Top 1200 Interview Quotes & Sayings - Page 16

I would get adult acne when it was somebody really famous I had to interview, so sometimes I would have to look straight at the camera because I couldn't look sideways or profile, because it would show.

I'm constantly playing this game in my head where I'm thinking, 'Can this quote be pared down and misinterpreted?' It doesn't matter what outlet I'm talking to and how comprehensive the interview is, because I have to think in terms of, 'Right, but 'People' magazine could just take this one quote and take it out of context.'

News channels have always had interview shows, but we need different kinds of interviews with different kinds of interviewers, interviewers who bring different life experiences to the table.

A few months into my research, General Petraeus, who was then leading Central Command, invited me to go for a run with him and his team along the Potomac River during one of his visits to Washington. I figured I could interview him while we ran.

Apparently 26 years ago, Arnold gave an interview to Oui magazine about his sex life. The good news is that Arnold is married to Maria Shriver and now that he's had a sex scandal, the Kennedy family has finally accepted him.

My father said it himself in an interview many years ago: 'Husband and wife failed, but mother and father didn't.' I've got a life that really matters to me, and that's because of the way I was raised. My ethics are high because my parents did a great job.

I always wanted to work at Take A Break magazine, you know, just to inject a little bit of politics into their stories. I applied for a job there after I'd done my law degree and didn't even get an interview. I only wrote Garnethill because I didn't get that job!

I want to speak English perfectly. In fact, I want to speak English just like I fight, and, until that moment, I find it very hard to do an interview solely in English.

When I started, I had that naïve mentality that you shouldn't have to dress celebrities if your product is good. But when you're an emerging brand and you don't have millions for advertising and marketing, it's a good vehicle to penetrate the demographic that doesn't read GQ - or Interview. But if they see Milo Ventimiglia in one of my leather jackets in Us Weekly, that's a new audience for me.

I mean, the Ace of Spades example that Jonah Goldberg remembered here (and that made me remember it, too), is that Chris Matthews interview with [Barack] Obama, during the run-up to Obamacare. Not one question about it. And when you stop and think, there never is for the Democrat. The media never questions the substance of anything the Democrats do.

I think it's foolish to interview someone who's just promoting a movie that they're in and ask if they consider themselves a feminist. That's not about feminism; that's about the journalist wanting to gauge how much this person is aware of the world or is aware of the feminist movement.

News channels have always had interview shows, but we need different kinds of interviews with different kinds of interviewers - interviewers who bring different life experiences to the table.

A word of advice: your interview is about you. It's not about the school you went to, what you majored in, what your GPA was, or who your parents happen to be or know. Most of that stuff is right on your resume, and it might even have gotten you into the room, but it won't get you much farther.

I think there are all sorts of ways of turning into an actor, and there are a vast variety of different actors. You know, you interview plenty of actors and you know they come at it from a different direction and acting means different things to a lot of people.

I think it's a false distinction to say that conversation and composition are separate. Because even as we speak, I'm seeing. Every interview is different, and I'm finding new ways to talk about ancient preoccupations. And I sometimes come on something that's immensely helpful and valuable. Plus I like the sensation of conversation.

In the 1930s, the government paid writers to interview 80- and 90-year-old former slaves, and I read those accounts. I came away realizing - not surprisingly - that many slave masters were sadists who spent a lot of time thinking up creative ways of hurting people.

In a recent interview, Jeb Bush revealed that his brother George gave him the nickname 'tortoise' because he's making slow, steady progress. Though I think the bigger story here is that compared to George, Jeb is the slow one.

You accused me of murder. Do you make a habit of bringing schoolgirls into an interview room with murder suspects?' He waved his hand. 'Oh, I was only joking about that. I don't really think you murdered someone. Unless you did, in which case I reserve the right to say I knew it all along.

I saw an interview with Keith Richards. He said, 'How else could a kid in Dartford suddenly connect with and understand what Muddy Waters is singing?' There's a cultural difference, but there's just something in that music that subconsciously or internally you just understand; it just makes sense.

I am one Dana when I am talking to my daughter, another when I am talking to the IRS, and another still when I do an interview. These characters are just extreme versions of ordinary human self-switching.

