Top 1200 Jamaican Music Quotes & Sayings - Page 19

Music is a universal language insofar as you don't need to know anything else about a musician that you are playing with other than that they can play music. It doesn't matter what their music is, you can find something that you can play together, with what their culture is. The dialect part of it comes into play, but nothing like the differentiation that language sets up, for example.

When I am doing music, I sometimes become over compulsive to 'always make some new music'. I think I am like this because I sense what others are perceiving me as. If I work extraordinarily hard because of these expectations, I will, but I just cannot produce the good music that I want.

There are two things that really move me: music and acting. And I'm not talking about my music or watching myself as an actor, but listening to other people's music and watching other actors. There are so many different songs that have moved me. It all depends upon the mood that I'm in at that moment.

A lot of people think that the music was responsible for a lot of changes in the Sixties, but I think the music came out of it. The music wouldn't have happened without the social changes.

I'm just basically trying to make music that feels good. Right now in the music industry there's a real lack of intimacy. You don't really connect with the artist as much anymore, and you don't really understand where they are. I'm basically doing music that illustrates who I am and where I am in my life.

Pop music, which I deeply admire and wish I could play better than I can, is based on expressing one mood, one feeling at a time. Classical music is by its very nature involved with different kinds of music, constantly transforming one another, which is more akin to the way our experience of life really is.

If all music did was bring the past alive, that would be fine. You can hide away in music and let it recapture memories of things that used to be. But music is greedy and it wants more of your heart than that. It demands the future, your future. Music wants the rest of your life. So you can't rest easy. At any moment, a song can come out of nowhere to shake you up, jump-start your emotions, ruin your life.

I started writing rhymes first and then put it to the music. I figured out I could lock it to the beat better if I heard the music first. I like to get a lot of tracks, put the track up and let the music talk to me about what it's about.

You have to be logical and use international words so people can relate to reggae music. I'm the inventor of the word reggae music. I'm the one who coined the word reggae. So, whatever I put out on my label - my label called D & F Music - it has to be positive.

I think J. S. Bach's music stands among humankind's greatest accomplishments. For me, Bach's music is not only as good as music gets but also as good as it gets, period - as good as existence, reality, life, and the world.

After 12 intense years of rock music, I was happy to get away from making a record and going out on a tour. When I did it, I wanted to feel inspired. After a while I finally had my fill working on other people's music, and I started coming up with music on my own and said, 'This could be for me.

I'll tell you sort of an odd story: My music taste changed on 9/11. And it's very strange. I actually intellectually find this very curious. But on 9/11, I didn't like how rock music responded. And country music collectively, the way they responded, it resonated with me.

Rock & roll seemed to just come to us, on the radio and in the record stores. It became our music. . . But then we uncovered another, deeper level, the history behind rock and R&B, the music behind our music. All roads led to the source, which was the blues.

I know that my music is heard a lot in commercial circles. In academia, I think my music is taken in differently but I'm not sure why that is. Some kind of sixth sense tells me that people in that world are thinking differently about it. I don't know if it has to do with the structure of my music, which is probably more apparent to those in the academic world than it is in the commercial world, where people tend not to think of that aspect of music so much. They just listen for pure enjoyment.

I like music because... its expressive, you can convey whatever you're thinking through a song. And it's the best respite for me anyway to do it through music. So I like music because you can express and let your soul out through it.

The reason I do photographs is to help people understand my music, so it's very important that I am the same, emotionally, in the photographs as in the music. Most people's eyes are much better developed than their ears. If they see a certain emotion in the photograph, then they'll understand the music.

In the point of view of my personal feelings, I love the music as well as the cinema, but the future of a trumpet player - in the money point of view, but also any point of view - is very short on expectations. The life of a moviemaker can be glorious and wonderful. It can put your life in the best of possibilities. I decided to forget music. Not forget, because this is impossible, but to work in cinema, and just to be someone who loves music, and who tries to make music with his films.

I came out of an electronic music scene that based all its music on software. It was a real boys thing, a real testosterone thing - software and the relationship between music and the software - to the point where it was like a closely guarded secret.

