Top 1200 Jane Austen Novel Quotes & Sayings - Page 16

'Being Mary Jane,' I really want everybody to see what we've done. I've never watched a project that I've worked and thought, 'Damn that's really good. It's so juicy, and it's hit after hit.'

That's what keeps me going. Everywhere I go there are young people with shining eyes wanting to tell me, "Dr. Jane, we're going to make the world a better place."

I loved him very much - more than I could trust myself to say - more than words had power to express." - Jane Eyre

Calvin: ME TARZAN! KING OF JUNGLE! Suzy: Nice underpants. Does your mom know you're over here like this? Calvin:...I don't think Jane EVER said that to Tarzan.

I love 'Jane Eyre,' and I love the Bronte sisters. I actually didn't read any of them until I was in college, so I don't have quite the same connection with them that I think a lot of women do.

I've always thought that there is a great female James Bond movie to be done. I'm not literally calling her Jane Bond, I mean, but a female secret agent.

[On Ronald Reagan:] Jane Wyman seemed more upset with her husband's obsession with politics than I. I tried to make her laugh. 'He'll outgrow it,' I told her. To her it wasn't funny.

I have a process that I seem to always, to some degree, as a writer, adhere to, but I certainly have never imposed the way I write a novel on my students. When I had students, I never said, "You should never start writing a novel until you have the last sentence." I never did that, and I wouldn't do it now, but people now seem so interested in the process [of writing fiction] that I have to constantly make it clear when I describe mine that I'm not being prescriptive. I'm not proselytizing.

My first impression of Jane Fonda was she is a queen. She is royalty. She walks into the room - any room - and has this presence about her that demands respect.

Bermuda - the waters are calm and shallow and are excellent for snorkelling. I loved St, George's on the tip of the island. I got to swing from the vines like a Jungle Jane and visit Crystal Caves, which were the inspiration for TV show 'Fraggle Rock.'

Picture books, while less in word count, are certainly not less important. There are unbelievably skillful authors writing in this vein. Authors like Jane O'Connor and Jon Scieszka.

Why are murder mysteries so popular? There's a 3-part "formula" (if you want to call it that) for a genre novel: (1) Someone the reader likes and relates to (2) overcomes increasingly difficult obstacles (3) to reach an important goal. The more important the goal, the stronger the novel. And the most important goal that any of us have is survival. That's why murder mysteries are more gripping than a story titled "Who Stole My TV Set.

The label of liberalism is hardly a sentence to public ignominy: otherwise Bruce Springsteen would still be rehabilitating used Cadillacs in Asbury Park and Jane Fonda, for all we know, would be just another overweight housewife.

Introduce your main characters and themes in the first third of your novel. If you are writing a plot-driven genre novel make sure all your major themes/plot elements are introduced in the first third, which you can call the introduction. Develop your themes and characters in your second third, the development. Resolve your themes, mysteries and so on in the final third, the resolution.

Jane Addams, founder of Hull House, once asked, "How shall we respond to the dreams of youth?" It is a dazzling and elegant question, a question that demands an answer--a range of answers, really, spiraling outward in widening circles.

Anyone can sit down and write two pages of a novel, then forget about it, and a week later write five pages of a screenplay, then forget about it, and a week later start another novel... etc, etc.

I am at a loss to understand why people hold Miss Austen's novels at so high a rate, which seem to me vulgar in tone, sterile in artistic invention, imprisoned in their wretched conventions of English society, without genius, wit, or knowledge of the world. Never was life so pinched and narrow. ... All that interests in any character [is this]: has he (or she) the money to marry with? ... Suicide is more respectable.

Jane, my little darling (so I will call you, for so you are), you don't know what you are talking about; you misjudge me again: it is not because she is mad I hate her. If you were mad, do you think I should hate you?

Growing up, it was difficult to find role models I could relate too. Mass media told me to emulate sexy singers or sexy actresses. Jane Goodall was the closest thing I found to a woman I wanted to be like.

In this case, Jane and Maura don't always agree on how to go about solving something. They both are very different in their approach and, a lot of times, that can lead to potential conflict, and then a debate in figuring out who and what is the right way to do it.

Being second generation in Hollywood is complicated: Success is expected, and yet the track record of the second generation is not great. Only a small group of us, like Jane Fonda, have succeeded.

That a greater fool than Jane Eyre had never breathed the breath of life; that a more fantastic idiot had never surfeited herself on sweet lies, and swallowed poison as if it were nectar.

