Top 139 iTunes Quotes & Sayings - Page 2

I think when you go to a store and you go to the Justin Timberlake page and stream it from there, that's great, but that means you went to the store. iTunes Radio lets you discover it without you having to think about it.

I remember going on iTunes and 'Hamilton' was like the number one rap album, above like Fetty Wap, which is just impossible, like a Broadway cast album.

We have CBS.com, we have our stuff on iTunes. We feel the wave of the future is getting as much distribution as we can. We feel that we should be nonexclusive and get our content out there.

You could be Top 5 on iTunes, but for people to buy an album, they've got to have a connection with an artist. Every time I bought someone's album, it was about the connection. I was loving everything, from their raps to their style. I wanted to meet them.

Truth is, people like buying things for $0.99 and $1.99 for their digital devices. We know that from iTunes. We know that from the app store, and now we know that from publishing.

I have a radio show on Sirius XM. I put it up as a free download on my Soundcloud and on iTunes. That's a portal for me once a month, to play songs I know aren't getting played on that station the rest of the week.

I have done a bit of recording and the songs are available on iTunes, and I've got some nice comments. It's something I enjoy doing, but I'm not looking for a singing career any time soon. As long as one person gets enjoyment out of it, I'm happy to make it available.

If I get an iTunes check, I take the money out and say, 'OK, with this money I'mma go shoot me this many videos, with this money I'm going to do this amount of studio sessions.'

The sad thing is that I only ever read novels in bed and now only on the iPad, and thanks to Netflix and iTunes my reading time is getting eaten up more and more by movies and brilliant sci-fi television, like the U.K. series 'Misfits!'

Apple already had everyone's billing information from iTunes... you could buy things just by typing in your password... That, for the first time, brought very, very easy payment to the modern software world. That, more than anything, is why there is a business for paid apps.

Netflix, Amazon, iTunes - whatever platforms emerge - we are looking at as having the same potential that home video had for the movie business. Which means there are entirely new opportunities to monetize our capital investment in content and do so in ways that work for distributors, for consumers and for creators.

Do we have Steve Jobs to thank for the iPod and iPod shuffle? iTunes? I think so. He changed the way we hear and think about music.

As for my store, most artists' sites send you to a third-party storefront like iTunes, whereas we're disseminating it ourselves. I was always uncomfortable with the thought of sending somebody who came to my site to buy something to some other store. It just occurred to me, "Why can't we do this?"

I was on the outside of the industry. So I started a podcast early in the podcast boom and that caught on a little. I made an album that went to No. 1 on the iTunes charts. I made my own special. I started my own storytelling show.

If you take a look at the way the premium content is monetized, there's a lot of different models out there. Sometimes you pay for an individual episode, for example on iTunes. Other times you pay for a subscription. And other times it's free ad-supported.

And for it to make the statement the way that it did, for 'Controlled Chaos' to debut in the Top 10 of the iTunes rock chart... We debuted behind Queen and Chris Cornell, so it's not like we were just hidden away in the back of the instrumental metal category.

In the UK, tons of records are now sold in grocery stores, because there are no record stores - it's iTunes or the grocery store. And almost every band that had an impact on me was on a major label. There's value in people actually hearing things, as well.

People don't listen to one radio station. On iTunes you can mix different worlds and bring country and pop and folk and live music together with a mass audience. I could have sung 'Easy' in a country way but I just sang it how I sing. I think it's a really nice blend.

I buy digital music off of iTunes all the time. I Shazam something in an airport or in a club or something; I Shazam it, I buy it. I am fully digital.

Apple's iTunes program was once the envy of the world. A combined digital music store and player, it could also sync your iPod. And it worked on both Mac and Windows. It was reasonably fast and very sure-footed.

I know you have 1000 great ideas for things that iTunes could do. And we have 1000 more. But innovation is not about saying "yes" to everything. It's about saying "no" to all but the most crucial features.

