Top 1200 Inventing Stories Quotes & Sayings - Page 17

In the '50s, a lot of stories were built around radiation and the proliferation of new technology. In the '70s, there were a lot of stories that dealt with the Vietnam War. So comic books have always been a reflection of the times we live in.

I'm glad people see some of the stories that way. I see where they're coming from, although none of the stories are specifically intended to arouse. There is a gender divide on the short story "The Girlfriend Game" - women seem to consider it "sexy" but men usually find it uncomfortable.

Sanitising stories, leaching out all of the sense of danger and the darkness out of the stories, actually reduces them and stops them from doing what they're supposed to do, which is teach us how to manage our lives.

If I didn't get joy from acting, I wouldn't do it. My passion for acting is growing and I love telling good stories and inspiring stories and helping to give a little happiness to the world and perhaps get the audience to think about different issues.

The truth is I am inventing the maybe. I can only make the choices I make, so why torture myself with what I might have done, when all I can handle is what I have done? The Maybe Islands are hostile to human life.

My mother was a children's librarian. I remember when traditional stories were revised for modern audiences until they bore only a nodding acquaintance with the originals, but were released as 'authentic Indian stories' when they were, in fact, nothing of the kind.

I'm trying to create a collection of stories - the 'U.F.O.W.A.V.E.' songs are all stories. I haven't really taken direct lyrical influence from other songwriters, but my dad bought me a book of W.H. Auden's poems when I was younger, and the imagery really interested me.

If Christianity was something we were making up, of course we could make it easier. But it is not. We cannot compete, in simplicity with people who are inventing religions. How could we? We are dealing with Fact. Of course anyone can be simple if he has no facts to bother about.

Stories heal us because we become whole through them. In the process of writing, of discovering our story, we restore those parts of ourselves that have been scattered, hidden, suppressed, denied, distorted, forbidden, and we come to understand that stories heal.

Why can't Google, which likes to see itself as a 'Don't Be Evil' benevolent force in society, just write us a big check for using our stories, so we can keep checks and balances alive and continue to provide the search engine with our stories?

My early stories revolved around reality and faith. I wrote a series of stories about the darker aspects of Christian myth: a woman who hides in the attic and watches the Apocalypse, a cult whose members preserve themselves in huge formalin tubs waiting for the Second Coming, and so on.

I wasn’t thriving socially, so I stayed in my room and played guitar all the time, at the time, I thought I was inventing a new sound that would change the whole outlook of music. I’ve discovered in the last few years that it was just the Seattle Sub Pop sound.

I visualize myself winning the Olympic Pentathlon, inventing a phone that can be controlled by brain waves, or doing the laundry. I do not actually DO these things, but I see myself doing them, and that is almost MORE satisfying, because I am also lying down.

I love stories about teachers. For some reason I can't get enough of those kind of stories. If I turn a movie on about a teacher, I love it. I love that idea of an adult influence on kids.

A lot of times, we also have to live and work. You have to make money to pay rent. In that respect, I don't think you can be so demanding. Those great stories are not the normal stories that come on a daily basis. It's a struggle to land those roles. Everybody is looking for the good parts.

Writing is writing, and stories are stories. Perhaps the only true genres are fiction and non-fiction. And even there, who can be sure?

At the end of the day, as cheesy as this sounds, people love love stories and Bachelor Nation truly wants to root for somebody and have people find their love stories.

'M Train' will take you in and out of dreamscapes and reality and remembrances with prose so spare and matter-of-fact that it delivers a much bigger emotional punch. Patti Smith doesn't need to embellish; she just tells her stories... and her stories are incredible.

I have been watching how Indian women are forced to do certain things, as the stories of sacrifice and devotion in mythology demand from them. And then there are inspiring stories about women like the Rani of Jhansi that offer women refreshing role models.

History is not the past. It is the stories we tell about the past. How we tell these stories - triumphantly or self-critically, metaphysically or dialectally - has a lot to do with whether we cut short or advance our evolution as human beings.

Raising a child is very much like building a skyscraper. If the first few stories are slightly out of line. no one will notice. But when the building is 18 or 20 stories high, everyone will see that it tilts.

I always thought that life is full of stories and characters that feel like literary stories and characters. So when I started making documentaries, they weren't humble empirical things, just following people around. I was always trying to impose a story.

Imagine how many aspects of nature we would miss if we lived on the surface of the sun. Without inventing refrigerators, we would only know gaseous matter and never observe liquids or solids, and miss the beauty of snowflakes.

I love storytelling. I love stories, and I love the way in which we connect through stories.

A travel book is about someone who goes somewhere, travels on the ground, sees something and spends quite a lot of time doing it, and has a hard time, and then comes back and writes about it. It's not about inventing.

My work is always based on reality. I'm not an artist that creates works of fiction. I'm not an artist who is in my studio inventing things out of my imagination - everything is based on reality, on real facts.

There's obviously a lot of controversy around the issue of hunting as there is around gambling, and I like these stories where there is a moral dimension, stories that force you to think about your prejudices about a subject and explore the extent to which they are justified.

We, as producers, want to tell the best stories. We want to tell the stories that people will talk about.

No song or poem will bear my mother's name. Yet so many of the stories that I write, that we all write, are my mother's stories.

We promote Asian storytelling - not just Asian stories but Asian people in stories with the full spectrum of the human experience. When you say, 'Oh, it's not enough attention on Asians. It's more black and white,' that game becomes like you're playing the discrimination Olympics.

Good stories must travel through conflict. And in epic stories, the conflict must become unbearable.