NBC President Fred Silverman told me he would change my life, and proceeded to offer me a five to seven-year contract to replace Jane Pauley as co-host of 'The Today Show.'

Before novels written by women were relegated to their own 'genre,' I was introduced to Jane Smiley by a dear professor who raised my awareness of what female authors were bringing to the table of contemporary fiction.

The concept of 'diversity' was this big moral 'should.' And now with the success of shows like 'Fresh Off the Boat,' 'Empire,' 'Blackish,' and 'Jane the Virgin,' it's become this big business 'must,' which is so great.

Jane Eyre "I desired more...than was within my reach. Who blames me? Many call me discontented. I couldn't help it: the restlessness is in my nature; it agitated me to pain sometimes.

I first became aware of Gina Rodriguez when she was just starting out starring on 'Jane the Virgin,' and a friend sent me an article in which she mentioned me.

I don't think it feels like a burden. We did not really think of it ["Mary and Jane"] that way. I think it is certainly how we branded. The thing it does is enables us to be a little bit surreal.

I often hear people say that they read to escape reality, but I believe that what they’re really doing is reading to find reason for hope, to find strength. While a bad book leaves readers with a sense of hopelessness and despair, a good novel, through stories of values realized, of wrongs righted, can bring to readers a connection to the wonder of life. A good novel shows how life can and ought to be lived. It not only entertains but energizes and uplifts readers.

I feel like if I consider myself comfortable in something, then that's not exactly where I want to be. And in 'Jane the Virgin' specifically, I feel like I don't have to choose... We get to do drama and comedy sometimes within the same thirty seconds.

Yes?’ he asked, looking at me over the sheet. ‘I’m a writer temporarily down on my inspirations.’ ‘Oh, a writer, eh?’ ‘Yes.’ ‘Are you sure?’ ‘No, I’m not.’ ‘What do you write?’ ‘Short stories mostly. And I’m halfway through a novel.’ ‘A novel, eh?’ ‘Yes.’ ‘What’s the name of it?’ ‘”The Leaky Faucet of My Doom.”‘ ‘Oh, I like that. What’s it about?’ ‘Everything.’ ‘Everything? You mean, for instance, it’s about cancer?’ ‘Yes.’ ‘How about my wife?’ ‘She’s in there too.

How can a guy climb trees, say "Me, Tarzan, you, Jane", and make a million? The public forgives my acting because they know I was an athlete. They know I wasn't make-believe.

I've been thinking a lot about why it was so important to me to do The Idiot as a novel, and not a memoir. One reason is the great love of novels that I keep droning on about. I've always loved reading novels. I've wanted to write novels since I was little. I started my first novel when I was seven.I don't have the same connection to memoir or nonfiction or essays. Writing nonfiction makes me feel a little bit as if I'm producing a product I don't consume - it's a really alienating feeling.

I would like to write a novel, or at least try to write one, although my motives are not entirely pure. For one thing, I get asked about writing novels so much that I feel guilty about never having written one. And although I have no strong desire to write a novel, I would hate not to try. That would just be silly. On the other hand, I hate the idea of slogging through something that turns out to be not good.

She had gradually changed her name. "Jane" was too dull. Last year, she'd added a "y", becoming Jayne, which had more personality.

There's something in the Zeitgeist now. A lot of [film] scripts I get have these very dark themes, a cornucopia of dysfunction. You know, Jane is a 13-year-old anorexic who lives with her parents and has been raped by her father. And this is a comedy.

I've done a lot of things for a very young audience so far, such as The Sarah Jane Adventures. I'm tiny and petite and I look very young, so I tend to attract those kinds of roles.

I give everything to my work, and I like complex roles, characters that aren't obvious. I've been very lucky so far, and I'm dreaming of working with directors like Jane Campion, Susanne Bier and the Dardennes. But the gods will decide.

I really started to enjoy Instagram more recently because it's something that shows people what I'm doing and what I'm going through, but it's so simple. I don't have to come up with something witty; it's just a funny photo, and you can be as artistic or as plain Jane as you want.

When I was a kid, I knew the black and white version of 'Jane Eyre,' and I guess I became interested in the idea of romantic love - of unrequited love and the tragedies of that; of what are the important things in life; what should one value over other materials.

It's so easy to get into the same routine. A novel every two years; perhaps, improving technique. But I'm not interested in that. I'm interested in doing something fundamentally important--and therefore, it needs time. And what I've been doing, really, is avoiding this pressure to get into the habit of one novel a year. This is what is expected of novelists. And I have never been really too much concerned with doing what is expected of novelists, or writers, or artists. I want to do what I believe is important.

