Islamic State practise a brand of Islamic law so strict that apparently Raqqa only has two Irish Pubs.
The accent of a man's native country remains in his mind and his heart, as it does in his speech.
I know in London a Welsh hairdresser who has striven so vehemently to abolish his accent that he sounds like a man speaking with the Elgin marbles in his mouth.
I grew up poor with a very distinctive working-class accent. In England in the 1980s and 1990s this would have impeded my professional advancement. This background has never set me back in America.
It's true of Irish Catholic families. They're big on story telling and big on saving stories from one generation to the next.
It was in a stonecutter's house where I went to have a headstone made for Raftery's grave that I found a manuscript book of his poems, written out in the clear beautiful Irish characters.
I do know Joe Lansdale has the most extraordinary voice you've ever heard in your life in terms of an accent that, when I started doing it, they had to go, 'Whoa, we need less.' But that's how he talks.
It's so funny how it's impossible for an American actor to play an English part or an Australian part. But by all means, come and bastardize our accent as much as you want.
Yes, I am an Irish lass through and through.
Our Irish blunders are never blunders of the heart.
Howth is a wonderful part of the world. I love the Irish. Howth is extremely charming so anyone would be lucky to have a house there.
Supposedly I've got traces of an English accent, though I can't hear it. I must have inherited it from my mother, who's English, and then I think it was exacerbated by the fact that I live with an Australian.
If one could only teach the English how to talk, and the Irish how to listen, society here would be quite civilized.
My wife is funny. And I dabble in it. So being funny is big around our house. But what's surprised me is my daughter can do an English accent. I don't know how she learned this.
I am half Bengali and half Irish by birth.
My mother - the Irish side of the family - was very musical. My mother was a singer; there was music around the house all the time.
They say there are only two kinds of people on St. Patrick's Day: the Irish, and the people that drive them home.
If there is a distinctive Irish experience, it is one of division, exacerbated by the fact that division in a country so small seems perverse. But the scale doesn't matter.
I didn't act in Israel, but I wrote plays at home and acted in plays at school. I tried to get an agent when I was 12, but they told me that I had too much of an accent.
How come foreign accents are so sexy? If I say, 'I'm going to the store,' it sounds boring, benign and rudimentary. But if it's said with an accent, it sounds fundamentally cool.
Though every film teaches me at least three new things, I don't subscribe to doing homework about a character's backstory unless it's a historical role or one that requires training in accent.
When I was about five, I could do a vaguely decent American accent - straight through kind of decent - and 'Hercules' needed some kids. I definitely wasn't a good actor.
I thought it's very funny that I ended up as a voiceover guy because when I started out as an actor, I had a very strong Long Island accent.
But I will say that living in Ireland has changed the cadence and fullness of speech, since the Irish love words and use as many of them in a sentence as possible.
My younger self would be proud that I'd made it and that someone with my accent had got on the radio and telly. It would make her happy that I'd stuck to my guns.
It's a loser's emblem (swastika), because the Nazis lost the war. It's ridiculous to suggest we are involved with fascists. All my best friends are black, gay, Irish or criminals.
After my son died, I went to a psychiatrist. He proved - or I proved - that Sigmund Freud was correct when he said that the Irish are impervious to psychoanalysis.
I am Michael, and I am part English, Irish, German, and Scottish, sort of a virtual United Nations.
I would love to be able to speak my own language and maybe have an interview in Irish, maybe after my fights.
Accents influence a performance. If you look at Stanislavski, he says work from the in to the out, and I probably overall work the other way. I find an accent and a mood, and that influences the character massively.
Extraordinary scenes there at the end. I think some of the crowd chanting 'Italy! Italy!' were actually Irish.
I have a smaller bottom lip, but in 'Wheeler,' I had a lip over my lip. It's fat, and it helped with my accent.
Irishness is not primarily a question of birth or blood or language; it is the condition of being involved in the Irish situation, and usually of being mauled by it.
Coming in and out of Hollywood for pilot season, I may have to thicken my accent or hear that, physically, I'm not Latino. I not only am, but there's another 50,000 people who look exactly like me.
In 'Shirin Farhad' I play the character of a Parsi woman. Though I was born a Parsi, in a Parsi family, I don't have the right accent.
I'd like to do a little bit of everything. I think the only thing I can't do is a British accent, so that's out. No Shakespeare for me. Unless it's like one of those modern-day remakes.
I see myself as part English and part American, with a dash of Irish thrown in, and a pinch of Italian from my mother's ancestry.
The films that I've made with my company Irish DreamTime are close to my heart. 'The Greatest' being one of them, and 'Evelyn' being another.
Niall Ferguson is an intellectual fraud whose job, for years, has been to impress dumb, rich Americans with his accent and flatter them with his writings.
Cursing is heavily used in the Irish language. It's not a stretch for me, and I have no qualms about it. It doesn't fall far from the real me.
I can't speak much Italian. I do go down well over there, but it's frustrating because I can't really speak it. Even if I do talk, they can't understand my accent, but I should try to learn it.
There aren't a lot of Portuguese models, so everyone always expects me to be Brazilian because of my features, sometimes even American, as I have a slight American accent when I speak English.
I don't need to convince anybody that I know kung fu, but maybe somebody needs to know that I really can act, without doing a Chinese accent or a funny walk.
I wrote a script. I actually enjoyed writing it more than acting. It's about the Irish rebellion of 1920, which is a fascinating period and place for me.
There are probably more annoying things than being hectored about African development by a wealthy Irish rock star in a cowboy hat, but I can't think of one at the moment.
I've pretty much played every regional accent you can play in the U.K. I've played German, French, Arabic; I've been Jordanian, Lebanese. I've covered a lot of ground.
I need your help," says the tiny figure. Her voice is sad and soft and sounds like Lila's, but with an odd accent that might just be how cats sound when they talk.
Every Irish person of my generation and earlier, we were raised Catholic and we'd have to learn it in school, we'd to learn the catechism by rote.
In Delaware, the largest growth in population is Indian-Americans moving from India. You cannot go to a 7-11 or a Dunkin Donuts unless you have a slight Indian accent. I'm not joking.
I'm not foreign enough to play foreigners... I have sort of a mid-Atlantic British accent that puts me in the middle of everything, so they don't know quite where to put me.
I am not interested only in telling a story, but I want to tell it my way. I don't want my accent, my temperament, my narrative style to be compromised to fit into a mold of the Hollywood type.
To be Irish today is the abandonment of shame and the younger people are moving it out and they're moving the fear away. They're not afraid, they're adventurous.
If you're in America a lot, it's easy to get into playing American. All of it, the sounds, the energies, all very different. But it's really hard to do the accent. I tend to try and stay in it all day, which is the only way I can manage it.
When I'm playing an American, I don't play Lennie with an American accent. They're American characters who look like me, but they have different voices.
I guess you should approach the roles differently when they're actual people who have been, this is the difference. Getting the accent exact, or the hair exact is less important in a situation like this.
I always thought the biggest failing of Americans was their lack of irony. They are very serious there! Naturally, there are exceptions... the Jewish, Italian, and Irish humor of the East Coast.
Guru had such a different voice from most people. Plus he had a Boston accent! So, I always made sure the beats were tailored to him.
Yes, I'm a proud Latina woman, but before that - before the color of my skin, my accent, anything - I'm an actress, singer and dancer. I'm something bigger than just my background.
Ninety percent I'll spend on good times, women and Irish Whiskey. The other ten percent I'll probably waste.
The English treatment of the Irish was appalling. It was absolutely appalling.
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