Top 1200 Jane Austen Novel Quotes & Sayings - Page 15

He didn't have a single clue what was going on with these two strangers, but every instinct told him Master George equaled good, Mistress Jane equaled bald- he blinked-uh, bad.

Truthfully, I guess I would like to be remembered as a great writer and a kind person. I wouldn't mind if an expensive bag were named after me, like Jane Birkin.

After my first novel, my mother said to me, 'Why don't you make your writing more funny? You're so funny in person.' Because my first novel was rather dark. And I don't know, but something about what she said was true. 'Yes, why don't I?' Maybe I was afraid to be funny in the writing. But since then, seven books later, almost everything I've done has a comedic edge to it.

The present era grabs everything that was ever written in order to transform it into films, TV programs; or cartoons. What is essential in a novel is precisely what can only be expressed in a novel, and so every adaptation contains nothing but the non-essential. If a person is still crazy enough to write novels nowadays and wants to protect them, he has to write them in such a way that they cannot be adapted, in other words, in such a way that they cannot be retold.

Jean Valentine and Jane Cooper were my professors at Sarah Lawrence College - and they were uncompromised in their art. They gave me models of how to live one's life as a poet.

Reading was such a formative part of my childhood (along with 'Loony Tunes'), that it is difficult to pin point the most influential book. But, under an interrogation light I would probably have to say 'Jane Eyre' by Charlotte Bronte.

A detective novel should contain no long descriptive passages, no literary dallying with side-issues, no subtly worked-out character analyses, no 'atmospheric' preoccupations. Such matters have no vital place in a record of crime and deduction. They hold up the action and introduce issues irrelevant to the main purpose, which is to state a problem, analyze it, and bring it to a successful conclusion. To be sure, there must be a sufficient descriptiveness and character delineation to give the novel verisimilitude.

By the time I was doing "Kill Bill," it was so much filled with prose that, you know, I start seeing why people write a screenplay and make it more like a blueprint, because basically I had written - in "Kill Bill," I had basically written a novel, and basically every day I was adapting my novel to the screen on the fly, you know, on my feet.

a novel is not born of a single idea. The stories I've tried to write from one idea, no matter how terrific an idea, have sputtered out and died by chapter three. For me, novels have invariably come from a complex of ideas that in the beginning seemed to bear no relation to each other, but in the unconscious began mysteriously to merge and grow. Ideas for a novel are like the strong guy lines of a spider web. Without them the silken web cannot be spun.

Sweet Jane' is my favorite song by Lou Reed the writer, at least the Velvet Underground Lou Reed.

There's a lot of ignorance about how long it takes to write a novel. There's a lot of ignorance about how long a novel is in your head before you start to write it.

I tell people the first time I decided to write a novel I was in my mid-20s, and it was, 'Well, it's time to see if I can do this.' I basically flipped a coin to see if I was going to write science fiction or if I was going to do a crime novel. The coin toss went to science fiction.

I use Jane Iredale SPF foundation and bronzer, along with the brand's brushes. Her stuff keeps my face all glowy and looking good for interviews and moments when I want to feel like a million bucks.

I learned so much from Jane Lynch. She was the funniest and most talented person. She taught me so much about being a performer.

They're always such alive females. And also, all those love stories - no man in Austen has ever fallen in love with a female heroine because she's pretty or beautiful or has long, blonde hair. They fall in love with them because of who they are, because of their vibrancy and their intelligence and if only we were teaching that a bit more in schools.

On April 3, 2014, Jane Goodall turned 80. The iconic blond ponytail has gone gray, but the sparkle of intelligence, sly humor, and fierce dedication still shines from her hazel eyes.

I always write a draft version of the novel in which I try to develop, not the story, not the plot, but the possibilities of the plot. I write without thinking much, trying to overcome all kinds of self-criticism, without stopping, without giving any consideration to the style or structure of the novel, only putting down on paper everything that can be used as raw material, very crude material for later development in the story.

But then we have to leave, have to. It's always been that way, and it will always be that way, Jane. That's just.. how it works

Antiques to Die For sets the gold standard for the classic contemporary cozy. Agatha-finalist Jane K. Cleland's writing is top-notch; her plotting and pace smooth and assured. This antiquing series is in mint condition!

