Top 1200 Inspirational Motivational Images Quotes & Sayings - Page 2

I am a photographer who likes to make images, but I also want to get a sense and understanding of images that have already been made. I don't fabricate worlds; I pay attention to the things that already surround us.

I realize after spending so long working with images, semiotic deconstruction and redeployment becomes second nature. We all speak with images. I guess I look at everything sideways nowadays.

What we're focusing on is the images that were in people's minds being replaced by fresh images, to make way for the rebirth of New Orleans. We're showing the other side.

I ain't a rapper; I'm a motivational speaker. I don't do shows; I do seminars. I really talk to people.

The objective tendency of the Enlightenment, to wipe out the power of images over man, is not matched by any subjective progress on the part of enlightened thinking towards freedom from images.

As I saw more and more people buying the images that were happy buyers, and people selling the images that were happy with how the market was pricing them, I started to get the sense this could be the go-to place for businesses to get the images they need.

It's definitely a motivational factor, becoming a three-organization world champion.

Photography is a tool to negotiate our idea of reality. Thus it is the responsibility of photographers to not contribute with anaesthetic images but rather to provide images that shake consciousness.

Recognition is the most inexpensive, easy-to-use motivational technique available to management.

Choosing a system is no longer enough, coaches have to be psychologists and motivational leaders too.

This is a culture filled with perfect images of women and perfect images of movie actresses, and most people can't live up to them.

I listen to a lot of TED talks and motivational speakers.

If there can be a better way for the real world to include the one of images, it will require an ecology not only of real things but of images as well.

My father is my true inspiration. He's a motivational speaker, so he does a fine job of guiding me.

I'm a motivational speaker, so I'm going to look at something in as much of a positive way as possible.

I went from MC to being MS, this microphone controller is the motivational speaker.

There were no black images of dignity, no images of beautiful black people. There was this big hole. I tried to fill it.

Traditionally, images have functioned as representations of something in the world, but we are quickly approaching the point where vast majority of images are produced for other machines, and no human being will ever see them.

I have wanted to be a fine artist painter, and I reached the point in art schools were I'd like to understand more about images and how images communicate information to people. And I was not getting very far in that from my professors.

I'm interested in loving, beautiful, sexy images... I also want the images to be a turn on, create an adrenaline high, a rush of desire so intense that the act of looking is sexual.

I'm not one for those motivational speeches. I've always been more of an example guy.

I knew he wouldn't come, but I howled anyway, and when I did, the other wolves would pass images of him to me of what he looked like: lithe, gray, yellow-eyed. I would pass back images of my own, of a wolf on the edge of the woods, silent and cautious, watching me. The images, clear as the slender-leaved trees in front of me, made finding him seem urgent, but I didn't know how to begin to look.

The essence of cinema is editing. It's the combination of what can be extraordinary images of people during emotional moments, or images in a general sense, put together in a kind of alchemy.

Images are probably the most important part of the poem. First of all you want to tell a story, but images are what are going to shore it up and get to the heart of the matter.

Let yourself daydream sometimes... Allow spontaneous images to come and go. Capture one in a sketch. These images express connections with your inner self.

I had always wanted to include images in a novel, and with my first book, 'Telex From Cuba,' I made an elaborate website that is basically all images.

I used to watch a lot of motivational films and videos to remain positive.

People always need to hear good motivational speeches.

Motivational speaking became my career. Who would ever have thought it?

I don't digitally manipulate my images, because I am interested in the spontaneous act of creating images without forethought. I know many artists start with an idea in mind, and then they put it on paper. I don't work that way.

Inspired by words you have to create images to tell the story, while it's much more difficult to find your own images with a film for inspiration, because someone has already done it for you.

We know only what we do, what we make, what we construct; and all that we make, all that we construct, are realities. I call them images, not in Plato's sense (namely that they are only reflections of reality), but I hold that these images are the reality itself and that there is no reality beyond this reality except when in our creative process we change the images: then we have created new realities.

