Top 1200 Interesting Book Quotes & Sayings - Page 7

I have about four different endeavors I'm going after right now. They all excite me in different ways. I'm all about keeping as many irons in the fire as possible. I'm writing music, trying to write a book (aren't we all?), putting a festival together, speaking... It keeps life interesting.

Where is the book in which the teacher can read about what teaching is? The children themselves are this book. We should not learn to teach out of any book other than the one lying open before us and consisting of the children themselves.

For me anyway when a photograph is interesting, it's interesting because of the kind of photographic problem it states - which has to do with the contest between content and form.

Interesting verbs are seldom very interesting.

In this one book are the two most interesting personalities in the whole world - God and yourself. The Bible is the story of God and man, a love story in which you and I must write our own ending, our unfinished autobiography of the creature and the Creator.

The book, called the Bible, is filled with passages equally horrible, unjust and atrocious. This is the book to be read in schools in order to make our children loving, kind and gentle! This is the book they wish to be recognized in our Constitution as the source of all authority and justice!

When knowledge no longer becomes the commodity of the few, but in a sense becomes equalized by everyone having access, you lose some aspect of Jewish particularity, or at least a Jewish particularity that is fundamental to the construct of Jews as people of the book, which was always interesting.

One of the perks of being a New Yorker cartoonist is that you get to hang around with interesting people. My fellow cartoonists are all interesting, and all highly creative.

People can take your name and write a book about you and they make money off of it. How is the public supposed to know you're not authorizing that book? As soon as you make a big stink about it it only makes the book sell more.

A woman called me interesting once, and it kind of blew my mind. She said, 'You're one of the most interesting people I've ever met,' and I was like, 'Wow.'

I really believe that the movie will never be as good as the book, both because the book goes on longer - a movie is basically an abridgment of a book - and because books are internal. But they are incredibly powerful. The visual format is, you know, amazing.

With film roles, it just has to be a character either I haven't done before, or a role with somebody really interesting or with an interesting person or group of people.

Once in a very long time you come across a book that is far, far more than the ink, the glue and the paper, a book that seeps into your blood. With such a book the impact isn't necessarily obvious at first...but the more you read it and re-read it, and live with it, and travel with it, the more it speaks to you, and the more you realize that you cannot live without that book. It's then that the wisdom hidden inside, the seed, is passed on.

It's somewhat of a contradiction, .. I guess the quieter the voice, the more necessary it is to push it. It's not going to leap out at you and scream. I also can't control how a book is marketed. To say the book marketing is aggressive, fine, I'm happy with that. Push the book. That doesn't mean that my personality or writing style changes.

You have to remember that Shadow and Bone' was the first book I sold. And it was, in fact, the first book I ever finished writing, despite many attempts before that to finish a novel. And when I was writing it, I didn't know if anybody was going to buy one book, let alone all three.

When you sell a man a book you don't sell just twelve ounces of paper and ink and glue - you sell him a whole new life. Love and friendship and humour and ships at sea by night - there's all heaven and earth in a book, a real book.

So I be written in the Book of Love. I do not care about that Book Above. Erase my name, or write it as you will. So I be written in the Book of Love.

None but those who have traveled, can appreciate the delight experienced from recalling in this way the interesting points of an interesting journey, and fighting, as it were, their battles over again.

I write in a very peculiar way. I think about a book for 25 or 30 years in a kind of inchoate way, and at one point or another, I realize the book is ready to be written. I usually have a character, a first line, and general idea of what the book is going to be about.

It's one of those things where the book has all these stars that burn really bright that you hang onto and they're all saying, 'This is The Girl on the Train experience.' All those stars or hooks needed to be in the film, but sometimes they needed to be a bit different. It's important when adapting such a popular book to hit all those points but also break out expectations without slaughtering the book. And that was, for me, the joy of adapting the book.

It is hardly useful if you trustingly play through variation after variation from a book. It is a great deal more useful and more interesting if you take part actively in the analysis, find something yourself, and try to refute some of the author's conclusions.

One book at a time... though I'm usually doing the research for others while I'm writing, but that sort of research is fairly desultory and I like to stick to the book being written - and writing a book concentrates the mind so the research is more productive.

You go into the book store, there's the cut-out of Dr. Phil, and then the dreaded women's health section where every book, instead of the menopause book with the fanged Medusa head on the cover that might be more pertinent, you always see a flower and a poppy and a daisy and a stethoscope.

I write synopses after the book is completed. I can't write it beforehand, because I don't know what the book's about. I invent something for my publisher because he asks for one, but the final book ends up very differently.

An author writes a book, and that's the book at that point. And if the author writes the book again, then somehow something has gone wrong, if you see what I mean.

I was extraordinarily lucky. I wrote a book because I wanted to see if I could write a mystery. Someone nagged me into sending it to a contest, which it won, after which I was offered a two-book contract, thus requiring the writing of a second book.

I read a book called 'The Tao of Physics' by Fritjof Capra that pointed out the parallels between quantum physics and eastern mysticism. I started to feel there was more to reality than conventional science allowed for and some interesting ideas that it hadn't got round to investigating, such as altered states of consciousness.

Sometime during your life—in fact, very soon—you may find yourself reading a book, and you may notice that a book’s first sentence can often tell you what sort of story your book contains.

I got a couple of different contacts from publishing companies saying they'd be interested in a book about my work: not a kiss-and-tell book, which I specifically put in the contract. Just a book about my work and what I did.

