Top 286 Jackie O Quotes & Sayings - Page 5

Explore popular Jackie O quotes.
Last updated on December 19, 2024.
Coretta Scott King was all about her pearl earrings. At one point, I'm wearing pearl earrings the size of golf balls. They're enormous! She was bold-she knew that she was the Jackie Kennedy of her community.
My whole childhood when I was growing up, Michael Jackson was my husband. My cousins had Jackie Jackson and my sister had Jermaine Jackson. We all had the brothers, but Michael was my husband. So, to me, in my little 6-year-old or 13-year-old brain I'm talking to my husband. I don't want to get over excited. I don't want to sound too much like a screaming fan.
A photograph can make you feel so many different things. When you look at war photographs of Vietnam, or something similar, it makes you feel anguish and sadness and pain. Then in other moments, when you look at Jackie Kennedy walking down Fifth Avenue, that makes you feel glory and richness.
To me representing clairvoyance, how was I going to achieve that, how I was going to capture that? For me, it all became about her gaze and the way she takes you in. It's a rhythmic thing and a stillness thing to consider but these are little details, little nuances. We were invited to the sanctity of her home and there were roosters running around and she's screaming, "Jackie, be quiet!" Even though she's in the middle of the thing. And these are the details that we wanted to incorporate into our story.
I love seeing somebody act real earnest and serious, like Jackie Gleason. He makes me laugh because he reflects back to me my own serious-mindedness and how ridiculous it all is. It's always easier to see somebody else in that position than yourself, and you laugh. It's like the classic slipping on the banana peel, or someone getting hit by a pie in the face. Why do those things make us laugh? Is it from relief, like: Thank God it wasn't me? Or is it something else: I'm being very serious now. I'm pontificating earnestly and solemnly about-POW! PIE IN THE FACE! The bust-up of certainty.
Stars wide of belt often cultivated a gentlemanly grandeur, a groomed refinement that filtered through their fingertips - the dainty fidgets of Hardy's plump digits, Orson Welles performing magic tricks with nimble dexterity, Jackie Gleason lofting a teacup to his lips as if he were Lady Bracknell - or through a fine set of twinkle-toes.
When I was younger, Jackie Joyner-Kersee was a mentor to me and gave me great advice. The best was to 'work 100 percent, but enjoy every moment along the way.' Sometimes you get so in the zone, you forget to enjoy your passions. I love running—but I also love the movies, relaxing on the beach, shopping and spending time with my friends. Enjoying my life helps me enjoy my running.
I've been really into a light, bright playfulness that's been missing. I looked at these '60s and '70s photos of Jackie O. She went to Capri every summer, but she was always a little more playful, a little more colorful, than she was in 'normal' life. And it was exciting to see her a little bit "off duty." The colors are from awning stripe umbrellas, from a really clear ocean, and from ripe citrus.
I remember working with Jackie Chan on Shanghai Noon [2000], and when we were working on the script, I thought that my character thought about being an outlaw the way a kid today would think about being a rock star, as a way to impress girls. So it was just kind of a funny idea, but once we had that idea, it changed the character and made it something that was funnier to me to play.
It is totally different making films in the East than in the West. In the East, I make my own Jackie Chan films, and it's like my family. Sometimes I pick up the camera because I choreograph all the fighting scenes, even when I'm not fighting. I don't have my own chair. I just sit on the set with everybody.
My wonderful editor, Jackie Onassis, asked me to write a book that I wanted to write. I said, 'Look, it's not going to be scandalized. I'm not going to talk about anybody like a dog. I'm going to say the positiveness of my life, and talk about those who have contributed to the way I've been going, and that's that.'
Things that make me laugh range from a wonderful stand-up like Jerry Seinfeld, Louis C.K. and Chris Rock to my son Gabe, who does great improv work. I also look backwards to the great comedic actors like Jackie Gleason, Paul Lynde and Phil Silvers.
I guess everybody is doing a movie thing, so I'm doing the 'Scorpion King 4.' My role in the movie is as one of the king's guards, with a very original name: Roykus. Apparently, back in the day, everybody's name was 'us,' so 'Roy' plus 'us,' and put a little 'k' in there: Roykus. I'm one of the royal guards, and I do my own stunts like Jackie Chan.
Thinking about the things that happened, I don't know any other ball player would could have done what he (Jackie Robinson) did. To be able to hit with everybody yelling at him. He had to block all that out, block out everything but this ball that is coming in at a hundred miles an hour and he's got a split second to make up his mind if it's in or out or down or coming at his head, a split second to swing. To do what he did has got to be the most tremendous thing I've ever seen in sports.
