Top 1200 Interview Quotes & Sayings

I was spurred by the fact that having worked for women's magazines myself as a journalist, if you go off and interview a female celebrity, I'd just go in and interview them like I'd interview any human being and talk about the things that interested me. And you'd come back, and you'd file your copy. And then my editor would read through my copy and go, why haven't you asked them if they want kids? And I'd be like, well, I don't know, I interviewed Aerosmith last week. And I didn't ask them that.

If you interrupt somebody too early, if you miss it and don't interrupt at all - that's the difference between a good interview and a bad interview. It's about the absolute moment.

My rule is that if I interview someone, they should never read what I have to say about them and regret having given me the interview.

Hillary Clinton had scheduled an interview while I was at the height of the Weinstein reporting, and her folks got in touch and said, 'We hear you're working on a big story,' sounded very concerned, and tried to cancel the interview.

Whether it's a show or an interview, the way I look at it is that one day people might not want to interview me. So I want to enjoy this ride while I can.

It is harder to lie in an interview. A good interview - and it can be polite - is not a one way street like a candidate controlled ad. An interview is not programmed by the candidate and so the candidate can't be exactly sure what will be asked.

A regret I have was never being able to interview George Harrison. I just loved him but I never had a chance to interview him.

Maybe the real subject of every interview is how you really can't learn much of anything about anyone from an interview.

It's nice being able to speak for myself. Every interview I did for so many years and every time I was in front of the camera, pre-Twitter, there was no way for me to speak for myself. Every interview started with, 'What was it like to work for this man?'

The literary interview won't tell you what a writer is like. Far more compellingly to some, it will tell you what a writer is like to interview.

Here we have a situation where a defendant in a case agrees to an interview with Dan Rather. It happened to be not confidential. But it was an interview with Dan Rather.

I think an interview, properly considered, should be an investigation. You shouldn't know what the interview will yield. Otherwise, why do it at all?

Internet marketing entrepreneurs have truly opened my eyes to just how important a quick turnaround time can be. Often times, an interview they conduct with me today is online by the next morning. The interviewee is then able to start making money less than 24 hours after the initial interview.

Recently a young journalist came to interview me about what I was doing the day war broke out. During the course of the interview I recounted the deaths of my only brother, my husband's only brother, a brother in law and my four best friends. "So," she said, did the war affect you in any way?

I figure no matter what interview I do, the real good 'journalists' are going to find the completely irrelevant quotes that will drum up some controversy and stick it on their page to get some clicks and completely miss the real context of what the interview is about. That's what we do nowadays and call it 'journalism.'

People like myself, who have good credibility in the game and played at the very top level, you'd think would get a job or at least be given an interview, but you're not even getting an interview.

In Australia, a deaf person attending an interview must take their own interpreter at their own expense, or ask the employer to provide one. Believe me, nothing says 'I'm the best person for this job' quite like asking an employer to pay to interview you.

Let's face it: a date is a job-interview, that lasts all night. The only difference between a date and a job interview is: not many job-interviews is there a chance you'll end up naked at the end of it.

The crazy thing is, I sent out 200 letters and I got one job interview, and I actually got that job, which was working as a development assistant at Joel Silver's company. I always say that to people when they ask "What do I do?" and I'm like, "Look, I didn't get ten responses, and I didn't get five interviews, but I got one interview, and I got the job," and that was all I needed.

When you interview at Google, they don't tell you what the job is. You get hired for a pool and the reason they do it that way is they don't want outsiders learning their secrets in the interview process.

I've done so many interviews that I've gotten past the ego and the personality. I used to feel that there might be something missing, but a few years ago I realized that I was so causative over how the interview went that I was no longer concerned over the effects of the interview.

So far, the Far Eastern focal point of danger is the most active.It is possible, however, that the center of the menace may shift to Europe. Evidence of this is provided, for instance, by [Adolf] Hitler's recent interview given to a French paper. In this interview, Hitler seems to attempt to say peaceful things. But this "peacefulness" of his is so thickly interspersed with threats against France and the Soviet Union that nothing remains of the "peacefulness".

I did a radio interview for a station in Connecticut or something, and it was the worst interview ever. It was all yes and no answers.

One interview would lead us to another interview, which led us to another interview. We had the questions and the idea of chonicling this moment in time. But we didn't have a movie, per se. As we started interviewing people, it started to kind of define itself.

It's probably odd for someone to read an interview where the interviewee is worried about exposure while they're talking in an interview.

If the interview was done in the studio, Frank McGee would automatically do it. But if I went out and got it, then the interview was mine. So I was considered a pushy cookie, because I would get the interview.

The key to a sale in an interview, and the key to an interview is a disturbing question.

I do not believe that I have had an interview with anybody in twenty-five years in which the person to whom I was talking was not annoyed during the early part of the interview by my asking stupid questions.

When I first started doing press interviews, the big question was, 'Do you think women are funny?' People would ask you that in an interview. In an interview! It's like, of course they are.

I don't mind anyone asking me any questions, I've got nothing to hide. I like it to be as real as it is; that's what I call an interview. I'm not someone who's like 'Right, you can't ask this, that, this, that, this, that.' It's got to be a real interview. I've literally got nothing to hide.

If he hadn't done that interview with Bashir, he wouldn't be there now. That was the first time he ever did an interview like that. He was afraid of something like that all along. And it happened.

The number one problem companies have during the Y Combinator interview is that a minute into the interview, we don't know what they do. It's the same problem with the application. You might think we're experts, but you still have to explain it to us.

