Top 1200 Jack O Lanterns Quotes & Sayings - Page 20

This MacGyver is a twentysomething agent who, rather than operating on his own, is part of a team engaged in high-risk missions that take them around the world. Other cast members include George Eads as Jack Dalton, Tristin Mays as Riley Davis, Justin Hires [late of the TV version of Rush Hour] as Wilt Bozer and Sandrine Holt as Patricia Thornton.

The great thing about Nashville back in the day was that the old guys hung out where the young guys were. The established writers like Harlan Howard and Jack Clement gave us encouragement and passed the guitar, you know? Chet Atkins let me sit in on his sessions. Everybody was good to us, and everybody loved the music.

One of the cool things, obviously there's 'Scandal,' 'House of Cards,' there was 'West Wing.' Other than that Jack Lemmon/James Garner movie about ex-presidents, no one's ever done anything in this area, whereas a lot of times, we do a story where someone goes, "Oh, yeah, they did someone sleeping with a Secret Service agent on 'House of Cards.'"

If the world were a paradise of luxury and ease, a land flowing with milk and honey, where every Jack obtained his Jill at once and without any difficulty, men would either die of boredom or hang themselves; or there would be wars, massacres, and murders; so that in the end mankind would inflict more suffering on itself than it has now to accept at the hands of Nature.

I was never ambitious. I just wanted to have quiet, calm, listen to public radio and say, hello, how are you? Sit down, rest. But I had an early partner named Fred Freeman, a wonderful writer who I met at Northwestern. And I thought we were doing very well with "Jack Paar," and he said, no, we got to go to Hollywood. We got to write sitcom. It's the coming thing.

I watched horror movies way too young and one of my favorite horror movies was The Shining. Jack Nicholson's character in that just bore a hole in my brain, his weird, maniacal controlled stuff. Obviously Mara in Village of the Damned wasn't an alcoholic and didn't have emotional, crazy outbursts. She was very non-emotional. But it was that sort of evil that I was tapping into.

I had two jobs coming out of school: I did a play, 'The Great White Hope.' I played the boxer Jack Johnson. And I was the lead in this indie film. Then I moved to Los Angeles because New York was cold and it was really too quiet for me at that time. I was out of school; I was hungry. The auditions were trickling in, and I was antsy and ready to go.

The look of the movie and the music, which was by Jack Nitzsche, is what really stands out to me. I don't know if the movie succeeds as a political, cultural comment on the times and the war in Vietnam, and the capitalists versus the everyday guy that gets sent off to fight corporate wars. I don't know if the movie ever succeeded in that range. But it was a wonderful part in the Cutter's Way.

To my mind, the most successful and the best comic book illustrators are those who translate the real world into a consistent code. If you look at Jack Kirby or Steve Ditko, their drawings look nothing like the real world, but they are internally consistent. In terms of a comic book it can work just fine.

I feel a little peculiar around the children. For one thing, they grown. And I see they think me and Nettie and Shug and Albert and Samuel and Harpo and Sofia and Jack and Odessa real old and don't know much what going on. But I don't think us feel old at all. And us so happy. Matter of fact, I think this the youngest us ever felt.

There's a great power of imagination about these little creatures, and a creative fancy and belief that is very curious to watch . . . I am sure that horrid matter-of-fact child-rearers . . . do away with the child's most beautiful privilege. I am determined that Anny shall have a very extensive and instructive store of learning in Tom Thumbs, Jack-the-Giant-Killers, etc.

In the movies, every crazy old fart needs a cool old car. Jack Nicholson drove a spiffy yellow 1970 Dodge Challenger two-door in 'The Bucket List.' In 'Gran Torino,' the cranky pensioner played by Clint Eastwood not only owned a 1972 GT Sport, he also used to build cars like that at the Ford plant.

In 'Seven Ancient Wonders,' Jack West and his team break someone out of Guantanamo Bay. I'm not going to preach to people and say, 'Guantanamo Bay, bad', but I will have my hero go and break somebody out of it, and maybe people will think about it that way.

My dad was an incredibly brave man, completely dedicated to his family, with a love for all. If I could be half the dad he was, to my children, then that will be an achievement in itself. He died 14 months exactly to the start of the 2012 Olympics. I hope he will be watching and waving his big union jack in London from somewhere else. I love you so much dad.