I get called Jacqueline Bissette in America. In France, I get called Jackie Bisset. And actually, it is Jacqueline Bisset, which is not that easy to say. — © Jacqueline Bisset
I get called Jacqueline Bissette in America. In France, I get called Jackie Bisset. And actually, it is Jacqueline Bisset, which is not that easy to say.
I didn't really know anything about Margot Fonteyn. I'd never really been a ballet child, so I had no idea what an incredibly huge icon she was, not just in terms of a creative icon - she was also a style icon. I had no idea she was up there with Audrey Hepburn and Jackie Onassis in terms of that kind of image.
I watch other wrestlers. I watch movies with Jackie Chan and Jet Li and Tony Jaa. Then there's breakdancing and Capoeira - just anything I see that looks awesome that I think I could adapt in the ring. Just your typical Kung Fu, breakdancing, Capoeira moves.
Jackie Joyner-Kersee is actually someone I have a personal relationship with and who continues to do amazing things in her community. I continue to be inspired by her. If I can emulate myself after someone it's her and I just hope to have that effect on my community and continue to go on to do things like she has.
Miles and I had been looking to do a martial arts show for some time. Our first two movies that we wrote were "Lethal Weapon 4" and "Shanghai Noon" with Jackie Chan. Then we sort of got pulled into the superhero world, but then you look around at what's not on television and there wasn't really a martial arts shows. There are shows that do martial arts to a degree, but there's not a martial arts show.
Most of the time I'm not even working, I'm just helping people, because I feel that I am too lucky. If there really is a god, then he really looks after me. All these years he's taken care of me, my career keeps getting better and better. Whatever I want just seems to come. And it keeps coming. So I promised myself that I have to pay for this, payback society. So this is why I started my Jackie Chan Foundation to help children and sick kids and people in hospitals.
I think his portraits of Jackie, Liz, Marilyn, Mao, Elvis, Lenin - and objects like the soup cans, the dollar signs, the hammer and sickle, it's all about icons. Its all about what people worship in an irreligious or secular world. In terms of Andy's personality and Andy Warhol as a human being who I was very close to, I still feel kind of sorry for him on a personal level. I mean, he was the ultimate example of great success wrapped around inner turmoil and emotional pain.
James Brown, Ray Charles, Jackie Wilson, Chuck Berry and Little Richard - I think they had strong influences on a lot of people, because these were the guys who really got rock'n'roll going. I like to start with the origin of things, because once it gets along it changes. It's so interesting to see how it really was in the beginning.
With me, traveling for work is arriving at the airport, checking into the hotel, leaving the hotel the next morning at 4 or 5 to do something like 'The Jimmy and Jackie Captain Crazy Morning Zoo,' doing a bunch of those in a row, then going back to the hotel, and then finally going to the club.
The Nazis, for him, are merely available movie tropes--articulate monsters with a talent for sadism. By making the Americans cruel, too, he escapes the customary division of good and evil along national lines, but he escapes any sense of moral accountability as well. In a Tarantino war, everyone commits atrocities. Like all the director's work after 'Jackie Brown,' the movie is pure sensation. It's disconnected from feeling, and an eerie blankness--it's too shallow to be called nihilism--undermines even the best scenes.
Whether your name is (Lou) Gehrig or (Cal) Ripken, (Joe) DiMaggio or (Jackie) Robinson, or that of some youngster who picks up his bat or puts on his glove, you are challenged by the game of baseball to do your very best day in and day out. That's all I've ever tried to do.
I cannot but feel that the one man, above all others, who deserves the eternal thanks of his own race, and all thinking people, for bringing about baseball’s greatest reform, is Jackie Robinson himself…Certainly baseball people should be eternally grateful for the contribution he made to his own people, and to the game.
I just want people to remember me like I remember Buster Keaton. When they talk about Buster Keaton or Gene Kelly, people say, 'Ah yes, they good.' Maybe one day, they remember Jackie Chan that way.
I wanted to tour the United States because I feel I owe it to the community that I grew up in. When I was growing up, the only people I saw on TV were Jackie Chan, Lucy Liu and Jet Li. Our representation as Asians wasn't big, but I wanted to be like Lucy Liu and then Maggie Q.
I'm not an American as you know, and to deliver "Jackie" today in the United States and understanding the role of women in society is changing and I hope it just gets better and better - and also in cinema. There's very few interesting roles today for women in cinema. It's getting better and stronger and, and I'm proud to be part of that.
