Top 1200 Jamaican Music Quotes & Sayings - Page 2

Explore popular Jamaican Music quotes.
Last updated on October 17, 2024.
To me music is music. A person of faith, a person that calls themselves a Christian, they are the Christian and they make music. Some music has more to do about God than other music, but in reality what makes the difference between "secular" and "Christian" music is simply a marketing channel.
My dad is Greek and my mum Jamaican. My grandparents brought me up for most of my childhood, but I saw my mum and dad all the time.
I wrote a short article called "Yardcore" for that issue, too, as an attempt to talk about the Jamaican influence on garage, grime and dubstep; as a splicing of soundsystem culture and hardcore.
Music has been so healing in my life, so the fact that my music could be that for someone else is the best gift of my whole career. People have told me that they got married to my music, divorced to my music, and played my music while they were having their baby.
Our father was a farmer and an entrepreneur as well as a musician, and we're pleased to deliver the fine taste of Jamaican coffee and our family's heritage to people everywhere through Marley's One Drop.
When you think about the passion that's involved wth Jamaican culture, it's like, they're not sitting around waiting for things to get all pretty: they want it raw and dutty.
I think there's always been a little performer in me. But having a family that are Jamaican immigrants, having this idea that, 'Oh, that's what you're going to do for a living?' seems kind of out of reach and not a reality. It's like, 'get a real job.'
When we were in D.C. my daddy used to cut his hair with a bowl. Crucial. If you're African, Haitan, Jamaican or even more poor than the people in the project, you'll know about that.
And this is the origin of pop music: it's a professional music which draws upon both folk music and fine arts music as well. — © Pete Seeger
And this is the origin of pop music: it's a professional music which draws upon both folk music and fine arts music as well.
I'm not sure if music got a future. We have all these electronic ways to download and steal music and get music, but there's no money in makin' music.
My family is Jamaican. We were just the slaves that were dropped off over there. And at the end of the day when you live and exist as a Black person in America, at least to white society, to a certain extent, no one is asking where you're from and where you were born.
I listened to a lot of Jamaican vibes growing up. A lot of Bob Marley, Shabba Ranks, but also, Lil Wayne and Tupac.
Hildegard von Bingen conveys spiritual ecstasy, if we're talking of Western music. What bothers me about Western music is that it doesn't have an esoteric dimension in the way the music of the East has, whether it be Byzantine chant, the music of the Sufis, or Hindu music.
I have always loved the process of making the music, reading the letters from the fans who get married to my music, have children to my music and play my music at their funerals.
There's music in the sighing of a reed; There's music in the gushing of a rill; There's music in all things, if men had ears; The earth is but the music of the spheres.
My music is music that Christians and Catholics can listen to. Muslims. Buddhists. And non-religious people as well. It's just music. You can look at the music in several different ways. It's music for everybody.
Neville and I are big fans of ska. He's actually more into original, Jamaican, skinhead, two-tone ska from England, but I'm more into punk ska - Operation Ivy and stuff Rancid would do.
I am interested in the study of music and the discipline of music and the experience of music and music as a esoteric mechanism to continue my real intentions.
I gravitate to rhythmic music, so I listen to jazz, world music, Indian music, Hawaiian music, all kinds. — © Brian Stokes Mitchell
I gravitate to rhythmic music, so I listen to jazz, world music, Indian music, Hawaiian music, all kinds.
Here's the key to Jamaica, the secret to Jamaican dancehall parties, no matter where you are in the world. If you do not see Japanese people, you're at the wrong party. They source authenticity like no other culture I've ever seen.
I was at a family friend's house and in true Jamaican style we celebrated with food. I relived every single emotionit was a moving experience. I am super-happy with all the love and support I am getting from my Jamaicans and Caribbean people.
Country music was the music I was brought up on. It's the music that's closest to my heart and the music that speaks to me the most, and it's always been a big influence on my own songwriting.
Basically, there were three aspects of dub that influenced dubstep. The most important was playing the instrumental versions of vocal garage tracks, which was a little like what dub was to reggae - the instrumental of a full vocal.The second was dub as a methodology, which, for me, is apparent in all dance music: manipulating sound to create impossible sonic spaces using reverb, echo and such. The third is the influence of the genre called dub. (It became a cliché actually, through sampling old Jamaican films and soundtracks, and adding vocal samples.)
Back in those early days when I began my apprenticeship as a poet, I also tried to voice our anger, spirit of defiance and resistance in a Jamaican poetic idiom.
I had a weird accent. Dutch people speak American English, and my parents were Jamaican, with their own broken English.
I have carried my Jamaican Flag with pride around the world to share my culture and experience with others because I seek Balance which is what I believe life is all about.
When I was growing up, music was music and there were no genres. We didn't look at it as country music. Popular music in Tuskegee was country music. So I didn't know it in categories. It was the radio.
I do have very solid reggae roots based on the fact that I'm Jamaican, and so that is a part of myself; even if I never do all reggae, it has to come out in some way because that's who I am.
My dream of happiness: a quiet spot by the Jamaican seashore . . . hearing the wind sob with the beauty and the tragedy of everything. Sitting under an almond tree, with the leaf spread over me like an umbrella.
The best music to dance to is my music! Haha! I say anything that speaks to you. I personally enjoy dancing to hip-hop, R&B music, EDM/trap music.
