Top 1200 Inspirational Artist Quotes & Sayings - Page 18

I can't think outside of [bein' an artist]. That's how deep I am into this, and so focused that I really can't think, like, if I wasn't an artist, what I'd be doin' in school. I'm pretty sure I'd be doin' it - if I didn't go into music, I'd be working, have a regular job or something probably, and goin' to school like everybody else and all my other peers around my age.

I think that it's much easier for a recording artist to become an actor than for an actor to become a recording artist.

My songwriting has brought so much to me as an artist and my ability that I have as an artist has brought so much to my songwriting that they live off each other. Without one, the other one dies.

Sometimes it feels as if the artist hasn't done the real work of engaging with the material. Film noir can't just play off looks and attitudes. A thriller needs a dose of genuine suspense. It does not have to be literal, but it does have to feel genuine. Otherwise the artist is just leeching off the form.

Art is what we do. Culture is what is done to us. A photograph of an art object is not the art object. An essay about an artist's work is not the artist's work.

We've been surrounded by images of space our whole lives, from the speculative images of science fiction to the inspirational visions of artists to the increasingly beautiful pictures made possible by complex technologies. But whilst we have an overwhelmingly vivid visual understanding of space, we have no sense of what space sounds like.

It is almost as safe to assume that an artist of any dignity is against his country, i.e., against the environment in which God hath placed him, as it is to assume that his country is against the artist.

There is the falsely mystical view of art that assumes a kind of supernatural inspiration, a possession by universal forces unrelated to questions of power and privilege or the artist's relation to bread and blood. In this view, the channel of art can only become clogged and misdirected by the artist's concern with merely temporary and local disturbances. The song is higher than the struggle.

I always like to talk about how important space is. Art is in the spaces. Anybody can sing a note; it takes an artist to sing the spaces. Anybody can paint a brushstroke; it takes an artist to know when not to put the brushstroke.

The composer reveals the innermost nature of the world, and expresses the profoundest wisdom in a language that his reasoning faculty does not understand, just as a magnetic somnambulist gives information about things of which she has no conception when she is awake. Therefore in the composer, more than in any other artist, the man is entirely separate and distinct from the artist.

I think it's what any artist would want: to feel like their work can be taken in on a level of experience beyond the headline or the press release. I don't think any artist wants to be reduced to a press release. We have a whole industry whose function it is to process and present information. There's nothing wrong with it, but it's not the thing.

I'm not trying to become a pop artist, and I'm not trying to make sure I stay a country artist. I'm just trying to make sure I make the best music I can, according to my way.

The artist deals with what cannot be said in words. The artist whose medium is fiction does this in words. The novelist says in words what cannot be said in words.

You're supported by everything in New York if you want to be a performing artist. You come here, you can change your name. You leave home, you come here, you're severed from family obligations - the old identity drops away as soon as you come to New York because you're coming to New York, if you're an artist, to be someone else.

Far too often, we have limited the definition of the Church. While not in all cases, in many cases, 'Church' has become an informational, inspirational weekly gathering rather than the group of people that God has ordained from Heaven to operate on his behalf on Earth in order to bring Heaven's viewpoint into history.

One of the things that I did before I ran for president is I was a professional speaker. Not a motivational speaker - an inspirational speaker. Motivation comes from within. You have to be inspired. That's what I do. I inspire people, I inspire the public, I inspire my staff. I inspired the organizations I took over to want to succeed.

The artist deals in what cannot be said in words. The artist whose medium is fiction does this in words. The novelist says in words what cannot be said in words.

The artist of the future will live the ordinary life of a human being, earning his living by some kind of labour. He will strive to give the fruit of that supreme spiritual force which passes through him to the greatest number of people, because this conveying of the feelings that have been born in him to the greatest number of people is his joy and his reward. The artist of the future will not even understand how it is possible for an artist, whose joy consists in the widest dissemination of his works, to give these works only in exchange for a certain payment.

Look at a football field. It looks like a big movie screen. This is theatre. Football combines the strategy of chess. It's part ballet. It's part battleground, part playground. We clarify, amplify and glorify the game with our footage, the narration and that music, and in the end create an inspirational piece of footage.

As far as me being inspirational to other combat-wounded guys, I would say that it's the opposite. To see guys at Walter Reed that I recovered with every day and they were missing every single one of their limbs - that is what I would say is inspiring.

