Top 1200 Instrumental Music Quotes & Sayings - Page 13

I don't think anyone listening to my music needs any special knowledge. They don't need to have a background in contemporary music. They don't need to go to new-music concerts all the time in order to be able to understand it.

My entire life has really revolved around music that was written about the time that I was born, 1908, to just before the First World War and shortly after it. This music I've always known, and it is that music that's most important to me.

Elemental Music is never just music. It's bound up with movement, dance and speech, and so it is a form of music in which one must participate, in which one is involved not as a listener bust as a co-performer.

My mother had abandoned the family, so grandmother raised me. And she was instrumental in that she taught me that the world is a glorious place. She taught me to embrace humanity. And she'd say there's never an excuse for joy. And to be thankful.

The micro-compositions are the pieces themselves, but the macro-composition is the whole set of them and how it moves from track to track and how the titles relate to one another, for example. Always when I do records like this of a selection of instrumental pieces - the titles, to me, are very important.

When you say, 'Man, what kind of music does Outkast make?' You be like, 'They make Outkast music.' What kind of music does N.E.R.D. make? They make N.E.R.D. music. I want to be one of those people, because there's so many layers to the music I create that I don't want people to expect me to do one thing.

Like buried treasures, the outposts of the universe have beckoned to the adventurous from immemorial times. Princes and potentates, political or industrial, equally with men of science, have felt the lure of the uncharted seas of space, and through their provision of instrumental means the sphere of exploration has made new discoveries and brought back permanent additions to our knowledge of the heavens.

I definitely see myself as an international musician. When I play, I respect the source of the music, whether it's Cuban, Brazilian or Israeli. I try to bring that to all of the music I play. Music has no borders and no flags.

I can think and play stuff in classical music that possibly violinists who didn't have access to other types of music could never do. It means I'm more flexible within classical music, to be a servant to the composer.

What is the best music is impossible to define. Just because it's played by a virtuoso player, doesn't mean it's great music. It might not reflect the soul of a people, which is really my criteria for great music.

When I'm feeling stressed out and overwhelmed, sometimes I'll read a book. But most of the time, I will either listen to music or play music. I'm basically always playing music, even if I'm not stressed!

A lot of people may not know how competitive it is to play classical music, because when you think about it, the music that you're playing is music that's been here for years. And all you're trying to do is improve upon it when you play.

We grown-up people think that we appreciate music, but if we realized the sense that an infant has brought with it of appreciating sound and rhythm, we would never boast of knowing music. The infant is music itself.

Righteousness and faith certainly are instrumental in healing the sick, deaf, or lame - if such healing accomplishes God's purposes and is in accordance with His will. Thus, even with strong faith, many mountains will not be moved. And not all of the sick and infirm will be healed.

Rock stars are idiots. You know that! Remember this moron never went to music school, never learned music theory and can't read or write music. So why not be suspicious of everything this idiot says?

The native music of North America, the original-roots music of this country, is also the underworld music of this country.

I have moved around a lot, and I've lived in all of these different environments - that has affected the kinds of music and the range of music and influences I've had in my life. All of those influences - more subconsciously - play into the music I make.

There is a beauty to touring - to be honest, there's a way that music connects and you really feel the actual reaction of people to the music that you're making, and I feel like if I didn't do that I just wouldn't know, and I don't think my music would be the same.

I think the world is very much embracing this whole concept of musicians going out and playing their instruments and playing music for music as opposed to music that has something to do with some form of image or imagery.

I had no idea that I was ever getting into music. I did not prepare for a music career, and here I've found, out of pure luck, that I did have, not only a talent and an ear, but a passion for music. And I have it to this day.

To me, that's when music was music. Every studio had a full symphonic orchestra and a whole bunch of singers they used on every picture. Every radio show had singers on it, and NBC and CBS had their own staff orchestras. Music was everything. And it was good music; it wasn't based on three chords.

There are a lot of options when it comes between music and acting. For me, because I'm so passionate about my music career, you have to be extremely passionate when you have opportunities like films and real money actually coming to you compared to with music.

To me, dance music is a lot of space - to listen to other things than melodies. I think club music and dance music really require a different way of listening.

My musical style was developed basically by listening to music. The music I like helped to mold my style. I used to listen to the majority of down south music when I was a shorty coming up.

I love pop music, but I also love noise music, IDM - anything really, I get something out of most kinds of music. I just need to enjoy the process.

Music has given me peace. I can remember occasions when music instantly tranquillized my mind, when I was greatly agitated over something. Music has helped me to overcome anger.

When I first started, I wrote some songs with Linda Perry. She's so instrumental in a lot of artist's lives, listening to you and then helping you write songs that are you, that bring the most of what you are out, whereas a lot of producers might put their stamp on you. I gained confidence because I'm less of a straight-up, traditional vocalist.

I think that the best music and the music that people relate to the most is the honest music that people feel themselves in it.

I am a musician who stopped working with music. Now I work with visual music, or audio-visual music.

I want to continue to constantly put out great music, expand further and further with the live show and music that is attracting music fans from all over the place, not only for ravers or electronic heads.