I never listen to music when I am writing. It would be impossible. I listen to Bach in the mornings, mostly choral music; also some Handel, mostly songs and arias; I like Schubert's and Beethoven's chamber music and Sibelius' symphonies; for opera, I listen to Mozart and in recent years Wagner.

I have always loved music and singing, and I am open to listen to any type of music. Regardless of my mood, my heart is always set racing when I listen to opera. When I decide which music I want to hear, my choice is almost invariably an opera recording.

Chance the Rapper: if you listen to his narrative and the subject matter he covers in his music, you can see that he's strong, courageous and shows vulnerability. He asks some very poignant questions in his music and is still very melodic. The harmony and the melody of the music allows you to also come in closer.

I hope people just enjoy the music. I'm not worried about any sort of legacy. Whether people view me more as the drummer in Wilco or as a composer who composes primarily for rhythmic reasons - it doesn't matter to me as long as they dig the music. None of that matters to me if the music is crap.

Pop music is the one genre that isn't a genre. If the kids like it, then that's what defines it as pop music. Pop music is just something new.

Atlanta can do crunk music, it can do snap music, it can do swag music. Atlanta has it all.

Simple music is the hardest music to play and blues is simple music.

I read a lot - surveys of vernacular music. A lot of it is the Harry Smith Anthology of American Folk Music, which I've loved since I was in high school. They had it at the library and I always thought that was interesting, even when I was into punk and stuff. Just the history of storytelling and the amount of melancholy a lot of old music has.

Floating Points plays a lot of music that I don't know, and I like geeking out and trying to find out what the tracks are. His knowledge of house music is pretty deep, and his selection is just amazing. And I think it's a pleasure to listen to his music because it's so perfectly produced.

I'm definitely inspired by music; I feel like I can express a part of myself, a part of my heart and my soul, that I can't express just acting by writing music or singing music. It takes the emotions to another level. I feel really connected to something else, you know.

I've always believed in good music over bad music. I believe in two sorts of musics. And the lines that separate us, I don't believe in that. That's for people who need to easily define what they're hearing. Me, I'm cool with everything and anything I'm hearing that's music. It comes under one definition for me.

I always fear with music that it can be too immediate - too geared toward a "get addicted to it and throw it away" mentality. I get so melancholic once I fall out of love with a piece of music, and I try to make music that I think will at least able to grow with me as I get older.

And why is our music called world music? I think people are being polite. What they want to say is that it's third world music. Like they use to call us under developed countries, now it has changed to developing countries, it's much more polite.

Music exists when rhythmic, melodic or harmonic order is deliberately created, and consciously listened to, and it is only language-using, self-conscious creatures ... who are capable of organizing sounds in this way, either when uttering them or when perceiving them. We can hear music in the song of the nightingale, but it is music that no nightingale has heard.

It appears to me that the subject of music, from Machaut to Boulez, has always been its construction. Melodies of 12-tone rows just don't happen. They must be constructed....To demonstrate any formal idea in music, whether structure or stricture, is a matter of construction, in which the methodology is the controlling metaphor of the composition...Only by 'unfixing' the elements traditionally used to construct a piece of music could the sounds exist in themselves--not as symbols, or memories which were memories of other music to begin with.

My music is very emotional. The reason why I want to play music is very emotional. I want to call out my emotions and package them into music.

As an artist, I always just want to grow as a songwriter. I listen to a lot of music. I listen to music all the time, whether it's hip-hop or soul or rock or whatever. I'm always listening to music and trying to learn from other songwriters and how they tap into certain emotions and communicate more clearly.

Part of the joy of music is listening to lots of different kinds of music and learning from it. Specifically for me, I like writing songs that move me, and what moves me are beautiful songs on the piano or the guitar and really, really heavy music.

After 12 intense years of rock music, I was happy to get away from making a record and going out on a tour. When I did it, I wanted to feel inspired. After a while I finally had my fill working on other people's music, and I started coming up with music on my own and said, 'This could be for me.'

A big part of making music is the discovery aspect, is the surprise aspect. That's why I think I'll always love sampling. Because it involves combining the music fandom: collecting, searching, discovering music history, and artifacts of recording that you may not have known existed and you just kind of unlock parts of your brain, you know?

