Top 1200 Interviews Quotes & Sayings - Page 16

If I do three interviews in a day, I can be exhausted, because the process of hearing everyone requires that I empty out myself. While I'm listening, my own judgments and prejudices certainly come up. But I know I won't get anything unless I get those things out of the way.

In interviews with dozens of black advisers, friends, donors and allies, few said they had ever heard Mr. Obama muse on the experience of being the first black president of the United States, a role in which every day he renders what was once extraordinary almost ordinary.

They see us interacting with people, they see us doing serious interviews, they see us having fun, and when you're conversing with someone, you get a much clearer impression of who that person is than if they are just reading into a news piece.

The increasing legal pressure against archives has created anxieties among researchers, librarians, and journalists. They cite the need to protect sources who wish to make a record for posterity; procuring documents and interviews from those sources will be difficult if the fruits are only one subpoena away from disclosure.

After so much reality TV and confessional celebrity interviews, the public is tired of accessible stars. Who needs them to be 'Just Like Us?' 'Just Like Us' means just as boring as we are.

In interviews, I never wanted to play into the myth of, 'Yeah, I was sitting there doing nothing, and then made 'Slacker.'' No. I'd been making shorts, a Super-8 feature, and running a film society. I always try to stress to people that there's a lot of work involved and years of preparation. But no one wants to hear that part.

For 'Frost/Nixon,' everyone I spoke to told the story their way. Even people in the room tell different versions. There's no one truth about what happened in those interviews, so I feel very relaxed about bringing my imagination to the piece. God knows everyone else has.

But for every hour and a half on stage, you have a five hour long bus ride, waiting for five hours at the airport, five hours of interviews... I know, it's part of the job, but that doesn't imply I have to like it.

In the most polarized and passionate, the most angry and aggressive news environment in recent memory, my job as a journalist requires me - often - to push back in live interviews against comments that are unfair, untrue, or leave me thinking, 'Is this seriously happening right now?'

The one thing I cannot stand is when I do interviews, when I interview people, and I listen to the tapes and I hear myself talking and sort of stumble and stammer, or I hear the horrible sound of my own voice, or God forbid I see myself on video, there is that complete revulsion with seeing how I occur in the world.

I read a magazine called 'Cinefantastique' that had just come out with a making of 'Star Wars' issue. They had some very long and detailed interviews with a whole bunch of people at ILM. I think I memorized that whole magazine.

I went to art school, wanting to be a painter and then I got into photography. Then it was movies, and I liked the images. One of the things that interested me in film was that I was communicating in images. That was something I did intuitively and could not even talk about until I started having to do interviews.

People think that I can just walk into a room and get a job, but of the 200 interviews and auditions I go through a year, I may get three yeses. I just have to use my sense of humour to get me through.

Outside of interviews, I spend very little time thinking about myself. I spend time thinking about my writing and my children and other things that are pertinent.

They just love the Irish accent in the States. But I just talk really fast because I'm from Cork. It's my speed that really throws them, especially when I get nervous. Doing interviews there is really hard because you can't hear a word I'm saying!

To have the opportunity to be creative and clarify the nature of that creativity, there are definitely some long days, some 18-20 hour days with interviews or computer work, but I have a friend who is every bit as intelligent and creative as me who works at the mill.

Some writers are more natural public performers than others; personally I find it quite strange giving interviews. But everyone has parts of their job that they like more than others. You can't complain if you get to do what you love doing most of the time, can you?

For TV you also get those pre-interviews when researchers ask you what you're going to say. The pre-interview drives me insane. If they've already decided the outcome, why don't I just hand in an essay? Maybe if we talk we'll find something out. I'd rather just have an awkward pause.

The only time we actually even think about our music is in interviews. We have to explain why we do what we do, even though it seems pointless to us to explain it. The rest of the time we just do what we do and don't worry about it.

I'm pretty much an open book. I've pretty much talked about anything I'm going through onstage. Between interviews and curious fans, I've been asked everything. And I always give answers. I don't shy away from anything.

I will say, this is something, this praying for people to die thing, that's something that I came to believe was unscriptural. And for years, I made these arguments to my family, in writing, privately in letters that didn't get responses and in interviews. And for a while, they just doubled down. Eventually, they came to stop doing it.