Years ago I read an interview with Paula Fox in which she said that in writing, truth is just as important as story. Reading that interview was the first time I really understood that there's no point in trying to impress people with my cleverness when I can just try to write honestly about what matters most to me.

I loved Anne Rice's 'Interview with a Vampire' and 'The Vampire Lestat'. I found a copy of 'Interview' when I was in seventh grade at a garage sale for 25 cents. It had a crazy cover.

I want to be able to just act and never do any interview, but I don't have the balls to stand up to the studio and say, "I'm never doing another interview in my life!"

Bill O'Reilly knew he could just filibuster and enjoy all the airtime that a full interview would give him, and then also grab the sensationalist headlines that he enjoys creating. He used this as fodder for his show for weeks. I wouldn't want to be on the bad side of Bill O'Reilly. But then again, maybe I am now. By giving this interview.

It's interesting - a lot of what you accomplish in your lifetime either as an individual or as a company is determined by other people. I mean, you can do interview after interview and defend a point of view, but more often than not, the collective kind of opinion will be the one viewed historically and taken as gospel.

At least for me personally, I've always tried to do a really good job every day, with each interview, and treat each interview seriously, and make the person I'm speaking with feel comfortable, hopefully make it an ideal experience.

Curiosity and listening [are the principles to an excellent interview]. I never go into an interview with a dedicated list of questions in which I will not deviate. You must be curious about the subject and listen to his answer and ask the next question off that rather than the next question on your list.

Back in the day, in '91 or so, I tried to interview Fugazi for Rolling Stone, which the band felt stood for everything they detested about corporate infiltration of music. They said, 'We'll do the interview if you give us a million dollars of cash in a suitcase.' Which was their way of saying no.

There were so many people after that first 'Colbert Report' interview that were impressed by the synergy we had during the interview. People everywhere we'd go would say, 'You should be the bandleader; it would be great for jazz. It would be great for the music.' But I was completely against it.

The good thing about rules is if you have to do an interview, and you make some rules for that interview, like, "I can only ask him about five years of his life or her life," it narrows down your story. It's the same thing with acting. In my profession, if I say, "These are the rules for this character," all of the sudden, you create life.

One time I was doing an interview for a gay magazine and halfway through the journalist found out I wasn't gay. He said, 'Sorry, I can't continue the interview.' Because they only had gay public figures in their magazine. I felt so crestfallen. I wanted to tell him: but I play fundraisers for gay marriage! I'd rather my kids were gay than straight!'

I was pretty good at studies and when I had come to NSD for my interview, I'd lied that I have got a scholarship to study abroad. I told my family that I had a visa interview, but I was actually here for the interview at NSD.

If someone is brought in for an interview, for example, and is asked about their views on things, but has posted things that are completely contrary to the interview, frankly I have much more faith in what they posted than what they say during the course of an interview.

An interview is only as good as both parties are willing to give to the interview and that includes the interviewer.

Before I ever endorse a candidate, I meet them, interview them, interview their colleagues and evaluate their competitors, study their positions and ideas, look at their campaign... then make a decision.

Abu Musab al-Suri is someone I got to know pretty well because he's a Syrian. Very bright guy, lived in London. He actually was the person who took myself and correspondent Peter Arnett and the cameraman, Peter Juvenal, to interview bin Laden for his first TV interview.

My first media interview was when I was a high school freshman and I was set to compete at state champs. The interview was the first occasion people had heard me on TV. When I watched back the recording on TV, I thought, 'Wow, is that what I sound like?' I didn't like the sound of my voice.

One of the first things I did was interview the President of the United States. Some people work their whole lives and can't interview someone of that stature.

Wherever I went, I became a son-in-law. It was a terrible phase for me. I had to work double hard to get back my identity. Whenever I gave an interview, the first question would invariably be, 'What is it like to be his son-in-law?' Now that question comes somewhere in the middle of the interview. Hopefully, soon, it won't be asked at all.

Once we get them in the studio, you interview a person the same way you would interview another. You ask them a question. You let them answer. You try to listen closely and then ask a follow-up.

Julia Roberts was really rather lovely. I had to interview her on Pebble Mill At One years ago. You learn not to be starstruck if you're trying to get a decent interview out of someone. If you fall apart it's counter productive.

It's what Kitty Carlisle said in her book: Don't interview people about what they do, interview them about what they love. I want my interviews to come out of the side pockets.

Couldn't we end this interview with what I really want to say? That what the world really needs is a real feeling of kinship -- everybody: stars, laborers, Negroes, Jews, Arabs. We are all brothers. If we could end this article saying just that, we'd get down to what we should all be talking about. Please don't make me a joke. End the interview with what I believe.

If you're coming to do an interview with me, you should know about me. It's not that it's 'cos I'm Wizkid; I'd even hate it if you were coming to interview my friend and asked him the same question. You're here for an interview, so you should know who you're doing the interview with.

Usually, you get to interview that one girl who plays the sister on some Disney show - you interview that girl a lot - but sometimes, every once in a while, you get to interview a legend. I have interviewed some amazingly iconic people, including Michelle Obama, Oprah, Sidney Poitier and Judy Dench. These people are legit icons.

This uses a lens system, which I have used for years in various different ways, but I've never used it in the context of an interview. This is the very first time that I've done that. It's a lens called The Revolution, so it allowed me to interview Elsa [Dorfman] and actually operate the camera. Well one of the cameras, because there were four cameras there.

Most people ask me questions based on a previous interview. That's not an interview. It's like they're just saying my quotes back to me.

I saw my husband in his cell for ten minutes. During the interview the cell was packed with officers and a sergeant, who kept a watch in his hand and closed the interview by saying, 'Your ten minutes is now up.'