I feel all agitated, like one of those snow globes you see resting peacefully on shop counters. I was perfectly happy being an ordinary, dull little Swiss village. But now Jack Harper’s come and shaken me up, and there are snowflakes all over the place, whirling around until I don’t know what I think anymore. And bits of glitter, too. Tiny bits of shiny, secret excitement.

I pissed off Greeks, particularly in my family, for years to come, because I popularized the word "malaka," which hitherto had not been known outside of the community. It's basically "jack off," you know? Masturbator. So I remember my mother was not pleased at the time. She was, like, "Oh, John, couldn't you have used a better word?" There's no better word, Mom!

My idol was always Tomas Rosicky. He used to be phenomenal. He had such a good eye for an opening and knew where his team-mates were and he was so quick. I copied everything about him – right down to his sweatbands. [] he would be one of the world’s best players. Jack Wilshere is a perfect player. Boy, he’s good. He’s so quick and skillful with the ball at his feet.

The myth of writer as, like, Asperger-style misanthrope, or, like, the Jack Nicholson, 'As Good As It Gets' - it just doesn't work, because writers, in order to write good characters, need to understand people. You need to understand your audience. You need to have so much empathy you could almost encourage empathy in others.

Like they used to say about Joe Montana, he threw soft because he couldn't throw hard. He was successful because he didn't try to do what he couldn't. I couldn't rock out harder than everybody, or overpower people with mastery like Jack White of the White Stripes, so why try? That's why I've always worked harder on words.

Mr. Pewter led them through to a library, filled with thousands of antiquarian books. 'Impressive, eh?' 'Very,' said Jack. 'How did you amass all these?' 'Well,' said Pewter, 'You know the person who always borrows books and never gives them back?' 'Yes...?' 'I'm that person.

Guys like Jack Lanza, Pat Patterson, Bruce Pritchard, Tom Pritchard - those guys all helped me get a tryout. And I'd never been in the ring, so they went on a lot of faith and signed me and thought that they could help mold me into a WWE superstar. And now I'm glad they did, because that was a big turning point in my life.

I aspire to be Jack Nicholson. I love his every single mannerism. I used to try and be him in virtually everything I did, I don't know why. I watched One Flew Over the Cuckoo's Nest when I was about 13, and I dressed like him. I tried to do his accent. I did everything like him. I think it kind of stuck with me.

This ghastly state of things is what you call Bunburying, I suppose? Algernon. Yes, and a perfectly wonderful Bunbury it is. The most wonderful Bunbury I have ever had in my life. Jack. Well, you've no right whatsoever to Bunbury here. Algernon. That is absurd. One has a right to Bunbury anywhere one chooses. Every serious Bunburyist knows that.

The next night he asked Jonah if he could take $9.49 out of Jonah's secret stash that only Danny and his mum and Jack knew about. Jonah kept it in his sock drawer next to a photograph of Jonah and a girl with sad eyes, taken in one of those railway station photo booths.

For many a pasty have you robbed of blood, And many a Jack of Dover have you sold That has been heated twice and twice grown cold. From many a pilgrim have you had Christ's curse, For of your parsley they yet fare the worse, Which they have eaten with your stubble goose; For in your shop full many a fly is loose.

When I grew up in the early '90s, the new World Wide Web felt like a gimmick, and I had no idea of the changes in store. In the summers, I'd backpack through Europe, follow the Grateful Dead. I had a car and a tent and traveled around the Great Lakes and out West. Jack Kerouac was my guiding light, his 'On the Road' a sacred text.

I studied art at Queens College, taking very few courses in literature. But I've always loved reading poetry and grew up enjoying the so-called beat poets, Allan Ginsburg, Jack Kerouac, and Gregory Corso among them. The poems of Ogden Nash also inspired me, having first seen his work while browsing in a library when I was in the sixth grade.

I didn't think there was any way to convince Jack that he wanted more than I had to give, that to people who'd been damaged the way I had been, fear and the will to survive would always be more powerful than attachment. I could only love in a limited way

Just slip out the back, Jack, make a new plan, Stan, you don't need to be coy, Roy, just get yourself free. Hop on the bus, Gus, you don't need to discuss much, just drop off the key, Lee, and get yourself free.

And then Jack chopped down what was the world's last beanstalk, adding murder and ecological terrorism to the theft, enticement, and trespass charges already mentioned, and all the giant's children didn't have a daddy anymore. But he got away with it and lived happily ever after, without so much as a guilty twinge about what he had done...which proves that you can be excused for just about anything if you are a hero, because no one asks inconvenient questions.