Your opening should give the reader a person to focus on. In a short story, this person should turn up almost immediately; he should be integral to the story's main action; he should be an individual, not just a type. In a novel, the main character may take longer to appear: Anna Karenina doesn't show up in her own novel until chapter eighteen.

I have rarely read a more wonderful book than To Win Her Favor by Tamera Alexander. Rich with historical detail and fully developed characters, this novel held me spellbound until the last page. If you read one historical novel this year, make it To Win Her Favor. It will linger with you long after the last page.

But when I say it isn't meant for anyone's eyes, I don't mean it in the sense of one of those novel manuscripts people keep in a drawer, insisting they don't care if anyone else ever reads it or not.The people I have known who do that, I am convinced, have no faith in themselves as writers and know, deep down, that the novel is flawed, that they don't know how to tell the story, or they don't understand what the story is, or they haven't really got a story to tell. The manuscript in the drawer is the story.

Jane-Sweetie, we've talked about your weight-" my mother began. I'm only eight years old," I said. "How about I promise to be anorexic later?

A short story is a sprint, a novel is a marathon. Sprinters have seconds to get from here to there and then they are finished. Marathoners have to carefully pace themselves so that they don't run out of energy (or in the case of the novelist-- ideas) because they have so far to run. To mix the metaphor, writing a short story is like having a short intense affair, whereas writing a novel is like a long rich marriage.

You are Spider-Man!" she exclaimed. Simon glanced down from his perch halfway up the pillar. "That makes you Mary Jane. She has red hair.

As far as 'Jane Pittman,' I don't know that I could verbalize, to this day, what I felt once I got into that role. I did a tremendous amount of research. I need to feel as though I am in the person's skin.

I love the novel of 'The English Patient'; I think it's a profoundly beautiful novel. I love the movie of 'The English Patient'; I think it's a profoundly beautiful movie. And they're totally different. You accept each on its own terms, and that's kind of the ideal.

It must be that I am dreaming, and that I shall awaken in a moment to see that awful knife descending toward my heart- kiss me, dear, just once before I lose my dream forever." -Jane-

I'm from Mexico, and I've heard some horror stories about cast members who can't stand each other. What we have on 'Jane' is a blessing. We do table reads for every single episode one day before it starts to shoot.

Girlchild . . . unfolds a compelling, layered narrative told by a protagonist with a voice so fresh, original, and funny you'll be in awe. This novel rocks . . . In Girlchild Tupelo Hassman has created a character you'll never forget. Rory Dawn Hendrix of the Calle has as precocious and endearing a voice as Holden Caulfield of Central Park. When you finish this novel, your sorrow at turning the last page will be eased by your excitement at what this sassy, talented author will do next.

I was really glad to meet Jane Clark because it did give me an insight. I couldn't imagine what kind of woman she was. I was hugely impressed by her energy, straightforward nature and enthusiasm for life.

Mr. Rochester never courted Jane Eyre, Tessa pointed out. No, he dressed up as a woman and terrified the poor girl out of her wits. Is that what you want?

I'd just as soon not get into a discussion about Jane and her politics. I'd just as soon stick to what we're here for, the picture.

I do want to write about Jane Whitefield again, but only when I have a good enough idea - something I've figured out about her that's news and that's worth a reader's time.

You know who helped me a lot? Jane Fonda. She said, Look at how many times I've been up and I've been down. So don't worry about anything.

When my career started on daytime soaps, those characters usually didn't have much depth to them. The main goal was to memorize my lines in order to film efficiently the next day. But with 'Jane The Virgin,' the writing is strong, and everything is intentional.

I have no way of comparing myself to other people my age; I can't compare myself with Jane Fonda, can I? I haven't had the work done. I admire the discipline of someone who maintains that degree of beauty, but I'm not prepared to do it.

Jane had that happy disposition which would like to imagine that every one really wishes the well-being of his neighbour and struggles, though sometimes rather disastrously, to help him towards it.

It has to be 'The Piano' by Jane Campion. It inspired me to pursue my dream to direct. It is not just my favorite woman-directed film - it is my favorite film.

The web is just another stunning point in the two-hundred-thousand-year history of human beings on earth. The taming of fire; the discovery of penicillin; the publication of 'Jane Eyre' - add anything you like.

I would love to do a sweeping romantic period drama, like Jane Eyre. That would be my dream. It's always been my dream, as far as acting.