I like characters and stories that challenge the status quo. Lately, I'm really interested in history because I find that in my public school education, I didn't learn about women in history. I want to introduce the world to some great stories and incredible heroes.

It's not all about content. It's all about stories. It's not all about stories. It's all about great stories.

So welcome 'Damsels in Distress,' an exhilarating gift of a comedy about college, the female intellect, the limitless male ego, inventing a new dance, and suicide prevention... This is the world as Stillman sees it, and to luxuriate for two hours in that retro bubble of sparkling wit is a pleasure not to be missed.

Ever since I can remember, I've always wanted to tell stories, but I never had the patience to sit down at a typewriter and write short stories or anything like that. I started writing songs as a way of communicating ideas the best way I could.

Stories--from the literature of our culture to descriptions of our days to the lunatic's ravings--appear to be hardwired into us. Even in sleep we tell ourselves stories through our dreams, and it's been shown that those who are prevented from doing so cease to function.

Politicians used to have the confidence to tell us stories that made sense of the chaos of world events. But now there are no big stories, and politicians react randomly to every new crisis - leaving us bewildered and disorientated.

I think that's why I'm an actor: so I can tell those stories without having to really live through those stories with real consequences and real stakes, real responsibility.

I had no idea Savage Season was the beginning of a series. I wrote the second one about three years later. The character of Hap wouldn't stop talking to me, and then there was a third, and over the years nine novels and a collection of stories and some uncollected stories.

Don't get me wrong - I don't want to be mean to the scammers. There are lots of people online who do that. I'm content merely having fun inventing, and I figure any time they're spending with me is time in which they're not scamming vulnerable adults out of their savings.

I want to work with great directors and tell great stories - storytelling is the one great love of my life, and it means so much, and we have the ability to change the world by telling stories, and I want to keep doing that.

When a culture is not mythologically instructed, not instructed in story that gives us a call, then we start looking for quasi-stories, little toxic stories that keep our selves alerted and spared until we find another story.

I have found that the person with a sense of story built in from childhood is in better shape than one who has not had stories . . One knows what stories can do, how they can make up worlds and transpose existence into these worlds. . . .One learns that worlds are made by words and not only by hammers and wires.

Sometimes people get fairly obscure just for the creative license of it, and that can backfire. Iconic stories are iconic for a reason, and there are so many incredible, iconic history stories that have not been told that we don't need to go too deep in the well yet.

The first two books that I did by myself were long stories in verse. I knew I could do that because I'd written a lot in verse. But, verse stories are hard to sell, so my editor encouraged me to try writing in prose.

Every time we teach a child something, we keep him from inventing it himself. On the other hand, that which we allow him to discover for himself will remain with him visible for the rest of his life.

For reasons which I can't logically explain, in all of the films I've done, I've ended up doing love stories of one kind or another, and it seems to me that love stories are extremely dependent on the obstacles you can place between the lovers. There is no love story without it.

Some of the most amazing stories are happening on the global scene. My extraordinary producing partner, Joslyn Barnes, she's just virtually changed my life with the way she constructed this company and how we go about telling the stories we want to tell.

I felt more doubtful than usual with 'Goon Squad,' because I knew that the book's genre wasn't easily named - Novel? Stories? Novel-in-stories? - and I worried that its lack of a clear category would count against it. My hopes for it were pretty modest.

Writing was my companion and stories were my companion when I was bedridden and didn't think I was going to walk again and all of that treacherous stuff. And stories are how you can comfort a child. It's certainly how I comforted my daughter, in good and bad times.

It is easy to say that if such harassment happens, walk out of your job. But people depend on that job. It is about their livelihood, a question of survival. So while we must encourage victims for coming up with their #MeToo stories, we should not judge women for not sharing their stories.

The formal stuff feels old and windy. Not to say you shouldn't know prosody. But it's a wonderful time for exploratory poetics. Contemporary poets are inventing all kinds of wild, complex shapes for poetry, as we see. It's a wonderful time, less ego-centered.

Digression is my passion. I'm not kidding. I love telling the main stories, but in some ways, what I love most is using those narratives as a way of stringing together the interesting stories that people have kind of forgotten and that are kind of surprising.

This kingdom of God life is not a matter of waking up each morning with a list of chores or an agenda to be tended to, left on our bedside table by the Holy Spirit for us while we slept. We wake up already immersed in a large story of creation and covenant, of Israel and Jesus, the story of Jesus and the stories that Jesus told. We let ourselves be formed by these formative stories, and especially as we listen to the stories that Jesus tells, get a feel for the way he does it, the way he talks, the way he treats people, the Jesus way.

I tell stories about the people around me, I tell stories about me. I tell stories about my hood.

I'm very jealous of an era where people were inventing something so beautiful as the Concorde and thinking that's the next step. I'm jealous of an era when people thought, "Let's finally go to the Moon."

When I hear other people's stories, I like to believe that they contribute to my 'Encyclopedia of Human Experience.' The stories I hear help me expand my definition of what love is, what pain feels like, what sacrifice means, what laughter can do.

You'll notice that my books offer great variety. Some are for adults, some for children and some for teens. There are mysteries, historical novels, picture books, love stories and stories of crisis and courage.

And there are two types of stories. One type is one's own story. The other type is telling the stories of others. Thanks to this genre, writers of nonfiction can now use the tools of the reporter, the points of view and ear for dialog of a novelist, and the passion and wordplay of the poet.

Like many writers, I started by writing short stories. I needed to learn how to write and stories are the most practical way to do this, and less soul-destroying than working your way through a lengthy novel and then discovering it's rubbish.