Little brats yellin 'Trick or Treat' all through my screen door, When y'all should be at home sleep, Instead of at my front porch 15 deep. The jack o' lantern came in handy... I can turn my porch light out like I ain't got no candy. But ain't that somethin? You buy a Halloween costume and a pumpkin, Almost gave your children a heart attack. It's a tradition, but who the hell started that?

The film-maker Alejandro Jodorowsky - his films are hard to watch - they're so dense and rich - but they're probably the best things ever made. And Spike Milligan, who was light years ahead of the rest - I played some of his stuff to Jack Black once. He'd never heard of him, so watching him listen to Spike for the first time was just hilarious.

Tell me again what we're doing here," I said, running a continuous scan of our surroundings. Fang popped some Cracker Jack into his mouth. "We're here to watch manly men do manly things." I followed Fang's line of sight: He was watching the Dallas Cowboys Cheerleaders, who were not doing manly things, by any stretch of the imagination.

Nira Park, who is my longtime producer and friend - I've know her since we did Spaced, the TV show - she gave me this script the last day of filming The World's End. She said, "Take a look at this. It's filming in London next year, and you might like to look at Jack." I trust Nira implicitly.

I'd love to watch Jack Youngblood play. His tan arms hanging out of his sleeveless jersey, he'd put those pipes on the ground, and even at 240 pounds, he would show great moves and natural strength for an undersized player. He was extremely quick, had underrated strength, and he got great leverage against the tackles.

Jack looked out the window as they passed the Mormon temple, just outside the beltway near Connecticut Avenue. A decidedly odd-looking building, it had grandeur with its marble columns and gilt spires. The beliefs represented by that impressive structure seemed curious to Ryan, a lifelong Catholic, but the people who held them were honest and hardworking, and fiercely loyal to their country, because they believed in what America stood for.

I didn't have time to lose it. I didn't have time to lie down in the corner shop and scream and beat the floor until my hands bled. I didn't have time to miss Jack. Stroma kept on chattering away and getting excited over novelty spaghetti shapes and finding the joy in every little thing, and it occurred to me even then that she was probably looking after me, too.

Why, sir," said he, looking about him, "what splendour I see: gold lace, breeches, cocked hats. Allow me to recommend a sandwich. And would you be contemplating an attack, at all?" "It had crossed my mind, I must admit," said Jack. "Indeed, I may go so far as to say, that I am afraid a conflict is now virtually inevitable. Did you notice we have cleared for action?

[Jack Johnson] became a superstar and started his own record label, and then he made and produced my first record, he co-wrote the songs on there, and then he let me open up for him for two years all around the world. And that was like the best start I could've had, the best way I could've started in the music scene.

You speak baby gibberish?' asked Jack. 'Fluently. The adult-education center ran a course, and I have a lot of time on my hands.' 'So what did he say?' 'I don't know.' 'I thought you said you spoke gibberish?' 'I do. But your baby doesn't. I think he's speaking either pre-toddler nonsense, a form of infact burble or an obscure dialect of gobbledygook. In any event, I can't understand a word he's saying.' 'Oh.

I would love to work with Johnny Depp. I really admire him as an actor, and personally, in my opinion, his portrayal of Captain Jack Sparrow is one of greatest performances given by an actor. I love his creative sense and the way he creates a character, so it would be a dream come true to work with him.

I remember hearing a good story about Jack Nicholson working with Stanley Kubrick on The Shining [1980]. Nicholson was saying that, as an actor, you always want to try to make things real. And believable. When he was working with Kubrick, he finished a take and said, "I feel like that was real." And Kubrick said, "Yes, it's real, but it's not interesting".

It all began, as I have said, when the Boss, sitting in the black Cadillac which sped through the night, said to me (to Me who was what Jack Burden, the student of history, had grown up to be) "There is always something." And I said, "Maybe not on the Judge." And he said, "Man is conceived in sin and born in corruption and he passeth from the stink of the didie to the stench of the shroud. There is always something.

It's very, very corrupting to the spirit, doing comedy. And you have to be almost a saint, like Jack Benny was, like Steve Martin is, to avoid the corrupting of it, because there's very little work where the actual work and the reward are simultaneous, and comedy is that.

Jack Nicklaus liked to curve the ball by opening or closing the clubface at address. I never felt I was good enough to do it his way. I didn't like changing my swing path, either, which some guys do. There's only one really reliable way to curve the ball: Change your hand position at address.