I think my iTunes is a kind of strange and embarrassing mix of show tunes and artists that I have no perception of whether or not they're huge or not, you know? I'm the kind of person who doesn't realize that The Arcade Fire is a big deal, but then I expect everybody to know Cocoon, and people tend to not know Cocoon.

I like movies and radios and Bruce Springsteen and New Jersey. That's what I like, and if people don't like that, well, literally you can go on iTunes, and there's hundreds of other bands you can listen to.

I'm all for poetry catching up with technology, and just as there are iTunes, I think we should have iPoems. I mean, people should be able to walk around with their earbuds in and listening to poems on their iPod.

I think that iTunes is opened up a whole new world to me, and I never thought it would. If you've got a day off in a hotel room, you can buy three albums and then they're there. It's kind of strange to have a relationship with that.

I am such a music fiend. I go after so many different types of music. I'm on iTunes constantly just buying new music!

I love my iPad. I'll see television shows that I have missed and I'll download them through iTunes. If there is an older movie that I want to watch right away, I can download that movie and watch it.

I'm not sure why anybody makes a physical CD anymore when the costs are so much lower to just throw it up on iTunes. And it doesn't seem that making a hard copy of something prevents pirating any less. I mean I'm amazed that they still do that.

I play music as much as I can. I have a band called The Abiders. We've put out a couple of albums you can find on iTunes. We tour and all that stuff, so music is very much a part of my life.

Apple, iTunes, and streaming services have made the single a more easy thing to access. What that's done has made the album as a collection of songs almost meaningless. But an album that has a concept or story or reason to be an album, if anything, has more meaning now than it ever has.

I think the water cooler is more important than ever. "Oh, did you hear that 'Inside Amy Schumer' is fabulous?" Where do you find it? It's on Netflix, it's on iTunes, it's on places nobody ever heard of five years ago.

From a completely financial standpoint, digital is starting to crack as far as an independent filmmaker's access to getting your story out there - Amazon, iTunes, all of those. It makes the prospect of doing it yourself - not easy by any means - but possible, maybe for the first time.

I have a little office in my house and it is an absolute pigsty but I know exactly where everything is and there are little things stuck all over the walls, and papers in in-trays and files I have saved on my computer and playlists I have made on my iTunes - things that take me to a place that I think is appropriate.

Files on iTunes - and thus iPods - are incompatible with everything else. Applications on iPhones may only be sold and uploaded through the iPhone store - giving Apple control over everything people put on to the devices they thought they owned.

When I was about 14 I remember thinking when it came to proposing to my future girlfriend, I'd make a CD with all her favourite songs and a message that said, 'Will you marry me?' Shows you what a romantic I was. No one listens to CDs any more. It's all about iTunes.

The culture of buying an album on CD or vinyl has gone out of the window. A lot of kids don't really understand that, they just hop onto Limewire, or find a BitTorrent, or even just go onto iTunes if they're going to pay for something. It's just right there, there's no searching about.

Network's rating dependent. A show might not stick. A lot's timing. Like, my Bradley Cooper in 'Kitchen Confidential' didn't always work. Cable supports young shows. TV Land, which you can find on Hulu, Amazon, iTunes, wanted 'Younger.' They came to me.

I think the Web is, you know, things like YouTube and stuff are absolutely where a lot of younger people are watching their TV on iTunes in the Web and YouTube, whatever. So, I think it's an important place to have a presence.

I've noticed more people coming to shows and I've had a feeling that they were from a part of the culture I haven't been able to get to before, younger people. I think on iTunes they've been experimenting with my songs and the digital radio world has been very kind to me.

Stay the course and keep building an integrated Apple ecosystem of iPhone + iPod + iMac + iTunes + App Store + Apple TV. No one has yet demonstrated they understand how to create an 'experience-based ecosystem' as well as Apple.

