying to write for smart people.

Inspiration is really all around us. I pay attention to a lot of different fields. I stay up on current events. I go to community meetings to see what concerns the people in my neighborhood. Paying attention to social interactions offline really inform interactions online. The real world is a bottomless source of inspiration for what you can build.

Inspiration comes unawares, from unaccountable sources that have nothing to do with planning or intelligence. Let it cool ever so slightly, and you are left, pen or brush in hand, with no inspiration at all. Gifted people need not, therefore, make a song and dance about being or supposing themselves superior. They simply happened to be born with that fortunate, subconscious equipment of theirs, and the mystery exists independently of intelligence or ambition.

I just check my Instagram. I get a lot of inspiration from there, I follow a lot of different designers and not really people in particular, just kind of designers and shops, certain stores that I love and just kind of draw inspiration from there and bookmark them.

All my friends who wanted to write had got nowhere trying to write the great European novel. So I deliberately steered clear of that and set out to write something story-led.

When authors who write literary fiction begin to write screenplays, everybody assumes that's the end. Here's another who's never going to write well again.

'Say Her Name' was a book I never wanted to write and never expected to write. I wasn't trying to do anything except write a book for Aura - a book that I thought I had to write.

I cleanse the windows of my mind, that it may become a mirror reflecting inspiration from the most High. I do this, not with strenuous effort, but through quiet contemplation, through gently reaching and affirming an inward recognition. I know exactly what to do in every situation. There is an inspiration within me which governs every act, every thought, with certainty, with conviction and in peace.

I love music. I think music is a big inspiration; I listen to it a lot when I'm writing. I really love cinematic music. A lot of the time, I make playlists for my characters when I act. I also make playlists for the scripts that I write.

Any negative review you write, they'll say, "Oh, you're being so mean." I think the problem with a lot of criticism is that too many critics either write just description or they write in a Mandarin jargon that only a handful of people can understand, or they write happy criticis - everything is good that they write about. I think that's really not good. I think it's damaged a lot of our critical voices.

Writing a novel is always complicated, it's not like you snap your fingers and go, 'Ah, I know what I'll write'. For me, a lot of the time, I have to write and as I write, I learn about the story.

I write about the power of trying, because I want to be okay with failing. I write about generosity because I battle selfishness. I write about joy because I know sorrow. I write about faith because I almost lost mine, and I know what it is to be broken and in need of redemption. I write about gratitude because I am thankful - for all of it.

Inspiration is everywhere - life, travel, childhood, nature - it depends on how you see it, how you can absorb the inspiration, and it depends on how your mind thinks. It could be a pattern on the floor that may be the next pattern I put on a cake, it just depends upon how you take it, when you're seeing it and what you're looking for.

I can't write story-songs, like I couldn't write a Bob Dylan or Tom Waits song. I can only write whatever weird phrases come into my head, and hope that they're good.

We write to understand our deepest secrets to ourselves, to understand. We write in an outpouring of love. We write in secret, either for publication or for a journal no one will see, or we write poems to be privately printed for the eyes of friends alone - this is not our choice. The urge is to create. The outcome belongs to God.

I don't have some songwriting formula that I kinda go by. Usually it just comes by way of inspiration. Sometimes I'm inspired by a melody first and sometimes I'm inspired by a lyric. Typically, I'm inspired by an idea for a lyric and then after we get the lyric going then we write a melody to it.

I write down three things in the morning that I want to accomplish, but I write it down as if I have already accomplished it. So you write it down three times. And then in the daytime, like near the afternoon, you write it down six times. Then at night, you write it down nine times.

Gather knowledge about the craft of writing. Immerse yourself in the art of it. Then write. Write yourself silly. Write yourself mad. Write yourself blind. Trust the excitement that builds within you when the idea is good and the writing is superb. You can do it, but that's the hell of it as well as the exultation of it. You have to do it.

My advice would be to write -never to stop writing, to keep it up all the time, to be painstaking about it, to write until you begin to write.

'Ordinary Grace' freed me. I don't have to write only Cork O'Connor novels now. I'm liberated. I can write whatever I want to write.

I like to write for actors I know and with whom I've worked before. You can write to their strengths and weaknesses and write roles that are better suited to them.

I always run into these Ph.D.s. They write and write and write about sustainable development. Then these guys ask me, 'But, how do you do it?' They are scared to death to do anything.

I hope never to retire. I write so many because it's the thing I like to do most - to write. And if you write every day, you just naturally get a lot of books.

I think that most people who write about music just want to fill some paper. They're not really interested in getting to the heart of something. Otherwise, they wouldn't write what they write.

Real writers write because they love to write. They don't write for public acclaim.

The scene that scares you the most, that you don't want to write because it's the most difficult to write-that's the one you have to write. So I think when people have writer's block, it's because what they have to write scares them. And that's usually the heart of the book.

I don't write for an auditorium full of people. I don't write for the microphone; I write for the page.

I was taught that poems don't end, they just kind of stop. There's never an ending to a poem; it's a continuation for later. When I write, I write for me, and I write in poetic form.

I feel like I pull inspiration from everyone, and I feel like I'm honored and grateful that people feel that they can pull inspiration from me, be inspired by me. But I definitely don't think I'm a role model. I'm not someone to be imitated.

I'm a huge fan of Jonathan Winters. He's influenced everyone who's ever done improvisational comedy. You look to Jonathan Winters for inspiration. He paved the way. If you've ever made up something on the spot and made somebody laugh, you can credit Jonathan Winters with inspiration.

I write and write and write, and then I edit it down to the parts that I think are amusing, or that help the storyline, or I'll write a notebook full of ideas of anecdotes or story points, and then I'll try and arrange them in a way that they would tell a semi-cohesive story.

What I would not like is to be ignored. I write from the heart. I don't write for me. I write for my readers.

Anything with music, you got to have inspiration. You got to have inspiration to do good music.

And write what you love - dont feel pressured to write serious prose if what you like is to be funny. You're a reader as well as a writer, so write what you'd want to read.

I think, taking too long to work on a record, you sort of lose some of the feeling, so I write as fast as I can; it's just this manic phase where I'm by myself and or on tour, and I write, and I write.