Top 1200 Interviews Quotes & Sayings - Page 18

Ariel Pink never really existed because he was always Ariel Pink's Haunted Graffiti, but then people started doing interviews with Ariel Pink as if Ariel Pink existed.

The rumors about me being with Jamal Lewis, Adam Carolla and Tiki Barber are absolutely false. I've never even met Adam or Tiki Barber in person'we did phone interviews. What happens is that a lot of high-profile men saw topless photos of me.

If you look at my career and you look at the span of my work and the things I have done, as far as to garner fame, you'll see that I have turned down more interviews than I do. Or I turn down more things than I do.

Then instead of introducing Dre as the guy from N.W.A., Jerry Heller would say Dre was my producer! Dre would come to my interviews with me - he'd come to all these places that would never have had the guy from N.W.A. Wasn't it genius?

I also think there's too many players who say the same boring answers, they don't even have to turn up to interviews because journalists answer their own questions the way they ask them. Unfortunately the way it is now players are so afraid to say anything, but I'd like them to be honest.

I think Bob [Dylan] told me that he turned down twenty interviews that year, and I was the only one that he sat down and did an interview with. And, he said that it was one of his highlights, and it was one of my highlights. And, I was very glad to talk with Bob. I found out that he was a good fan of mine, and that tickled me.

I'm doing interviews and there are pictures of my face, so it's not like I'm hiding who I am. As soon as you say what your name is, everybody writes that in every interview, and it kind of annoys me. My name's SOHN. It's not really much more complicated than that, and there are loads of artists in the world who have one-word names. I'd like to somehow be able to close a door somewhere.

It's very rare that you get a part that you actually like. People have a misconception, whether it be because actors lie or because you're reading interviews from giantly, massively famous actors, but you don't just get offered parts, all the time. You actually have to work to get them.

I definitely have body issues, but everybody does. When you come to the realization that everybody does that - even the people that I consider flawless - then you can start to live with the way you are. I've read interviews with some of the most beautiful women who have insecurities. And you look at them and you're like, 'How do you have? Name one thing wrong with yourself,' and they could name a handful.

We spend a lot of time on Skype and other video interviews, and it's funny how many people will prepare for a Skype interview by wearing a formal suit jacket with pajama pants on the bottom. Then suddenly, someone is at the door, and you have to get up, and you realize you're wearing reindeer boxers. Just put pants on.

I believe Michael [Jackson] in a sense is an American martyr. Martyrs are persecuted and Michael was persecuted. Michael was innocent and martyrs are innocent. If you go on YouTube and watch interviews with Michael, you don't see a crack in the facade. There's this purity and this innocence that continued [throughout his life].

There's so much about Dolly Parton that every female artist should look to, whether it's reading her quotes or reading her interviews or going to one of her live shows. She's been such an amazing example to every female songwriter out there.

Autobiographical writings, essays, interviews, various other things... All the non-fiction prose I wanted to keep, that was the idea behind this collected volume, which came out about few years ago. I didn't think of Winter Journal, for example, as an autobiography, or a memoir. What it is is a literary work, composed of autobiographical fragments, but trying to attain, I hope, the effect of music.

Snoop Dogg has always held me up. He's always held me above the fray, and that keeps me relevant. Wherever he goes, he takes my name with him when he does interviews. He's talking about me. He keeps me alive, and that feeds my spirit.

I hadn't performed or been in the public eye for about 16 years. When my husband passed away, I was obliged to go back to work to take care of our kids. I also wanted to do a record in memory of him. So we did Gone Again. During that process, I had to be photographed and had to go back to doing articles and interviews.

Back in my time, and I sound old now, it was black and white boots and that was it. Now you've got snoods, people wearing headphones when they are doing interviews, which I find disrespectful, pink boots, green boots, you name it they've got it, tights - they'll be wearing skirts next.

I watch like, Steve Jobs interviews, I don't really watch TV. I stopped watching TV when I turned like ten because my parents were like, 'TV's really bad for you.'

In high school I read [Lev] Tolstoy's "Anna Karenina" and loved it. Then I read [Friedrich] Nietzsche's "On the Genealogy of Morals" and that hit me hard. I don't know where I got it. My parents warned me not to mention either of those books when I went for my college interviews so I wouldn't seem like an egghead. They told me to talk about sports.

I would watch a lot of old tapes of David Letterman doing his talk show and a lot of interviews. I never had a mentor in my career because my approach has always been so different. Letterman stayed true to who he was, and his staff was always fantastic, so for me, that was always important.

When I was younger, I would set up Grammy parties at my house where I would invite all of my friends over, and my whole family would sit in the living room glued to the TV. But I would just dream of someday going there, and I would watch the red carpet interviews over and over and study what was happening.

