Top 1200 Interesting Stuff Quotes & Sayings - Page 20

Carbon is the stuff of life, and it's the stuff of everything used by human society. All of our materials are made of carbon or of substances, such as steel or glass, which are produced through the utilization of carbon.

While I'm quite happy and love doing the atmospheric and quirky stuff, the melodic stuff, I've done quite a lot of. It's also another reason why I try not to do two or three at the same time.

News is almost more interesting to me than other people's fiction, if that makes sense. But other people's fiction in terms of design is still incredibly interesting to me.

So many people in L.A. have such different styles. People either dress very similar or very different. It's interesting to find people who think outside the box, and it's interesting, when you mix different mind-sets, what you can come up with.

When all your stuff gets smashed, everybody gives you new stuff. And when you've been playing the same guitar since you were like 12, that's a lot like dancing with somebody else's wife.

'Deathstroke' became an interesting challenge - not just because of his ethnicity, but because he's a villain. I've never written a villain as a protagonist of a series before. I thought this could be an interesting challenge. That's really what got my attention, and it just went from there.

I feel that life is a series of very interesting questions, and very poor answers. But I myself am willing to settle for the questions. If the questions are interesting, I feel I evoke them in what I do. I feel that should be good enough for everyone else.

When you play the bars, you pay your dues. It does matter that you know those things [songs]. And the great thing for me, too, is that I draw on that stuff as influences. It's also stuff that you put in the tank that you pull from to make records.

I think that ultimately when life is not tragedy it should be a party and if you've faced the real stuff, if you've faced the ones closest to you being at death's door, passing on, you know, not to let the small stuff really harsh your mellow, as you put it.

I often find the smaller, independent films are much more rewarding than the bigger stuff, but you do the bigger stuff because it's a business, and you've got to show your face a bit, get yourself around.

The laws governing the universe can be made interesting and wonderful to the child, more interesting even that things in themselves, and he begins to ask: What am I? What is the task of man in this wonderful universe? Do we merely live here for ourselves, or is there something more for us to do? Why do we struggle and fight? What is good and evil? Where will it all end?

Teenagers are very dark, I think. That's all the goth and emo stuff. They're experiencing a lot of stuff that adults experience, but in a much more raw way. It's that extremity that I'm interested in, to be able to go down so far and come up so quickly.

Dealing with wedding stuff is a bit of a double-edged sword - it seems that divorcees are expected to either burn it all on the front lawn, tears silently coursing down their faces, or keep the stuff, shrine-like, concealed somewhere in their homes.

I love what I do, and for me, acting can be anything. It could be in America. It could be in India. It could be in England. It could be anything. As long as it's an interesting part and an interesting opportunity, I would love to do it.

I've been honestly sitting in the living room every day doing little DIY projects. Painting and making stuff and all that stuff. That's been kind of cool. I got to find out I apparently have a passion for that.

I have learned that the stuff that causes me anxiety, the stuff I instinctively veer away from, is usually a road map to where my own creative growth can be found. So I consciously head toward the places that make me uncomfortable.

I've never made a penny from any of the school stuff I've done. I've had brands asking me if they can sponsor my channel for a year, stuff like that. But I've never monetised it. My books and my 90-Day Plan are my business.

For a while I was collecting Satan and devil stuff - you know, anything that had to do with old Beelzebub or Lucifer. But I had to put the brakes on it, because there's a lot of stuff out there, and the collection was just growing too quickly.

I eat a lot of pasta. We eat relatively healthy. I don't eat fast food, mostly home-cooked stuff. Chicken. Salads. Stuff like that. Oatmeal for breakfast. A big dinner.

You're looking, moment by moment and scene by scene, how you can tell the most interesting story. So, we had this great short and we knew that we had a story about a boy and his dog. Because we had that pure emotional core, we could go on crazy tangents and always come back to Victor and Sparky. When I wrote in stuff like Weird Girl and the cat poop, Dutch Day and the windmill, it felt like it was part of Tim's universe.

I just don't think I'm that interesting. I don't think what I have to say is that interesting. To hear me go blah, blah, blah, blah, blah. I mean, who... cares?

