Top 218 Interviewing Quotes & Sayings - Page 3

I learned that I never really know the true story of my guests' lives, that I have to content myself with knowing that when I'm interviewing somebody, I'm getting a combination of fact and truth and self-mythology and self-delusion and selective memory and faulty memory.

I wasn't supposed to be walking with Mark Zuckerberg. I wasn't supposed to be interviewing Romney's sons. Why was I doing it? Because I wanted to survive. I wanted to live. I wanted to earn what it means to be an American.

All of our family holidays were always work trips for my parents, so my sister and I would sit somewhere or find a kids' club while my parents would be interviewing people.

I know Peter Jackson a tiny-tiny bit from interviewing him about the 'Lord of the Rings' movies over the years. When I was visiting the set of 'The Return of the King,' he let me be an extra so I could see filmmaking from a different perspective. I was a Rohan soldier.

One of the great challenges of being a modern historian is interviewing multiple people who were all there for something, some event. No one's version matches up 100% with other people's, even if it's three or four people on a conference call.

I was interviewing Daniel Craig and Naomie Harris for a Bond film a few years ago, and the moment I sat down, my dress ripped. No more bodycon numbers for me. I had to walk out of the room backwards when I was done.

My basic approach to interviewing is to ask the basic questions that might even sound naive, or not intellectual. Sometimes when you ask the simple questions like 'Who are you?' or 'What do you do?' you learn the most.

When you're interviewing someone, even your mother - you have to sort of deal with you have to get some objective space from yourself and the person but you also have to find what's the best way to get the information from that person.

At a particularly dicey moment in my own love life when I was interviewing Rupert Murdoch a number of years ago, I tried to get some advice from him about, well, about anything a man with three wives, the latest the age of his children, might offer.

We see women on the field; we see them interviewing players, we see them coming out of the dugout. But if you put them in the booth - like, hold up, wait a second - you haven't been there before. This is different.

My first Hip Hop concert was at the Apollo at the age of 12. Southpaw's father was interviewing Queen Latifah and Treach as well as many others. The place was so packed no one could move but I got to be backstage with the video equipment and so I saw the show from a great place.

When I was interviewing Hillary Clinton, I knew when I'd ask her something that she wasn't going to give me the complete truth because she would break eye contact with me.

I would go to radio stations and they were supposed to be interviewing me and playing my record and they would say, We're playing too many women right now, we can't play your record.

Interviewing Rei Kawakubo in Tokyo and John Galliano in Paris, both for 'Pop' magazine, were huge for me, not just in learning about fashion and writing but about how little desire I had to be a critic/reporter/journalist/commentator so much as a kind of travel diarist.

Interviewing Michael Jordan is like playing him one on one. If he respects you and especially your media platform and he's amused by your college try, he'll let you get off a shot or two. Then he'll go behind his back, give you a head fake and leave you wondering exactly what he meant by this and that.

When I'm interviewing somebody, I take notes with a Bic Cristal, the classic black-cap, clear-body, medium-weight pen. It works on many levels: You can chew the cap, and if you're really bored, you can bite the end off the back.

As a Beatle, my everyday life belonged to the public in one way or another. We were always appearing for the public in the early days, or we were planning for them, producing for them, interviewing for their sake, etc.

I think, here's what I've realized from interviewing people, and I've been very open about my Catholicism and my love of Christ and I don't care who knows it but I don't do it on stage. People that disagree with me that are listening to my podcast that are not Christian, I'm not trying to sell them Christianity and I make it very clear.

I was fortunate that I was at newspapers for eight years, where I wrote at least five or six stories every week. You get used to interviewing lots of different people about a lot of different things. And they aren't things you know about until you do the story.

I get the team set up good and then I'll let them do their thing. At the end of the day, if you put the time and effort into interviewing and finding the right people for a job, you've got to let them do that job.

Interviewing is fun. You get to learn things about people other than yourself. When you're being interviewed, you're talking about things you've already lived. I've already done that, so what fun is that?

