Top 1200 Jack O Lanterns Quotes & Sayings - Page 19

When Jack Swagger copies my Ankle Lock and Randy Orton does my Angle Slam, it's disrespectful. I didn't come up with the Ankle Lock; Ken Shamrock came up with the Ankle Lock, but I waited until he retired to do the Ankle Lock.

As real as,' said Eddie. 'As real as what?' said Jack. 'Wish I knew,' said Eddie. 'But I can't do corroborative nouns. None of us are perfect, are we? I can get started. As big as, as obscene as, as foul as. But I can't get any further. But that's life for you again. As unfair as...

[Jack Johnson] really helped me make the record, put it out, and then let me tour with him for two years. He really helped me out.

I have tried my best to give the nation everything I had in me. There are probably a million people who could have done the job better than I did it, but I had the job and I always quote an epitaph on a tombstone in a cemetery in Tombstone, Arizona: "Here lies Jack Williams. He done his damndest."

So", says Jack at at last..."you broke up with Connor". Wow. So we're straight to the point. "So", I reply defiantly. "You decided to stay". "Yes, well...", "I thought I might take a closer look at some of the European subsidiaries." He looks up. "How about you?" "Same reason." I nod. "European subsidiaries".

Around the time I opened my second restaurant, Etta's, I had just finished judging at the Jack Daniels World Invitational BBQ Championship in Lynchburg, Tennessee. Back home in Seattle, my goal was to recreate the sweet and smoky taste of that BBQ using our local wild king salmon instead of pig.

Do you think if it was the fairy tale about a man who lived inside of a whale and it was religion that Jack built a beanstalk today, you would know the difference? Why do you believe in one fairy tale and not the other? Just because adults told you it was true and they scared you into believing it, at pain of death, at pain of burning in hell.

I loved being in the film called 'Carnal Knowledge' - the one with Jack Nicholson, which was very dark but a really brilliant movie. I loved being in 'The Ritz.' 'The Ritz' I think is just hilarious. I just saw it again recently and by God, it's still funny!

One day [when I relapsed] I walked into a store and saw a little bottle of Jack Daniel's. And then that voice - I call it the 'lower power' - goes, 'Hey. Just a taste. Just one.' I drank it, and there was that brief moment of 'Oh, I'm okay!' But it escalated so quickly. Within a week I was buying so many bottles I sounded like a wind chime walking down the street.

I was a journalist. I was a drummer. I was everything. I didn't know what the heck I was. But with Jack Paar, the job was very specific - no confusion. You came in each day. You wrote five pages of jokes. You handed the pages in... The pressure was to write five pages of jokes every day. I did it, and I thought, 'This is what I like to do.'

I stand humbled on bended knee but, of course, the response to that would be 'Duh!' And to be given that incredible honor means that I represent the piss and vinegar, the energy, the defiance, the musicality of the Funk Brothers and Motown and Mitch Ryder and Bob Seger, Brownsville Station and Grand Funk Railroad and Eminem and Jack White and Kid Rock - are you kidding me?

I watching this Disney documentary, and I'm not Disney, but I was thinking about Mickey Mouse and he became an icon. Walt moved onto other things but he made him exist. I was thinking, 'Wow, is 'Samurai Jack' my 'Mickey Mouse?' Am I stupid to stop working on it?'

One of the tours we had scheduled - the gaslight tour of Jack the Ripper's haunts, and on Halloween, no less, was canceled at the last minute. I recommend making sure you know the numbers of your tours and destinations so you can confirm your schedule along the way. Also, though we laugh about it now, the Eiffel Tower was on strike so we couldn't go up!

Things happen or they don't happen, that's all. Nothing is accomplished by sweat and struggle. Nearly everything which we call life is just insomnia, an agony because we've lost the habit of falling asleep. We don't know how to let go. We're like a Jack-in-the-box perched on top of a spring and the more we struggle the harder it is to get back in the box.