I was in love with a lot of people, because I was a student of the game of comedy - Carol Burnett, Jack Benny, Red Skelton, Jackie Gleason, Don Rickles, Red Foxx, Moms Mabley - who gets no credit, Richard Pryor, Bill Cosby, George Kirby. I loved them all, and I used to just take a page out of all of them.
I don't really want to be compared to Bruce Lee or Jackie Chan, but I really feel honored and really proud that people actually see me as them or similar to them, and because they are my inspiration for what I have become today. I am really honored that people compare me to those people.
What I found fascinating was just how quickly the best of the young Negro League players were drafted into the major leagues once Branch Rickey broke the color line by hiring Jackie Robinson. It was clear that all of the major league owners already knew the talents of the black ballplayers that they had refused to let into their league.
[My boys] they're all different. Jackie was very competitive. He was a tough kid - a little bit like Nick. Steve was sort of a finesse guy. He was a little bit like Nick - if he could touch it, he'd catch it. He played wide receiver at Florida State. Then, Gary came along and Gary was more my size.
In baseball, there is something electrifying about the big leagues. I had read so much about Stan Musial, Ted Williams and Jackie Robinson. I had put those guys on a pedestal. They were something special. I really thought they put their pants on different, rather than one leg at a time.
I grew up with television. I love television and to be working in it is awesome. I think where I do well at television is because I grew up watching the great sitcom actors Jackie Gleason, I love Rob Reiner, also John Ritter.
I think the fact that she [Eleanor Roosevelt] was a woman probably in those days would have been an additional criticism, although first ladies by definition in those days were women. There's always been a problem and still is, about the role the first lady should play, of course. Everybody's seen it in Jackie Kennedy and Nancy Reagan and, heaven knows, Hillary Clinton. So the problem has not been solved.
When Jackie Kennedy wanted to wear her favourite European designers, she was told no. She had to start working with brands like Adolfo, who had to create Chanel knock-offs because that's what she wanted to wear.
As a kid I would be put to bed when my parents had guests and because I was such a show-off I would go to my mum's room, put on her nightdress and Jackie Onassis shawl, run downstairs, go outside, ring the doorbell and pretend to be one of the guests. I'd say, 'Hello, I'm Mrs. So-and-So.'
In my own life, I share my home with works by artists like Elizabeth Murray, Martin Puryear, Jackie Windsor and so many others, whose creativity is clear and fresh and compelling; the works break through the usual, and they inspire creativity; they inspire responses and understanding.
Some people would view Jackie Robinson as a very safe African-American, a docile figure who had a tendency to try to get along with everyone, and when you look at his history, you learn that he has this fire that allows him to take this punishment but also figure out savvy ways of giving it back.
O.J. Simpson was primarily interested in O.J. His rise to fame in the late '60s coincided with the period where black athletes were more outspoken and political than in any era. You're talking about the generation of black athletes that came about after Jackie Robinson. Athletes after that were just happy to find a place in sports. But when you got to the mid-'60s, you had athletes like Jim Brown and Muhammad Ali, who were very outspoken on the issues of race and civil rights.
People look at black pride in America and sport's impact on it. In the major cities it took off the first time Jackie Robinson stole home. In the deep South, it started with Eddie Robinson, who took a small college in northern Louisiana with little or no funds and sent the first black to the pros and made everyone look at him and Grambling.
Josh wanted to be the one to break the color barrier. When the Dodgers signed Jackie Robinson he knew it was over for him. He wasn't going to make the big leagues, and he also knew that because of his health and his bad knees his career with the Grays was about over. He didn't know what to do with himself. They say a man can't die of a broken heart, and I guess that's true. But I'll tell you this, all of this sure lessened Josh's will to keep going, to keep fighting to stay alive.
Once the record was mine, I had to use it like a Louisville Slugger. I believed, and still do, that there was a reason why I was chosen to break the record. I feel it's my task to carry on where Jackie Robinson left off, and I only know of one way to go about it. It's the only way I've ever had of dealing with things like fastballs and bigotry -- keep swinging at them.
You look at how Barack Obama has had to conduct himself as President. It reminds me of Jackie Robinson, how he had to be very careful to reassure people that this was all right. And you still have people trying to tear him down. They make up all sorts of lies, with the goal of making him seem illegitimate.
As a kid I would be put to bed when my parents had guests and because I was such a show-off I would go to my mum's room, put on her nightdress and Jackie Onassis shawl, run downstairs, go outside, ring the doorbell and pretend to be one of the guests. I'd say, 'Hello, I'm Mrs. So-and-So.
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