In September 2005, I was three things: the media blogger for 'FishbowlNY,' a maniacal Daily Show fan, and the only person to smuggle a tape recorder and camera into a big Magazine Publishers of America event featuring Jon Stewart interviewing five hotshot magazine editors in an unbelievable bloodbath.

I have long argued that no one should be allowed to write opinion without spending years as a reporter - nothing like interviewing all four eyewitnesses to an automobile accident and then trying to write an accurate account of what happened.

People like me, when we're interviewing, we're not going back to our desktop to fill out a recruiting form. If I can quickly submit my evaluation through an iPhone or an iPad, that makes me a lot more productive.

Rap was forbidden with the people who were interviewing us and the shows that I was getting [booked on], and I had kind of crossed over. So Jerry [Heller, who managed N.W.A.] would tell me, 'Do not say you're a rapper, always say you're R&B.'

So many of us can recall growing up with Gene Okerlund as the voice of our childhoods while interviewing the likes of Andre The Giant, Hulk Hogan, Roddy Piper, Ultimate Warrior, Randy Savage, Sting, and others.

In China, because Chinese is a tonal language, it can be kind of hard to follow people's emotional tracks. There was one moment where a woman I was interviewing just sort of burst into tears, and I can usually sort of tell when things are coming on, and in that moment, it was very unexpected.

Through all of this lovely interviewing, and nice things people say, and the rest of it, I have learned that I am an actor. That is my profession. That is my job. That is how I make a living. So I am just out there making a living.

When you are interviewing someone, you have a chance to follow up, to press, to dig in. In a debate there's 30 seconds for the other guy, too. And the goal is to get them to engage with each other, not to engage you necessarily.

Basically, it's somebody who got stuck having to interview me who really wants to be a novelist, so they're writing these novellas and I was like, "It's not true, that didn't happen, they just made all that up! Why don't they just go ahead and be a novelist instead of bothering with interviewing me?"

I never drove a car. I'm hopeless that way. I press the wrong buttons on the tape recorder. But if the person I'm interviewing helps me out, that person feels needed. People need to feel needed.

It's the rejection that is hard. It's not the interviewing that's hard. It's not the photography that's hard. It's, you know, approaching people all day long and having a good portion of those people reject you and some of them be rude.

I am interviewing people with a spirit of genuine interest and compassion, and therefore, the general tone of the site is one of genuine interest and compassion. The moment that culture changes, 'Humans of New York' is no longer viable.

The term 'perjury trap' means interviewing someone for no underlying crime and no other purpose except with the hope that the person forgets something, or another witness remembers things differently. Either way, somebody gets charged with perjury.

I wrote '33 Men' in eight weeks. Not only was it a combination of simultaneously writing and interviewing, but as I dug deeper into the miners' story, I found the key to their success was the ability to place their individuality on the back burner and bring forward the sense of a collective group responsibility.

It's hard to put yourself in front of a camera, in front of the world, when you don't feel like you look the part. I've always had that problem. But I deal with it every day. When I'm interviewing, I'm like, "How do I look? Do I look all right?"

No longer do companies study consumers' psyches only by asking people what they think about technology and how they use it. Now they conduct observational research, dispatching anthropologists to employ their ethnographic skills by interviewing, watching and videotaping consumers in their natural habitats.

Throughout the lead-up to the war, CNN worked hard to air all sides of the story. We had a regular segment called Voices of Dissent in which we spent time covering antiwar protests and interviewing those who were opposed to the war with Iraq.

You get more out of doing a web series than a pilot, in some ways, especially when we were interviewing for writers. They had already seen what our show looked like, rather than something that we wrote that doesn't get picked up and they never see it.

And I managed to arrange to get some research support and to stay in Hong Kong for another year and a half, interviewing people coming out of China, both Westerners and Chinese. And that was my first real research study on thought reform or so-called brainwashing.