Emphasize your strengths on your resume, in your cover letters and in your interviews. It may sound obvious, but you'd be surprised how many people simply list everything they've ever done. Convey your passion and link your strengths to measurable results. Employers and interviewers love concrete data.

Very few interviews are a conversation. It's usually a question and I have to answer for two minutes. By the end of the day, I kind of feel gross. It's like you go to dinner with a friend and then you get home and you're like: "Ugh, I dominated that conversation too much. I wish I let them talk more." That's how it feels for me every day I do press.

Look, I don't have a Facebook page because I have little interest in hearing myself talk about myself any further than I already do in interviews or putting any more about myself online than there already is. But if I wasn't in this position, I'm sure I would use it every day.

Sometimes as actors and artists, we don't really get to be an effective and integral part of the promotional process, other than doing interviews. With Twitter and Facebook now, and all of this stuff, it really allows us to play and have fun, vis-à-vis the pictures that I send out on Twitter every day, or little videos, or whatever it is.

Last week John McCain said the fundamentals of our economy are strong. This week, he said it's the worst crisis since World War II. So he suspended his campaign, unless you count doing interviews, airing attack ads, sending out surrogates on TV to attack Obama.

We care if people like what we did. If you're just making records for yourself, why put them out and do all these interviews and do touring? I'm a huge music fan, and this is what I do with my artistic time. It's all I really do, except hang out with my family. I value human relationships, and it's a way for me to interact with the world and feel like I'm part of something.

Emphasize your strengths on your resume, in your cover letters and in your interviews. It may sound obvious, but you'd be surprised how many people simply list everything they've ever done. Convey your passion and link your strengths to measurable results. Employers and interviewers love concrete data.

It is said that I'm distant and cold. I'm just someone who's very shy. I'm not comfortable doing interviews because I have to talk about myself. To talk about yourself, you have to know yourself pretty well and I feel like there are still some shades in me that I don't know about.

Unfortunately, the reporters ask the same questions over and over again. When reporters keep asking the same questions, they've got to recognize I may hear these questions 20 to 30 times in a matter of days. It gets to the point where I think, 'Read the other interviews!'

Sometimes, all the interviews, those are the toughest thing for me, but once you really start to do it a lot and start to get used to it, I can find some fun in those parts, too. Because playing golf is the easiest thing for me, and that's something I'm so used to; that's why it was always easy.

It's good to talk sometimes. Sometimes interviews are really good for you... You end up evaluating yourself more and talk about stuff that an ordinary person wouldn't necessarily keep revisiting. I used to close myself off and want to be alone, but now I'll call a friend. When you're in a relationship, they're that person.

It's a weird situation, doing interviews. Nowhere else in the world can you talk about yourself and have people listen like they're interested over and over. Most people, if they talked about themselves for a half an hour, you'd go, "I'll give them a miss next time." So it's kind of weird.

In several speeches and interviews, Donald Trump has brought up his book 'The Art of the Deal,' and said that Obama would have negotiated a better deal with Iran if he had read it. It got even more awkward for Obama when Iran was like, 'It worked for us - you guys got screwed!'

Despite his [Artie Shaw's] affectations of reclusiveness, he never tired of talking about himself, as countless long interviews reveal. I do not recall an anecdote he ever told me that was not in some way intended to convey a sense of his own superiority to everyone. . One wonders how a person of his character could produce such beauty.

Just because a movie is satisfactory means that the person who makes it is satisfactory. One can make a wonderful movie but still not be a wonderful person. In terms of interviews, it's probably not a good idea, because moviemakers tend not to tell the truth, even when asked a question.

I got irritated with people asking us the same questions. Like, 'Are you a real band?' Journalists wanted to slay us, tried to cut us down, and I just started caring less and less about doing interviews. With Facebook and Instagram, you kind of don't need to anyway. But now and again, we'll do something when there's new information to share.

When you're coming up in the business, there are so many people giving you advice and people prepping you for interviews: what to say, what not to say. When you don't know the business, you kind of take all that on and say, 'This is what I need to do, and I need to do what people tell me to do.'

We're bringing a focus on wrestling. We're bringing an emphasis on wrestling matches and action taking place in or around the ring. We'll do great interviews too, but in these segments, we can do it all in the arena and around the ring. We can do some stuff backstage; we just don't spend half the show backstage.

It's funny when people say they see a lot of Madonna in me. I just feel so flattered because I love her and I am just her biggest fan. She is very strong. I love the way she does interviews -you know you won't get anything past her.

I remember when I first started modeling, and I would read interviews with people. Then I would see them, and they would always say something entirely different to a crowd of people than they would say privately. I always found that really offensive.