So perhaps the correct conclusion is that Green was less attuned to how people sound when they speak - the actual words and expressions they employ - than to what they mean. This notion of dialogue as a pure expression of character that...transcends the specifics of time and place may be partly why the conversations in the works of writers such as Austen and Bronte often sound fresh and astonishingly contemporary.

I would go in the university stacks and pull out books like 'Jane's Fighting Aircraft of World War II' when I was 12 or something, and I'd spend hours reading about the engines in some of those planes.

The problem was that I'd never worn a bikini before. My dad doesn't allow them. He thinks even one-pieces show too much skin and constantly suggests that Jane and I wear wet suits.

We asked Jane Fonda if she would like to meet American pilots in Hanoi, but she refused, she didn't want to.

Most really good fiction is compelled into being. It comes from a kind of uncalculated innocence. You need not have your ending in mind before you commence. Indeed, you need not be certain of exactly what's going to transpire on page 2. If you know the whole story in advance, your novel is probably dead before you begin it. Give it some room to breathe, to change direction, to surprise you. Writing a novel is not so much a project as a journey, a voyage, an adventure.

It [going from mini-series to series] was never even discussed because it [The Starter Wife] was, you know, an adaptation of a novel. And we - the mini-series encompassed the whole novel. And so it was always going to be a finite sort of event. And then I imagine when people started to really respond to the show and then we got ten Emmy nominations, USA sort of said, "Oh, I think maybe we have something here."

I came to you, Jane. Every night this week, I came to you. I didn't want you to be alone. And I didn't want to sleep without you." -Vishous

Jane Fonda was at the top of my list of women to meet and the only time I felt nervous about interviewing someone. She is one of the most dynamic women I have ever had the honor of talking to.

Jane and I - somehow we fell into each other's arms, and I adored her! I loved her from the minute I saw her. I don't think I knew what love was.

Life's short, so if you're going to spend months doing something, it's gotta be pretty special... But I'm very happy to enter my Baby Jane years, and hopefully segue into the Ruth Gordon years.

It was only when I saw films in my early 20s by Jane Campion, Mira Nair, Sally Potter and Kathryn Bigelow, I started to think, 'Oh, it's possible.' I dared to suggest that I wanted to train to be a film director.

Most contemporary novels are not really "written." They obtain what reality they have largely from an accurate rendering of the noises that human beings currently make in their daily simple needs of communication; and what part of a novel is not composed of these noises consists of a prose which is no more alive than that of a competent newspaper writer or government official. A prose that is altogether alive demands something of the reader that the ordinary novel-reader is not prepared to give.

God created animals. And they’re loving; they’re beautiful. I feel the way (anthropologist) Jane Goodall does or any of those naturalists. I don’t find my interest in animals weird or strange at all.

In 'Girlfriends,' I was exploring the idea of having it all. In 'Being Mary Jane,' I was exploring the idea that you have to be the center of everything.

If you're writing a book where you want to make a positive truth claim, then you should absolutely call it nonfiction or memoir. If you don't want to make that claim - if that's not what's important to you; if you're more interested in storytelling and interiority and interpersonal relationships than in objective, checkable facts about the world - then why wouldn't you call it a novel, and take advantage of what that gets you, of the extra freedom, of belonging to the tradition of the novel?

I always think about the books I'm doing in pretty much the same way. I'm simply trying to write that particular novel as well as that particular novel can be written. I want to listen to what it is telling me, trying to figure out what it wants to do as much as what I want to do with it. There's a negotiation that's constant and ongoing between me and the material I'm working with, because I'm trying to listen to it.

I feel that there is an alternate ending that leaps off too far into fantasy and there is an alternate ending that leaps off too far into pessimism, but that, in fact, the novel as it has developed should, if it's functioning correctly, have equipped you as the reader to make your own decision about where you want to go with that, about where you're going to fall on that continuum. So, the novel is taking you directly up to the point that you have to choose, and it's letting you do that.

I am the happiest creature in the world. Perhaps other people have said so before, but not one with such justice. I am happier even than Jane; she only smiles, I laugh.

When I read a novel that I really like, I feel as if I am in direct, personal communication with the author. I feel as if the author and I are on the same wavelength mentally, that we have a lot in common with each other, and that we could have an interesting conversation, or even a friendship, if the circumstances permitted it. When the novel comes to an end, I feel a certain letdown, a loss of contact. It is natural to want to recapture that feeling by reading other works by the same author, or by corresponding with him/her directly.