When I interview someone, I want to find out about their life, get a sense of their personality, their passion. Maybe I'm hiring for a certain job, but even if your job is marketing, I'm going to ask you for your opinion on other things - taste this, what do you think of this bottle?

For a broad, star-powered picture like 'The Interview,' a big-tent release in 2,000 to 3,000 theaters is the top choice for a movie studio like Sony Pictures. It's the difference between a $1 million and a $10 million box office total.

It strikes me every time I do an interview that I don't really sit around thinking about my goals and my life and my career. I do what I love doing and I get a lot of feedback. I'm free as a bird, you know? If I do something good, it's, 'Wow, that was brilliant,' and if I do something bad, it just goes away.

I read an interview with a Japanese freestyle jazz musician once, and he said something like, "Everything I'm going to tell you is not going to be true." He's not saying, "I'm trying to lie to you." But he's kind of saying that you can never say what something really is.

If you tell Canadians that you want to interview them for a critical piece on the Canadian healthcare system, they'll put on their best trophy-wife smile for the camera and list its many accolades. Catch them on a day with their guard down in need of actual care, however, and the truth comes out.

What women represent to the male is, historically, a big burden. It's a lovely dream, but it's the stuff of literature, art, and everything. Living up to what the male psyche projects onto the female is the stuff of books. You'd need a lot more than an interview to go into it!

Sony has canceled the big Seth Rogen movie, 'The Interview.' North Koreans hacked their email so Sony said, 'Now we can't show anybody the movie.' I'm disappointed. I think this is the wrong thing to do. And I hear in the film Meryl Streep is great as Kim Jong Un.

Over the last half century the television interview has given us some of TV's most heart-stopping and memorable moments. On the surface it is a simple format - two people sitting across from one another having a conversation. But underneath it is often a power struggle - a battle for the psychological advantage.

I bounce my knees, but I do not have restless leg syndrome. I did an interview, I don't even know who it was with, and they said I told them I have restless leg syndrome and it distracts me from my work. I do not have any syndrome.

My dad didn't know that I had an eating disorder. He had no idea, so that was weird. I was in an interview and just said it accidentally. I called my dad because I remember thinking, 'My dad does not know that,' and he was surprised. I think he understood, though.

We're both Welshmen and growing up, when Howard Marks was finally caught, it was all over the news. He did an interview in the Welsh language, which I also speak, and I was sort of just amazed that this man from a small country was for many years supplying much of the world with most of the marijuana it was smoking. It was incredible.

When I went for my medical school interview, I had an old paperback of 'Henderson the Rain King' in the pocket of my coat. I was wearing the best clothes I had - a pair of cords and a sport coat - but when I got to the office, all the other interviewees were lined up in their black suits.

I respect the media. But periodically things come up. Like the guy in Toronto [CP24 Interview]. This is what I run into, also. Everybody that helps you is not necessarily your friend. And everybody that fights you is not necessarily your enemy. So you always have to be on guard.

I always wanted to work at 'Take A Break' magazine, you know, just to inject a little bit of politics into their stories. I applied for a job there after I'd done my law degree and didn't even get an interview. I only wrote 'Garnethill' because I didn't get that job!

It's good for a writer to come from journalism because it gives you the tools. A journalist knows that he or she can lose the reader in six lines, so try to keep the attention of the reader. Also, you learn to research, and to conduct an interview - to extract from the person whatever you need from that person.

One of the most important skills at [reporting] is not so much what comes out of your mouth but what you hear. To listen. When you interview people, it's very important to understand the nuances of what they're saying and to understand when they have actually made news-when they've told you something that they haven't told anybody else.

I was in a job interview and I opened a book and started reading. Then I said to the guy 'Let me ask you a question. If you are in a spaceship that is traveling at the speed of light, and you turn on the headlights, does anything happen?' He said 'I don't know'. I said 'I don't want your job'.

In an interview with a journalist, you look petty taking the pot shot but in a slick ad you can really do damage - including unfair damage - from afar. It is not that much different than waging a war by a drone than by hand-to-hand combat.

If you're going for an interview, you will dress smartly and look the part, that is absolutely fine, but it's just the level to which this becomes the ultimate focus of everything, where you have people who won't go to school unless they've put their make-up on, or won't leave the house unless they've spent two hours getting ready.

