Top 1200 Irish Writers Quotes & Sayings

I'm proud of my Irish heritage and culture and this show will feature a lot of Irish dancing.

When I get a very generous introduction like that I explain that I'm emotionally moved, but on the other hand I'm Irish and the Irish are very emotionally moved. My mother is Irish and she cries during beer commercials.

Being Irish and a citizen of the world, has made me truly appreciate Irish culture, music and history. Whether you're first, second generation Irish or even with no connection to Ireland, you should visit in 2013 for a unique experience.

In becoming an Irishman, Patrick wedded his world to theirs, his faith to their life…Patrick found a way of swimming down to the depths of the Irish psyche and warming and transforming Irish imagination – making it more humane and more noble while keeping it Irish.

I feel warm toward my Irish side, but I don't know the country or the people. Hearing a traditional Irish fiddle, I feel very connected to Ireland, but that's a nostalgia many people feel who aren't Irish at all.

I always gravitate towards anything from Ireland. With Irish lit, I love the use of language, but also in many instances, the Irish writers are writing about people and circumstances that I can relate to.

I read mostly Irish, African, Japanese, South American, and African writers. You can count on Scandinavian literature for a certain kind of darkness, a modern mythic style.

Irish tory employers hid[e] their sweatshops behind orange flags, and Irish home rule landlords us[e] the green sunburst of Erin to cloak their rack-renting in the festering slums of our Irish towns.

The fact is that most 'Irish-Americans', in spite of dropping the word 'Irish' into half of all sentences, couldn't find Europe on an atlas, let alone Ireland.

I'm most comfortable with the Southern dialects, really. It's easy, for example, for me to do Irish because we've got Irish heritage where I come from.

My kids are Irish; I want them to grow up playing Gaelic football and learning Irish.

William Maxwell's my favorite North American writer, I think. And an Irish writer who used to write for 'The New Yorker' called Maeve Brennan, and Mary Lavin, another Irish writer. There were a lot of writers that I found in 'The New Yorker' in the Fifties who wrote about the same type of material I did - about emotions and places.

I do a lot of dialects in my act, including Irish, because I grew up in a neighbourhood that was predominantly Irish and Italian.

It is sufficient to say, what everybody knows to be true, that the Irish population is Catholic, and that the Protestants, whether of the Episcopalian or Presbyterian Church, or of both united, are a small minority of the Irish people.

I do have the feeling that other writers can't help you with writing. I've gone to writers' conferences and writers' sessions and writers' clinics, and the more I see of them, the more I'm sure it's the wrong direction. It isn't the place where you learn to write.

I was inspired by Colin Farrell in the fact that he's Irish and has freckles but with black hair. I'm a bunch of different things, Irish Polish, Native American, and French, but I wanted to tap into that Irish side and be freckle-y with black hair, so that's what I did.

For those of us who are fortunate to share an Irish ancestry, we take great pride in the contributions that Irish-Americans.

I've always been conscious of the fact that there aren't enough Irish voices on British television compared to the amount of Irish people who live there.

I always think of Ireland as a place for complex ideas and prose. I like Irishness. I like Irish culture and Irish literature.

I'm Irish as hell: Kelly on one side, Shanley on the other. My father had been born on a farm in the Irish Midlands. He and his brothers had been shepherds there, cattle and sheep, back in the early 1920s. I grew up surrounded by brogues and Irish music, but stayed away from the old country till I was over 40. I just couldn't own being Irish.

Irish folk is probably the biggest influence musically that I've ever had. My mother's Irish. And when I was very young, both my brothers were very into traditional music, English and Irish. They were always playing music, so I was always brought up with it.

Wherever they went the Irish brought with them their books, many unseen in Europe for centuries and tied to their waists as signs of triumph, just as Irish heroes had once tied to their waists their enemies' heads. Where they went they brought their love of learning and their skills in bookmaking. In the bays and valleys of their exile, they reestablished literacy and breathed new life into the exhausted literary culture of Europe. And that is how the Irish saved civilization.

I'm Irish and very proud of being Irish, but as an actor, your extraction should be secondary, really. You should be able to embody whatever character it is, wherever the character comes from. That's always been important, for me. I'm an actor who's Irish, not an Irish actor.

My parents are Irish, my grandparents are Irish, my great-grandparents are Irish. I was born in England; my blood is Irish.

Inherently in us as Irish people, wherever you are in the world, when you hear an Irish accent, it's like a moth to a flame. There's a real personable pride and camaraderie about being Irish.

I think women are in much the same place in the Irish theater as they are everywhere else. Certainly, we have wonderful Irish writers, and we have quite a number of Irish women directors. But there could be more, and there should be more.

In the spirit of the Irish people, Osama bin Laden, you can kiss my royal Irish ass!

I'm honoured and delighted to be named the 'Irish Times'/Irish Sports Council Sportswoman of the Year 2014. This has been an amazing year for me and for Irish women in sport, and I would like to congratulate all the finalists in their respective fields who have excelled at major sporting events.

Irish is harder to pull off. I know southern people and I really like the midwest, so I can tap into that a little bit. It's easier to sound angry with southern than it is Irish. Yelling Irish you can sound like an angry Leprechaun. I think me screaming like I am going to kill you in Irish doesn't work.

