Top 1200 Japanese People Quotes & Sayings - Page 19

Our Navy was very largely sunk. And we were at war in no time at all. I share, in retrospect, the distress we all share at the internment of the Japanese American citizens of the United States. It was not our finest hour. But the Supreme Court had it before it at the time, and justified it and upheld it.

My muse can take the form of a landscape, an era, a style of writing, a piece of music, and, perhaps that which I find strangest of all for a muse, a human female. Of course, she's also adept at taking the form of toothless old Japanese men or young English lads with tattoos.

As Trade Secretary I see the world is waiting. The Australians, the Americans, the Kiwis, the Japanese - they all want us to get Brexit done so that we can begin negotiations and forge new relationships that will open up new markets for British businesses, create jobs and attract new investment.

One of the more problematic aspects of the current state of cinema in Japan is that the movies playing in the theaters are by and large made not by film studios but by broadcasting companies. They're either extensions of popular television dramas or adaptations of manga or anime. Younger Japanese are simply not being exposed to good films. That situation needs to change.

With millions of family wage manufacturing jobs lost since 2001, we need an energy bill that takes bold action to tap into American ingenuity in order to lead the world in new clean energy technology, rather than playing catch-up to the Japanese, Danish, and Germans.

When I was like 22 years old, I wrote this bible for a Sunfire series. So, Sunfire is actually one of the members of the first X-Men team, and he's a Japanese mutant who got his powers from a young age and grew up in an environment raised by his uncle to hate America.

The Japanese always started with the market share of components first. So one would dominate, let's say, sensors, and someone else would dominate memory, and someone else hard drives and things of that sort.

I am inspired by both Japanese Samurai films, in particular the films of Kurosawa, and how they share the spirit of American Westerns, with the influences running in both directions, and including the 'Spaghetti Westerns' and films of Sam Peckinpah.

Maitake mushrooms are known in Japan as “the dancing mushroom.” According to a Japanese legend, a group of Buddhist nuns and woodcutters met on a mountain trail, where they discovered a fruiting of maitake mushrooms emerging from the forest floor. Rejoicing at their discovery of this delicious mushroom, they danced to celebrate.

Maitake mushrooms are known in Japan as 'the dancing mushroom.' According to a Japanese legend, a group of Buddhist nuns and woodcutters met on a mountain trail, where they discovered a fruiting of maitake mushrooms emerging from the forest floor. Rejoicing at their discovery of this delicious mushroom, they danced to celebrate.

Frivolous thinking is due to foreign thought. Japan must no longer let the impudence of the white peoples go unpunished. It is the duty of Japan to fulfill her natural destiny, to cause China to respect the Japanese, to expel Chinese influence from Manchuria, and to follow the way of imperial destiny.

I am often asked the question: 'What is your favorite type of food?' Although I always answer Japanese, the real response should be and is pierogi, the delectable Polish dumplings that my mother, Big Martha, made so well in many incarnations: potato, sweet cabbage, blueberry, peach, plum, and apricot.

Japanese players do not like being thrown into an arena in which they are given very little instruction. You can head in any direction, 360 degrees. They say, 'What am I supposed to do? Give me hints. Provide me service instead of just throwing me into this arena.'

The first time I started listening to Irish music, I had a very strong connection. Strangely enough, there's a great many Japanese melodies and vocal styles that sound very much like Hungarian music. You start seeing all these cross-references and comparative, independent musical cultures.

I was just lucky to be there ahead of the curve to be the driving force behind bringing this amazing style of wrestling from Japan that combined Lucha Libre, American professional wrestling, Canadian professional wrestling and Japanese wrestling all into one beautiful mix that fans worldwide absolutely can't get enough of.

When I was on The View, Barbara Walters was asking me about the blood and stuff, and I said, 'Well, you know, that's a staple of Japanese cinema.' And then she came back, 'But this is America.' And I go, 'I don't make movies for America. I make movies for planet Earth.'

We were living with Bernard [Leach] in his home. He had a fantastic collection of early English and Japanese and Chinese and Korean pots and German pots, contemporary English work as well. And we had access to this collection.

Nazis don't have the right to put up a sign next to the Holocaust Museum in Washington. We would never accept the Japanese putting up a site next to Pearl Harbor. There's no reason for us to accept a mosque next to the World Trade Center.

We tottered together upon the brink of the fall. I have some knowledge, however, of baritsu, or the Japanese system of wrestling, which has more than once been very useful to me. I slipped through his grip, and he with a horrible scream kicked madly for a few seconds and clawed the air with both his hands.