In New York City there are interesting characters and there are interesting stories. There's a story on every street corner. I love it. I think that's what really attracts me to making films.

Even when I read a book, if the book leaves me the possibility of finding certain solutions or working on my own toward a solution, I prefer that much more than if the book fills me with the answers, gives them to me directly.

That's why 'Chandelier' was interesting to me... I wrote the song because there's so many party-girl anthems in pop. And I thought it'd be interesting to do a different take on that.

It's in being read that a book becomes a book, and in each of a million different readings a book become one of a million different books . . .

Villains are not fun for me to play, as such. But caricature-ish, intense behaviors that are based on real human traits are interesting. That makes an interesting story.

Stop working so hard at being interesting and focus on what's outside yourself. There are universes out there that need to be explored. And, an interested person is extremely interesting.

It is our hope that when people read "March" - Book One, Book Two, and Book Three - that they will understand that another generation of people, especially young people, were deeply inspired by the work of Rosa Parks, Martin Luther King Jr. and many others.

The first book I could call mine, my first book, was a picture book, The Magic Monkey - it was adapted from an old Chinese legend by a thirteen-year-old prodigy named Plato Chan with the help of his sister.

The first book I could call mine, my first book, was a picture book, 'The Magic Monkey' - it was adapted from an old Chinese legend by a thirteen-year-old prodigy named Plato Chan with the help of his sister.

The creation is a very internal process, and publishing the book is a very external process. It is nice to see the book out in the world and people having the same reaction as when I created it. The point of all art is the emotional transference, and when that happens, the book has succeeded.

For some Church members the Book of Mormon remains unread. Others use it occasionally as if it were merely a handy book of quotations. Still others accept and read it but do not really explore and ponder it. The book is to be feasted upon, not nibbled (see 2 Nephi 31:20).

A travel book is a book that puts you in the shoes of the traveler, and it's usually a book about having a very bad time, having a miserable time, even better. You don't want to read a book about someone having a great time in the South of France, eating and drinking and falling in love. What you want to read is a book about a guy going through the jungle, going through the arctic snow, having a terrible time trying to cross the Sahara, and solving problems as they go.

The misery of a child is interesting to a mother, the misery of a young man is interesting to a young woman, the misery of an old man is interesting to nobody.

I began thinking there should be an American phrase book, 'cause I've got an Italian phrase book, and an Arabic one... now a British one. I think it'd be pretty good to have an American phrase book.

(in response to the question: what do you think of e-books and Amazon’s Kindle?) Those aren’t books. You can’t hold a computer in your hand like you can a book. A computer does not smell. There are two perfumes to a book. If a book is new, it smells great. If a book is old, it smells even better. It smells like ancient Egypt. A book has got to smell. You have to hold it in your hands and pray to it. You put it in your pocket and you walk with it. And it stays with you forever. But the computer doesn’t do that for you. I’m sorry.

The only way to write a book, I’m fond of telling people, is to actually write a book. That’s how you write a book.

It's much more difficult to make an unbound book than a bound book, because the factories aren't set up to make an unbound book.

Liking interesting things doesn't make you interesting.

I started off life at Pixar with interesting technical problems. But as time has moved on, I found that the social and management problem was far more complex and interesting.

Well, I'd like to think I am, and I'd also like to think that we're all having a lot more fun getting older than we pretend. It was interesting to me when I first started working on this book that I'd mentioned that I was writing a memoir about aging and everybody would moan and groan and carry on.

I read 'The Crystal Cave' book by Mary Stewart, and I thought it was a really, really interesting part of the legend, in which Merlin could enter into the cave with these crystals and see reflections of the future in them and learn how to use that and harness those powers for himself.

Doing TV shows helps me a lot in my screenplay writing and filmmaking, especially since my TV shows are in different formats: comedy sketches, talk shows, debate programs, art variety shows, quiz shows. These enable me to meet interesting people with interesting stories and to learn about interesting subjects, all of which I can reflect into film.

If you're a comic book fan, you know that any epic book, you would open it up - as a kid, I would just go through and look at who was fighting who. I'd stand there in the store for 15 minutes until the guy told me to buy the book or get out.

It's not interesting to achieve; the ways of achievement are interesting.

I'm not a sports guy. However it's interesting to be in a place where people have a sporting fever. One time I was in Italy during one of the European soccer cups, and it's interesting because it's so electrifying.

I realized that my book readings were boring me. I was going to go up there and read a passage and sleepwalk through the whole event and I needed to make it more interesting. I wanted to be running and jumping and do something so that the event would be so exciting. I had to trick myself into having fun every time.

I think that my first book - I was trying to write the kind of book I would have loved as a kid. So it's sort of, like, a book inspired by my childhood reading and the passion that I felt about reading when I was a kid.

What's so interesting about 'Point Break' to me is that it's a study of testosterone and adrenaline by a woman. That's why it's little more interesting than it should be.

Ender's Game is set more than a century in the future and has nothing to do with political issues that did not exist when the book was written in 1984... It will be interesting to see whether the victorious proponents of gay marriage will show tolerance toward those who disagreed with them when the issue was still in dispute.

In this one book are the two most interesting personalities in the whole world--God and yourself. The Bible is the story of God and man, a love story in which you and I must write our own ending, our unfinished autobiography of the creature and the Creator.

If someone's going to publish a book about addiction, it has to say something new and different. It has to be something we haven't read before. A lot of these books are published because the writing is wonderful. The Frey book has superb writing, and that can be enough to sell a book.