Crazy Jane is a complex individual who always has a lot brewing. She tries to hold things together on the surface, which is something that we all try to do. She uses these different personalities to try to cope with life.

The process for writing a picture book is completely different from the process of writing a chapter book or novel. For one thing, most of my picture books rhyme. Also, when I write a picture book I'm always thinking about the role the pictures will play in the telling of the story. It can take me several months to write a picture book, but it takes me several years to write a novel.

I learned how to play guitar by playing along to Jane's Addiction records and Smashing Pumpkins records, things you can totally hear if you listen to my guitar.

D.H. Lawrence, I think, defined the difference between writing an article and writing a novel very well. He said, in writing a novel, the writer must be able to identify emotionally and intellectually with two or three or four contradicting perspectives and give each of them very a convincing voice. It's like playing tennis with yourself and you have to be on both sides of the yard. You have to be on both sides, or all sides if there are more than two sides.

Jane Lynch is incredibly quick-witted, very intelligent, and extremely humorous. Also, on top of that all, just a very wonderful, warm, kind person. She's definitely someone to look up to.

A $10 million windfall? At today's prices, I'd feel almost as rich as I did one day in 1936 when I found a dime on the sidewalk and blew the whole wad on 20 Mary Jane candy bars, a box of jujubes, and a double feature.

The characters in my novels are my own unrealized possibilities. That is why I am equally fond of them all and equally horrified by them. Each one has crossed a border that I myself have circumvented. It is that crossed border (the border beyond which my own "I" ends) which attracts me most. For beyond that border begins the secret the novel asks about. This novel is not the author's confession; it is an investigation of human life in the trap the world has become.

I'll never forget reading Chekhov's "A Doctor's Visit" on a train to Hawthorne, New York, and I got to the end - the scene where the patient says goodbye to the doctor and she puts a flower in her hair as a kind of thank you to him - and I felt like a cowboy shot from a canyon's top. This is a different experience from reading a novel, I think. The emotional effect is cumulative. Let's just hope market forces don't send short fiction the way of the dinosaur, because their sales are paltry compared to the novel and this is truly unfortunate.

I was struck with a bolt of distilled horror like I have never known before. Far worse than suddenly finding yourself walking through a prison cafeteria wearing Daisy Duke shorts and a Jane Fonda headband.

I’m Norma McCorvey, the former Jane Roe of the Roe vs. Wade decision that brought "legal" child killing to America. I was persuaded by feminist attorneys to lie; to say that I was raped, and needed an abortion. It was all a lie.

I nearly died three times in 2008, and when you go through those experiences, you realize that you're blessed every day that you wake up. My world changed, my life changed, and with the help of my wife Jane, I was able to survive.

Gentle, soft dream, nestling in my arms now, you will fly, too, as your sisters have all fled before you: but kiss me before you go--embrace me, Jane.

Blue. My name's Blue Sargent.' 'Blair?' 'Blue.' 'Blaize?' Blue sighed. 'Jane

The novel has become a function of the fragmented society, the fragmented consciousness. Human beings are so divided, are becoming more and more divided, and more subdivided in themselves, reflecting the world, that they reach out desperately, not knowing they do it, for information about other groups inside their own country, let alone about groups in other countries. It is a blind grasping out for their own wholeness, and the novel-report is a means toward it.

The reality that we were growing up in was very young and vibrant, and nobody was capturing that part of India. I started to backpack after getting out of college. I hiked and did a lot of things nobody was capturing in art at all in India, so I wrote my first novel. It was a very, trippy, experience-filled novel, and it ended up doing very well in India because nobody was writing about that at that point.

All credit to my mother who, despite having to look after eight children, always made time for exercise. She'd work out to Jane Fonda and later Kathy Smith and Cindy Crawford in between managing us.

Finally, he knew the kind of loving that made two one and understood Jane was his world. His ocean, his country, his sun, his rain, his very heart.

I've sort of had an investigatory relationship with being a musician. I really wasn't sure what I wanted to do. I felt I had had my run - I had done Jane's and I wasn't particularly interested in music anymore.

In retrospect, I went to Jane Fonda for literally everything. During Mermaids, we were staying in the same building, so she was right upstairs from me. I was in my first relationship, so I got all sorts of advice. She became famous in her late teens.