If someone teaches you alignment and - I'm not a tai chi expert by any stretch - so interviewing me about tai chi is kind of the cart before the horse - but just from my point of view as a student, it's simply that Master Ren can show you the relationship of power, stance and form.

Most of life is offline, and I think it always will be; eating and aching and sleeping and loving happen in the body. But it's not impossible to imagine losing my appetite for those things; they aren't always easy, and they take so much time. In twenty years I'd be interviewing air and water and heat just to remember they mattered.

Whenever television cameras are interviewing people in their homes, I tend to look over their shoulders and have a good snoop at their living rooms. I am always astonished at how clean they all look, with nothing out of place or unnecessary or dropped down any old how.

I'm not being arrogant or blase, but I got a bigger buzz sitting opposite Jean-Bernard Delmas over lunch at Chateau Haut-Brion than I did from interviewing Elton John, Liza Minelli or Whitney Houston.

So often on CNN, there's a world-class journalist interviewing campaign rejects and ideologues and silly, craven people who do not care about informing people, that aren't there to help people understand what's going on in the news.

I once wrote a book on women in science. I realized when I was interviewing them that they were the equivalent of writers, or anyone else who tries to make art out of life. Through science they had reached the expressive.

When you are interviewing someone, don't just write down what he says. Ask yourself: Does this guy remind you of someone? What does the room feel like? Notice smells, voice inflection, neighborhoods you pass through. Be a cinematographer.

I think the gold standard is a clinical diagnosis, that an astute clinician interacting with a child, interviewing the parents, talking with teachers makes the diagnosis based on some standard tests and also on clinical impression and skill.

I started shooting 'The Defenders' two days after I wrapped' Friday Night Lights.' I was doing research for 'The Defenders' throughout - interviewing lawyers and sitting in courtrooms just to watch - but there's something fun about throwing yourself in the water and learning by doing.

One of the things I like about our contract is that you have relieved me of a great deal of personal interviewing and corresponding, among other things, which allows me a lot more time for painting.

I have the version of me where I'm interviewing someone, where I definitely am the straight man, and I like to show a lot of respect to my guest and let them take the reins. I don't like to compete with my guests. I don't like to be funnier than my guests or get into a 'Who's wackier?' sort of thing.

In years of interviewing presidents, prime ministers and chief executives all over the world, I can remember only a handful of times in which a leader has said: 'I don't know' in answer to a question. Perhaps everyone I have ever interviewed knows everything about everything, but I doubt it.

When interviewing for a job, tell the editor how you love to report. How your passion is gathering information. Do not mention how you want to be a writer, use the word 'prose,' or that deep down you have a sinking suspicion you are the next Norman Mailer.

Kathy Dewar, my high-school English teacher, introduced me to journalism. From the moment I wrote my first article for the student paper, I convinced myself that having my name in print - writing in English, interviewing Americans - validated my presence here.

In the course of interviewing, I've discovered that if you don't give your guest something to react to, they don't react. They simply say what they've been saying every time they've been interviewed. The last thing you want is to have people say to you what they've said to someone else.

I spent a lot of time with the LAPD. I spent six weeks training, weapons training, ride-alongs, surveillance, interviewing them, in all different departments and divisions.

The excitement for me lies not so much in interviewing the hard-to-get famous person, but the person whom you are about to discover. You know, like maybe the character actors who are just coming into their own and you're realizing how great they are.

What I always tell people about Trump, or Kellyanne Conway, or Sarah Sanders, is that when you are interviewing these people, it is really more about the interviewer than the interviewee. What I mean by that is that the interviewer has to be ready to interrupt, fact-check, challenge, rebut.

Which is worse - being a has-been or being the guy interviewing a has-been?

I became the storyteller of South Side Chicago. I used an old Kiwi liquid shoe polish as a microphone. I'd go around the house interviewing everybody, telling stupid jokes, doing voices. I mimicked Sidney Poitier, Sammy Davis Jr., people on 'Laugh-In,' Flip Wilson.