I like a much more Japanese style of blood, where it's red and it almost has a paint kind of quality to it. You can put it on metal, and it has this vividness. Because, normally, what they use in Hollywood is this stuff that looks like strawberry pancake syrup or raspberry pancake syrup.

One thing that I've always tried to do is create lifts - the moment that you have a rush of feelings. That's always something that I'm trying to communicate in music, and particularly the style of music that I write for Japanese Breakfast: I'm always trying to build things up into each other.

I've been making movies for a long time. The Japanese way of making movies has become second nature to me. To get away from that, I really try to surround myself with younger staff and approach making movies not like a veteran of the industry but always as a beginner and a rookie.

I grew up having to piss in a bucket ’cos there was no indoor shitter, and now I have these computerised Japanese super-loo things that have heated seats and wash and blow-dry your arse at the touch of a button. Give it a couple of years and I’ll have a bog with a robot arm that pulls out my turds, so I don’t have to strain.

When a chainsaw rips into a 2,000 year old redwood tree, it's ripping into my guts. When a bulldozer plows through the Amazon rainforest, it's ripping through my side. And when a Japanese whaling ship fires an exploding harpoon into a great whale it's my heart that's being blown to smithereens.

It is true that short forms of poetry have been cultivated in the Far East more than in modern Europe; but in all European literature short forms of poetry are to be found - indeed quite as short as anything in Japanese.

When I read Katana's run in 'Birds of Prey,' I was curious about her restraint. She didn't laugh, didn't loosen up, didn't seem to have a light side. I thought, well, that demure nature is what we believe of women of Old Japan, so she seemed not like a modern Japanese but from an earlier time.

The Boxer Rebellion is a war that was fought on Chinese soil in the year 1900. The Europeans, the Japanese and their Chinese Christian allies were on one side. On the other were poor, starving, illiterate Chinese teenagers whom the Europeans referred to as the Boxers.

I often look ridiculous in Japan. There's really no way to eat in Japan, particularly kaiseki in a traditional ryokan, without offending the Japanese horribly. Every gesture, every movement is just so atrociously wrong, and the more I try, the more hilarious it is.

Cinema really lends itself well to big, archetypal stories, you know, classic old stories and you need kind of a weird, big terrain like the Japanese plains for Samurai movies or the West. You need that for these giants to walk around.

Mr. Miyazaki's specialty is taking a primal wish of kids, transporting them to a fantasyland, and then marooning them there. No one else conjures the phantasmagoric and shifting morality of dreams - that fascinating and frightening aspect of having something that seems to represent good become evil - in the way this master Japanese animator does.

'Your Name' is a film created with the innate imaginations of a Japanese team and put together in a domestic medium. When such a work is imbued with Hollywood filmmaking, we may see new possibilities that we had been completely unaware of - I am looking forward to the live-action film with excited anticipation.

I have a strange illusion quite often. I think I've become deaf. I have to make a little noise to prove I'm not. I clear my throat to show myself that everything is normal. It's like the little Japanese girl they found in the ruins of Hiroshima. Everything dead; and she was singing to her doll.

Our Japanese fans don't speak English primary. They'll translate a sentence before coming and say something like, 'Thank you for coming to our country.' It's like, you're welcome. Thanks for coming to our show!

I think I became an entrepreneur because I have my way of doing business... to do that, you have to have your own company. But if you have your own company, you're an outsider in the Japanese business world. It's difficult. But that's life.

Perhaps the writer I've read the most of is Haruki Murakami, the Japanese writer, but I wouldn't necessarily say he's a favourite. I read him because I find his work so intriguing, but I don't necessarily feel I would follow this writer to the ends of the earth.

Back in 1956, we signed a treaty and surprisingly it was ratified both by the Supreme Soviet of the Soviet Union and the Japanese Parliament. But then Japan refused to implement it and after that the Soviet Union also, so to say, nullified all the agreements reached within the framework of the treaty.

Throughout our history, there has been a long list of those we've been conditioned to hate. The British, French, Spanish, Germans, Japanese, Russians, Communists, Northern Koreans, Vietnamese, Iranians, Taliban, and both northerners and southerners in America are some of the people we've been encouraged at various times to call enemies and to hate. The list is long, and as time passes, those we were assigned to hate we later were told should be removed from our hate list. The enemy is obviously hatred itself. Have empathy for your assigned enemy.

You have to find a group that really desperately cares about what it is you have to say. Talk to them. They have something I call otaku. It's a great Japanese word. It describes the desire of someone who's obsessed to, say, drive across Tokyo to try a new Ramen noodle place 'cause that's what they do, they get obsessed with it.