I have always felt the word 'advertising' is either a diminutive or derogatory term that kind of goes with stuff people don't like, and I always felt frustrated because I felt like I was a communication artist or a media artist. The best advertising is one of the art forms of our culture.

I like the word 'artist,' but I don't like the word 'artist' inside my house.

Those titles, Executive Producer or actor, are unimportant. I always try to approach my role as an artist. The first thing you want to do, that you attempt to do as an artist, is to have some sort of input into the material that you are working on. That is how my process begins; I say to myself: "I want to do this kind of work or I want to do that kind of work."

I don't think the label makes the artist or the artist makes the label. It's the music that makes everything work or not.

Beauty is for the artist something outside all orders of rank, because in beauty opposites are tamed; the highest sign of power, namely power over opposites; moreover, without tension: - that violence is no longer needed: that everything follows, obeys, so easily and so pleasantly - that is what delights the artist's WILL TO POWER.

The great Japanese film director Akira Kurosawa said that to be an artist means never to avert your eyes. And that's the hardest thing, because we want to flinch. The artist must go into the white hot center of himself, and our impulse when we get there is to look away and avert our eyes.

If the artist isn't having a great day or finds it all boring, my role becomes that of a coach. Getting the very best out of the artist. Helping them perform at their very best when it's game time. One way to get them there is to bring them out of their comfort zones.

As an artist, I never wanted to be fettered by gender nor recognized or defined as a female poet, musician or singer. They don't do that with men - nobody says Picasso, the male artist. Curators call me up and say, "We want your work to be in a show about women artists," and I'm like, why? For Christ's sake, do we have to attach a gender onto everything?

I think it's important to have confidence, but then it's also important to try to try something new, to leave your comfort zone to try to grow. That's why I'm trying to grow as an artist and trying to figure out what kind of artist I want to be.

Some people think a martial artist has to be tough against everybody - that's not true at all. A martial artist has to be strong against bad people. But we must also be able to know and understand the feelings, moods and mentalities of good and bad individuals before we can comprehend when to be strong and when to be gentle.

An artist must never be a prisoner. Prisoner? An artist should never be a prisoner of himself, prisoner of style, prisoner of reputation, prisoner of success, etc.

Being a talented artist is good, it's nice, but it's not the most important thing. I think being a good storyteller, having a good idea, a good gag, is probably more important than being a great artist.

When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, then the artist listens.

I am convinced that each work of art, be it a great work of genius or something very small, has its own life, and it will come to the artist, the composer or the writer or the painter, and say, "Here I am: compose me; or write me; or paint me"; and the job of the artist is to serve the work.

I think that's a great opportunity, to pick a script where you can build up a good skill. I think the main thing I look for when I look at scripts is if it's inspirational. If it's something that teenagers can relate to. And is it something that the audience is going to get something out of. If not, then it's really not worth doing.

Sometimes you don't need to explain how you care and love someone so much, but I really love him as a person and as a director. I wanted to be perfect for Michael Mann. I wanted to give the best of my best of my best. I don't know if I did, but I was touched by him. He's totally inspirational.

I really believe in empty spaces, although, as an artist, I make a lot of junk. Empty space is never-wasted space. Wasted space is any space that has art in it. An artist is somebody who produces things that people don't need to have but that he, for some reason, thinks it would be a good idea to give them.

We’re not living in an age of no hope. We are living in the age of choice, which is much scarier. It means that what we do every day matters, which is always a bummer for humans. But it’s a great thing and it’s inspirational and we need to remember that. We have a long way to go and not a long time to get there.

My first love is my mother. She did so much for us as children as a single parent. I watched her make a dollar out of fifteen cents. I thought she was either a magician or she had God's actual phone number. She wasn't a motivational speaker; she was an inspirational speaker.

I'm not a pop rapper. That's nothing against pop music - I love pop music. I've jumped on pop records for people and still will, but I'm not a pop artist. I didn't start from there. I started in underground music. I consider myself an underground artist, as well as a producer.

John Wooden has been a vital force in the lives of many with his inspirational messages. He represents all the elements necessary to be a winner in the Game of Life, which makes him the perfect person to write this book filled with lessons. Coach Wooden has been a mentor to people in every walk of life.