Trump's Fox News fixation was a major theme of his presidency. He hired people from Fox, fired people because of Fox, and gave most of his national TV interviews to Fox. Sometimes it was hard to tell where Trump ended and Fox began.

When I was older and I first started working, I was obsessed with buying my first Chanel jacket. I saved up my hard-earned money, went to Barneys, and bought a little black Chanel jacket. It saw many, many job interviews and many, many events. I'm not fitting into it lately, but I still have it.

My life is split in three parts; I don't know the percentage. One could be called "chess" - the Kasparov Chess Foundation, promoting the game, training young players, playing on the internet, sometimes exhibitions. The second area would be "writing" - books, articles, Twitter, Facebook. And then "political activity" - fighting for human rights and democracy, so TV, interviews, speeches.

I am a guy that does a million other things in addition to boxing. I have a lot of other stuff that I have been into my entire career and I have put all of that on hold now I am doing more stuff involving the actual promotion of the fight like doing interviews and making appearances.

One guy that really inspired me was Michael Jordan. I wouldn't say that he inspired me as a sportsman, but I love going back and watching videos of him, especially how he conducts himself in interviews. He always seemed to be very careful about the words that he used and thought about everything differently to anybody else.

The only reason I do these interviews - I hate talking about myself, I hate doing this stuff - is because incredibly well-meaning people, whom I respect and trust, tell me that this will help bring about positive changes. It's not going to cause a sea change, but it will benefit the public.

When the first Superman movie came out, I gave dozens of interviews to promote it. The most frequent question was: What is a hero? My answer was that a hero is someone who commits a courageous action without considering the consequences. Now my definition is completely different. I think a hero is an ordinary individual who finds the strength to persevere and endure in spite of overwhelming obstacles.

The reason I don't like interviews is that I seem to react violently to personal questions. If the questions are about the work, I try to answer them. When they are about me, I may answer or I may not, but even if I do, if the same question is asked tomorrow, the answer may be different.

I usually get involved in the interviews about the animators and the filmmaking in general, because I had a chance. I got to know, not only Marc Davis, but Frank Thomas, Artie Johnson, Ward Kimball, all these great animators, and just ask them all these questions about how they did certain things, what their trials and errors were, the ups and downs.

If I could get better on the field, I could get better in my interviews. I took that approach: if there's something I'm deficient in, whether it be in relationships, whether it be talking to people, just that self-reflection to seek people out who can help me.

The best thing about doing a signing tour is that numbers become faces. I got to sign books for six or seven thousand people, all of whom were dreadfully nice. Everything else, the interviews, the hotels, the plane travel, the best-seller lists, even the sushi, gets old awfully fast. Well, maybe not the sushi.

I used to play a lot of foreign women in my youth because I was prettier then. I would go for interviews, and directors would look at these sultry, exotic looks, hear this clipped accent and think the two don't go together. So they would give me a foreign accent.

I like women, especially beautiful ones. If they have a good face and figure, I would much prefer to watch them being murdered than an ugly girl or man. I certainly don`t have to justify myself to anyone about this. I don`t care what anyone thinks or reads into it. I have often had journalists walk out of interviews when I say what I feel about this subject.

I've been blessed over the years and I want to help guys to feel good about themselves when they're going for job interviews. You walk in for a job interview, you feel good about yourself, you look the part, you get that confidence going.

Being so pathetic, I don't read. I just ... do things - writing out interviews you can't read, on pictures of footprints and things like that. I kind of like the idea of nailing the thing down and not really showing too much about it. There's just so much you can take for collage nowadays.

Every interview is as much an impression of the journalist as it is the artist or subject. You look at interviews and you see a portrait of two people. The worst thing that can happen is if you're misquoted and then that quote is misquoted. That does drive one crazy. The most embarrassing thing is when your words are misrepresented or sometimes you say something stupid and you live to regret it.

Traditional technical interviews are terrible for everyone. They're a bad way for companies to evaluate candidates. They're a bad way for candidates to evaluate companies. They waste time and generate stress on both sides.

In 2014, I knew my English was not so bad, but I had no confidence in talking directly to an English-speaking reporter. I had to do a short interview with, I think, Reuters from France. I was so nervous. I practiced memorizing three sentences for two hours. But, I think that these kinds of interviews make me develop a lot, and that helps me.

I can't control how high my song goes on the charts, you know what I mean. I mean, I can sway it a little bit by working as hard as I can, hopefully being a decent person and giving good interviews and working hard on the road and being nice to people and shaking hands and doing everything you can do.

The Italian journalist Oriana Fallaci used to say that for her, an interview was like a war. I get the sense that we've forgotten that here in the United States. You turn on the TV, and you see very bland interviews. Journalists in the United States are very cozy with power, very close to those in power.