G.O.O.D. Music is on top because G.O.O.D. Music is the culture. When you think of, you know, just every aspect from music, influence, fashion, art level. If it's not G.O.O.D Music, then it's somebody who was influenced heavily by G.O.O.D. Music.
I think everyone is kind of an immigrant somehow, and I wasn't raised in an American society at home. My household was a Jamaican household, so I got all my traditions, all my roots and culture intact, so I'm able to support both countries.
I got into dub a long time ago. I was into dub before I even had any interest in reggae or Jamaican songs, Bob Marley, or any of those established artists. I just thought it was such an unusual sound.
The authentic Gullah dialect is actually very clipped, and so it would sound almost Jamaican and be very odd to an American audience's ears. It's not the typical Southern dialect that we're used to.
When I was eight my mum said, 'You must integrate otherwise you won't fit it in. You must talk like de Dudley people dem.' Suddenly this thing of having a Jamaican attitude got knocked out of us.
I don't really know anything about my dad. I don't really know too much about his background. He's Jamaican and Jamaicans are usually more athletic. You've seen Usain Bolt.
My family belonged to a very particular formation - middle-class and coloured, not black. That meant it had a closer connection to the plantocracy than many other people did. So I didn't feel like an ordinary black Jamaican boy.
My influences are jazz, blues, European classical music; they are rock music and pop music. So many kinds of music. World music from different countries like India and China. I think that would be a shame not to take advantage and do something... not unique, because I don't have this pretension.
That's the kind of music I want SoulBird to represent: music with intelligence and heart, music that moves people in their souls and their bodies. Music with wings.
Music means communication to me. I say 'listen you people out there, listen to my music, let's be one.' Music is a friend to me when I am lonely, when I am blue. You can't define music 'cause music is cosmos and it knows no barrier or definition. You have to feel music to dig it.
Growing up, my grandmother did not want worldly music in the house. Then when I went out to California, I started listening to Spanish music, mostly Mexican music. But were I in Egypt, I would listen to the music of the people, or if I was in Italy, I'd listen to Italian music.
What is Music? How do you define it? Music is a calm moonlit night, the rustle of leaves in Summer. Music is the far off peal of bells at dusk! Music comes straight from the heart and talks only to the heart: it is Love! Music is the Sister of Poetry and her Mother is sorrow!
I'm from Louisiana, and that's where I got my start, in Cajun music. There's a huge music scene down there centered around our culture. Those are people that are not making music for a living. They are making music for the fun of it. And I think that's the best way I could have been introduced to music.
I don't know a lot about my Jamaican heritage, so I relish any opportunity to learn about Caribbean culture. — © Karla Crome
I don't know a lot about my Jamaican heritage, so I relish any opportunity to learn about Caribbean culture.
I have never been to Jamaica and in footballing terms, I feel English because this is where I grew up and played all of my football. That is not to say I don't have immense pride in my Jamaican heritage - I certainly do.
...a young man, Jamaican, perhaps, his head circled in a scarf with sunbleached dreadlocks on piled on top, looking like a plate of soft-shell crabs.
I read so much stuff that black women say, especially about my relationship. 'Oh, he left his black wife to go be with some exotic chick.' First of all, my girl is black: she's Jamaican.
Dear Non-American Black, when you make the choice to come to America, you become black. Stop arguing. Stop saying I'm Jamaican or I'm Ghanaian. America doesn't care.
I keep my music heartfelt and stick to making real music. I wouldn't even say it's hip-hop music. My music is 'reality rap.'
You have a history of art-music that you equate with music. That's what I love about that term art-music. It separates itself from music-music, the music people have always made.
I have never acknowledged the difference between serious music and light music. There is only good music and bad music.
The authentic Gullah dialect is actually very clipped, and so it would sound almost Jamaican and be very odd to an American audience's ears. It's not the typical Southern dialect that we're used to. It has a much more percussive rhythm to it.
I don't know why people have to categorize things in music under music. It's music and it's music and it's music. When you start putting genres on things, I think it's completely ridiculous, and I hate that.
In hindsight I can see that my love for the arts began by watching my father and his colleagues perform on stage in Jamaica, and running a muck among the exhibits of fabulous Jamaican art at the National Gallery while mum was upstairs curating.
I don't need a sensationalized headline to sell music or to bring attention to my music. It's the music and it's always been about the music. — © Big Boi
I don't need a sensationalized headline to sell music or to bring attention to my music. It's the music and it's always been about the music.
Let's say you have some chicken stock and you're making soup, and out of everything you can taste, some of the things you put in and some of the things you don't. So you start out with an African spice then you hear some Brazilian music, so then it changes. Then you hear Jamaican and it changes again. And the result depends on how much of each spice you put into it. Now, I've been putting in spices since I started playing professionally in 1945.
My dad knows every single accent from being an old Yiddish grandpa to being Indian or Jamaican. It was very cool to grow up with that.
When I lived in Jamaican I lived in Kingston, in Spanish Town, and when I go there the only place I want to go is Kingston because that's where the culture is the richest.
I used to watch my grandmother make fancy, Julia Child-style beef bourguignon. And growing up in New York City, I was exposed to many cultures. I experimented with Puerto Rican and Jamaican food.
I love pop music just as much as I like rap music, or ill-ass hip-hop music, or rock music.
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