The technician should never forget that he is an artist, the artist never that he is a technician

Art deals with profound and simple moods. Let us suppose that the artist - in this instance (the artist) Picabia - gets a certain impression by looking at our skyscrapers, our city, our way of life, and that he tries to reproduce it. He will convey it in plastic ways on the canvas, even though we see neither skyscrapers nor city on it.

I'm very fond of the British cinema. I'm a big fan of Martin Campbell and Daniel Craig. I actually find Daniel very inspirational, especially on the physical side of things. He really inspired me to get back into shape when I started to add on a few pounds. I think he's a great role model.

To me, the Seventies were very inspirational and very influential... With my whole persona as Snoop Dogg, as a person, as a rapper. I just love the Seventies style, the way all the players dressed nice, you know, kept their hair looking good, drove sharp cars and they talked real slick.

The core of what we do is the Gospel of Jesus Christ, and my music is a reflection of the Gospel of Jesus Christ. It's not as much inspirational as it is spreading the Gospel.

Once we become conscious of a feeling and attempt to make a corresponding form, we are engaged in an activity which, far from being sincere, is prepared (as any artist if he is sincere will tell you) to moderate feelings to fit the form. The artist's feeling for form is stronger than a formless feeling.

Really? If I could hate my trainer? That would be ideal. I'd prefer to despise this person with the fire of ten thousand suns. So when I walk - nay, crawl - out of here at the end of my workouts, I want to lull myself to sleep by picturing my very talented and inspirational trainer getting hit by a bus. A bus that I am driving.

The modern artist is living in a mechanical age and we have a mechanical means of representing objects in nature such as the camera and photograph. The modern artist, it seems to me, is working and expressing an inner world - in other words - expressing the energy, the motion, and other inner forces.

The life of a chess master is much more difficult than that of an artist - much more depressing. An artist knows that someday there'll be recognition and monetary reward, but for the chess master there is little public recognition and absolutely no hope of supporting himself by his endeavors. If Bobby Fischer came to me for advice, I certainly would not discourage him - as if anyone could - but I would try to make it positively clear that he will never have any money from chess, live a monk-like existence and know more rejection than any artist ever has, struggling to be known and accepted.

I've never been that person to fake it, and say what everyone else wants you to say. Then you never have anything personal. If I wanted to be an actress all the time, I could do that. But I don't. I want to be real. I want to be a real person. That's what an artist is. An artist has to be honest. Without honesty, there's nothing.

The only thing I could think of - because I really don't like categories - but the only thing I could think of is inspirational, and I think music that is from the heart falls right into that category.

When I was working at the Sprint store, I got laid off. I was bummed out, but I stayed positive. I used the money I had earned while working there to make my first album. Without that job, maybe 'Corazon Sin Cara' would never had been made. It's a very inspirational story.

Northeastern folk music influenced me from a very young age. Sachin Dev Burman is one of the inspirational musicians in Indian film music. The way he fused folk music with his signature style is amazing. So, I am aware of the beauty of northeast folk music.

And I get so nervous now when it's not my show, like I'm not the headliner, because I know that those fans are there for another artist. Many people might not know an upcoming artist, but I've grown to like those shows because if I can control a crowd that doesn't know me, I'm doing my job as an entertainer. I have to rise to the occasion.

Art really has its source in the transcendent, the unmanifest field of pure consciousness, which is the non-changing, immortal field of all possibilities...When the awareness of the artist is in tune with this center of infinite creativity, his piece of art breathes fullness of life, nourishes the creator, the artist, and inspires his admirers with waves of bliss.

The main thing that attracts me to Buddhism is probably what attracts every artist to being an artist - that it's a godlike thing. You are the ultimate authority. There is no other ultimate authority.

I began to wonder - I knew I was an artist or wanted to be one - but I was wondering whether I really was an artist. I was doing such ordinary things that I could feel the difference. Most people would look at those things and say, 'Well, that's nothing. What did you do that for? That's just a wreck of a car or a wreck of a man. That's nothing. That isn't art.' They don't say that anymore.

In order to find reality, each must search for his own universe, look for the details that contribute to this reality7 that one feels under the surface of things. To be an artist means to search, to find and look at these realities. To be an artist means never to look away.

It's hard to predict and to say what goes on inside the minds of an artist, but that's what makes them an artist. That sense of creativity. That thing that makes them tick is probably the very thing that pushes them to the extremes that sometimes can cause, you know, fatalities and things that, you know, that end up not being good.