Irish nationalists can never be the assenting parties to the mutilation of the Irish nation. The two nation theory is to us an abomination and a blasphemy.

I was inspired by Colin Farrell in the fact that he's Irish and has freckles but with black hair. I'm a bunch of different things, Irish, Polish, Native American, and French, but I wanted to tap into that Irish side and be freckle-y with black hair, so that's what I did.

Throughout my childhood, I did a form of Irish dancing that was kind of the precursor to 'Riverdance.' It was a mixture of ballet and Irish dancing that my teacher, Patricia Mulholland, had invented, essentially. It was Irish ballet, and she would create performances based around the myths and legends of Ireland.

I'm a big fan of the Irish accent. After a couple of drinks, I start to get a bit of an Irish lilt, too.

Let's stop reflexively comparing Chinese writers to Chinese writers, Indian writers to Indian writers, black writers to black writers. Let's focus on the writing itself: the characters, the language, the narrative style.

Yes, I am Irish and Indian, which would be the coolest blend in the world if my parents were around to teach me how to be Irish and Indian. But they're not here and haven't been for years, so I'm not really Irish or Indian. I am a blank sky, a human solar eclipse.

Maybe part of my animus against the English is the way they have always treated the Irish and they way they still think about the Irish.

We used to speak Irish - Gaelic Irish - around the dinner table, but over the years, we lost that.

It is not blood that makes you Irish but a willingness to be part of the Irish Nation.

My first mentor and inspiration was my Irish Dancing teacher Patricia Mulholland. She created her own form of dance known as Irish ballet and created stage productions of old Irish myths and legends. They were my first experiences on stage. She told my mum I was destined for the stage, and I took that as my cue.

I've got that Irish thing going on. Lots of Irish in my background.

The phrase the violent bear it away fascinated the 20th century Irish-American storyteller Flannery O'Connor, who used it as the title of one of her novels. O'Connor's surname connects her to an Irish royal family descended from Conchobor (pronounced Connor), the prehistoric king of Ulster who was foster father to Cuchulainn and husband of the unwilling Derdriu. In the western world, the antiquity of Irish lineages is exceeded only by that of the Jews.

I wasn't embraced as an Irish artist back in the Moloko days. Modern electronica isn't what you think of when you think of Irish music.

Patrick Pearse - who set the events of 1916 in motion when he read the Proclamation of the Irish Republic from the steps of the General Post Office in Dublin - is not exactly an unfamiliar name to the Miramichi Irish.

All my family look Irish. They act Irish. My sister even has red hair... it's crazy. I'm the one that doesn't seem Irish. None of the kids in my family, my siblings, speak with an Irish accent... we've never lived there full-time; we weren't born there. We just go there once or twice a year. It's weird. Our parents sound Irish, but we don't.

There are writers, and I know some of them, who are very disciplined. Who write, like, four pages a day, every day. And it doesn't matter if their dog got run over by a car that day, or they won the Irish sweepstakes. I'm not one of those writers.

My mom's family was 100 percent Irish, in the American way of being Irish, and then my dad was half Irish.

Lawyers, doctors, plumbers, they all made the money. Writers? Writers starved. Writers suicided. Writers went mad.

An Irish wedding is a tame thing to an Irish funeral.

The Scots (originally Irish, but by now Scotch) were at this time inhabiting Ireland, having driven the Irish (Picts) out of Scotland; while the Picts (originally Scots) were now Irish (living in brackets) and vice versa. It is essential to keep these distinctions clearly in mind (and verce visa).

There can be no such things as an Irish nationalist accepting the loyalist veto and partition. You cannot claim to be an Irish nationalist if you consent to an internal six county settlement and if you are willing to negotiate the state of Irish society with a foreign government.

To be an Irish poet after that 19th century in which there was such a struggle toward the light, I think still will always be in the hearts of the writers of my generation and the generations before and hopefully the generations after.

You can have Irish identity in the north and also have your Irish passport.

Poetry is not Irish or any other nationality; and when writers such as Messrs. Clarke, Farren and the late F. R. Higgins pursue Irishness as a poetic end, they are merely exploiting incidental local colour.

My first thought when I came here was that I understood why there are so many great Irish writers - because there is something mystical in the air. There's always this cloudy, moody sky and it's challenging.

I grew up in a brick house. What's wrong with bricks? An Englishman took me aside and said, "You have to understand, all the bricklayers in England are Irish, and the English hate the Irish."

The English and Americans dislike only some Irish--the same Irish that the Irish themselves detest, Irish writers--the ones that think.

That 'writers write' is meant to be self-evident. People like to say it. I find it is hardly ever true. Writers drink. Writers rant. Writers phone. Writers sleep. I have met very few writers who write at all.

I'm not against White writers writing about Blacks as long as they are as objective as say James McPherson writing about an Irish American janitor in his brilliant short story "Gold Coast."

There are a few Irish writers who have a very strong influence on me, especially on the 'Take Me to Church' EP.

Where would the Irish be without someone to be Irish at?