I don't know what's more embarrassing, these musicians and actors talking about politics in interviews or the media actually giving them credibility about it. It's absurd that a celebrity could speak out on the economy or politics with no more justification than a hit album or a movie.

I want you to understand, when I do these interviews, I say a lot of goofy things because that's what people expect me to say. But I never said ever that I was trying to prove the flat Earth with this rocket. It's to raise awareness, to inspire people, to dream - which is what we used to do in this country.

I did a 20-minute selection of scenes from the play 'Spring Awakening' in college, well before the musical came around, so when the musical was becoming a hot thing, and I was reading interviews with Duncan Sheik about how he came to do the music, I think it's interesting.

I interviewed dozens and dozens of African women who had endured more hardship and trauma than most Westerners even read about, and they ploughed on. I often openly cried during interviews, unable to process this violence and hatred towards women I was witnessing.

I think people enjoy reading about money, but the people who are in charge of giving me guidance tell me not to talk about it in interviews. Why not? That's what everybody thinks about.

I remember my father taking us to meeting with lawyers, interviews with immigration officers, doing everything he could to get us that treasured Green Card - and the happiness, the sense of relief, when he finally did - we knew that we were welcome now, and we would be welcome tomorrow.

There have been many times when I've been asked to appear and I'd say to myself, what am I going to talk about? Early on, when I did interviews, I'd tell everyone, Don't ask me about dates. I don't even remember what I did yesterday.

That's actually one of the most disappointing things about doing user interviews and user feedback, which is why I think... people don't do it. You're going to get negative news about your favorite pet feature most of the time.

A lot of wrestling interviews are boring, plain and simple. They don't say anything you never heard before. Your basic wrestling interview is, you ask me how am I going to do, and I say, 'I'm going to do my best. I'm going to wrestle hard.'

Nobody was ever better than Roddy Piper was when it came to interviews. He didn't pull no punches. He wasn't afraid of nothin' or nobody. He was a trip, and he was good people, too. He was a good friend. A damn good friend.

Radical transparency has an enormous impact on our personal lives. We can no longer share thoughts, quips, photos or personal opinions anywhere on the web without being mindful that they may turn up where we least expect it (notably job interviews, divorce proceedings or public media).

I did interviews with tennis greats, like James Blake and John Isner. I also interviewed tennis pros who aren't well - known but who made all the same sacrifices but had just a little spark of a professional career and are now still orbiting the sport, either as a teaching pro or a coach.

I approach my interviews with the mindset of, exactly what are we selling? How can I sell it the hardest and the most effectively in the fewest words possible? And how can I make each word that I say mean as much as it possibly can? And I bring that perspective to the table because I used to focus a lot on the character that I had to play.

I get nervous when I do print interviews because I know that whatever I say is going to be shown through the lens of whomever I'm talking to. So I've read a lot of different versions of myself - and all of them are true because it's all opinion and they're as accurate as it can ever be. But I don't think that I've been deft at hiding parts of my personality.

People aren't coming out in postgame interviews saying, 'I'm the greatest.' That's not what it's about. It's about I know what I'm about, I know what I do, and I know I truly feel like nobody can cover me. So, when I get my one-on-one opportunities, I try to show that I can't be guarded. That's just a mentality and a mind-set.

I don't have a problem doing interviews. It's not punishment. There's things about it that I don't like. No one else is really saying these kinds of things, so someone has to. I don't think that it's the most humbled thing to talk about yourself for hours and hours and hours.

I'm just there to do interviews and stuff, because we have about 40 media people there, so it's a very, very busy week. But that's the only time. I did marry, I think on one show, about 25 couples in Acapulco Bay once, but that was all just for kicks.

For 'Frost/Nixon,' I had eight people who were present at those interviews - they were all in the room - and when I interviewed each of them, they had a totally different narrative of events, to the degree where you thought, 'Were you all really in the same room?'

It was our goal to dig into the characters and really try to find out why they think the things they think and why they do the things they do - and we got some amazingly candid and revealing interviews - but it's not my job to offer summary judgment on those interpretations.