I would stay at my grandma's house on my birthday every year and I remember she had a bookshelf of murder mystery books along with really frightening books, like one on Jack the Ripper. She also had a poster of a shark in the closet which also terrified me at the time.

The Code of the Vampires decreed that anyone who violated the Sacred Law was condemned to death, the blood burning. Charles had refused to subject Allegra to the sentence. But Mimi was a different matter. Mimi walked out of the church, knowing that if she ever saw Jack again, she would have to kill him.

When I saw Bryan Singer's 'Usual Suspects,' I knew how it was going to end because I'd seen 'Scary Movie.' Which is not the preferred order of things, but that's how it is because my childhood was 'Home Alone,' 'Matilda,' 'Batman Returns,' 'Jumanji,' 'Secret Garden,' 'Jack,' 'Mrs. Doubtfire,' 'Titanic.' Only family films from the '90s.

People say maybe I could have got better performances out of myself or I could have a got few more fights out of myself if I looked after my body a little bit more but at the end of the day it was because I was jack the lad.

I'm addicted to Jack's Wife Freda, a South African - Jewish-inspired restaurant founded by my brother Dean and his amazing wife, Maya. The vibe is cool and relaxed, perfect for a daytime bite or a nightcap. I always get the Peri-Peri chicken and the kale Greek salad, but all the food is delicious. You simply cannot go wrong!

I don't want people mistreating me. I found out when you're vulnerable and your heart's open, then people step on you. You're really stupid for letting that happen. And the only way to counteract that is to be like Wolfman Jack. Because if you do nice, kind things for people, then how are they going to mess you over?

I guess the story that best defines us [with Bud Yorkin] and our relationship goes back to the [Dean] Martin and [Jerry] Lewis show. The four stage managers on that show became major TV creators and directors - John Rich, Jack Smight, Arthur Penn and Bud Yorkin.

In 1969, when I was still living in London, I had gone with some friends to see 'Easy Rider' in a movie theater in Piccadilly Circus and had returned alone some days later to see it again. It was Jack's combination of ease and exuberance that had captured me from the moment he had come on-screen.

How did I look at you? I asked thickly. Like you had to, like I was a magnet you were pulled to. There was no choice, he said. And when you look at Jack, it's because when he's around, why would you want to look at anything else? You love him the way you could never love me.

Unfortunately, or perhaps it is fortunate that I have always been forced to stand on my acting ability. I haven't a personality such as Jack Gilbert's, for instance, that attracts women and makes them like me for myself. When I am on the screen I must make them forget me entirely and think only of my acting.

I mean, if you want to hurt yourself, go ahead. It's like, if you want to jack off, go ahead, just don't 'spoo' on a public bus or something . Do whatever you want to do. Just don't get it in somebody else's face.

Jack [Kirby] and Joe [Simon] wrote and drew the stories themselves in the beginning and I was just, like, the office boy. But after a while they had more writing than they could handle and I was the only guy around, so they said, "Hey Stan, you think you can write this?" When you're seventeen years old, what do you know? I said, "Sure, I can do it!" And that was it.

It doesn't interest me to be Harrison Ford. It interests me to be Mike Pomeroy and Indiana Jones and Jack Ryan. I don't want to be in the Harrison Ford business. I take what I do seriously, but I don't take myself seriously.

I'd say that [Louis] Brandeis practiced a kind of a "living originalism," to use the title of Jack Balkin's great book. He said you start with the paradigm case, which in the case of the Fourth Amendment was these general warrants or writs of assistance, but you define it at a level of abstraction that you can take it into our age and make it our own.

What are you going to call the place?" "I haven't decided yet. Carrington wants to call it Clippety-Do-Da or Hairway to Heaven . . . but I told her we have to be a little bit classier." "Julius Scissors," I suggested. "Hair Today, Gone Tomorrow," Jack joined in. Liberty covered her ears. "I'll go out of business in the first week.