The deadlines are much, much longer with books. When I was a reporter, a lot of times I'd come in at 8:30 a.m., get an assignment right away, interview somebody, turn the story in by 9:30, and have the finished story in the paper that landed on my desk by noon.

There was an interview with me when I was nine years old. They showed it on the local news and I said: 'I want to win the Melbourne Cup.' My friends used to tease me and make fun of what I said. So, yeah, it was pretty funny I did win it in the end.

I do think questions have been raised and questions have to be answered.And there is no way to predict what comes in the door of that White House from day to day that can pose a threat to the United States or one of our friends and allies, and I think this is a big part of the job interview that we are all conducting with the voters here.

President Obama , I guess, is starting to confess to some of his anxieties. In a recent interview, President Obama said, 'I miss being anonymous.' He said, 'In the old days, I could blend in with all the other Hawaiian Barack Hussein Obamas.'

The music world taught me a lot.It taught me how much happiness it could take from you. J. Cole said it in that interview: People forget their happiness and what makes them happy. Like, what you really wanted to do it for.

I'm a lot different in my career since that interview. To have someone like Diplo tweet "Cakes' album is really cool" is cool, but in the same breath I still like what I do without anyone's approval. It's still good music.

I remember I heard it in an interview with Michael Jackson one day, saying the art is gone, everybody makes records just to make a record. See, I always want the artist that try to build a whole body of music on one album, so you can enjoy it. So you could say, 'I went with him here, I went with him here.'

Once I re-approached music I had to do it in a way that wasn't so personal for me to feel comfortable releasing it into the world. Well, of course some of them are, but I would never talk in an interview about exactly what a song is about. I like to keep my music and my life separate.

If somebody wants to sit down with me for an hour and interview me and ask me any question about my record, my policies, my foreign policy experience, my domestic policy experience, I'm willing to do that.

'What is your desired salary?' The unwritten rule when it comes to salary is this: whoever proposes a number first loses. When you interview, you should never feel pressured to answer this question. Simply let your interviewer know that the most important thing to you is how well you fit the position.

I see managers with my own eyes walking out of jobs and then walking into jobs, getting sacked and then walking back into another job... yet we can't even get an interview.

In improv, the whole thing is that it is a relationship between the two people, as a back and forth. In standup, you don't really want to be listening to what somebody is saying; you want to project your jokes into their face. And that's really not a good instinct with a 'Daily Show' field piece, where it's supposed to be an interview.

John Kerry reportedly flew in his private hairdresser before his "Meet the Press" interview for a total cost of $1,000. That's $1,000 for a haircut, which sounds like a lot, but have you seen the size of Kerry's head.

I met all these important people and did all these stories, but I always had such excellent producers and assistants. I could show up to interview a world leader or a criminal and they would have things so well prepared anyone could have done it. It wasn't about 'me,' it was about 'us.'

When I interview people that want to work with us, I often disregard their resume, because a piece of paper, it doesn't tell me really who they are. I'm looking for honesty, vulnerability. I'm looking for strength, I'm looking for weakness. I'm looking also for someone that wants to learn and is excited about learning.

I never realized it until I watched an interview, but sometimes my brain stutters between thoughts, and for some reason it comes out as an 'ummmm.' I'm hoping it's because I'm so smart, and there's just too much information to process, but it's more than likely just because it's a small processor.

I remember once saying in a television interview that the only things I hadn't been in were the opera and the ballet. Two days later, I got a call from Lord Harewood, of the English National Opera, saying "Would you like to be in 'Ariadne auf Naxos?'"

In some ways, making documentaries is like being a journalist. You interview people and then use the bits you want to use as opposed to the bits they want you to use.

I don't think anyone thought showbiz people know anything. I would suggest interview subjects, were told they weren't such great ideas, and then they would be assigned to somebody else. I wasn't given anything to do. I felt like the highest-paid dress extra in the world.

I'm always surprised by how many people give up before they enter the room. They buy into the hype - that there are so many more qualified applicants, that no one's hiring - and assume they're not going to get the job. You've got to go into every interview believing this is the one you're going to nail.

In all the time I was with L.T.D., I was never allowed to do an interview by myself. I wasn't even allowed to talk on stage between songs. I couldn't get a publishing agreement or a production deal because everyone had their own little role to play in the group... and the money, well, anything split 10 ways can't be much.