What's that? My six song album entitled Bo Fo Sho is currently available on iTunes? With three songs that have never been heard on the internet? Uh, and if I try to pirate it for free I'll get AIDS? I would have guessed scurvy. Well, see you later ghost of Dr.Martin Luther King Jr.

Traditionally, when we lived here [in Portland], we have a record player in the living room, and there's lots of stuff playing, all different kinds of music. I don't listen to any of those Internet radio things. I have iTunes on my thing, but I've never bought a single thing on it. Except for "Call Me Maybe," for the kids or whatever. Carly Rae Jepsen.

The journey of making money in music has changed a great deal and is now based on merchandising and just being very smart in the business. Downloading from iTunes has become the way to purchase music and the price that you pay there for a song cannot compare to the days when people paid money for records.

The reality is, when I'm sitting in a hotel room at 3 in the morning, and I see something on the Internet that interests me in the form of a band I want to hear, I like the ability to just go online to iTunes and download it immediately.

Because of things like iTunes and streaming and social networking, it's destroyed music. It's destroyed the motivation to go out there and really make the best record possible. It's a shame.

I've been able to find just as much interesting, exciting music through the Internet and iTunes... The personal interaction is not the same, and I'm not walking out of a store with a physical thing, so there's definitely an element that is lost, for sure.

I watch TV on my TV pretty exclusively. However, when I'm on that long flight between Los Angeles and New York, a great way to pass that time is to download movies on iTunes and watch them on my laptop.

As a musician, you want the music in as many hands as you can get it into. More importantly, I want people to get the music for the fairest price, and in the most convenient way. And that's really turned into iTunes when you're talking about selling albums.

I get music from odd places that I assume are fairly typical at this point. I'll just go on iTunes, go to EDM and just look at the Top 100, or I'll go on the Beats app and look on the playlists that are sort of curated.

I love to get music sent as an MP3 attachment because that way I can preview the song in my e-mail, without even having to download it to my iTunes. I prefer that over having to go to MySpace, Facebook or YouTube.

My record producer [David Kahne] said the major record labels these days are like dinosaurs sitting around discussing the asteroid. They know it's going to hit. They don't know when, they don't know where it's coming from. But it's sort of hit already. With iTunes, and all of that.

Technological change is discontinuous. The monks in their scriptoria did not invent the printing press, horse breeders did not invent the motorcar, and the music industry did not invent the iPod or launch iTunes.

People want to buy mp3s but can't? Piracy ensues. Then Apple strong-arms the music studios into the iTunes store and music piracy drops somewhat. The same, I believe, is also happening with ebooks.

When I was about 14 I remember thinking when it came to proposing to my future girlfriend, I'd make a CD with all her favourite songs and a message that said, "Will you marry me?" Shows you what a romantic I was. No one listens to CDs any more. It's all about iTunes.

The iPod is a proprietary integrated product, although that is becoming quite modular. You can download your music from Amazon as easily as you can from iTunes. You also see modularity organized around the Android operating system that is growing much faster than the iPhone. So I worry that modularity will do its work on Apple.

With the iPod, iTunes, iPhone, iPad, and iMac, Apple is the most powerful tech company in the world. It's also the No. 1 music retailer in the U.S. and among the top sellers of online movies, too.

We don't have cable, so I don't watch a lot of traditional TV. I watch a lot of Netflix, and there's this thing in Canada called Show Me, and then I also get things from iTunes.

I would go on the iTunes chart and see the hottest songs, then I'd cover them. People would go on YouTube and search for those songs. That's how I got my views. I'd post two or three songs a week.

I looked around the iTunes store and came across Dr. Moku's Hiragana Mnemonics. Thirty minutes later I had memorized all 46 hiragana. Now my 9-year-old is learning them, and having a lot of fun.

Concerning iTunes, the deals have mainly been done with the record companies. But the artists, with some exceptions, haven't been very well-represented. This is partly because the record companies have largely been copyright owners.