We've got a problem!" I shouted. "No, I heard that. I mean, what's the problem now?" "I have the solution!" Jack interrupted. "What?" I sat up, all ears. "Bells!" "What?" Lend and I asked at the same time. "Get her a kitty collar with bells on it. That way you can hear her coming and get someplace where you won't be hurt by collapsing immediately into sleep.

I went to acting school with Mario Van Peebles. For a little while, he was at the same school. So he asked me if I wanted to do [ New Jack City]. He said, "There's not really a role. We'll figure something out. But would you like to?" And I was like, "Sure." 'Cause he said it was Chris Rock and Ice T's first movie.

You know, I never knew if I had any talent when I started in this business. My first job was being a page at The Tonight Show. I saw Jack Paar come out one night and sit on the edge of his desk and talk about what hed done the night before. I thought, I can do that! I used to do that on a street corner in the Bronx with all my buddies.

I was in love with a lot of people, because I was a student of the game of comedy - Carol Burnett, Jack Benny, Red Skelton, Jackie Gleason, Don Rickles, Red Foxx, Moms Mabley - who gets no credit, Richard Pryor, Bill Cosby, George Kirby. I loved them all, and I used to just take a page out of all of them.

The bartenders are the regular band of Jack, and the heavenly drummer who looks up to the sky with blue eyes, with a beard, is wailing beer-caps of bottles and jamming on the cash register and everything is going to the beat - It's the beat generation, its béat, it's the beat to keep, it's the beat of the heart, it's being beat and down in the world and like oldtime lowdown.

When we had our first son, four different people gave us the same present: a copy of Ezra Jack Keats' 'The Snowy Day.' A new child often inspires duplicate gifts - we were given a dozen mostly useless baby blankets, just one more thing to spit up on - but this one was different.

Jack Sturtzer, one of my cousins, had gone to art school and suggested that I might be interested in a private school called the Art Institute of Buffalo, and in fact that is what happened. So upon graduation in 1948, I then went to stay with my cousins on Seventeenth Street and enrolled in the program at the Art Institute on Elmwood Avenue.

In terms of it being a first screenplay, literally, my hat is off to him [Wally Pfister]. I didn't see any virgin blather in screen direction, or anything like that. It was just a wonderfully executed piece, and a complicated one. The mathematics involved in putting this film together, between Jack and Wally, and the great support of Alcon, it was not a easy little operetta.

It's very, very important to me, no matter who the person is, to play that person with the utmost degree of truth that I'm able to bring. But playing a character like Jack Sparrow or Willy Wonka, that requires nothing but a degree of responsibility to the intent of the story - responsibility to the film-maker to deliver the goods.

I think the universe was preparing me to be an actor. I never pursued one thing for long, but I was jack of all trades. I was learning everything possible because I knew my father would never shell out money for dresses or parties, but he would always give me money for new courses and books.

The name Derek Jeter is made for stardom. He's got an infectious smile, and he's so handsome and well-behaved. He's just a fine young man who does everything right. He's like Jack Armstrong and Frank Merriwell, guys I grew up rooting for. Some guys come along who just measure up.

When I came to Hollywood, I would take the opportunity to get to know George Stevens or Willy Wyler or Billy Wilder or Freddie Zinnemann. David Lean I got to know, of course, in London. And David Selznick and Darryl Zanuck, not to mention Jack Warner, and Sam Goldwyn was actually very, very nice to me.

America's Facebook generation shows a submission to standardization that I haven't seen before. The American adventure has always been about people forgetting their former selves - Samuel Clemens became Mark Twain, Jack Kerouac went on the road. If they had a Facebook page, they wouldn't have been able to forget their former selves.

It just tickles me still when you see Roger Clemens, as great as he is, throw a split-finger and the hitter just swings and misses. They don't see that ball that well. Jack Morris threw an awful good one and Mike Scott. There's a lot of great pitchers over the years that I think that pitch definitely helped their career.

He was chugging brown pop from a can Jack had handed him while he stuffed nacho cheese Doritos in his face. I was glad to see he looked lots better, almost completely like himself, which proves Doritos and brown pop really are health foods.