I've worked with Jack Nicholson and Robert De Niro and Tom Hanks. I've worked with some really good directors: Woody Allen, Paul Schrader... My God, I've really worked with a lot of people. But I'm intimidated by them, and I'm always thinking, "Oh, my God, he's not going to like me, and I'm going to get fired."

Then suddenly Jack was a changed boy. Something wonderful had happened to him, and it had made him different. It sometimes happened to people that they see or hear something quite wonderful and then they are never altogether the same again.

We're not going to get the jack-booted thugs stomping on a human face that you get in '1984' but we might get the 'Brave New World' where the biggest problem there is how to deal with the fact that everyone is so happy...[W]hat we're going to get is a nanny-type of fascism, if we get one at all...[S]imply because the nanny-state wants to hug you doesn't mean it's not tyrannical if you don't want to be hugged.

With James Reese’s vivid and chilling novel, readers will gain a whole new appreciation of two gothic landmarks, Dracula and Jack the Ripper. Not only does The Dracula Dossier grip us with its fast paced hunt for history’s most notorious killer, it also enchants us with sophisticated and lyrical recreations of its unique period and strong characters. A daring achievement.

I only wanted Uncle Vernon standing by his own car (a Hudson) on a clear day, I got him and the car. Ialso got a bit of Aunt Mary’s laundry and Beau Jack, the dog, peeing on the fence, and a row of potted tuberous begonias on the porch and 78 trees and a million pebbles in the driveway and more. It’s a generous medium, photography.

Jerry Lawler walks in here with his crown - DA DA DUM - Imperial Margerine - and talks about what he's going to do to me. Lawler, if you think you're going to beat me, if you think you can do ANYTHING to me, than you really are the king. King of FOOLS, jack!!

I have two last pieces of advice. First, being pre-approved for a credit card does not mean you have to apply for it. And lastly, the best career advice I can give you is to get your own TV show. It pays well, the hours are good, and you are famous. And eventually some very nice people will give you a doctorate in fine arts for doing jack squat.

He will be England captain one day. Jack Wilshere is a real leader. I saw how he spoke with the referee and the other players [against Denmark]. It is difficult to find someone so young with such a big personality. I remember two defenders, Paolo Maldini and Franco Baresi, and one attacker, Raul, but for personality and confidence on the pitch he is the best young midfielder I have seen for his age.

What makes games so exciting is that's a whole other- there's all sorts of other considerations on what music is supposed to achieve and what you're attempting to support, it's not uncommon to think of your music and to think of the way your orchestra plays for something like Jack and Daxter where you start with- you know because it has to change tempo and intensity as the action gets more intense.

When I was a young guy, when I first started with G.E., Jack Welch sent us all to Japan because in those days Japan was gonna crush us. And we learned a lot about Japan when we were there. But over the subsequent 30 years, the Japanese companies all fell behind. And the reason why they fell behind is because they didn't globalize.

I like California because it still has the glamour and romanticism and exoticism of a very foreign place. It was the place that when I was young, I was raised on "I Love Lucy" and listening to the Grateful Dead and reading Jack Kerouac. They, to me, were all symbols of this very foreign sense of promise and movement. After all this time here I'm glad I still have it.

You watch him playing Jack Sparrow, and he's loving it, and he's loving being in that world. He's still excited by it. Sometimes, he'll even say, 'Was that OK?' And I'm thinking, 'You're Johnny Depp man, you know that's OK!' But he doesn't. He's still going to [director] Gore [Verbinski] and asking for help. It's a privilege to see the human side of Johnny. It's really exciting.

Jack didn’t fully get Jesus. Audrey tried to explain it, and he could repeat it back to her, word for word, but he still didn’t comprehend most of it. The best he could gather was that Jesus lived long ago, told people to be nice, and they killed him for it. At the end, he asked who was Jesus’ necromancer and if he was in the Bible, then Kaldar couldn’t stop laughing and had to sit down.

I don't know if tennis players feel like that but when you have a great opponent - although I didn't feel like he [ Ben Mendelsohn ] was an opponent - you just know your game is going to jack up and it's just going to raise the bar. I couldn't wait for that elevation.

Then it's goodbye, Sangsara for me Besides, girls aren't as good as they look And Samadhi is better than you think When it starts in hitting your head In with Buzz of glittergold Heaven's Angels, wailing, saying We've been waiting for you since morning, Jack Why were you so long dallying in the sooty room? This transcendental Brilliance Is the better part (of Nothingness I sing) Okay. Quit. Mad. Stop.