When the secretary of treasury, the head of the central bank, the head of the FDIC (Federal Deposit Insurance Corp.), and the head of the New York Fed say, "We want you to do this because we think it's in the best interest of the United States of America," you know, we're like the Japanese. We're a little patriotic that way. We said, "Yes, sir!"

In high school, I actually thought I was going to have to learn Japanese to work in technology. My big feeling was I just missed it, I missed the whole thing. It had happened in the '80s, and I got here too late. But then, I'm maybe the most optimistic person I know. I mean, I'm incredibly optimistic.

You can either set brick as a laborer or as an artist. You can make the work a chore, or you can have a good time. You can do it the way you used to clear the dinner dishes when you were thirteen, or you can do it as a Japanese person would perform a tea ceremony, with a level of concentration and care in which you can lose yourself, and so in which you can find yourself.

Japanese are very proud and workaholics. Proud workaholics.

That day the U.S. announced that the dollar would be devalued by 10 percent. By switching the yen to a floating exchange rate, the Japanese currency appreciated, and a sufficient realignment in exchange rates was realized. Joint intervention in gold sales to prevent a steep rise in the price of gold, however, was not undertaken. That was a mistake.

We can't attribute a long history of democratic traditions to Japan, either, but today Japan boasts a fully-fledged democracy in which governments change according to democratic procedures. It's no coincidence that the Taiwanese, Japanese, and South Korean economies are among the most innovative in Asia.

The fans, man, the fans have a little different way of thinking. They really applaud the spirit of fighters, and that put a huge influence on the type of energy I fought with, rather than if I won or lost. America's a real win-or-lose culture, where with the Japanese, fighting with spirit is enough.

In our victory over Japan, airpower was unquestionably decisive. That the planned invasion of the Japanese Home islands was unnecessary is clear evidence that airpower has evolved into a force in war co-equal with land and sea power, decisive in its own right and worthy of the faith of its prophets.

There's a word in Japanese for being sad in the springtime - a whole word for just being sad - about how pretty the flowers are and how soon they're going to die.

I had great inspiration from a Japanese composer named Toru Takemitsu. He wrote over 90 film scores and a lot of concert music, a lot of classical music, and he gave me a lot of inspiration, as well as composers from other countries.

Good design for the home should be universal. A house should be like old shoes, comfortable, like a good friend... The Japanese aesthetic is important to me. Very organic. They have a sense of the weight of the thing: very balanced.

The destination of the soul: this is what I, led on by Nils Holgersson, came to seek in the literature of Western Europe. I fervently hope that my pursuit, as a Japanese, of literature and culture will, in some small measure, repay Western Europe for the light it has shed upon the human condition.

English is necessary as at present original works of science are in English. I believe that in two decades times original works of science will start coming out in our languages. Then we can move over like the Japanese.

There is also the issue of personal privacy when it comes the executive power. Throughout our nation's history, whether it was habeas corpus during the Civil War, Alien and Sedition Acts in World War I, or Japanese internment camps in World War II, presidents have gone too far.

I grew up as a fifth-generation Jew in the American South, at the confluence of two great storytelling traditions. After graduating from Yale in the 1980s, I moved to Japan. For young adventure seekers like myself, the white-hot Japanese miracle held a similar appeal as Russia in 1920s or Paris in the 1950s.

On average, the Chinese, Koreans, and Japanese are more similar to each other and are different from Australians, Israelis and the Swedes, who in turn are similar to each other and are different from Nigerians, Kenyans, and Jamaicans.

Why is our (US) government the only one in the civilized world with a stupid, short-term energy policy? Why do our elected officials consider a European or Japanese-type energy tax not only unpassable but undiscussable?

In the Royal Ballet Company, there was a Japanese principal dancer, and onstage and in ballet, they have colorblind castings - so I did see Asian dancers, and they were always my favorite. When you have someone who looks like you, it's something you can kind of grab onto, and it makes you feel better about your place in the world.

I have been very influenced by the Japanese concept of space - the preciousness of space, and how one's environment can be shaped to make the most out of limited resources. That's the kind of thing we need to look at again - how momentous the results can be from very subtle changes.

When I was taking art history I was always angry that we would skip certain chapters because "it wasn't important." Like, "Let's skip over the Japanese. Let's just get to Giotto, because that's where everything begins." It's like, no. Everything is relevant to me.

We know where most of the creativity, the innovation, the stuff that drives productivity lies-in the minds of those closest to the work. It's been there in front of our noses all along while we've been running around chasing robots and reading books on how to become Japanese-or at least manage like them.

The aikido term ma ai, which means "space harmony" ("ai" is Chinese for "love," and it translates into Japanese as harmonious connection) refers to the optimal distance point, where you're close enough to connect well and far enough to enjoy your own space.