As in music, when we hear the crescendo building, suddenly if the music stops, we begin to hear the silence as part of the music.

Teenagers are passionate and they want music that speaks within their hearts. It's a big deal for students to listen to Christian music and talk about it at school. Music is a very exciting element of your life when you're love. I think it's huge.

I started when I was really young. I was playing classical music when I was 4 and when I turned 11 I started to write pop music. I guess you could say it was my intellectual evolution and my love of music began to change.

That’s why I make music. When I listen to my favorite music made by other people, that’s what it does to me. So as a musician, I’m just trying to do the same thing with music I make. Sometimes it works, sometimes it doesn’t. But when someone comes to me and says the music I’ve made has affected them emotionally, that’s the most gratifying part of my job.

Music, great music, distends the spirit, arouses profound emotions and almost naturally invites us to raise our minds and hearts to God in all situations of human existence, the joyful and the sad. Music can become prayer.

Music is my expression. Music is my release. Music is my therapy.

Music is more of a hobby to me than my hobbies, if that makes sense. I love music; my dad and brother were very musical, and music just happens to be one of my hobbies that became my vocation.

I think the [music] industry really suffered from music being available online because it made young people feel, "why should you pay for music, if it's so readily available for free?"

For me music is pretty personal. I generally listen to it alone, and I've never been a lover of concerts. So I don't think I really bond with other people over music. That's not unique to music for me, either. I feel that way about film, television, art, everything. I read a book alone, so why wouldn't I listen to music alone?

My mother got me into music when I was a little kid. She used to play music, blast it, when she was cleaning the house, while I was crawling around. I just love loud music.

The devil ain't got no music. All music is God's music.

I mean, I wasn't the best student in school. It would be different if I were to pursue music while I was already in school and doing things for my parents to be proud of and music was a side thing. Being that I dropped everything to do music, they was not with it.

Music first, music last, music always

People don't learn science in movies. You don't go to the movies thinking, 'I hope I learn some quantum mechanics this afternoon.' But on the other hand, movies are instrumental and influential in getting young people interested in science.

We live in an age of music for people who don't like music. The record industry discovered some time ago that there aren't that many people who actually like music. For a lot of people, music's annoying, or at the very least they don't need it. They discovered if they could sell music to a lot of those people, they could sell a lot more records.

Bollywood music is definitely a big part of Indian music and can be a great way to introduce people to the sound. But I hope to continue to incorporate other types of Indian music into my work.

As far as my New York influence, one thing I'm proud of in my career is, I rep Brooklyn, New York all day. But people don't look at my music as New York music. People consider my music underground music.

The way I make music is just a reflection of how I think music should be made. Where you sit in a studio, and you make music, and you use technology to your advantage, not to hide all the blaring mistakes.

Tragically, some people are genetically more susceptible than others to agripoisons and industrial pollutants. Genetic engineering to correct these medical problems is a narrow (reductionistic) and instrumental (mechanistic) response to a problem that is fundamentally conceptual: namely, our attitude toward life and our mistreatment of the Earth, plants, and animals-and ourselves in the process.

The only music I was listening to for ages was old soul. So I wasn't listening to a lot of new music - especially indie music.

We're all friends, inside the music and outside the music. I mean, we don't sound anything alike, we don't approach our music anything alike, but we come from the same genuine place. We want our music to be real and we don't want to compromise our art.

Obviously there are pieces of classical music that are some of the most beautiful music ever written, for me anyway is a lot of classical or contemporary music, so it's a different kind of space that you enter when you're listening to it.

Scientific wealth tends to accumulate according to the law of compound interest. Every addition to knowledge of the properties of matter supplies the physical scientist with new instrumental means for discovering and interpreting phenomena of nature, which in their turn afford foundations of fresh generalisations, bringing gains of permanent value into the great storehouse of natural philosophy.

Music is one whole force. And I think the Proms have always represented very clearly that music is a universal language, one that everyone can speak. I've just followed my goosebumps in every direction and have found a recipe for what my music feels and sounds like.

Making music clips, I have a responsibility to depict the artist in a way that suits them, and feels comfortable with how they want to present their music. From there I usually try to tell a story visually that complements the music, that lets the music be the hero element of the project. I just try to do something that feels sincere and creative and a little bit home-brewed so it doesn't feel too plastic or phony.

Yeah, I always listen to both classic and newer folk-influenced music. Singer-songwriter, alternative music. I also listen to more experimental dance music.

Doors music is not a simple kind of music. It's like the Bauhaus. It's clean and pure. Morrison's lyrics are psychologically deep. So for people to understand Doors music is certainly a testament to their intellects.

You can learn to write. But what you write is something that depends on your taste and on your vision or whatever. Also, of course, the music I listened to inspired my idea of music. When people ask me "Where's your inspiration? Where does it come from?" I have no idea. Music is about music. Not about life and love.

In school I was interested in music, but I never saw myself being a musician at that point. Music technology was the only subject I cared about: it taught me the basics of music production and I started making beats and freestyling with my friends.

I'm a real guy. I'm not money-laundering. I make money off music, and music is my source of income. It feels good. I'm not selling T-shirts, I'm not doing none of that other crap. Straight music.