I want to keep doing interesting work with interesting people in whatever form that may take, but I want to play the big parts of classical theatre; I want to go on stage and play great Shakespearean roles and, at the same time, do amazing, challenging indie films and comedy, and I want to do it all. I am greedy.

When I signed on and went and did 'Catching Fire,' the majority of it was done in Atlanta for rebate reasons. Luckily, that worked because there's forest. There's old rail stations and factories and lots of stuff we can use and sound stages. For the tropical stuff, we went to Hawaii.

I grew up listening to country music. I got into traditional stuff later, but I listened to the commercial stuff of the '90s, especially the women who were so strong, like Mary Chapin Carpenter and Kathy Mattea. It's a great art form.

The really basic stuff that fuels 30-year job booms almost always comes from government research, stuff like biotech, the transistor, the Internet. The idea that private capital can handle the early spade work is a joke.

I've been very fortunate to go from interesting chapter to interesting chapter. I've always enjoyed the process and always enjoyed working more really than the end result of what it achieves. I'm more interested in doing the work.

There's a remarkable amount of sexism on TV. When male characters are flawed, they're interesting, deep and complex. But when female characters are flawed, they're just a mess. It's good to put more flawed but interesting female characters out there because it promotes equality.

A lot of the stuff you do as an actor - or I do, because I can't speak for everyone - is not always consciously thought out. A lot of the time, for me, it's actually just feeling stuff, and it happens all in the moment and your body reacts.

I go to the opera. It's mostly my wife that's a bigger fan, I'd say, than I am. I like the big opera. I want a lot of people on stage, elephants and marching stuff, and the modern stuff I don't care for.

I don't want to speak for my movies; you could say my movies are just completely silly and dumb, but in the case of 'Idiocracy' and 'Borat,' without a doubt there is a really subversive and sophisticated assault on American culture. It's one thing to mess stuff up and break stuff, but [Borat] is really pointing out the ideology of America. It's one thing to break stuff and damage people's possessions, but when you start aiming at the ideology of America, that's dangerous comedy.

I used to do drugs in high school. I've been living in L.A. for almost 10 years, and shortly after I arrived I cleaned up pretty much. Stuff goes on on the set, stuff goes on at parties.

I really enjoy doing the action stuff, but you have to be careful about who you say yes to with the action stuff 'cause some people want to do it but don't know how, and then it just becomes incredibly frustrating.

I have seen and heard comedians who had really funny 'stuff' but yet could not make the people laugh; then, again - I have seen others whose stuff was anything but humorous, and the audience would howl with laughter.

If you're going to tell stuff, you might as well tell the real stuff.

One thing, when you're an actor, you finish something and then you have to worry about what the next gig is. When you're a musician, you can always write your own stuff, and I'm working on new stuff for a new album right now.

Very, that show is crazy. It was like doing finals every week. It was interesting. I really learned a lot. The dialogue is so technical. I was so impressed watching the other actors and how they managed, so I studied them. And I was blown away thinking: "How do they do that? How do they put that extra spin on the complicated dialogue to make it interesting?

I do take a computer to do some processing live and I might use a couple of plug-in synthesisers, 'cause obviously you can take quite a lot of power in terms of sound generation on a computer that I can trigger from a couple of keyboards. And it means I don't have to take some of my vintage stuff and have it trashed by various airlines which has happened in the past. But I still take some vintage stuff with me, I'll take that risk because I like using all that stuff.

I don't really know why an idea comes to me. But all of a sudden, an idea comes and from experience I can intuit what something means when an interesting line pops up. Or I can intuit what an interesting choice might be. And I can try a couple of different choices, and see which one feels right, and then continue the song to see where it goes.

When I was in seventh grade, I totally had a crush on a guy who was older than me, and he listened to alternative music. So he was into Days of the New and stuff like that, and more poppy stuff, too, like Matchbox Twenty.

Thematically, I like playing with the ideas of stuff that you try to bury, and you think will go away, but instead you carry it with you until it becomes crippling. And sometimes you have to look back and deal with some stuff in order to truly move forward.

I was probably just trying to be Dennis Miller, but without the vocabulary to actually be Dennis Miller. I guess I was just less interesting than I am now, if I am interesting at all.