The energy and generosity of spirit of the people I meet everywhere I perform is what inspires me to make music and through the music, we share a bond even if we may never have met. As long as there is a single person who may find something they are looking for or a feeling they need in my music, I will continue to write for that person

Emotions of any kind are produced by melody and rhythm; therefore by music a man becomes accustomed to feeling the right emotions; music has thus the power to form character, and the various kinds of music based on various modes may be distinguished by their effects on character.

I really do listen to all types of music, not only rock, but everything from good pop music - which is usually older pop music - to RB and indie rock. I love indie rock more than a lot of the commercial stuff that you'd expect.

Most people define themselves by what they do - 'I'm a musician.' Then one day it occurred to me that I'm only a musician when I'm playing music - or writing music, or talking about music. I don't do that 24 hours a day. I'm also a father, a son, a husband, a citizen - I mean, when I go to vote, I'm not thinking of myself as 'a musician.'

I have always been infatuated with country music. Country music tells stories, and I've always loved to tell stories. I said that when I establish myself as an artist that can do pretty much anything I want to do in music, I'm going to make a country album.

Prince turned experimental music into pop music. 'When Doves Cry,' the whole 'Purple Rain' soundtrack - he was inspired by the Cocteau Twins and new wave pop and brought it into R&B when he first started, and then it became this cool, next-level, kind of hard-to-digest music. Which is what I felt 'House of Balloons' was.

I'm trying to fly the flag for the days of electronic music where people who are making it are also building the gear because that was what was happening in the very early days of electronic music. And that spirit is one of the things that really appeals to me about electronic music so I'm putting this forward as a way to keep that.

music heard so deeply That it is not heard at all, but you are the music While the music lasts.

I actually only started listening to house music around the time I started making it. I got hooked both to making music and to house music.

I think J.S. Bach's music stands among humankind's greatest accomplishments. For me, Bach's music is not only as good as music gets, but also as good as it gets, period -- as good as existence, reality, life and the world.

The Independent Record Store is the reason why i STILL do music...It seems like they're the only ones that Really care about the real music lovers...we need them...they're our balance to all of the music we are FORCED to listen to...they're the only ones that may still suggest something NEW and FRESH instead of just what's popular.

When this genre of music started in America, Metallica was up north in California, we were in Southern California, Anthrax was on the East Coast. We each developed our own metal music, and after 30 years, we're still playing our metal music.

Jonas' music is inspiring, energizing, and spiritually uplifting. A brilliant songwriter, he writes music that reaches deep into the soul and awakens the best and highest in all of us. And Jonas delivers his songs with a power, joy, and grace that last long after the last note is played. The world needs this music!

I mean even I don't know how to buy music online. I go on a music- streaming site or an online music store, there are so many steps you have to go through, before you get to download the song. Then, if I have made my account, then I forget my password daily.

Music, Rock and Roll music especially, is such a generational thing. Each generation must have their own music, I had my own in my generation, you have yours, everyone I know has their own generation.

When we were doing music, that's how we did-we just did it for the music. We weren't thinking about money, we weren't thinking about fame. Music was our passion.

I really do listen to all types of music, not only rock, but everything from good pop music - which is usually older pop music - to R&B and indie rock. I love indie rock more than a lot of the commercial stuff that you'd expect.

I love the 80s. I always used to watch that VH1 show, 'I Love the 80s,' nonstop. I love the 80s, everything about it, the clothes, the music. Especially the music. The music is so happy. It's great.

Playing in those bars where people really don't care about your music really gives you an appreciation for when you get to a concert, and people are singing your original music - it's been a great journey, but I definitely didn't have an interest in music as a kid until I was a teenager.

If you play music for the right reasons, the rest of the things will come. The right reason to play music is that you love it. That's why I play music. I never imagined that I was going to be doing this, especially because I never thought of myself as an instrumentalist.

I make music for people to feel happy with my music and the people that actually want to support me, that's all I care about. I care about the people that want the music. I make the music for them.

Other [artists'] music is really what you get most inspiration from, whether consciously or subconsciously. I like a lot of old music and a lot of soul music. I also really like a lot of new stuff.