Whenever you find a man who says he does not believe in a real Right and Wrong, you will find the same man going back on this a moment later. He may break his promise to you, but if you try breaking one to him he will be complaining 'It's not fair' before you can say Jack Robinson.

Jack [Nicholson] really knows about the camera. He's one of the directors who likes to play with the camera. He'll change things around, play with lighting, things like that. He'll even spend hours on the set-up for an insert shot. He's an interested person who gets involved in all the aspects of the films he is making.

I liked Art Linkletter's way of conducting an interview while still keeping it light and I even admired Jack Bailey, host of 'Queen for a Day.' Particularly fascinating was how he could listen to all those awful tales of woe, then smile and slap someone on the back and declare her Queen for a Day.

You may batter your way through the thick of the fray, You may sweat, you may swear, you may grunt; You may be a jack-fool, if you must, but this rule Should ever be kept at the front;-- Don't fight with your pillow, but lay down your head And kick every worriment out of the bed.

In effect, I grew up in a sort of timewarp, a place where times are scrambled up. There are elements of my childhood that look to me now, in memory more like the 1940s or the 1950s than the 1960s. Jack [Womack] says that that made us science fiction writers, because we grew up experiencing a kind of time travel.

He pressed his face into the fabric and breathed in slowly through his mouth and nose, hoping for the faintest smoke and mountain sage and salty sweet stink of Jack but there was no real scent, only the memory of it, the imagined power of Brokeback Mountain of which nothing was left but what he held in his hands.

In Botswana in the Kalahari Desert there's a tented camp called Jack's Camp, which is like old Africa meets Ralph Lauren. The Oriental rugs, the old leather chairs - you feel like you've just jumped out of a Ralph Lauren ad.

Narrative nonfiction was not my forte. I always wanted to let my imagination run free, and the facts sometimes got in the way. At one point I wanted to illustrate Jack Prelutsky's enchanting poems. Unable to do that, I started devising and improvising my own poems, very raw at first. I immersed myself in verse, writing reams of stuff until it gelled.

[Jack Nash] was very different than anything I'd played. In fact, there's a scene I have in a tent with Louis Ferreira, who just did an episode of Travelers. He was in the fourth episode of Travelers playing another team leader, and we really have it out, not unlike the way we did in the tent in Andromeda.

Ellen could have killed me," Jack said quietly, "but she didn't. She saved my life." "How come?" Fitch demanded. "After all this?" Ellen turned scarlet and stared at the ground. "Maybe none of my opponents ever gave me flowers before," she mumbled.

Jack Taylor was a private investigator in Galway, which seemed like madness. I used lots of Galway-isms, which seemed like madness, too.

You know, I never knew if I had any talent when I started in this business. My first job was being a page at The Tonight Show. I saw Jack Paar come out one night and sit on the edge of his desk and talk about what he'd done the night before. I thought, 'I can do that!' I used to do that on a street corner in the Bronx with all my buddies.

I've got two dogs - one's a Jack Russell and she's one year old now, and I've got another dog called Kanga, and I got him from a rescue shelter, and there's nothing I enjoy more than just walking them on the beach in Cape Town. I find that very destressing and very relaxing.

I have my set rigged with the biggest sound system possible and have a mini jack for my iPod attached to my director's chair. I find playing music is a very direct way to communicate with actors and the crew, especially those crew members who are on the periphery of the set. I like dancing on set too, it's a good way to release tension.

You know, it's very clear, as one looks back on history again of the Cold War that, following the crisis in Cuba, following the Khrushchev - beating down of Jack Kennedy in Vienna, that President Kennedy believed that we had to join the battle for the Third World, and the next crisis that developed in that regards was Vietnam.

In 1995, I proposed the Harvard Arts Medal. The idea was to celebrate the fact that, although it's rare, Harvard men and women do go into the creative arts. Over the years we've had major, major figures, like Jack Lemmon, John Updike, Yo-Yo Ma, and Bonnie Raitt.