Spreading the word on a zero budget is difficult. You find yourself spending all night on Twitter following people; using Facebook to leave messages on various club walls; commenting on YouTube clips and blog posts; giving interviews online and taking photos of bottles to send to websites in the hope that they feature you.

I wrote 'Ain't It Cool? Hollywood's Redheaded Stepchild Speaks Out,' because in doing hundreds and hundreds of interviews over the past six and a half years, I was tired of the story being half told or a third told or erroneously told.

I was extremely lucky to get this project [Brief Interviews with Hideous Men]. It was one of those things that I worked on in college. A friend of mine asked me to do a stage reading of that book and I was just completely blown away because, at that point, I was like, 'Acting's having fun with your friends and making people laugh.'

I've been surprised at how much an unknown like myself can accomplish just by reaching out to people and pleading my case. Quotes for the book cover, reviews and interviews, readings and radio appearances - all this by simply moving ahead and making contact with folks I thought might enjoy the writing.

I listen to WTF with Marc Maron, although I'm getting annoyed with him, he's a bit too intrusive and fawning. But he's done some great interviews in the past, like with David Simon, the writer of The Wire, and Bruce Springsteen. He gets fantastic guests. I just wish he let them talk more.

We are diverse, big time. Sully is the main man, which makes sense as the lead man of the band. Tony and myself are quiet; I need to be begged to do these interviews. But it comes down to being a team, that is the main thing. Knowing, understanding and accepting our roles.

But new details drawn from government documents and interviews show that senior White House aides were given information at the time suggesting that a prostitute was an overnight guest in the hotel room of a presidential advance-team member - yet that information was never thoroughly investigated or publicly acknowledged.

Producing a photographic document involves preparation in excess. There is first the examination of the idea of the project. Then the visits to the scene, the casual conversations, and more formal interviews - talking, and listening, and looking, looking. ... And finally, the pictures themselves, each one planned, talked, taken and examined in terms of the whole.

It's wonderful to read interviews by old blues guys - they talk about all their influences, they talk about who taught them how to play, and who they saw, and how they were determined to play that way.

I love doing interviews but yeah, I hope to have a long career like Wendy Williams, like Angie Martinez has or just a lot of people in radio that I look up to. Howard Stern has had a really long career.

A lot of times I feel like people come up to me because they think I'm like my character in Easy A, or because they've seen me in interviews, but really what they're a fan of is a movie or a character.

When 'Game Of Thrones' came out, lots of interviews were coming in, and people asking me to do certain things which would push me out there. Like this whole Instagram and Twitter thing - getting more followers doesn't bother me at all.

Yeah, Kubrick's a big influence. In something like 'A Clockwork Orange,' he is trying to use the practical light - I mean, at least he says that in his interviews, like they're not using traditionally Hollywood lights. In 'Elephant' we basically used no lights; we never really adjusted.

The Holocaust survivor who knows Auschwitz through the experience of suffering observes it all from the perspective assigned to him. He keeps silent or gives interviews to the Spielberg Foundation, he accepts the compensation payments promised him after a fifty-year delay, or, if he is prominent, he makes a speech in the Swedish Academy.

You should never rely on interviews with musicians as being factual. Most of them are mangled and even have made up stuff in them, that is to say, made up stuff by the writer or editor.

People know who you are when you've never met them. For them, through interviews and seeing you perform, they feel like they know you and you've never seen them before. It's really different, but it's awesome.

I love when I meet generous poets, and generous meaning nice people, who give to the poetry community, who do interviews, read other people's books, and talk about them, spread the...love, I guess. That means a lot to me.

A lot of times, I feel like people come up to me because they think I'm like my character in 'Easy A', or because they've seen me in interviews, but really what they're a fan of is a movie or a character.

I've been doing a few interviews since the loss of the SpaceX Dragon on its way to the Space Station. Each one very quickly questions the viability of what they call commercial space in light of the failure. I tell them space is hard: this is what happens early in a program with new technology.

I didn't have a special secret about Sarah Palin. I just had a feeling and some concerns. Her blank stares and her lashing out in some interviews, I think, gave voters pause about her, too.