I can't judge the characters I play, because it's for the audience to do. What I can try to do is to understand and embody what were they going through? How did they make the decisions they made? That to me is a more interesting way to approach something, rather than saying this person is a villain and that person is this and - because it's not very interesting to play that anyway.

Fairfield Porter who has been my model for art writing all along, said that if the most interesting thing about a work of art is its content, it's probably a failure. I think it's true that if you find yourself thinking about the meaning in an author's message, it's probably not very interesting as art. Obviously, this is a tough concept, because if you withdraw intention.

Diamond, for all its great beauty, is not nearly as interesting as the hexagonal plane of graphite. It is not nearly as interesting because we live in a three-dimensional space, and in diamond, each atom is surrounded in all three directions in space by a full coordination.

There's just so much stuff that sounds like Flying Lotus now - I really like what he does, but I don't want to be like him. The new stuff is more experimental.

Practically everybody (1) overweighs the stuff that can be numbered, because it yields to the statistical techniques they’re taught in academia, and (2) doesn’t mix in the hard-to-measure stuff that may be more important. That is a mistake I’ve tried all my life to avoid, and I have no regrets for having done that.

The nature of making music and making art, what motivates me is that it's interesting. It's interesting to listen, to really listen to other people's point-of-view. Take in their work. Listen to the way they sing. Listen to the way they write lyrics. What they are trying to express.

I remember writing monologues and one-act plays and stuff in high school. I had a project in English that was just a short book of limericks. It was so weird. I enjoyed the challenge and rhyme of it. I was always putting on plays and stuff.

I know there's a CSI game. I've never seen it, though, so I'm not really sure. I hope it's interesting. I hope that they've done a good job making it, but because I've never seen it, the jury is still out on whether it's interesting or not. But it is funny to imagine that it's been turned into a game.

The most interesting character to me is someone who is stuck in the no man's land between Belief and Unbelief, Faith and Faithlessness. I'm capitalizing like a German, but it doesn't matter whether it's faith in a person or in God, or belief in science or whatever, it's the desperate in-between state that makes for interesting dramatic tension.

As the quality of our platform gets better, the developers can make more interesting experiences. As the experiences get more interesting, people enjoy them more and spend more money. As they enjoy it more, they tell their friends about it.

When I was a kid, before there were VCRt, my parents had a movie projector, and we'd watch Frankenstein and Dracula. I just always though that stuff was cool - creepy comics and monsters and horrific stuff. Music lends itself to that whole theme.

Earth Is Enough. We men of Earth have here the stuff Of Paradise - we have enough! We need no other stones to build The Temple of the Unfulfilled - No other ivory for the doors - No other marble for the floors - No other cedar for the beam And dome of man's immortal dream. Here on the paths of every-day - Here on the common human way Is all the stuff the gods would take To build a Heaven, to mold and make New Edens. Ours is the stuff sublime To build Eternity in time!

The sort of lifetime achievement stuff that I'm getting now is kind of like Tom Sawyer's funeral because they all know I'm sick. I am getting buildings named after me and awards and stuff.

Banality is like boredom: bored people are boring people, people who think that things are banal are themselves banal. Interesting people can find something interesting in all things.

Hogwarts, Hogwarts, Hoggy Warty Hogwarts, Teach us something please, Whether we be old and bald, Or young with scabby knees, Our heads could do with filling With some interesting stuff, For now they're bare and full of air, Dead flies and bits of fluff, So teach us something worth knowing, Bring us back what we've forgot, Just do your best, we'll do the rest, And learn until our brains all rot.

I've always been attracted to sad. If you look at Woody Allen movies, he's often playing a sad clown, and it's always been interesting. And angry clown is even more interesting.

I was probably just trying to be Dennis Miller, but without the vocabulary to actually be Dennis Miller. I guess I was just less interesting than I am now, if I am interesting at all

People do really well on space missions, but it's the physiological, the medical stuff, the stuff like radiation, loss of bone mass and muscle mass and density. It's those things that we need to figure out.

I'm really going to do my homework. I'm going to be down there on the practice tee finding out if a guy's wife beat him up the night before, important stuff like that. Stuff that people want to know.