My experience as a pastor is lots of people have really toxic, dangerous, psychologically devastating images of God in their head, images of a God who's not good.

Music is kind of motivational and it helps me get my mind right.

I've been a little disappointed in directors in America. I'm really after a theater that doesn't just deal with the actual texts that I brought in. But with a director that really deals with images too, that takes the play to another level. We have to remember that theater takes place in the third dimension, and we have to take into consideration the visual aspect of the play. I think images are important for the theater. Because I do write images.

The key to coaching is not what you do, but the way you do it. The intangibles, the motivational parts of the game are the most important facets of it.

Images are really powerful. People fall in love with images, and as a way of falling in love with someone because they're like an image.

Truly great images make all the other millions of images you look at unimportant. You gotta look at an image and understand it in a nanosecond.

We must find out what words are and how they function. They become images when written down, but images of words repeated in the mind and not of the image of the thing itself.

My work is basically images set to my particular voice. It's the way the images rhyme and the rhythm. It's a way of economical storytelling for me.

Doing motivational speeches and stuff like that, that's always made me feel good.

I will not be just a tourist in the world of images, just watching images passing by which I cannot live in, make love to, possess as permanent sources of joy and ecstasy.

The occasional motivational speech gig tends to pay better than the books and television.

Music - it's motivational and just makes you relax.

I think film is about images. Cinema needs good images. I think that if you don’t have good images, it’s not going to be a good film. I think all films should be really visual.

Evolutionary learning calls upon our creative potentials as it empowers us to envision images of the future and bring those images to life by design.

I was a motivational speaker and I've been in front of crowds a lot and I'm very comfortable with that.

Poets use metaphors and symbolism to construct images. I construct my images in the same way, except that I am using a different form.

... the daily world exists because we know how to hold its images; consequently, if one drops the attention needed to maintain those images, the world collapses

Success is the only motivational factor that a boy with character needs.

Above all, it's hard learning to live with vivid mental images of scenes I cared for and failed to photograph. It is the edgy existence within me of these unmade images that is the only assurance that the best photographs are yet to be made.

My eye, my brain, are images, parts of my body. How could my brain contain images since it is one image among others?

Motivational talks are something I have been asked to do and i fancy taking a crack at it.

It is my mind, with its store of images, that gives the world color and sound; and that supremely real and rational certainty which I can "experience" is, in its most simple form, an exceedingly complicated structure of mental images. Thus there is, in a certain sense, nothing that is directly experienced except the mind itself. Everything is mediated through the mind, translated, filtered, allegorized, twisted, even falsified by it. We are . . . enveloped in a cloud of changing and endlessly shifting images.

CGI means, just to be clear, creating any type of image with a computer. Basically, starting off with nothing, or with images and manipulating them. The way we did it, everything was actual photographed images. A lot of that stuff was shot through a microscope of chemical reactions, yeast growing, lots of weird things, by Peter Parks. We put it into a computer and collaged it, manipulated it. Meaning we digitally shaped it to fit with other images. But there was no computer-generated imagery at all.

She wondered: How could people respond to these images if images didn't secretly enjoy the same status as real things? Not that images were so powerful, but that the world was so weak. It could be read, certainly, in its weakness, as on days when the sun baked fallen apples in orchards and the valley smelled like cider, and cold nights when Jordan had driven Chadds Ford for dinner and the tires of her Chevrolet had crunched on the gravel driveway; but the world was fungible only as images. Nothing got inside the head without becoming pictures.

The instant the atmosphere is illuminated it will be filled with an infinite number of images which are produced by the various bodies and colours assembled in it. And the eye is the target, a lodestone, of these images.

We are entering into an age in which visual language is defined by a dialogue between photographers and audiences. This means not just the democratic posting of images but the democratic interpretation of images.

Elizabeth A. Johnson explains that including divine female symbols and images not only challenges the dominance of male images but also calls into question the structure of patriarchy itself.

The images I had were of people being driven mad by living in the city. Images of parents who were so hungry and unfulfilled that they ate their own children.